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A VICTORIAN SILVER CADDY SPOON BY GEORGE UNITE, A SET OF SILVER COFFEE SPOONS AND A SMALL BOX OF SILVER PLATE, the caddy spoon with wriggle work engraved bowl, Birmingham 1861, a set of six George IV silver coffee spoons with pierced handles, makers Marson & Jones, Birmingham 1937 and a box of silver plated flatware, cruet set, etc, gross weight of silver 1.41ozt, 43.8 grams (Condition Report: split in bowl of caddy spoon near handle, coffee spoons are in useable condition, all items have seen light to heavy usage)
William & Mary floral marquetry 8-day longcase clock c 1700, later mid-18th century four pillar rack striking movement with a square brass dial and subsidiary seconds dial, ringed winding holes and calendar aperture to the matted dial centre, with London cherub head cast spandrels and (later) fretted steel hands, silvered Roman numeral chapter ring with stylised fleur di Lis half hour makers, narrow Arabic five-minutes, minute track and inner quarter hour track, signed Thomas Horlock, Hammersmith, case with box upstand to the domed floral marquetry decorated caddy with three brass flame finials, above a moulded cornice and fretwork frieze, inlaid hood door with attached barley twist pillars to the front above an inlaid convex moulding, full length D moulded trunk door with a circular lenticle inlaid with floral and foliage panels inhabited with birds, on a conforming marquetry plinth with applied double skirting. Thomas Horlock is recorded as a Whitesmith & Clockmaker of Hammersmith, Middlesex.A copy of Thomas Horlock's will dated the 15th June 1757 is held at The National Archives Kew.Dimensions: Height: 240cm Length/Width: 42cm Depth/Diameter: 23cm
Victorian mother of pearl tea caddy, of rectangular bow-fronted form, the body with floral, bird and geometric engraved mother of pearl panels, white metal shield plaque to the cover inscribed with the initials G.J.A and similar escutcheon, the two division interior with ivory edging and two panelled mother of pearl lids, on four vegetable ivory bun feet L20cm, together with a similar style mother of pearl card case (2) This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: 8B3PB8K7
A circa 1830 tortoiseshell and white metal inlaid tea caddy, of shaped rectangular form, the hinged cover opening to reveal two-section fitted interior with ivory knobs, all raised on bun feet, 19cmIvory submission ref: VCZQLVK7 Some lifting to white metal stringing.Veneer loss to back section, approx 1cm square.Veneer loss to right hand side of lid, approx 15 x 8mm.Two small veneer losses to underside of lid and to corner of top of base.Small veneer loss to lower left rear corner.Paper to base with missing section near centre.Stands well.Hinge good.
A Regency Burr Yewwood and Boxwood-Strung Tea Caddy, the hinged cover enclosing two lidded compartments with ivory knops over an ivory escutcheon, on bun feet 19cm wideWith non-transferable Standard Ivory Exemption Declaration Number 9DL3AQ8U Small veneer repair to the left hand side of the cover. Hinges good, no signs of warping to the top. With lock and a key that doesn't seem to function. Compartment lids intact and most of the lining.
A George III Satinwood, Penwork and Marquetry Tea Caddy, of rectangular hexagonal form, decorated with a classical maiden flanked by two flowersprays in oval panels, the hinged cover centred by a patera, enclosing an inner cover with ivory knop initialled GB over two compartments with red covers 19cm wide A Similar Mahogany, Satinwood and Burr Wood Tea Caddy, of canted rectangular form with ivory escutcheon, the hinged cover enclosing an inner cover with turned ivory knop, on brass ball feet 15.5cm wide A Similar Mahogany and Crossbanded Tea Caddy, of rectangular form with bone escutcheon 30cm wide (3)With non-transferable Standard Ivory Exemption Declaration Numbers L71FFNGR and 3UYZ2SD1
A French Boulle Travelling Decanter Set, circa 1860, of serpentine rectangular form, the hinged cover enclosing a lift-out tray with four spirit decanters and stoppers and sixteen tot glasses32cm wideSome lifting to the brass on the cover, mainly at the corners. Some chipping, cracking and slight losses to the tortoiseshell. Cover hinging and closing well, no notable warping. Front right hand corner of the plinth lacking a section of beading. Lock but no key. Internal caddy lfts out and is structurally sound. One glass with chips to the rim, all other glassware free from damage, some slight clouding to decanters.
A Marquetry Eight Day Longcase Clock, late 17th Century and later, caddy pediment, case with floral inlaid marquetry, bracket shaped feet, 11-inch square brass dial with a silvered Roman and Arabic chapter ring, dial plate bearing a later inscription below 6 John Aylward Brentford 1690, dial centre with engraved scroll decoration, date aperture and seconds dial, later four pillar movement with an anchor escapement, now converted to striking on a gong, (later movement), 235cm highHood with small signs of woodworm holes in parts which appears to now be non-active, hood with later front glass lenticle, hood with the back right hand side quarter column missing and the capitals, mouldings appear to have been replaced in parts, some veneer and inlay slightly missing in parts, from the bottom of the trunk downwards/base has been rebuilt and is later, trunk door with a later glass lenticle, dial is discoloured, chapter ring appears to have been filed out above the 6 o'clock position to extend the date aperture, bottom left hand side spandrel with a small part missing, dial plate with some casting faults, later hands, later movement, movement had five pillars but one has been removed, now converted and striking on a gong, with pendulum and two weights.
A George VI Silver Caddy-Spoon, by Leslie Gordon Durbin, London, 1948 the spatulate handle with a border of incised lines and applied with three-leaf clover, with an oval bowl71mm high, 1oz 5dwt, 39grFully marked on back of handle. The marks are clear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points.
A Victorian Silver Tea-Caddy, Probably by George Nathan and Ridley Hayes, Birmingham, 1890 tapering cylindrical and on spreading foot, the sides chased with foliage scrolls and flowers on a matted ground, the pull-off cover chased with foliage and with a wrythen finial13cm high, 4oz 3dwt, 128grFully marked underneath and further part marked inside cover. The marks are generally clear, though the maker's mark is double struck so only partially visible. There is some overall surface scratching and wear, consistent with age and use. The finial is very slightly pushed into the cover.
A George III Silver Tea-Caddy, by Emick Romer, London, 1771 shaped oblong and on scroll feet, the sides chased with foliage scrolls and flowers, centring on either side a vacant cartouche, the detachable cover similarly chased and with foliage and flower finial13.5cm high, 11oz 14dwt, 364grFully marked underneath. The cover with maker's mark and lion passant only on bezel. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There are two possible repairs, one on each of the narrow sides. There are some bruises.The cartouches have probably been erased.
A Victorian Silver Tea-Caddy or Sugar-Box, by George Nathan and Ridley Hayes, Chester, 1896 tapering oblong and on four ball feet, the sides stamped with foliage scrolls, the hinged cover similarly decorated and with ebonised finial90mm wide, gross weight 6oz 6dwt, 196grFully marked on front panel and further part marked inside cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There is some bruising, particularly noticeable to the cover.
A Victorian Silver Tea-Caddy, by William Charles Fordham and Albert Buckley Faulkner, Sheffield, 1900, Retailed by Mallory, Bath in the George III style, tapering oblong and with scroll feet, connected by an openwork scroll band, the sides fluted and chased with foliage and flowers, the pull-off cover similarly decorated and with fluted tapering finial 15cm high, 9oz 3dwt, 284grFully marked under base and on cover bezel. The base further engraved with retailers name. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points.
A Victorian Silver Tea-Caddy, by Thomas Bradbury and Sons, London, 1894 oval and with gadrooned borders and pull-off cap11.5cm high, 6oz 15dwt, 209grFully marked on base and cover. There is some minor wear to the marks but each is still legible. There is some surface scratching and wear, consistent with age and use. The cover is bruised with the cap pushed somewhat into the cover. There are some minor bruises elsewhere.
A George V Silver Tea-Caddy, by Goldsmiths and Silversmiths Co. Ltd., London, 1913 in the George I style, elongated tapering octagonal and on spreading foot, the sliding cover with domed cap12cm high, 5oz 1dwt, 157grFully marked on side and further part marked on sliding cover and cap. The base further engraved with maker's name. There is some wear to the marks but in general each is legible. There is some overall surface scratching and wear, consistent with age and use.
A George VI Silver Caddy-Spoon, by Leslie Gordon Durbin, London, 1948 the spatulate handle with a border of incised lines and applied with a daffodil, with an oval bowl71mm high, 1oz 6dwt, 41grFully marked on back of handle. The marks are clear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points.
A Victorian Parcel-Gilt Silver Caddy-Spoon, by Hilliard and Thomason, Birmingham, 1852 the shovel-shaped gilt bowl stamped with fruiting grapevines, the openwork handle similarly formed85mm long, 8dwt, 12.4grFully marked on handle. The marks are generally clear. There is some minor surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the gilding.
A Victorian Silver Tea-Caddy, by Deakin and Francis Ltd., Birmingham, 1893 oval and with crimped borders, chased with foliage and flowers, with pull-off cover10.2cm high, 3oz 15dwt, 116grFully marked underneath and further part marked on cover. There is some wear to the marks, particularly those on the cover but in general the marks are still legible. There is some overall surface scratching and wear, consistent with age and use. The cartouche on each side may have been erased.
A Mid XIX Century Walnut Tea Caddy, of domed rectangular form, the lid with inset porcelain panel decorated with a young gentleman in a landscape within elaborate brass mounts, the interior with two lidded compartments, 23 x 13 x 16cm.Lot 1437 - outside of box has surface scratches and loss of fabric to base, hinges good condition and lid fits flush, inside lids fit well and flat, no key present.
A Mid XIX Century Rosewood Tea Caddy, of sarcophagus shape with brass inlay, the interior with two lidded compartments and later glass mixing bowl, 20 x 34 x 19cm.Lot 1444 - missing part of design to top rim, two pars of brass inlay poking out to front, two parts of brass inlay missing, slight split to one wooden inside compartment, glass good condition, hinges good condition and lid fits flush. No pack and post in-house on this lot.
William 1V hallmarked silver caddy spoon, fluted bowl with Old English handle, by Taylor & Perry Birmingham 1833, a Victorian bright cut caddy spoon with Old English handle, by George Aldwinckle London 1872, another caddy spoon, hallmarks obscured, and a Continental white metal caddy spoon with embossed detail, Pleet 90, 1.66ozt (4)
Victorian hallmarked silver caddy spoon with shell bowl and Old English handle, Joseph & Albert Savory London 1839, a George V hallmarked silver caddy spoon with dot prick decoration, Robert Pringle & Sons Sheffield 1913, and a Victorian hallmarked silver sword shaped book mark, by Adie & Lovekin Ltd Birmingham 1891, 1.04ozt (3)
AN ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO TUDRIC PEWTER TULIP VASE the bulbous body with twin sinuous handles and a tapered stem, stamped marks to base, 25cm high, together with an Archibald Knox for Liberty & Co Tudric hammered pewter tea caddy, no. 0614 (2) Condition Report:Available upon request
Perth: A provincial fiddle pattern caddy spoonBy A Cameron of Perth Four marks: AC, double-headed eagle, S, Tree With shell bowl, together with six fiddle pattern teaspoons by JM overstriking another mark and with Dundee marks and a fiddle pattern toddy ladle by William constable of Dundee, weight 4.5oz. (7)For further information on this lot please visit Bonhams.com
Inverness: A George III provincial caddy spoonBy Robert Naughten of Inverness, circa 1820 Four marks: RN, INS, cornucopia twice with shell bowl, the rectangular handle with beaded edge, together with a teaspoon by the same maker, three marks: RN, cornucopia, thistle, with shell bowl and with bright-cut engraved decoration, the decoration probably later, weight .9oz.For further information on this lot please visit Bonhams.com
Oriental (likely Chinese) wooden decorative Tea Caddy with foliate and figural decoration to surround (faded decoration to top), reverse is less faded with golden figures, trees and floral design. Internal reveals a segmented metal interior with two lids, engraved flowers & bird design to each, caddy stands on four feet carved as dragons heads. Condition with age. Height 12.5cm, length 30cm, width 16cm.

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81455 item(s)/page