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Lot 1160
A miscellany of wooden items to include 3 graduated novelty ducks tallest 48cm h, box with mother of pearl inlay to top and escutcheon, small sarcophagus tea caddy with mother of pearl escutcheon and decoration to top, a small stool with basket weave top, Port Jackson fig castle, and a set of interlocking Roneym Woodcraft table mats.
Lot 7180
Thomas Hitchinson of Patterington - Early 18th-century oak cased 8-day longcase clock, with a caddy topped pediment and three ball and spire finials, break-arch hood door with pilasters and turned capitals, long trunk door with strap hinges and crossbanding, rectangular plinth with applied skirting, small10 x 10 x 14 inch break arch brass dial with cast spandrels and silvered boss engraved with makers name to the arch, silvered chapter ring with half hour markers, minute and quarter hour tracks, engraved and matted dial centre, matching steel hands, dial pinned directly to an unconventionally designed movement with ring turned steel arbors and recoil anchor escapement, count wheel striking movement, striking the hours on a cast bell.With weights and pendulum. Dimensions: Height: 240cm Length/Width: 43cm Depth/Diameter: 23cm
Lot 260
Thomas Green, Bristol Hotwell, a George III bracket clock, ebonised chamfered case, caddy top with brass swing handle and urn finials, convex painted dial with Roman numerals, signed 'Thomas Green, Bristol Hotwell', fretwork side sound grilles, shaped gilt metal bracket feet, six pillar triple fusee movement, chiming phrases for the quarters on a graduated nest of eight-bells and completing `Queens` melody on the hour before striking hour on a larger bell, signed and dated 1789, 50cm high, 31cm wide, (key and pendulum), with a contemporary ogee front-sliding wall bracket, 17cm high, 37cm wide. Note: Thomas Green is recorded in Moore, A.J. The Clockmakers of Bristol 1650-1900 as apprenticed to Charles Horwood, watchmaker and goldsmith on the 27th July 1771. He married Horwood`s daughter before setting up business at Chapel Row, Dowry Square, Hotwells, Bristol in 1780 where he stayed until relocating to Portland Place, Clifton in 1815. Moore transcribes the advertisement for the 1824 retirement auction of his workshop and comprehensive stock in trade, which includes `a capital Regulator by George Graham of London, ditto duplex jewelled and six other clocks of superior manufacturers in handsome cases`. The current lot is illustrated by Moore on page195.
Lot 261
Spencer & Perkins, London, a George III mahogany bracket clock, caddy top with brass flame finials, silvered dial with Roman numerals and date aperture, signed 'Spencer & Perkins, London', subsidiary Strike/Silent dial, engraved chinoiserie devices, side handles and glazing, scroll metal feet, double fusee movement striking on a bell, 64cm high, (key and pendulum)
Lot 263
Spencer & Perkins, London, a George III mahogany bracket clock, caddy top with gilt metal urn finials and mounts throughout, enamel dial with Roman numerals signed 'Spencer & Perkins, London', subsidiary date dial, side handles and fretwork sound grilles, scroll feet, signed double fusee musical movement striking on bells, 65cm high, 37cm wide, (winding key and pendulum)
Lot 264
Windmills, London, a George II bracket clock, mahogany chamfered case, caddy top with brass pineapple finials, arched brass dial with scroll and mask spandrels, silvered chapter ring with Roman numerals, subsidiary date dial and Strike/Silent switch, signed 'Windmills, London', side handles and glazing, plinth, triple fusee musical movement, quarter striking on nine bells, 60cm high, 35cm wide, (key and pendulum)
Lot 265
Paul Beauvais, London, a George II bracket clock, ebonised case, caddy top with brass swing handle and urn finials, square brass dial with cherub mask spandrels, silvered chapter ring with Roman numerals, pendulum aperture signed 'Paul Beauvais', date aperture, bun feet, double fusee repeating musical movement striking on four bells, signed, 37cm high, 27cm wide, (pendulum)
Lot 271
William Beavington, Stourbridge, a George III mahogany bracket clock, caddy top with brass swing handle and gilt metal urn finials, arched silvered dial with Roman numerals, date and minute chapter rings, shaped brass bracket feet, double fusee movement striking on a bell, 51cm high, (pendulum, winder and door key)
Lot 331
A Chinese gilt-lacquered tea caddy,19th century, of rectangular form, painted with figures gathering in a garden, in shaped panels, surrounded by butterflies and precious objects, the interior with a pewter liner and a bone ball finial,28cm wide20.5cm deep16.8cm highCondition ReportGilt and lacquer losses. Chips, cracks, surface scratches, knocks and dents in various locations. Damages to the front of box, edges and corners, signs of repaint or repair. Key missing.Pewter liner worn and tired.
Lot 6133
George III mahognay tea caddy, of rectangular form, the hinged cover opening to reveal three lidded compartments, on ogee bracket feet L24cm, Eastern canted brass spice box, treen apothocary jar with internal glass bottle and an Edwardian oak and brass desk stand with glass inkwell and letter rack (4)
Lot 23
IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950)A Black-Lacquer Natsume (Tea Caddy) Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryThe lustrous roiro ground decorated in gold, aokin, silver, shell, and polychrome togidashi maki-e with two overlapping peacock tail feathers extending from one side of the cover towards the bottom of the box, other birds' feathers such as pheasant and dove scattered all around on the ground, the inside of the lid embellished in gold takamaki-e with gingko and maple leaves on a nashiji ground, the inside of the box and base also of rich, dense nashiji; the base signed in gold lacquer Seishi saku with a kao; with a wood tomobako storage box inscribed and signed on the outside the lid Hane maki-e natsume (Feather-decorated maki-e tea caddy), Seishi saku with a kao. 8cm x 7.7cm (3 1/8in x 3in). (3).Footnotes:Few facts are known concerning the outstanding and highly versatile lacquer artist Imaizumi Nariyuki but it is thought, judging from the style of his works, that he was active from about 1910 to about 1950; the Irving Gould Collection included a suzuribako with a view of Matsushima contained in a storage box signed by Nariyuki and stating that it had been viewed by the Showa Emperor on a documented visit to Ibaraki Prefecture in November 1946.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 25
MITAMURA JIHO (1886-1979)A Black-Lacquer Natsume (Tea Caddy) Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryEmbellished in gold, silver, and polychrome takamaki-e with spiral whirlpool motifs of different sizes sparsely adorning the cover and body against a lustrous black-lacquer ground, the outer edge of the lid and body with horizontal lines, the inside of the lid and body of red lacquer sprinkled with gold hirame flakes, the inside raised edges limited to two spiral motifs, the inside of the lid lacquered with two cranes in gold and silver hiramaki-e, signed on the base in silver takamaki-e Jiho [...]; with a tomobako wood storage box inscribed Saiko maki-e chaki (Tea caddy with design in colourful maki-e), signed inside the lid Jiho saku (Made by Jiho) with seal Jiho. 8.4cm (3¼in) high. (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 532
A Chinese Dutch decorated tea caddy, Kangxi, painted with panels of birds and flowers, 12cm high including silver metal lidProvenance: Major Edward Copleston Radcliffe (1898-1967) collection and by family descent.清康熙 荷兰后加彩四方茶罐拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏Condition Report: Fritting to upper rim and some enamel lossCondition Report Disclaimer
Lot 418
Three George III period and later silver sifter spoons, two tea caddy spoon shaped the other with wide oblong bowl on fiddle pattern handle and 9.2cm long (3) THE SPOON WITH THE GILT BOWL HAS HAD THE HANDLE REPAIRED OR REPLACED. THE SMALLER OVAL EXAMPLE ALSO POSSIBLY HAS HAD A REPAIR TO THE HANDLE
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81449 item(s)/page