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A Japanese black lacquer pillar table cabinet, slightly oversailing top above sliding covers recto and verso, blind sides, decorated in hiramakie with sinuous lines, each face pierced with foliate motifs and scrolls, swan neck carrying handle, bracket feet, 26cm high, 18cm wide, Meiji period; A Japanese Meiji period lacquer tea caddy (2)
A good Regency Chinoiserie penwork Tea Caddy of sarcophagus form, the hinged cover depicting two figures seated by a tea table in an ornamental garden, the inside lid with a lady and child in a similar Oriental garden, the internal canister lids decorated with a kite flying scene and a lady taking a flower from a turbaned figure, the sides profusely decorated with leaves and flowers, later gilt metal handles and claw and ball feet, 9 in. W.
Silver and silver mounted wares, comprising; a pair of candlesticks, each on a circular base, loaded, Birmingham 1912, height 12.5cm, two napkin rings, a circular trinket box raised on three feet, Birmingham 1918, a circular box and cover having embossed decoration, a pair of sugar tongs, a tea caddy spoon, London 1822, a pickle fork, a salt spoon and a faceted glass pepperette, also foreign wares, comprising; a bodkin case and a cream ladle detailed '90 SIL', (12).
Silver table flatware, comprising; twelve similar Old English pattern teaspoons, Sheffield mostly 1895, six fiddle pattern teaspoons, London 1869, nine rat tail pattern teaspoons, Sheffield 1920, two further part sets of spoons, a pickle fork Birmingham 1932 and a caddy spoon, decorated in the Dutch taste, with a boy fishing, combined weight 701 gms.
Silver, comprising; two Scottish long handled spoons, having fig shaped bowls, a shell pattern caddy spoon, Sheffield 1916, an octagonal napkin ring, two further napkin rings, an Indian curved rectangular visiting card case, six models of insects and animals, comprising; an articulated fish, a scorpion, a frog, a crab, a locust and two further insects and an Indian mug, detailed 1/8 BOTTLE, (14).
A gilt metal-mounted ebonised quarter repeating table clockBy John Dickings, London, late 17th century and laterThe case now with a caddy top, surmounted by a scroll handle, above glazed front and back door, with glazed sides, on a stepped plinth with brass bun feet; the 7in. square brass dial with cherub head spandrels, silvered chapter ring with Roman numerals and Arabic five-minute markers, enclosing a matted centre with false pendulum aperture and signed behind on a panel, harboured winding holes and calendar aperture above the VI with strike/silent lever at the XII; the twin train fusée movement, with foliate engraved backplate, five ring-turned and shouldered pillars, re-converted verge escapement with bob pendulum, striking the hour on a bell and repeating the quarters on five bells, (1 key, 4 finials).42cm high. IllustratedProbably John Dickens, who was apprenticed to William Cattell in 1680 and obtained his Freedom of the Worshipful Company of Clockmakers in 1688 and is recorded as working until 1695.
A giltmetal-mounted ebonised three train mantel clock, of large sizeRetailed by Wilson, Penrith, circa 1890The caddy top case with five flaming finials and ribbon-tied foliate festoons, above an arched cast brass glazed door, flanked by a caryatid to each corner, and with a foliate cast handle and pierced mask arched panel to each side, on a stepped foot with scroll cast feet, the 8½in. arched brass dial with twin silvered subsidiary rings in the arch 'CHIME/SILENT' and 'CHIME ON EIGHT BELLS/ WESTMINSTER CHIMES', above a silvered chapter ring signed below the VI 'WILSON PENRITH' with a matted centre and pierced blued steel hands, the three train chain fusée movement with anchor escapement and pendulum locking block (lacking nut), chiming the quarters on eight bells, with pull-quarter repeat and striking the hour on a gong, ( 1 case key, 1 pendulum).75cm high. Illustrated
A PAIR OF EDWARDIAN TRANSFER PRINTED VASES, each with two gilt handles, 18" (46cm)h; together with a small nickel plated oil lamp with milk glass shade, 16" (41cm)h; a modern blue and white Chinese porcelain jardiniere; a blue and white meat platter; three dessert plates; and a modern Mason's green and white dish and a Mason's tea caddy. (9)
A Chinese famille rose plate,Guangxu (1875-1908), painted with a pair of bulbul on a blossoming branch above peony and rocks, the reverse with peach, pomegranates and finger citron, gilt rim,27.4cm diameter,a wall pocket vase,Republic period (1912-1949), painted with a deity spreading flowers between ruyi head shaped borders,24.4cm, anda tea caddy and cover,Republic period, decorated with a bird and flowers,12cm high (4)清光绪 粉彩富贵白头纹盘、民国 粉彩天女散花纹壁瓶 花鸟图茶叶盖罐 一组三件
A German square-cut glass tea caddy and stopper with strawberry-cut canted corners and wheel-etched floral decoration, with .800 grade cover and pierced sleeve, 14 cm high Condition Report good overall, apart from very minimal contact abrasions to outer edge of bottle silver rim (beneath the cover)
An 18th Century Chinese famille rose tea caddy, of rectangular form with sloping shoulders and floral spray 8 cm x 12 cm high, together with a 19th Century Chinese Canton famille rose octagonal example and a large later Chinese blue and white caddy18th Century Rose:Bubbling and pitting to the glaze.Several chips and heavy rubbing to the edges and base.Discolouration around the rim.Chinese Blue:Several chips to the edges.Areas of discolouration around the edges.Rubbing to the base.Very small areas of pitting.Rose Octagonal:Inconsistent application of paint (although it does not appear to have been restored).Light areas of pitting to several sides.Rubbing to the rims.Lid is chipped on the rim and a small crack is present on the interior.
An 18th Century Chinese famille rose ovoid tea caddy, decorated with fisherman and merchants and a seated sage on a scroll spreading base with matching lid, 13 cm high, together with two blue and white ovoid Chinese tea caddies, 13 cm highFamille Rose:Chips and a hairline crack to the rim.A chip and several hairline cracks to the scroll base.Areas of rubbing to the paintwork.Small areas of retouching to the sage's robes.Lid has several significant chips and the gilt has rubbed away.Ovid Tea Caddies:Rubbing to the gilt.Both have a hairline crack running downwards from the rim.Small areas of pitting.Rubbing to the bases.One lid has broken on the underside, the other on the top.Both have chips to the rims.
An 18th Century Liverpool pearlware blue and white teapot, with chinoiserie decoration 11 cm high, af, a similar decorated cylindrical tea caddy 8 cm diameter x 9 cm high, together with two later stoneware tea caddies, one in blue and white 6 cm square x 10 cm high and the other modelled as a pagoda with polychrome chinoiserie decoration 10.5 cm x 17 cm highTeapot:Heavy crackling to the glaze.Top of the spout has broken.Handle has previously been broken in three different places and been repaired.Small chips to the inner rim.Hairline crack along the base.Two hairline cracks to the lid.Substantial chips and scratches to the lid.Contains a white residue on the inside.Largest Caddy:Light pitting.Small areas of paint loss to the decoration.Rubbing to the base.Chips to the inside of the lid and a small one to the top.Medium Caddy:Substantial chips to the rim and base.Rubbing to the decoration.Light crackling to the glaze.Smallest rectangular caddy:Pitting to the glaze,Areas of discolouration on the upper half.Substantial chips to the rim.Lid has been broken and partially re-glued together although some pieces are missing.
A 19th Century Chinese famille rose tea caddy, of reeded design with floral sprays, having later metal sifter to top, neck af, 14 cm high, together with two famille rose bowls, both in usual design, the largest 23 cm diameter on pierced hardwood stand 15 cm max, the smaller example 19.5 cm diameter x 9 cm high (4)

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81449 item(s)/page