We found 81449 price guide item(s) matching your search
There are 81449 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
81449 item(s)/page
Lot 225
An embossed matching four piece brush set in the rococo style by Broadway & Co., Birmingham, 1966 (comb back dated 1979), all in good condition; a George V silver caddy spoon with etched decoration by William Hutton & Sons Ltd., Sheffield, 1923, 66mm; a sporting silver medal and an elliptical brooch with seahorse decoration and mother-of-pearl backing (some missing, see extra photos), 57 x 81mm (4)
Lot 247
Group of ceramics including 4 hand decorated crescents in the manner of Royal Worcester: These each measure 11.5cm wide. Also Continental porcelain tea caddy with lid 13.5cm high & an unusual Swedish cup by Rorstrand, 6.5cm high, made for the Rorstrand London exhibition of 1959, and marked as such to base.
Lot 90
OAK TANTALUS, MAHOGANY TEA CADDY & A..A. MILNE WINNIE THE POOH VOLUME, the tantalus with Staniforth's patent lock and plated mounts, with cut glam decanter and 3 silver decanter labels, 34cms wide; mahogany 2-division tea caddy, 21cms wide; the 1927 third edition volume with green cloth and gilt (some early illustration coloured-in, endpage inscribed) (3)
Lot 249
Full title: A polychrome Dutch Delft black- and gilt-enhanced tea caddy, late 17th C.Description: H.: 13 cmÊ Marked AK on the base for Adrianus Kocx, the 'De Grieksche A' workshop, Delft, 1687-1701.Ê Provenance: The Van Herck collection, Antwerp.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Lot 288
Full title: A Dutch Delft blue and white tea caddy with screw cap, late 17th C.Description: H.: 14,5 cmÊ Marked AK for Adrianus Kocx, the 'De Grieksche A' workshop, Delft, 1687-1701. The caddy and lid both marked with a numeral '0'.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Lot 304
Full title: A rare Dutch Delft blue and white warming bowl with the arms of the Austrian von Zinzendorf family, late 17th C.Description: L.: 27 cm - H.: 12,5 cmÊ The arms are those of the Austrian von Zinzendorf family, and date from 1637. The actual command however, was placed much later. A possible reason may have been the anticipated birth of the most famous member of the family, Nikolaus Ludwig von Zinzendorf, in 1700. Nikolaus Ludwig, Reichsgraf von Zinzendorf und Pottendorf (26 May 1700 - 9 May 1760) was a German religious and social reformer, bishop of the Moravian Church, founder of the Herrnhuter Brüdergemeine, Christian mission pioneer and a major figure of 18th century protestantism.Based on other known pieces from the service, we attribute it to Adrianus Kocx, the 'De Grieksche A' workshop, Delft, 1687-1701. Ê Ref.:- Rijksmuseum, Amsterdam, object number BK-1962-54, for a tea caddy from the von Zinzendorf command. (link available on our website)- Christie's, Amsterdam, May 30, 2001, lot 433, for a small chamberpot from the von Zinzendorf command. (link available on our website)- Lempertz, Cologne, Nov. 18, 2016, lot 457, for a small vase from the von Zinzendorf command. (link available on our website)Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Lot 254
Full title: A Dutch Delft cashmere palette tea caddy, 1st half 18th C.Description: H.: 15 cmÊ Marked IVL on the base for Johannes van Lockhorst, the 'De Klaauw' workshop, Delft, 1713-1740.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Lot 329
Early 19th-century mahogany sarcophagus-shaped tea caddy, rectangular hinged lid, cross-banded, match figured veneers, tear-drop escutcheon, button feet, interior with lid covering lead lined compartments.32cm (13") x 15cm (6"), height 20cm (8")Condition report: All external veneers in good order, interior originally with three sections, two dividers missing.
Lot 189
A large selection of silver and white metal items, to include a pair of silver candlesticks, a pair of crystal and silver knife rests by AB& Co, four fruit knives, a selection of napkin rings, a pair of open salts, a clear glass and silver mustard pot, a vesta case, a silver and frosted glass butter dish, a Sharps Pixley & Co Bullion Brokers one ounce fine silver bar, and a selection of Georgian and later flatware, to include an Arts & Crafts style spoon by Amy Eleanor Stewart, gross weight of hallmarked and solid silver items 13.05ozt.Condition report: Overall condition good to fairKnife rests - some chips to crystal, marks worn but legibleCandlesticks- height 6.7cm, Henry Bushell & Co, Birmingham, 1965 - a couple of light dentsVesta case - William Neale, Chester, 1901, light scratchesButter dish - Stokes & Ireland Ltd, Chester, 1921, some light nibbles to glassSalem spoon - Daniel Low, hallmarks for BirminghamNips, ER, London, 1892 & G E Walton & Co Ltd, Birmingham, 1896Pair of teaspoons - William Johnson, London, 1832 - some dents to bowlsTeaspoon - Thomas Dicks, London, 1808Caddy spoon - Henry Holland, London, 1849Coffee spoon - Amy Eleanor Stewart, Chester, 1908Indian white metal spoons - unmarked
Lot 106
A 19TH PARQUETRY INLAID TEA CADDY, having a circular metal escutcheon, the interior with a central compartment for the glass bowl (missing), flanked to each side by a lidded compartment, and raised on bun feet, with carrying handles to each side, H 18cm x W 35cm x D 15.5cm Condition Report : One of the carrying handles has broken off but is still present Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 105
A 19TH CENTURY WALNUT TEA CADDY having an escutcheon to the centre, the hinged top opening to reveal a central lidded compartment, flanked to two lidded compartments each with a hinged top, H 16cm x W 30cm x D 16.5cm Condition Report : Some damage/losses to the veneer Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 199
Three parts antique, various. Consisting of; Art Nouveau tile coaster with nickel-plated rim, circa 1900, break in. Crystal glass tea caddy with 833/000 silver cap, circa 1880, decorated with pearl rim, size: JM van Kempen Voorschoten. Regina Delft blue plate with 833/000 silver bracket and sawn Biedermeier decor. Dimensions: 16 - 23 cm. In good condition.
Lot 193
A Victorian silver Kings pattern tea caddy spoon by Mary Chawner, London 1839, with a shell design bow, 12.5cm long and a George III silver Old English pattern sauce ladle by Randall Chatterton, London 1800, 18.5cm long, each engraved with a family crest, combined weight 95g. Condition: both worn
Lot 164
A VICTORIAN MAHOGANY HOUR-STRIKING DOMESTIC LONGCASE REGULATORDavis, Shiffnal, circa 1840The four pillar rack and bell striking movement with Harrisons maintaining power and deadbeat escapement incorporating jewelled pallets regulated by brass and steel grid-iron compensated seconds pendulum incorporating stirrup rate adjustment above the large lenticular bob and with fine beat adjustment to crutch, the 12 inch square silvered brass dial with overlaid Roman numeral hour disc incorporating large diameter subsidiary seconds dial over signature Davis, SHIFINAL to centre and with Strike/Silent selection switch at twelve o'clock, with decorative blued steel arrow hands and applied with leafy scroll decorated panels to spandrel areas, in a case with triangular pediment over hinged glazed hood door applied with reeded mouldings to the glazed dial aperture and with rectangular side windows, the trunk with concave throat moulding and flame figured frieze over rectangular glazed door flanked by free-standing reeded columns with brass caps and bases to front angles, the base with stepped ogee top moulding over rectangular caddy moulded raised panel flanked by canted angles, on bracket feet.211cm (83ins) high, 51cm (20ins) wide, 23cm 99ins) deep. John Davis is recorded in Loomes, Brian Watchmakers and Clockmakers of the World as born in Shiffnal, Shropshire in 1799 and working as a clockmaker up until circa 1875. The current lot is noteworthy in that the maker gave the pendulum and escapement a great deal of attention with the latter having jewelled pallets and the former being finely constructed with gridiron compensation, very heavy bob attached by hooks and calibrated rate adjustment within a stirrup type frame above the bob.Condition Report: Movement is in fine clean working condition having been recently serviced and is free from visible alteration or significant replacements. The dial has some moderate rubbing/discolouration to the silvering otherwise is in fine original condition and is nicely detailed. The seatboard is original to the case however there is a more recently made wooden bridge-shaped support applied to the upper surface to raise the movement to allow correct positioning of the dial within the hood aperture. As the original corresponding holes for the lines and for securing the movement via bolts through the bottom movement pillars are present in the seatboard, the current 'bridge' support would appear to be an honest replacement of a block that was previously applied to the seatboard to raise the movement. When considering these details we are of the opinion that the movement and dial are most likely original to the case. The case is in fine condition having been recently cosmetically restored; faults are hence very much limited to bumps, scuffs and other very slight age related blemishes.Clock is complete with pair of brass-cased weights, 'gridiron' pendulum, case keys and a winder. Condition Report Disclaimer
Lot 216
AN IMPRESSIVE INLAID MAHOGANY EIGHT-DAY QUARTER CHIMING LONGCASE CLOCK WITH MOONPHASEThe dial bearing a signature for Robert Roskill, Liverpool, circa 1900 incorporating earlier elementsThe substantial five columnar pillar triple train movement with plates measuring 9 by 11 inches and deadbeat escapement regulated by seconds pendulum, the chiming train incorporating a choice of two sets of notations for the quarters sounding via transverse pinned cylinder on eight tubular gongs suspended from the case backboard and the hour train sounding on an additional larger gong, the 14 inch brass break-arch dial with subsidiary seconds dial and bearing inscription Robert Roskill, Liverpool to the foliate scroll engraved silvered centre within applied Roman numeral chapter ring with scroll and sceptre half hour markers and Arabic five minutes to outer track, with pierced blued steel hands, mask inhabited scroll cast spandrels to angles and strike/silent opposing chime selection levers to margins, the arch with rolling moonphase incorporating terrestrial globe engraved silvered lunettes and age of the moon scale to the upper margin, in a case in the manner of Gillows with cavetto moulded swan neck pediment, gilt pagoda and wheatsheaf floral decorated panel inserts and break-arch frieze over the hinged glazed dial aperture applied with reeded Roman Doric half-columns to stiles and flanked by conforming complete free standing columns, the sides each with lozenge panel inlaid frieze over rectangular brass grille sound fret and conforming pilaster planted next to bargeboards at the rear, the trunk with concave throat and alternating lozenge and shaped diamond panel inlaid frieze over shaped-top caddy-moulded door veneered with an oval flame figured panel within line border and quartered infill, flanked by free-standing columns to angles and with small rectangular panel beneath, the sides each inlaid with an arrangement of oval circular panels within triple line borders and conforming quartered infill, the plinth base with stepped ogee top mouldings over conforming circular panel inlaid front flanked by canted angles, on ogee bracket feet.260cm (102.5ins) high excluding finials, 69cm (27ins) wide, 38cm (15ins) deep. Provenance: The Selwyn Demmy Collection. The case if the current lot is of particularly fine quality and essentially dates to around 1810. The overall attention to detail - in particular the precision of the inlay, crispness of the mouldings and superb column turnings indicates that the case was made by a leading workshop, hence would warrant a possible attribution to Gillows of Lancaster. The movement is also of fine quality but was made around 1900 and, in order to create room for the tubular bells/gongs, required the case to be increased in depth by around 2 inches. This work was executed extremely well with a great deal of effort taken to ensure perfect integration with the earlier elements. Indeed the sides of the trunk would have required r-veneering with the current arrangement of oval and circular panels no doubt being devised at that time to add decorative detail so to lessen the effect of the increased depth.
Lot 99
A WILLIAM III HOODED WALL CLOCK MOVEMENT WITH SEVEN-INCH DIALEtherington, London, late 17th century The two train four finned pillar weight-driven outside countwheel bell striking thirty-hour movement with anchor escapement regulated by seconds pendulum, the 7 inch square brass dial with matted centre within applied Roman numeral chapter ring with sword hilt half hour markers and signed Etherington, London to lower margin, with sculpted steel single hand and winged cherub mask cast spandrels to angles, now mounted on an oak wall bracket incorporating shaped arch to the lower edge of the backboard and matching brackets to take the simple box-like hood with caddy moulded top.The case 37cm (14.5cm) high, 23.5cm (9.25ins) wide, 13.5cm (5.25ins) deep. George Etherington is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as being made a Free Brother of the Clockmakers' Company in 1684 having previously being apprenticed to Robert Rooksby possibly in Newcastle-on-Tyne or York. In 1689 he moved from the 'Dial in Fleet Street' to 'against the New Church in the Strand', London. In 1697 he signed the Oath of Allegiance and became an Assistant of the Clockmakers' Company in 1701, Warden in 1706 and finally Master in 1709. He attended until at least 1720 and is thought to have died in 1729.
Lot 212
A GEORGE I FIGURED WALNUT EIGHT-DAY LONGCASE CLOCKJohn Sebire, London, circa 1720The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the finely matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and S/N strike/silent switch at twelve o'clock, with scroll pierced steel hands and applied mask and scroll cast spandrels to angles beneath arch with silvered boss signed John Sebire, LONDON flanked by dolphin cast mounts, in a case with domed caddy surmount and moulded cornice over break-arch hinged glazed dial aperture applied with three-quarter columns to angles with cast gilt brass caps and bases, the sides with rectangular windows and quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over break-arch door with finely figured veneers edged with crossbanding and complex mouldings, the base with concave top mouldings over slightly reduced crossbanded front and later tall skirt.236cm (93ins) high excluding finials, 53cm (21ins) wide, 26cm (10.25ins) deep. Provenance: The Selwyn Demmy Collection. John Sebire is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in the parish of St. Annes Blackfriars. London, from around 1715 until September 1745.Condition Report: Movement is in relatively clean working condition. The trains appear all-original with the possible exception of the escapement pallets which are probably 19th century service replacements. The fifth movement pillar has been removed (often occurred during the 19th century as a means to acquire brass!). The dial is in good clean condition and appears to retain its original hands. The movement is fitted with an old oak seatboard which rests on slips applied to the upper surfaces of the trunk uprights (cheeks); the presence of these slips would suggest that the movement and dial are probably not original to the case.The case is generally in good presentable condition. The hood would have originally been fitted with blind frets to the quadrants either side of the arch and the left hand window has an old lead repair to the pane. The right hand throat moulding is currently loose however re-attachment should be very straightforward. The trunk is otherwise in very good condition with fine quality veneers to the door and fine colour. The door is a little tight on its closing (due to slight movement/shrinkage) this could probably be remedied through adjustment of the door hinges if deemed a problem. The trunk door lock has been braced with a small iron strap applied over the lock to the inside. The base of the case has lost a small amount (probably around an inch) from the 'box' and is applied with a later taller skirt. Whether the original veneers beneath the skirt are intact is unknown. Faults to the case are otherwise limited to relatively minor age related bumps, scuffs shrinkage, a few small historic localised veneer patch repairs and other blemishes commensurate with age and use.Clock has pendulum, two weights, case key (an ill-fitting replacement) but no winder. Condition Report Disclaimer
Lot 192
A GEORGE III OAK THIRTY-HOUR LONGCASE CLOCKPhilip Avenell, Farnham, circa 1770The four pillar countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 10 inch square brass dial signed in fine copperplate script Phil'p Avenell, Farnham to the foliate scroll engraved centre within Roman applied Roman numeral chapter ring with fleur-de-lys half hour markers, with scroll pierced iron hand and rococo scroll cast spandrels to angles, the case with cavetto conduce over three-quarter columns applied to the hinged glazed dial aperture to hood over trunk with concave throat moulding and rectangular caddy-moulded door over plain plinth base with moulded skirt.198cm (78ins) high, 47cm (18.5ins) wide, 25.5cm (10ins) deep. Philip Avenell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Farnham in 1765 then London 1775.
Lot 35
A FINE GEORGE III MAHOGANY BAYONET-TUBE MERCURY STICK BAROMETER WITH LARGE SCALE THERMOMETERNairne and Blunt, London, circa 1780 The arched-top caddy moulded case inset with glazed hygrometer inscribed DAMP DRY and with beard setting square beneath over concave-topped silvered Vernier scale calibrated in barometric inches to the right hand margin opposing weather observations to the left, the upper margin signed Nairne and, Blunt, London and the lower edge decorated with an engraved leafy scroll flanked cavetto-shaped angles, the trunk applied with full-height silvered-scale mercury thermometer calibrated in Fahrenheit with scale divided in degrees annotated 0-120 opposing markers inscribed Freezing, Temperate, Sum'r Heat, Blood Heat and Fever Heat over spiral pierced brass bulb shield and circular base applied with half sphere cistern cover incorporating sleeved level adjustment screw to underside. 108cm (42.5ins) high. The collaboration between Edward Nairne and his former apprentice Thomas Blunt is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as established in 1774 and lasting until 1793. Edward Nairne was born in 1726 and apprenticed to the celebrated instrument maker, Matthew Loft, in 1741. Latterly he worked from 20 Cornhill and published numerous booklets on navigational, pneumatic and astronomical instruments. In 1776 Nairne devised a marine barometer with a restriction to the bore of the mercury tube which served to dampen the oscillation of the mercury, he was elected Fellow of the Royal Society in 1776 and died 1806. Thomas Blunt was apprenticed to Edward Nairne in 1760 with whom he formed a loose partnership in 1774, perhaps for mutual convenience as his premises were next door to Nairne's at 22 Cornhill. Blunt designed some of the components for the 'New Barometer' devised by the Portuguese Scientist J.H. Magellan for measuring altitude, and latterly became instrument maker to George III. In 1793 he took his son, also named Thomas, into partnership and subsequently relocated to 136 Minories in 1814, he died in 1822. A small group of bayonet-tube stick barometers incorporating a large scale thermometer by Nairne and Blunt are known. These include an example in The Whipple Museum, Cambridge (illustrated in Goodison, Nicholas English Barometers 1680-1860 on page 186, Plate 124); another previously in the collection of Edwin Banfield is illustrated in his publication BAROMETERS, Stick or Cistern tube on page 75 and a third was also sold in these rooms on 15th March 2018 (lot 38) for £3,200 hammer. These three differ from the current lot in that they do not have a hygrometer fitted however an example which also includes a hygrometer, hence is very closely comparable with the current lot, was sold at Lyon and Turnbull, Edinburgh, 19th May 2021 in their sale titled Five Centuries: Furniture, Paintings & Works of Art (lot 123) for £4,000.Condition Report: The tube is filled with mercury with no apparent airlocks. The register plates/scales have overall patchy discolouration and tarnishing to the silvering otherwise are in fine original condition with the delicate engraving showing very little wear suggesting that the plates have not been re-silvered many times in the past. The wheat beard to the hygrometer is currently detached otherwise is in good condition with the adjustment mechanism intact and working. The thermometer is in good condition; the brass fittings are however somewhat discoloured/tarnished. The case is in good original condition showing old but relatively flat surface with some wear mainly to the dome of the cistern cover. There is no key present to the hygrometer or level adjustment squares. Condition Report Disclaimer
Lot 191
AN EDWARDIAN BRASS INLAID MAHOGANY QUARTER-CHIMING BRACKET CLOCKWebster, London, circa 1910The four pillar triple chain fusee movement with anchor escapement regulated by lenticular bob pendulum chiming the quarters on a graduated nest of eight bells and sounding the hour on a further larger bell, the 7.5 inch circular silvered brass Roman numeral dial engraved Webster, EST'D 1711 to centre and with pierced steel trefoil hour hand set behind hinged cast brass bevel-glazed bezel, the case with hinged brass carrying handle to the domed caddy superstructure over cavetto and cushion moulded top mouldings and front inlaid with shaped brass-line panel infill around the dial, the sides with foliate strapwork cast rectangular frets incorporating male terms to centre and the rear with rectangular brass grille inset door, on cavetto and ogee moulded skirt base with gilt brass disc feet.51cm (20ins) high excluding handle, 35cm (13.75ins) wide, 21cm (8.25ins) deep. The current lot would have been made by Richard Webster Limited which was the final incarnation of the famous Webster family of London Clockmakers established by William Webster in 1710. William Webster is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed to Thomas Tompion and gaining his Freedom from The Clockmakers' Company in 1710, he initially worked as journeyman to Tompion later setting up business in Exchange Alley; he died in 1734. The firm passed through three successive generations, all of which were accomplished horologists before passing to Richard Gofrey Webster in1882. In 1904 the business became a limited company and ceased trading shortly after the outbreak of WWI in 1914.Please note: clock strikes the hour on a gong rather than a bell as indicated in the catalogueCondition Report: Movement is complete and appears free from visible alteration or noticeable replacements. Although the mechanism is running/striking/chiming it is generally a little dirty/neglected hence a gentle clean/service is required. The dial has overall mellowing/tarnishing to the silvering. All three winding squares as well as the centre arbor are slightly off-centre within their respective holes/apertures (down lower right a fraction) which suggests that the dial feet are very slightly misalined/bent. Case is in good original condition with faults limited to minor bumps, scuffs, shrinkage and wear commensurate with age; the surface is somewhat dull/neglected hence would benefit from a polish/refinishing.Clock has pendulum and case key but no winder. Condition Report Disclaimer
Lot 206
A FINE QUEEN-ANNE BURR WALNUT EIGHT-DAY LONGCASE CLOCKJohn Clark, London, circa 1710The five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with subsidiary seconds dial, foliate border engraved calendar aperture and ringed winding holes to the finely matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed John Clark, London to lower edge, with scroll pierced steel hands and unusual spandrels each cast as a pair of cherubs holding aloft a mask, in a walnut case with gilt ball-and-spire finials to the domed caddy surmount above moulded cornice and foliate pierced fret to frieze, three-quarter columns with giltwood caps and bases to the glazed hood door, the sides with rectangular windows and rear quarter columns each set against bargeboard rising up to the underside of the cornice projection, the trunk with convex throat above 42 inch rectangular door with finely figured book-matched veneers within herringbone and crossbanded borders, the sides with single panels within crossbanded surrounds, the plinth base with ogee top moulding and conforming herringbone-bordered crossbanded veneered panel to front over later moulded skirt.239cm (94ins) high excluding finials, 51cm (20ins) wide, 26cm (10.25ins) deep. Provenance: The Selwyn Demmy Collection. Four makers named John Clarke are recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in London during the latter decade of the 17th century, however there is only one who would have appeared to have remained in business until around/after 1710. It is therefore most likely that the current lot was made by John Stanford Clark(e) who is recorded by Loomes as born in 1672 and apprenticed to Thomas Jones in 1683 gaining his freedom of the Clockmaker's Company in 1693. In 1697 John Stanford Clark(e) signed the Clockmakers' Company oath of allegiance in 1697 and took several apprentices between 1696 and 1718 hence was working at least until around 1720.Condition Report: Movement is in relatively clean working condition although a precautionary clean and overhaul is advised if intending to put the clock into long term service. There is no visible evidence or alteration or significant replacements although the escapement pallets are most likely service replacements (due to wear) and the pendulum crutch has been repaired. The dial is in good condition with noticeable faults limited to patchy discolouration/tarnishing to the silvered finishes of the chapter and seconds ring. The movement retains what appears to be its original seatboard which rests on blocks approx. ¾ inch thick applied to the top of each cheek. Although the presence of such blocks would normally suggest that the movement and dial are most likely not original to the case those present on the current case appear to have always been there and have witness marks from nails/screws which correspond to the seatboard hence on balance we are of the opinion that they are most likely 'an original feature' hence the movement and dial are probably original to the case.The case is generally in fine condition having most likely been cosmetically restored within the last thirty years or so. The caddy superstructure to the hood is joined to the rest of the structure along the top edge of the cornice however does appear to be of the same age and of commensurate construction as the rest of the case hence is possibly original. The finials and blocks are replacements and the centre one is currently detached. The cornice ogee upper edge mouldings have been replaced to both sides, the front fret has been repaired and the left fret has a thumb-sized hole. There is a small less to the lip moulding beneath the left hand hood pilaster otherwise the hood is in fine condition with only a few minor age related blemishes.The trunk and base are in fine condition. The trunk door retains its original lock and hinges and has the usual slight shrinkage cracking to the veneers toward the upper and lower margins (due to slight shrinkage of the panel against the horizontal 'clamps' applied to the top and bottom). The veneers to the base appear original as does the structure with the backboard continuing almost to the floor; there is evidence of old damp damage to the lower part of the board and the bottom four inches of each side of the box of the base would appear have had veneers renewed probably due to becoming damp at some point. The skirt is most likely a 19th century replacement. Case is generally a fine survivor and of good colour with other faults mainly limited to minor bumps, scuffs and other age related blemishes. Overall the clock is in fine 'take home' condition and would appears to be a particularly original example complete with pendulum, two brass-cased weights, two case keys and a winder. Condition Report Disclaimer
Lot 108
A FRENCH GILT BRASS REPEATING CARRIAGE CLOCK Achille Brocot, Paris, late 19th centuryThe two train eight-day bell striking movement with silvered platform lever escapement and stamped with A B oval star trademark over serial number 100 to backplate, the rectangular white enamel dial with Arabic five minutes to outer track and gilt moon hands, the frosted gilt bevel-glazed corniche case with hinged carrying handle over cavetto top mouldings, caddy moulded angles and skirt base.13cm (5ins) high excluding handle, 8.5cm (3.375ins) wide, 7.5cm (3ins) deep. Provenance : The estate of Lawrance Hurst. Achille Brocot is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as born in 1817 and died in 1878.The Museums Victoria (Australia) website notes that Achille patented several improvements in clock mechanism escapements, and invented the 'Brocot Suspension', an adjustable pendulum spring which enabled time keeping to be regulated by altering the length of the pendulum suspension spring by a key turned in the dial. He also introduced a jewelled deadbeat escapement, sometimes called a visible escapement as it was often mounted in the middle of the dial. Achille was awarded a first class medal at the Paris Exhibition in 1855, and in 1856 was appointed Treasurer to La Société des Horlogers in Paris. He published a 'Calculation of the Wheels by Approximation' in 1862. His sons Achille and Paul continued the business following Achille senior's death 1878. The firm was taken over by rival clock maker Gustave Gibaudet in 1889.
Lot 215
A GEORGE III MAHOGANY LONGCASE CLOCK WITH MOONPHASE, CONCENTRIC CALENDAR AND CENTRE SECONDSJohn Wyke, Liverpool, circa 1770The four pillar rack and bell striking movement with centre-planted Graham-type deadbeat escapement regulated by seconds pendulum, the 13.25 inch brass break-arch dial incorporating additional brass sweep centre seconds and pierced concentric calendar hands to the foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring engraved with days-of-the-month to inner track and with Arabic five minutes to outer, with scroll-pierced steel hour and minute hands and female mask and scroll cast spandrels to angles, beneath arch with rolling moonphase calibrated with age of the moon to the circumference and with silvered star overlays to the delineated sphere engraved lunettes beneath arched silvered nameplate engraved JOHN WYKE LIVERPOOL to upper margin, the case in the manner of Gillows with cavetto moulded swan neck pediment, gilt scroll decorated blue glass panel inserts and break-arch frieze over the hinged glazed dial aperture flanked by square-section reeded Corinthian columns, the sides with conforming pilasters planted towards the rear, the trunk with dentil-edged concave throat and blind fretwork frieze over shaped-top caddy-moulded door flanked by fluted quarter-columns, the plinth base with stepped ogee top mouldings over shaped panel to front flanked by canted angles decorated with simulated quoins, on ogee bracket feet.246cm (97ins) high, 61cm (24ins) wide, 30.5cm (12ins) deep. Provenance: The Selwyn Demmy Collection. John Wyke of Prescott and Liverpool is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born in Prescott in 1720 and working up until 1787. His life and work is much more comprehensively described by Alan Smith in the preface of Wyke, John A CATALOGUE OF TOOLS FOR WATCH AND CLOCK MAKERS facsimile reprint of the late 18th century catalogue published for The Henry Francis du Pont Winterthur Museum by the University Press of Virginia, Charlottesville in 1978. Smith notes that Wyke was established in Prescott by 1753 and by 1759 was preparing to move to Liverpool where he was sworn in as a burgess in 1761. Shortly after moving to Liverpool Wyke became associated with other enlightened individuals such as fellow clockmaker and polymath Joseph Finney and the Liverpool merchant, Thomas Bentley of 'Wedgwood and Bentley' fame. Bentley in-turn introduced Wyke to Josiah Wedgewood who was looking for a suitably skilled toolmaker to supply punches and other tools for the potting trade. During this period Wyke's workshop established itself as a leading supplier of tools to the horological and other trades, indeed Smith notes that he supplied tools to the eminent engineer James Watt in 1767.In around 1770 John Wyke took in fellow clock and watchmaker Thomas Green into partnership; Green had been working for Wyke as foreman up to this point hence was seen as a natural successor. Wyke's health went into decline from around 1783 and he died at home in Liverpool in 1787 leaving Thomas Green to continue the business which he did until after 1800. The current lot is very much a typical example of Wyke's work (albeit with additional refinements of centre seconds and concentric calendar) and can be compared to two examples illustrated by Smith in the aforementioned publication on pages 8 and 9 (Figures 8-11).Condition Report: The movement is in relatively clean working condition with no evidence of alteration or significant replacements. The dial is in good clean condition with only very slight tarnishing/discolouration to the silvered finishes in places; the lunar disc retains original painted finish with slight wear/rubbing only. The movement and dial sit on what appears to be the original seatboard onto uprights (cheeks) within the case which are free from visible alteration/adjustment hence in our opinion the movement and dial are most likely original to the case. The case is generally in good original condition. The superstructure of the hood appears to survive in its original form (there is no evidence of a box or any other type of structure being previously fitted) and looks undisturbed. The infill to the front of the pediment is blue glass painted with gilt scrollwork - this is most likely a replacement as the original was most likely verre-eglomise. The inside of the hood has had some strengthening/re-gluing around the dial mask - this is most likely die to the mask becoming a little loose hence not indicative that the movement and dial have been married to the case.The trunk and base are in good original condition, the trunk door lock and hinges have been replaced otherwise faults are very muck limited to minor bumps, scuffs, shrinkage (most noticeably within the figuring of the trunk door veneers) and other slight age related blemishes commensurate with age and use.Clock has pendulum, two weights, pendulum, case key and winder. Condition Report Disclaimer
Loading...-
81449 item(s)/page