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Lot 750
An 18th/19th century ebonised caddy top bracket clock with extensive ormolu mounts, with convex enamel dial and gilt surround, the rectangular plated movement with engraved decoration, 8 day movement chiming on 8 bells, ht. 51cm. (handle and some mounts loose, case very dull, requires refurbishing)
Lot 1168
A Japanese Meiji period Satsuma tea caddy of square form, with slightly rounded shoulders and fitted with an inner and outer cover, the sides painted with adults and children amongst flowers, the shoulder and outer cover with scrolling lengths of brocade, possibly by Fuzan, on ebonised wooden base, height including base 21cm, measurements of tea caddy 14 x 14cm.
Lot 124
A burr walnut Victorian two compartment tea caddy - 19cms wide CONDITION REPORT In our judgement, condition of lot is goodOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.
Lot 346
TWO BOXES AND LOOSE METALWARES to include two pieces of etched trench art shells with 'Egypt Lincolnshire Roisel' scratched into the shells beneath a sphinx, 1917 to the base, two mid-century copper wind chimes, a Jackson's of Picadilly tea caddy, a quantity of cooper water jugs, a hanging copper pot, a set of Salter scales, various brass plates, candlesticks, and ornaments (2 boxes and loose) (s.d)
Lot 513
FIVE BOXES OF MIXED CERAMIC AND GLASS KITCHENWARE to include a box of assorted glass items to include glass dessert dishes, a cake stand, lemon squeezer, bowls, etc, a pair of Wensleydale Pottery bowls with a cheese dish, a boxed set of four beech egg cups, a packaged 'Pimpernel' set of two mugs and a tray, three coronation commemorative mugs, a Hornsea tea caddy, a quantity of stainless steel kitchenware comprising toast racks, trays, a butter dish, a teapot, a glass cake cloche with a marble base, a set of scales, a boxed apple master, a boxed pair of travel mugs, an electric smoothie/soup blender, and a ceramic bread bin (untested) (5 boxes and loose) (s.d)
Lot 434
A SMALL COLLECTION OF CRYSTAL ITEMS SPORTS RELATED, a dark wood with brass detail tantalus caddy with drop front panel that locks with the key, two Atlantis Crystal cut glass decanters with stoppers engraved A.D on the stoppers, the decanters engraved with Warwickshire County Cricket Club, Triple Champions 1994 and the other Double Champions 1995, (water marked inside one decanter), two Royal Brierley champagne crystal flutes engraved Alex Davis and a symbol etched above, a painted stone of a cricketer and writing on the back, (Condition Report: overall in ok condition, would benefit from a clean), (4)
Lot 55
watercolour on paper, monogrammed, titled label verso mounted, framed and under glass image size 28cm x 38cm, overall size 40cm x 50cm Handwritten artist's label verso Note: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
Lot 56
watercolour on paper, monogrammed, titled label verso mounted, framed and under glass image size 27cm x 37cm, overall size 40cm x 50cm Handwritten artist's label verso Note: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
Lot 432
A Chinese Export Gilt Lacquer Caddy, 19th century, of shaped rectangular section, standing on dragon feet, the hinged lid with barbed landscape reserves finely decorated in silver and colours against the black lacquer field, within complex gilt formal borders, and the caddy sides similarly decorated, and with pewter caddy within, chips to feet W:22cm.,
Lot 434
A Carved Chinese Export Wood Casket and Cover, 19th century, probably a tea caddy, of canted rectangular form, with hinged slightly domed cover, carved in deep openwork with a meeting in a forest between a mounted dignitary and a boy and elephant, the sides with panelled scenes of figures, four character mark to base, fair condition, minor chips, W:32cm.,
Lot 198
A Regency tortoiseshell and ivory strung tea caddy, of rectangular shape, with a cavetto hinged lid, revealing a fitted interior, 28cm wide. Note: a non-transferable ivory exemption certificate has been granted for this item, ref 1S15T3FFOverall condition is mostly complete, but worn and scruffy. The lock is in place but there is no key. Handles to either side are missing. Some of the wooden lining is missing, where the canisters slide in. Quite a few areas of stringing, shell veneer and ivory missing or lifting. The surfaces are dry, marked and dirty. Inside is dirty and a the fabric lining is worn and faded.
Lot 561
A 19th century burr walnut tea caddy. Of sarcophagus form with beaded top panel, raised on bun feet, the hinged inner lids mounted in ivory. H11cm x W15.5cm x D10.2cm. With key.This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 8LFWY49H
Lot 145
Offered at No Reserve, very rare in the UK, this gleaming Caddy was previously on display at a Volkswagen main dealership and has covered just 47,352 miles. Debuting in America during 1979 as the 'Rabbit Pickup', the Volkswagen Type 14 Light Commercial was renamed 'Caddy' for its European launch some three years later. A derivative of the Giorgetto Giugiaro-penned Golf MKI, the Type 14 remained in production until 1992 and proved a durable yet stylish workhorse.The Sport models came in Cashmere White with a matching body kit which included a factory fitted decal set and larger colour coded bumpers front and rear. This UK-supplied, right-hand drive Caddy Sport was first registered on 7th October 1992 and has patently led an easy life for a commercial vehicle as the condition must be seen to be believed. It retains its rear cover which we understand is worth around £1,500 on its ownThe odometer currently reads 47,352 miles and the history file includes its Volkswagen handbook wallet, V5C and an advisory-free MOT valid until 5th August 2025. A fabulous little truck and, without Reserve, is worthy of serious consideration.Specification Make: VOLKSWAGEN Model: CADDY Year: 1992 Chassis Number: WVWZZZ14ZLW006365 Registration Number: K555 ASH Transmission: TBA Engine Number: JH380640 Drive Side: Right-hand Drive Odometer Reading: 47352 Miles Make: RHDClick here for more details and images
Lot 211
An Indian silver tea and coffee service, mid-20th century, with repoussé decoration of animals and village scenes, marked 'sterling silver', teapot 31cm long (11) Provenance: Gifted in the 1950s by a shipping magnate in Calcutta, India, and thence by descent. Condition ReportComprising a teapot, coffee pot, two sugar baskets, a small circular tray, sugar tongs, sifter, tea caddy and three napkin rings.
Lot 97
Silver porringer with inscription, by Carrington & Co. London 1929, Black Starr Gorham American sterling silver small tea caddy with pineapple finial, inset with a 1952 Swiss coin, shell form butter dish, Birmingham 1995, silver presentation cup, "Radio Industries Club, TV Theme Music of 1975, The Onedin Line, 12cm, small Danish silver dish, gross weight 14.5oz, 455gm, together with a Danish Art Nouveau silver plated spoon by Axel Prip and a Dunhill lighter
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81449 item(s)/page