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Lot 35
A Norwegian silver caddy spoon,marked 830 S, the bowl embossed with a sailing boat,9.5cm longtogether with a small silver jug,unmarked, engraved with birds among vines, the base with embedded George II shilling, 8cm wideand a collection of similar silver items,comprising a pair of graduated dishes, possibly Indian, marked T.100, 9.2cm and 10.2cm diameter, a taste du vin, 8cm wide, and a set of three floral embossed shot cups, 6cm hightotal 9.4ozt (8)Tarnishing throughout, particularly to the tops of the shot cups. All unmarked items test as silver.
Lot 584
A BOX OF TREEN, ASSORTED NATURAL AND VINTAGE ITEMS, to include a large tea caddy of sarcophagus form (no interior compartments, requires restoration) approximate height 18cm x width 29.5cm x depth 14cm, two twentieth century wooden biscuit barrels with plated lids and ceramic liners, an adjustable desk calendar, a metal embossing press, a leather powder flask, a vintage 'Race Game' horse racing game (sd, horses and dice only), scientific lenses, a glass inkwell, a Craftsman Sheffield pewter pepper pot, horns, cowrie shells, assorted teeth and other natural specimens, etc (sd) (1 BOX)
Lot 605
FORTY EIGHT LILLIPUT LANE SCULPTURES, from various collections (British, North, South West, South East, Scottish etc, to include fourteen boxed Crowning Glory, L.N. Mongers & Son, Badger Bar (broken chimney), Peppermill Cottage, Tree Tops, Faithful Friends, Lily of the Valley, Eagle House Folly, Here We Go Round..., Tintagel Old Post Office (chipped roof), Goosey Goosey Gander, Hickory Dickory Dock, Ding Dong Bell and The Parsonage (Bronte) (chipped tree), all with deeds, together with Double Cottage, Jasmine Cottage (chipped chimney), Three Feathers (rubbed), Beacon Heights, The Croft, Greensted Church (rubbed roof), Tea Caddy Cottage, Penny's Post etc (48) (Condition report: rubbed or worn on most, one or two with chipped chimneys)
Lot 129
Miscellaneous silver including two silver vases Birmingham hallmark approx 18.5 cms; two silver bud vases (marks rubbed); coin purse; sterling silver coffee spoon with an Indeginous American finial, six silver coffee spoons Sheffield hallmark, mm Walker & Hall; two Continental silver spoons; three silver napkin rings; a white metal tea caddy without lid.
Lot 420
A large collection of silver and white metal to include: Edwardian silver sauce boat marked for Chester, silver trefid spoon, three sets of 6 silver teaspoons including a matched and crested 18th century set, Dutch salad servers (0.833 fineness) silver caddy spoon, boxed silver christening set and further silver items, unmarked set of plated napkin rings, pair of boxed Stohl pickle forks, marrow scoop, set of 6 Art Deco style ice cream spoons and serving spoon, berry spoon, basting spoons, latter are EPNS, known silver approx 35 troy oz (incl Dutch 0.833 silver at 7.9 troy oz)
Lot 2001
the oblong section glass caddies with faceted corners, the silver mounts engraved with foliage scroll and rocaille and later engraved with a coat-of-arms, each with a silver-mounted stopper with ring handle, in fitted silver-mounted shagreen covered caddy, the lock-plate later engraved with the same coat-of-armsthe caddies 12.5cm high, the case 25.5cm wideThe coat-of-arms are those of Ramsay impaling those of Sandilands for William Ramsay of Barnton and his wife the Hon. Mary Sandilands, daughter of James, 10th Lord Torphichen, who he married in 1828. Ramsay was the eldest son of George Ramsay and his with Jean. He was to be described as 'the richest commoner in Scotland' when he inherited the estates of his father as a child. He studied at Christ Church, Oxford and was to go on to become MP for Stirlingshire in 1831 and later for Midlothian. Silver-mounted glass caddies like the present examples, while rare, are not entirely unknown. There is, for example, a set of three of 1768 which were owned by the painter Sir Joshua Reynolds. They are now in the collection of the Royal Academy, having been presented to them in December 1898 (object number 03/5934).The silver mounts on the glass caddies and the shagreen caddy are all unmarked. The silver mounts have some overall scratching and wear, consistent with age and use. There are some minor chips to the glass bottles which are a slightly differing colour, one may be replaced. The shagreen caddy has had a new lockplate added and a silver plate base added underneath.
Lot 2033
the gilt bowl modelled as an anemone flower, the handle with openwork foliage, branches and flowersthe caddy-spoon 80mm long, 8dwt, 12.6grThe marks are in general clear, though the maker's mark is somewhat poorly struck. There is some surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and to the gilding in the bowl.
Lot 686
A Victorian Rosewood and Marquetry Work Box, the caddy top with foliate decoration and gadrooned edges over a fitted interior with sewing accoutrements and two panelled doors enclosing a faux drawer and three drawers, one containing a writing slope, on bun feet, 30cm wideReasonable condition. However, the timber is rather dry mainly around the end panels and the verso. The lid also has a shrinkage gap around the moulding (see images).
Lot 752
An Oak Eight Day Longcase Clock, signed J.Whitworth, Lussley, circa 1780, caddied pediment, crossbanded trunk door, brass capped pilasters, 13-1/4-inch square brass dial with a Roman and Arabic silvered chapter ring, dial centre engraved with a bird, sailing boat and scroll decoration, seconds dial, moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell, 214cm highCase has been cleaning throughout, bottom section of the back board is missing, re-built caddy, later finials, dial is discoloured and needs cleaning, movement is all complete, with pendulum and two weights.
Lot 262
KOKUSAI: A SUPERB STAG ANTLER CHAIRE (TEA CADDY)By Ozaki Kokusai (1835-1892), signed Koku è°·Japan, Shiba, Tokyo, c. 1860-1880Published: Moss, Sydney L. (2016) Kokusai The Genius: and Stag-antler Carving in Japan, vol. II, pp. 168-169, no. 167.Masterfully carved in imitation of a potter chaire (tea caddy) with a beautifully stippled and ink-engraved design of grasses, some of the design using the naturally markings of the antler. The lid is of ivory, again in imitation of the typical pottery chaire lid, which are usually carved from ivory. The underside with a plugged spiral-ridged base, showing a circular seal KOKU, where one might typically expect the potter's mark (typically, Raku), deliberately half obscured as if partially glazed over. One himotoshi to the side, the cord attachment to the underside of the flush-fitting ivory lid, which shows a firing flaw in the form of a simulated crack.HEIGHT 3.7 cmCondition: Excellent condition.Provenance: Ex-collection June Schuerch.Literature comparison:A similar stag antler ojime of a chaire, also with ivory lid and by Ozaki Kokusai, is illustrated next to the present lot in Moss, Sydney L. (2016) Kokusai The Genius: and Stag-antler Carving in Japan, vol. II, pp. 168-169, no. 168. Another smaller stag antler netsuke of a chaire, also with ivory lid and by Ozaki Kokusai, is illustrated in Moss, Sydney L. (1982) Eccentrics in Netsuke, pp. 112-113, no. 71. Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 4-8 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
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