THREE PIECES OF VICTORIAN SILVER, ALL LONDON comprising an oval tea caddy chased with flowers and scrolls around two vacant cartouches, the domed lid with urn finial, Holland, Aldwinckle & Slater, 1888, 11.5cm high, a pedestal sweetmeat basket, the ribbed navette body chased with foliate strapwork around four vacant ovals, with swing handle and spreading ribbed oval foot, Martin, Hall & Co., 1872, 15.5cm long, and an Irish type bowl with gilt interior, beaded and scallop rim above curved ribs and beading, on three grotesque mask headed paw feet, 12.5cm diameter; 581g
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A VICTORIAN SILVER TEA CADDY, ANDREW CRESPEL, LONDON, 1861 â—‰ shaped oval, in George III style, bright-cut engraved with foliate festoons and two vacant cartouches, bright-cut borders, flush-hinged flat lid, 13cm long, 374g excluding ivory finialIvory Declaration Submission Reference: SH4UGXT7
An early 20th century German metalwares silver tea caddy, mark of Ludwig Neresheimer & Company, Hanau, with (rare) London import marks for Sterling silver and sponsor's mark of B. Muller & Son (Berthold Muller), of oval form, the side with repoussé depictions of musicians, courting couples a sedan chair ride and a flower girl, fully marked friction fitting cover with foliate decoration, raised on four ball feet, 12 x 10cm, 11cm high, 281g (9.2ozt)
A 19th century tortoiseshell tea caddy, with hinged domed cover opening to reveal two tortoiseshell covered compartments, original zinc lining inside, casing with ivory trim and ivory finials, lockable wit key, approx. 16.8cm wide x 9.5cm high, with felt base, together with a 20th century inlaid wooden cigar box, playing music when hinged cover if lifted, approx. 18cm wide x 6.7cm high. (2) Further details: tortoiseshell caddy with impact damage to cover with repair, long crack to cover, deep scratches, sides with wear and minor loss, inside similar, glue residue around hinges; music box with wear, scratching, slight loss etc. Ivory Submission Reference: QRAJY2YY
A late Victorian silver tea caddy, ogee shaped, foliate and floral chased decoration to upper section, scrolled supports, the cover with wyvern finial, hallmarked by Thomas Hayes, Birmingham, 1900, approx. 6.13ozt (190 grams) Further details: very minor nicks / dents, tarnishing and general wear.
Charming silver plated caddy with an egg shaped salt shaker, egg shaped pepper shaker, and egg shaped sugar holder with spoon marked 950. EPNS backstamp on caddy and all three silver eggs. Largest item measures 4.5"L x 4.25"W x 3.75"H. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
A George III mahogany cased single fusee bracket/table clock, the caddy form case with fretwork grilles enclosing the gilt metal and silvered 17cm break arch dial signed Joseph Eayre, St Noets, centred with a viewing pendulum crescent and date aperture, the single train fusee movement, possibly later associated, with a pull quarter repeat striking on a nest of six saucer bells, the back plate stamped '887 989 194', the door lip stamped '2896 A', with retailers label 'Percy Webster, Queen St, Mayfair' applied to the door interior, 49cm high, keys and pendulum
A George III silver novelty caddy spoon, Joseph Taylor, Birmingham 1798, designed as a jockey’s cap with engraved decoration, 5cm long, 8gms Condition report: Repairs seen between the brim and the crown (seen in third image) Split seen to the reverse of the cap. Dents seen throughout. Thinning seen to the edges. Dents and blemishes seen particularly to the peak of the cap. General surface scratches and scuffs seen throughout, commensurate with age and use.
A George III yew and boxwood inlaid tea caddy, of cubic form, the hinged cover inlaid with a flower head, opening to a lined interior, 12cm SqCondition reportFull width split to the underside of the box, please see additional image.Further minor splits and ripples to the veneer, lining appears to be later.General light marks and wear commensurate with age and use.
A small walnut cased mantel timepiece, by Charles Frodsham, London, with an eight-day duration movement, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, applied cast-brass corner spandrels and roundel set within the arch engraved Chas. Frodsham, Clockmaker to H.M. The King, the caddy top surmounted by a brass carrying handle, 15cm highClock winds, however the movement only runs for a short while before stopping and is likely to require some attention.
A set of three George III silver oval tea caddies, bright-cut engraved in the Neo-Classical taste with ribbon-tied swags and trophies, outlined throughout with wrigglework, the largest 13cm wide, Daniel Smith & Robert Sharp, London 1784, the crossbanded mahogany caddy box veneered with burr yew ovals, swan neck handle and batwing pierced escutcheons, outlined throughout with boxwood and ebony stringing, 30.5cm wide overall
The Georgian satinwood tea caddy from the desk of Arthur Negus, of hexagonal form with raised ivory shield escutcheon, the dished lid crossbanded in burr yew, the interior lead lined and complete with lid, 19.5 x 11.2 x 13.8cms max. †This tea caddy always rested on Arthur Negus's desk and was acquired by the vendor who was a friend of Arthur Negus's daughter Ann. Ivory exemption licence: 3F7C3V5A. From the collection of Elaine Gaussen
A rosewood Tunbridge ware tea caddy, of sarcophagol form the lid and front with rectangular and circular panel of stick ware, ring turned side handles and raised on bun feet. The lid interior in ruched velvet over a moulded glass mixing bowl flanked by a pair of canisters with hinged lids inset with panels of stick ware, 30 x 15 x 19.5cms.
A Tunbridge ware rosewood tea caddy, of rectangular form, the sides with a band of floral mosaic, the lid with a panel of cube work within a geometric mosaic border. The lid interior in original fancy paper over a rosewood lid with geometric mosaic border, 13.6 x 10.5 x 10.5cms. A private collection of Tunbridge Ware
A Tunbridge ware rosewood tea caddy, of rectangular form, the sides with a broad band of floral mosaic below a narrow band of geometric mosaic. The lid with inset mosaic view of Battle Abbey, within a narrow border of geometric mosaic. The lid interior in original fancy paper over a rosewood lid with narrow geometric mosaic border, 14.7 x 11.5 x 11.5cms. A private collection of Tunbridge Ware
A Tunbridge ware rosewood tea caddy, of near square form, the front with a border of geometric mosaic with a mosaic diamond form escutcheon inset with a circular mother of pearl key hole, the lid with inset geometric mosaic motif within conforming mosaic borders. The lid interior veneered in rosewood over a cube pattern lid, probably a replacement and with a bone knob, 11.5 x 10 x 10.5cms. A private collection of Tunbridge Ware
A Tunbridge ware rosewood tea caddy, of rectangular form, the sides with a band of floral mosaic, the lid with inset mosaic of a bouquet of flowers within a geometric mosaic border, the lid interior in original fancy paper over twin rosewood lids with geometric mosaic borders, 21.5 x 11.5 x 12cms. A private collection of Tunbridge Ware
A Tunbridge ware rosewood tea caddy, of rectangular form, the front with a border of geometric mosaic, the lid with a panel of geometric mirror mosaic within a matching mosaic border, the lid interior in original grained paper over a rosewood lid, with remnants of a circular printed label to the base, 12.5 x 10 x 11cms. A private collection of Tunbridge Ware

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