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Selection of assorted silver to include five napkin rings, a scalloped caddy spoon by Francis Howard Ltd, a small repousse tray by Cornelius Desormeaux Saunders & James Francis Hollings Shepherd, a sterling cocktail swizzle stick, a sovereign case (a.f), a small spill vase with weighted base, two powder compacts and a small circular pot ,silver only items 7.6oz t
A late 19th century oak caddy top bracket clock, 16cm chapter ring with Roman and subsidiary Arabic numerals, Chime on eight gongs/Chime on four gongs selector, three winding holes, eight day movement striking on gongs, the movement stamped W&H (Winterhalder and Hofmeier), SCh, the case carved with Green Man masks, flowers and leaves, 57cm high, 35cm wide, 25.5cm deep, c.1890
An 18th century oak longcase clock, 25cm square brass dial with Roman numerals, date aperture, 30 hour movement striking on a bell, the spandrels cast and applied with putti holding aloft a crown, the caddy top case with dentil cornice above a blind fretwork frieze, raised and fielded panel door to waist, skirted base, 208cm high, 47.5cm wide, 27cm deep
A Sheraton Revival satinwood banded mahogany and marquetry display cabinet, caddy top above a serpentine door and three drawers, flanked by glazed vitrine doors, each enclosing two shelves, inlaid throughout with ribbon-tied swags, a Classical urn, ribbon-tied sprays and meandrous leafy stems, tapered square legs, spade feet, 196.5cm high, 141.5cm wide, 48cm deep, c.1900
An 18th century Creamware tea caddy of squat circular form with moulded panel detail of buildings in landscape, height 10cm, together with an early 19th century blue and white spirit flask with moulded decoration of a maiden, initials JB to the underside, height 13cm (2).Tea caddy with a chip and several small nibbles / grazes to the rim. Two slight hair line cracks at rim. A few glaze imperfections and minor crazing to the underside. Small firing flaw to bottom edge. Flask with fine crazing throughout, some grazing to the raised area of the detail.
An 18th century Chinese porcelain tea caddy painted with Jupiter and floral decoration, with moulded scrolling detail to the foot rim, height 11.5cm, together with a matching tea bowl and saucer, the saucer bearing label to the underside, Helen Glatz 102 York Street, London (3).There is restored crack to the jar, light scratches and scuffs to the gilding, the tea bowl with a crack to the rim and a glaze chip to the body, wear to the painted decoration throughout, the saucer with a glaze chip to the rim and a hairline crack terminating from the rim into the body.
A George I burr walnut chest of oak-lined drawers, the feather banded caddy top above a brushing slide, height 83cm, width 107cm, depth 50cm (some alterations).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George III figured mahogany tea caddy of hexagonal form, width 21cm, together with another tea caddy and two boxes.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Regency mahogany and brass inlaid tea caddy of sarcophagus form, raised on cast brass claw feet, width 30.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian rosewood and mother-of-pearl inlaid workbox, width 28cm, a George III mahogany tea caddy with boxwood stringing, width 31cm, and a Victorian walnut workbox.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of George III silver caddy spoons; including a Scottish Old English pattern shell bowl caddy spoon, by Lindsay Beech, Edinburgh 1809, an Old English pattern bright cup example, Birmingham 1796, another bright cut example, possibly by George Burrows, London 1800, a shell bowl example with a tail shaped initialled handle, by Solomon Hougham, London 1796, and another shovel shaped bright cut example by Cox & Bettridge, Birmingham 1816, 49gms (5) Condition Report:Available upon request
A collection of mainly continental silver, including a Dutch silver caddy spoon, with a perforated shell form bowl, and a rococo griffon handle, with import marks for Berthold Muller, London 1892, another example with engraved decoration of a windmill, with Berthold Muller import marks, London, a German silver tea caddy, of shovel form with cast decoration of a ship, the pierced openwork stem topped with a turret finial, with import marks for L Neresheimer & Co, a silver sugar scuttle, Birmingham 1894, a pair of silver cased pocket scissors, by Francis Webb, Birmingham 1904, a Norwegian white metal spoon, the terminal depicting Vikings and animals, a white metal pin holder, weighable silver 64gms (7) Condition Report:Available upon request
A collection of mainly sifter spoons, including a George III Old English example, with berried bowl, by Thomas Wallis & Jonathan Hayne, London 1813, another by John Lambe, London 1808, a similar Victorian example by William Robert Smily, London 1848, a provincial silver fiddle pattern sifter spoon, by Thomas Hart Stone, Exeter 1867, a provincial silver spoon, by William Rawlings Sobey, Exeter 1837, another Victorian silver sifter spoon, the bowl of fluted form, with a wrythen stem and apostle finial, by H J Lias & Son, London 1867, a Scottish silver caddy spoon, by John Round, Sheffield, a George V example, by Cooper Brothers & Sons, Sheffield 1915, and an EPNS sugar shovel, weighable silver 314gms (10) Condition Report:Available upon request
A Victorian tea caddy of sarcophagus shape, with an inlaid chevron design to the lid and the lids of the caddies inside. Also with a glass mixing bowl, patent brass lock, and supported on bun feet. 18.5cms high, 30cms across. ** Overall good for its age, some small cracks to the surface in places but nothing major.
Three George III silver teaspoons, monogram or initial engraved, London 1780 and 1781, caddy spoon with a fluted shell shaped bowl, London 1789, and a Victorian silver pen holder with engraved decoration, Birmingham 1900, 2.64oz, together with a George V commemorative Silver Jubilee knife with silver handle, Sheffield 1934. (3)
A GEORGE II MAHOGANY KNEEHOLE SECRETAIRE DESK C.1740-50 the caddy moulded top with re-entrant front corners above a secretaire drawer with a hinged front and with pigeonholes and three drawers, one fitted with a pair of glass inkwells, the steel lock stamped 'I N', with six drawers around a central cupboard enclosing a shelf 80cm high, 84cm wide, 55cm deep Provenance Purchased from Witney Antiques, Oxon, 10th April 1990 for £8,985. The Property of a Private Collector.
AN EARLY GEORGE III MAHOGANY SILVER OR BLANKET CHEST C.1760 the hinged lid with a caddy moulded edge, with a brass escutcheon and side brass carrying handles 79.9cm high, 125.5cm wide, 62.8cm deep Provenance Purchased from Witney Antiques, Oxon, 10th May 1984 for £485. The Property of a Private Collector.
A FINE QUEEN ANNE EBONISED LONGCASE CLOCK BY JOHN KNIBB, OXFORD, EARLY 18TH CENTURY the brass eight day fully latched movement with five turned and finned pillars and inside countwheel, the anchor escapement striking on a bell, with a separate shaped cock for the pallet arbor and a cut-out on the backplate for the pallets, with a long crutch, the brass 11 3/4inch dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lis half hour markers, the matted centre with subsidiary seconds dial and date aperture, with blued steel hands, signed 'John Knibb Oxon' with gilt brass crown and boys spandrels, the hood with a Knibb type button capped giltwood centre finial flanked by conforming brass finials to the domed caddy top above a blind fret friezes, with integral columns with gilt brass caps and plinths, the trunk with a concave moulding and a lenticle to the door, on a plinth base, with two brass cased weights, pendulum and case key 239cm high Catalogue Note John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John, his younger brother, took-on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Throughout the latter three decades of the 17th century John and Joseph worked in parallel, however when the products from both workshops are examined, it is evident that they had a close working relationship. Joseph Knibb retired in 1697 selling-up most of his workshop before moving to Hanslop, Buckinghamshire where he made a few clocks prior to his death in 1711. John Knibb continued in business until his death in 1722. The movement of the current lot is fully latched and has the feature of separate cock for the pallet arbor (and cut-out for the pallets in the backplate) normally found on earlier clocks by Joseph with butterfly-nut pendulum regulation, however the casting for the pendulum hanging cock differs from those found on earlier clocks and the use of internal countwheel for striking the hours certainly dates it towards the end of the century. From these observations one could speculate that the movement of the current lot may well have been acquired by John from Joseph's stock when he retired in 1697 or even on his death in 1711 before finishing and fitting with a dial. The fine proportions of the case closely echoes London work of the period. Despite being provincially made (probably Oxford) the case does exhibit features such as the distinctive spherical finials with button-shaped caps (which are often seen on other longcase clocks by the Knibb family) which set it aside from other provincial examples of the period.
A GEORGE III GREEN LACQUERED MUSICAL BRACKET CLOCK BY ROBERT WARD, LONDON, C.1760 the brass twin fusee movement with a verge escapement striking on a single bell and chiming on a nest of eight bells, with twin repeat mechanisms for hours and minutes, a bob pendulum and scrolling foliate engraved backplate, the 7 1/2inch brass dial with a chapter ring with black Roman hours and Arabic five minutes, the matted centre engraved 'Robt'. Ward/London' inside scrolling foliate spandrels and beneath 'Chime Not Chime' and 'Song Jigg' dials to the arch, the case with a caddy top and gilt floral decoration, with twin carry handles, urn finials and arched glazed doors and side panels, on brass bracket feet 59cm high, 36.5cm wide, 23.7cm deep
A VICTORIAN OAK CHIMING BRACKET CLOCK LATE 19TH CENTURY the brass eight day three train repeating movement chiming on eight bells and five gongs, the arched dial with a silvered chapter ring with Roman and Arabic numerals and three subsidiary dials, with gilt brass spandrels decorated with leaves and flowers, the case carved with Jacobean style foliage, flowerheads and masks, the caddy top with foliage and tiles, with key and pendulum 57.5cm high, 38cm wide, 26.2cm deep

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81455 item(s)/page