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Lot 19
Three boxes, including a William IV rosewood sarcophagus tea caddy, circa 1830, with two compartments and decorated with mother of pearl, 25cm wide; also a pretty Victorian papier-mâché tea caddy, decorated with an abbey and flower garlands, 21cm wide; and a small Victorian walnut writing slope box, 25cm wide (3) The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso (Part One)
Lot 238
Elm/Walnut Hardstone Topped Chess Table Unusual Pedastal Chess table with a hardstone chess board with inlaid banding and different hardstones forming the 'black' squares. Chess pieces cast in metal. Complete with tea caddy boxes and compartments under the lid. Height: 81 cms approx. Table top: 46 cms square approx. Condition: Good. Interior section dividers loose.
Lot 473
Early 19th century domed tea caddy and 19th century Tunbridge-ware writing slope. Writing slope size 30 x 21 x 15cm approx. Surface wear, tea caddy missing ball feet CONDITION: some minor missing veneer to the writing slope.Lead lining removed from the tea caddy and only two bun feet inside caddy. No key
Lot 129
A collection of Georgian silver picture-back spoons, bright-cut teaspoons and a caddy spoon (15) Seven examples of various picture-back teaspoons including shell-back, 'LIBERTY', floral bouquet, scroll-back and others, plus six bright-cut teaspoons and a caddy spoon. All circa 1780-1800. Various dates and makers. Some with rubbed decoration and/ or marks but overall in good condition. Total weight 180 grams approx.
Lot 2034
A George III Silver Caddy-Spoon, by Samuel Pemberton, Birmingham, 1807 with scoop-shaped bowl, the Fiddle pattern handle and bowl engraved with foliage82mm long, 6dwt, 9.4grFully marked in bowl. There is some minor wear to the marks. There is some overall surface scratching and wear, consistent with age and use. There is a small flaw where the handle attaches to the bowl.
Lot 2089
An Edward VII Silver Tea-Caddy, by Thomas Bradbury and Sons, London, 1902 in the George III style, shaped oval and with incurved corners and gadrooned borders, with two lion-mask drop-ring handles, the hinged cover with wood finial16cm wide over handles, 13oz 9dwt, 418grFully marked on body below hinge and further part marked inside cover. The marks on the body only just legible. The marks inside clear. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to the drop-ring handle on one side.
Lot 2013
A George III Silver Tea-Caddy, by Samuel Taylor, London, 1761 inverted pear-shaped and on spreading foot, the sides chased with foliage and flowers among spiral-fluting, one side with a vacant cartouche, the detachable cover with tea-leaf and flower-cast finial12.5cm high, 6oz 7dwt, 198grFully marked under base and further part marked inside cover. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to the edge of the cover. The cartouche has been erased and is somewhat bright.
Lot 2042
A Russian/Chinese Silver Table-Service, With Cast Pseudo Kokoshnik Mark, Probably Harbin, First Quarter 20th Century each piece with rococo style decoration, comprising11 table-spoons12 table-forks12 dessert-forksA soup-ladleA caddy or sugar-spoonand the following with filled handles12 table-knives, with stainless steel blades12 cheese-knives, with stainless steel blades12 fruit-forks, with silver-gilt tines12 fruit-knives, with silver-gilt blades6 forks with two tines, with silver-gilt tines6 smaller forks with two tines, with silver gilt-tines, one detached2 serving-slices2 ladles, one with silver bowl and one with silver-gilt bowlweighable silver 92oz 4dwt, 2,868gr (101)Harbin is a city in Manchuria, in northeast China. During the Russian revolution many Russians fled by train to the east, ending up in Harbin, indeed by 1921 something like a third of the population of 300,000 were of Russian extraction. As the Russian currency the emigrees brought with them was now worthless their worldly possessions were instead often converted to wrought silver wares to allow them to carry their wealth with them. This was accommodated by a group of silversmiths who had also fled to Harbin and used their skills to produce items in traditional Russian styles. As there was no assay office for them to turn to and as they also had no marks to use on their wares they instead cast into the articles they produced silver marks resembling the pre-revolutionary Kokoshnik marks that they were familiar with.The pieces are marked with a cast pseudomark. There is some overall wear and scratching. The handles on some of the filled pieces are detached from the attachments.
Lot 642
A Regency Tortoiseshell and Ivory-Banded Tea Caddy, of serpentine-fronted sarcophagus form, with hinged cover, flared base and bun feet 18cm wideWith Non-Transferable Standard Ivory Exemption Declaration Number WNLM8TYD Hinges good, cover closing, no sign of warping. Lifting to the two rear panels of veneer. Some chipping to the veneer around the rims. Some lifting to the ivory trim. One internal cover lacking. Centre patrition loose. Foil almost completely perished. Feet all present, one split.
Lot 722
A group of stoneware and earthenware ceramics by different makers comprising a ribbed cylindrical form, teardrop bottle, tapered vase, and ribbed caddy, incised and impressed marks, tallest 29.5cm (4).Provenance: Estate of Robin & Jenny Welch.Condition Report: Shallow chips to unglazed base of tapered vase, otherwise appears good with no further signs of faults, damage or restorations.
Lot 77
A George V Irish silver tea caddy, of cylindrical form, with applied cut-card type decoration depicting Celtic knots, the detachable cover inset with a faceted amethyst-coloured stone, Wakely & Wheeler, Dublin 1917, height 9.5cm, together with two hallmarked pin dishes, combined weight 248g/7.97ozt gross all-in approx (3)
Lot 1094
Schatulle von Abraham RoentgenMahagoni auf Mahagoni und Eiche, vergoldete Bronze, Messing, Eisenschloss. Oblonge Kastenform mit getrepptem Klappdeckel und oben befestigtem Bügelgriff. Vorstehende Basis auf vier geschweiften Zargenfüßen. Mittels einer Druckfeder zu öffnender, kartuschenförmiger, fein gravierter Schlossbeschlag, dahinter die Schlüsselführung. Innen Fächeraufteilung mit herausnehmbarem Deckel. Mit einem Druckknopf in der rechten Wandung zu öffnender Geheimschub in der rechten Basis. Feine Messingbänder um Seiten und Deckel. Der Deckel von innen mit marmoriertem Papier ausgekleidet. Mit umgelegten Bügelgriff H 19, B 26, T 16,5 cm.Neuwied, um 1750-1760.Die Produktion von Schatullen gehörte vermutlich schon seit der Gründung der Herrnhaager Werkstatt 1742 zu Abraham Roentgens täglicher Arbeit. Den Typus des elegant mit Edelhölzern furnierten Kästchens hatte er auf seinen Reisen in die Niederlande und nach London kennengelernt. Die Engländer pflegten den teuren, aus Indien und China importierten Tee in ähnlichen, innen verzinkten und abschließbaren Behältern aufzubewahren. Sie wurden caddy set genannt, ein Wort, das sich auf die chinesische Maßeinheit „kati“ bezog. Abraham Roentgen modifizierte Aussehen und Funktion des kolonialen Kästchens und erarbeitete sich damit gewissermaßen in seinem kleinsten Produkt schon ein sehr eigenes und auffälliges Profil. Millimetergroße, exakt aufeinander abgestimmte Furnierstückchen wurden auf einen Kirschholz- oder Eichenkorpus furniert. Messingbänder betonen die Umrisse, vergoldete Bronzefüße und raffinierte Einlagen steigern den Eindruck des Meisterwerks in Miniaturformat. Quasi zum Markenzeichen wurden die über einen inneren Knopfdruck herausspringenden flachen Seitenschübe in der Basis ebenso wie die kleinen quadratischen Türchen im Schlossbeschlag, die mittels eines Druckknopfs im Boden aufspringen und das Schloss freigeben, um den Schlüssel einzustecken. In Serien hergestellt, besaß jedes einzelne eine individuelle Ausstattung, eine Besonderheit, wie z.B. die kleine, fein gravierte Messingkartusche auf dem Deckel. Die Schatullen wurden in mehreren Größen angeboten und waren nicht ausschließlich für Tee gedacht, sondern für einen beliebigen wertvollen Inhalt. Heute sind noch ungefähr 100 dieser preziösen Schatullen erhalten, die meisten allerdings im Format kleiner Teekästchen. Bis zur Hamburger Lotterie 1769 war ihr Erwerb ausschließlich der hochadligen Clientèle Abraham Roentgens vorbehalten. Erst die ab Ende der 1760er Jahre erhobene Teesteuer und auch der Geschmackswandel zum Klassizismus ließen die Nachfrage nach den aufwändigen Schatullen sinken.LiteraturVgl. Fabian, Abraham und David Roentgen. Das noch aufgefundene Gesamtwerk ihrer Möbel- und Uhrenkunst in Verbindung mit der Uhrmacherfamilie Kinzing in Neuwied. Leben und Werk, Verzeichnis der Werke, Quellen, Bad Neustadt 1996, S. 245 ff.
Lot 16
Boîte à thé en loupe d'amboine et panneaux de laque japonaise, Pays-Bas, fin du XVIIIe siècleA Dutch amboyna tea caddy inset with black and gilt Japanese lacquer panels, late 18th centuryOf rectangular form, the top fitted with a handle, the front and sides inset with lacquer panels depicting trees, a pagoda and a seascape, 14.5cm wide, 10cm deep, 11cm high (5 1/2in wide, 3 1/2in deep, 4in high) For further information on this lot please visit the Bonhams website
Lot 42
Coffret à thé en acajou et monture en argent, fin du XVIIIe siècleA silver mounted mahogany tea caddy, late 18th centuryOf rectangular form, the top with shaped handle and downswept leaf-tip foliate border motif, opening to reveal two lidded containers, with a locking devise to front, mounted with a fret border to lower base, 21.5cm wide, 14cm deep, 15.5cm high (8in wide, 5 1/2in deep, 6in high) For further information on this lot please visit the Bonhams website
Lot 28
Exceptionnel Régulateur de Berthoud à sonnerie, seconde centrale, équation du temps et calendrier annuel, en marqueterie de bois de bout, amarante, bois de violette, satiné et filets d'ébène de la fin du XVIIIe siècleAn exceptional late 18th century 'bois de bout', amaranth, kingwood, satinwood and ebony-banded centre-seconds striking regulator with equation of time, annual calendar, Coteau-dial and rare Berthoud bimetallic pendulumThe case surmounted by a large ormolu urn with berry finial and foliate swags set on a raised caddy, the square hood with finely cast circular ormolu bezel framed by 'bois de bout' inlaid quadrants, and larger panels to each side, the long glazed trunk with matching panels within satinwood and ebony wavy borders, on a matching panel base with ormolu bands, raised on a removable low plinth.The 21 cm circular white enamel dial with outer annual calendar track giving months, dates and signs of the zodiac, each month separated by a finely finished gilt arrowhead, encircling the bold Roman and Arabic numerals, each minute marked by a gilt-framed enamel dot, with inner quarter-hour track. Set with fine pierced and engraved gilt brass hands for the hours and minutes, a pierced blued steel hand gives the equation of time, a plain tapering hand shows the date, and a counter-balanced tapering hand marks the passing seconds. Signed across the centre 'Berthoud à Paris' and further signed below VI for the enamel dial-maker 'Coteau'.The movement set in the case on a very substantial cast brass bracket screwed to the heavy backboard, the thick plates united by robust pillars pinned through the backplate. The strike train is driven by a spring barrel and marks each hour by a horizontal hammer mounted on a vertical post striking the bell via a large five-spoke countwheel mounted on the backplate. The going train is driven by a brass weight mounted on a pulley, the wheels with high-count pinions and terminating in a deadbeat escapement, the pallet arbor set in a separate cock on the backplate with long brass two-piece crutch with impulse pin and fine-screw beat adjustment. Signed across the backplate 'Berthoud AParia'. The pendulum is mounted on a knife-edge suspension on the backboard bracket and consists of a central brass bar framed by two larger steel bars terminating in a very heavy, eccentrically-set brass bob with screw adjustment and temperature indicating hand reading against a silvered scale from 0-25 and engraved 'Chaud - Tempere - Glace'. 2.1m high. For further information on this lot please visit the Bonhams website
Lot 15
Boîte à thé demi-lune en amarante, acajou et satiné, Europe du Nord de la fin du XVIIIe siècleA north European gilt metal mounted amaranth banded mahogany and satinwood demi-lune shaped tea caddy, late 18th centuryWith shaped handle to lid, and pierced foliate and swagged escutcheon, with banded decoration, revealing to the interior three brass lidded tea containers, 20cm wide, 10.5cm deep, 11.5cm high (7 1/2in wide, 4in deep, 4 1/2in high) For further information on this lot please visit the Bonhams website
Lot 1034
A late 19th Century French Louis XV style crossbanded kingwood and marquetry inlaid bon-heur-de jour, the caddy top enclosed by a door over two small drawers and fitted internal drawers and pigeon holes, enclosed by a fall inlaid with a cartouche depicting two lovers eating and drinking in a rural landscape, over a further single long drawer, on gilt mounted legs terminating in sabots, height 147cm x depth 51cm x width 76cm. Condition reports for each lot are available on our website.
Lot 791
A late Victorian oak smoker's cabinet with fitted drawer interior enclosed by a pair of carved panel doors, width 36cm, another in the Arts & Crafts style fitted with three drawers enclosed by a green glass door with pewter tea caddy, width 22cm. (2) Condition reports for each lot are available on our website.
Lot 80
A 19th Century burr walnut decanter stand, the caddy top opening to reveal a compartmentalised interior, later decanters and glasses below an inlaid marquetry harp panel lid, on tapering octagonal pedestal and tricorn platform base and bun feet, height 87cm x depth 31cm x width 45cm. Condition reports for each lot are available on our website.
Lot 767
A pair of late Victorian silver baluster peppers, by Charles Stuart Harris, London 1898, 10.5cm high, an Edwardian silver tea caddy of shaped oval form, by Martin, Hall & Co, Chester 1907, 11cm wide, a pair of silver knife rests, London 1904, and a set of eleven mid-Victorian silver fiddle pattern teaspoons with pierce-decorated handles, London 1866, 26.5oz overall. (qty)
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81455 item(s)/page