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George III tortoiseshell veneered tea caddy with satin wood stringing and tulip wood cross-banding, with two removable lidded canisters with oval tortoiseshell lids and an inlaid patera motif on the interior lid. Ivory escutcheon and white-metal handle. 13.5 x 22cm; 5.25 x 8.5in. For condition report please see the catalogue at www.peterwilson.co.uk
Late 18th century longcase clock with mahogany case and matched movement. Fluted Doric columns support a canopy with caddy pediment, dog-tooth moulding tops a long door ending in box base. Brass face with brass spandrels and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture. Signed Willm Mayhem, Woodbridge. Two-train eight-day movement. 229cm; 90in height. For condition report please see the catalogue at www.peterwilson.co.uk
A GEORGE V SILVER TEA CADDY, JAMES DIXON & SONS LTD., SHEFFIELD, 1913oblong, part lobed, monogrammed above IAH, on ball feet, 12.5cm long; together with the following miscellaneous silver: a small Edwardian rosebowl, scroll foliate chased, Walker & Hall, Sheffield, 1907, 14cm diameter, a small Edwardian tazza, pale pierced, Stewart Dawson & Co., London, 1909, 14.5cm diameter, a pair of three footed cauldron salt cellars, Sheffield, 1913, a pair lobed oval salt cellars, London, 1905 and four assorted small sweetmeat dishes, one set with a ha’pennyweighable silver 857gr (27oz)(11)
A Japanese black lacquer scholar's rectangular desk caddy, lift-out tray enclosing six rectangular specimen boxes and covers decorated in hiramakie and takamakie with fans and palms, blossoms and foliage, precious objects, structures and birds, the box with moulded top above four panel sides decorated with further blossom and leafy foliage on a splash ground, twin-ring handles, 10.5cm high, 13cm wide, mon emblem of a cross within a rectangular lozenge, Meiji period Condition Report: Generally fair. The top lacking one skirted edge. One panel with stable horizontal crack. Its connecting edge split. Some wear and rubbing to decoration.
A Japanese black lacquer pillar table cabinet, slightly oversailing top above sliding covers recto and verso, blind sides, decorated in hiramakie with sinuous lines, each face pierced with foliate motifs and scrolls, swan neck carrying handle, bracket feet, 26cm high, 18cm wide, Meiji period; A Japanese Meiji period lacquer tea caddy (2)
A George II walnut and featherbanded chest of drawers, circa 1740, attributed to Giles Grendey, the rectangular caddy moulded quarter veneered top, above a brushing slide and four graduated drawers, above shaped bracket feet, 79cm high, 80cm wide, 52cm deep For a chest of virtually identical size, design and construction, and bearing the trade label of Giles Grendey, see Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors Club, 2009, page 104, plate 3:19. In addition, the unusual feature of hardwood rollers fitted to the feet, demonstrated by the example in Bowett s book, is also present on the current chest being offered, although the actual rollers of the chest being offered are lacking. The cut out elements of the feet (for the rollers) and the construction and features of this part of the chest are also virtually identical to those demonstrated by the current chest. Whilst depending on photographs only from the example in Bowett s book, it appears the current chest being offered could be as identical as one could expect. This strongly suggests the current chest was made in the same workshop. Giles Grendey became an apprentice in 1709, and by 1716 taking on his own apprentices. He had a workshop in St John's Square, Clerkenwell from where he ran a successful, largely export business. He made a large selection of furniture to include tables, chairs and mirrors through to case furniture. One of his most well known commissions was for the Duke of Infantado, Lacanzo in Northern Spain where he designed a large suite of scarlet japanned furniture. Some of the pieces retained one of his labels or the initials of one of his apprentices. However, although it is known that he had a thriving workshop, firm attributions are rare, with little evidence of bills in country house records and few pieces still in existence bearing one of his two trade labels.
A George III pearwood tea caddy , late 18th century, in the form of a pear, the hinged lid with carved stalk, opening to a metal lined interior, 16cm high, 11.5cm diameter overall; and a George III mahogany, marquetry and harewood tea caddy, circa 1800, the hinged lid and front inset with shell motifs, 12.5cm high, 11.5cm widePlease note: The provenance for this lot should read ‘Property from the estate of Philippa Bradstock of Longbottom House, Biddesden
Ω A George III ivory veneered and ebony strung tea caddy, circa 1800, of octagonal section, the hinged pyramidal cover with gilt metal swing handle, the front with inset oval yellow metal panel, the interior with central divider and metal lined, 12.5cm high, 11cm wide Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Ω A George IV or William IV tortoiseshell veneered, ivory banded and mother-of-pearl marquetry tea caddy, circa 1830, of rectangular form with canted angles, the hinged cover with graduated cavetto mouldings, the front with foliate inlay above gadrooning, on four ball feet, the interior with twin subsidiary covers, 16cm high, 17.5cm wide Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
A Caughley caddy spoon transfer-printed in the Full Nankin pattern, with shallow egg-shaped bowl, Fitzhugh type border and applied shell-shaped handle, circa 1782-90, 10.5cm long Provenance: Wright Collection no.362, purchased in 1986 from Charnwood. Literature: See Ironbridge 1999 catalogue nos. 247 and 248 for illustrations of similar caddy spoons. Furthermore, a similar example sold in these rooms in 2015 for £820.
A collection of Caughley tea and coffee wares transfer-printed in the Fruit and Wreath pattern, circa 1778-82, with additional gilding, comprising teapot and cover, 12cm high, teapot stand, tea caddy and cover (restored), tea bowl, coffee cup and saucer, milk jug, sucrier and cover, spoon tray, slop bowl and a bread and butter plate, C mark (14)Provenance: Wright Collection no.610. The majority of these pieces were purchased from a Phillips Sale on 15/9/99 as lot 198, 'From the collection of Lord Lilford', sale 30807 (illustrated in the sale catalogue).This is a very interesting service as it is an example of the earlier, twenty-four reeded shape. A comparison of the teapot in this lot can be made between collection no. 386. The teapot in this is an early barrel shape which is not as uniform in design as the later example. A similar teapot also exists in the Shrewsbury Museum. Furthermore, the tea canister in this lot was exhibited at Ironbridge 1999 no.67.
ANTIQUE SILVER CADDY SPOON with fluted circular bowl and foliate engraved handle, Birmingham 1790 TWO 19TH CENTURY FIDDLE HANDLE SILVER DESSERT SPOONS Exeter 1850 makers RW.JW.JW and Chester 1842 maker PL together with VICTORIAN SILVER FIDDLE HANDLE SALT SPOON and and OLD ENGLISH PATTERN MUSTARD SPOON total 3.25 oz (5)
A late 19th Century Russian silver gilt and enamel caddy spoon, the reverse of the bowl and the terminal with coloured enamel decoration, 12cm long Condition Report: Pink powdery residue in many recesses (probably silver polish). Two of the turquoise enamel beads to reverse of bowl at join with stem are replaced/later, possible sign that there has been a break or bend at this joint. Otherwise overall good.
Fine early 18th century eight day longcase clock, by Langley Bradley, London, with 12 inch square brass dial with silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, cast crowned cherub spandrels and wheat-ear border, five-pillar movement striking on a bell, in very fine seaweed marquetry inlaid case with caddy top, blind fret panel, brass ringed lenticle glass to door, on platform base, 230cm high (pendulum, two weights and key present) CONDITION REPORT General overall condition is reasonable, movement is very dusty and we are unable to confirm if it is in full working order. Dial is in good order. However, spandrels may have been replaced at some time. Case has had extensive repair and refurbishment. The plinth has been rebuilt at some time and the base surround is a replacement, some moulding is damaged. Door hinges and back are replacements. Hood has been extensively renovated but has damage to fretwork. Rear pillars have been replaced with square beading. Dial mask has been replaced and hood door securing bolt does not function. Front door pillars are now screwed in. Caddy top is loose and requires glueing. On balance the refurbishing seems to suggest that the case and movement may not be original to each other
Selection of miscellaneous silver and white metal - including Victorian leaf caddy spoon (London 1880), George Unite, Continental silver model of a harp (London Import marks 1889), Chinese silver model of a rickshaw, powder compact, wishbone dish (London 1897) and other items. Approximately 6ozs weighable silver (qty)
A Dutch silver miniature caddy Of oval section, typically emboss decorated with figural vignettes, dolphin hallmark; together with a Dutch silver grinder. The former 9 cm high. (2) CONDITION REPORTS: Both generally good condition, expected wear, some minor dints and bruises, caddy approximately 60 grammes, grinder approximately 52 grammes.

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