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A BRASS-BOUND LIGHT AND DARK WOOD-STAVED TEA CADDY AND MAHOGANY COVER of flared oval shape with ivory knop, 13cm h, a turned oak barrel shaped tea caddy and flat cover and a mortar of dense hardwood with turned cordon, on rough hewn foot, the first 19th c, the mortar possibly 18th c ++The four brass bands on the tea caddy loose and with old polish residue, oak caddy with a number of old ink (?) stains, mortar with a number of old worn chips around the rim and foot
AN 18TH CENTURY NEWHALL TEAPOT of commode shape enamelled in puce, green and purple with flower sprigs below a ribbon tied border, painted iron red 126 to underside, chip to spout and neck, 14cms high, together with a Leeds Pottery pearlware caddy of fluted flask shape and similar decoration, impressed mark, 14cms high
English ebonised double fusee bracket clock, the five pillar movement with foliate engraved back plate, the 7.5" x 6.5" brass dial signed John Flower, London on a silvered plate to the top flanked by two subsidiary seconds and strike/silent dials over a silvered chapter ring enclosing a calendar aperture and matted centre, within a stepped case surmounted by a caddy top and brass carrying handle, 17" high
English ebonised double fusee bracket clock, the movement with pull repeat and foliate engraved back plate, the 7" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a matted centre with false bob pendulum and calendar aperture, the case with finely engraved pierced stylised foliate ormolu panels, surmounted by a caddy top with gilded brass carrying handle, 18" high
English ebonised single fusee bracket clock, the six pillar movement with foliate engraved back plate, the 6.5" silvered chapter ring signed Gabriel Smith, Nantwich enclosing a matted centre with calendar aperture and ringed winding hole, within a stepped case with gilded banding and foliate decoration, surmounted by a caddy top and brass carrying handle, 16.5" high
Large English ebonised triple fusee director`s clock, the movement quarter chiming on eight bells and striking on a gong, the 9" silvered floral engraved dial with chime/silent subsidiary dial to the arch, the case with canted corners applied with ormolu caryatids and surmounted by a moulded rounded arched top and square caddy terminating in a turned brass finial, 25" high
German walnut and ormolu mounted two train ting-tang mantel clock, the movement back plate inscribed R.M.S. no. 5805 15, the 7" square brass dial with retard/advance lever over a silver chapter ring enclosing a matted centre, within an architectural stepped case surmounted by a square caddy top and brass urn finial, 19" high
Good green lacquer and chinoiserie decorated eight day longcase clock, the 11.5" brass arched dial signed John Baylis, Tewkesbury on the silvered scale over a moon phase aperture, the silvered dial enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long arched moulded door and base decorated with figures in pagoda garden river landscapes, surmounted by a caddy top with three gilded ball and spike finials, 98" high

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81455 item(s)/page