VICTORIAN SILVER TEA CADDY IN THE ROCOCO TASTE,maker Charles Stuart Harris, London 1896, profusely decorated in repousse, the cover with cast figural finial, featuring three chinoiserie figures to the body against foliate sprays and scrolls, housing internal opaque glass liner, approx 550gCondition generally good. Light use and age related wear. Silver polish residue evident in areas throughout, indeed upon closer inspection significant softening to areas, most notably figural aspects. Very minor wobble. Two chips and several nibbles to rim of liner, as well as areas of wear. Additional images now available.
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19th Century tortoiseshell tea caddy of cushion form with plated hinged cover and ball feet, together with two George V silver mounted tortoiseshell dressing table items, comprising an oval pin tray, the reserve decorated with silver piqué work, London 1915, and a similarly decorated lidded cut glass jar, London 1914; 10cm high and smaller
Georg Jensen – Six flatware pieces, comprising: 'Cactus’ pattern caddy spoon and butter knife, the latter with import marks for 1936; 'Acanthus' and 'Acorn' pattern butter knives, both with import marks for 1922; together with a pair of two-pronged pickle forks with scroll terminals, 113g gross approx.
An 18th century silver mote spoon, bottom marked, marks indecipherable, oval pierced bowl and tapering handle with pointed finial, monogrammed to the reverse of the bowl,13cm overall length, 0.3oztThe word ‘mote’ refers to a small particle - in this case, particles of tea leaf. Originally called a 'tea strainer spoon', mote spoons or mote skimmers were introduced in the late 17th century. The London Gazette described them at the time as ‘long or strainer spoons with narrow pointy ends’.Traditionally, tea was made by adding loose tea leaves to a teapot of hot water. When the brewed tea was poured from the pot, stray ‘motes’ (leaves) often escaped, causing the tea to continue brewing in the cup. The slots in the mote spoon would allow the tea leaves to be removed with a simple scoop. The ‘narrow pointy end’ was used to unblock the spout of the teapot, which would regularly become blocked with tea leaves.Those households who were unable to afford a silver mote spoon as well as a tea caddy spoon could also use it to scoop tea out of the caddy, allowing the powdered remnants of the tea leaves to fall back through the slots.Mote spoons, though very decorative, were not particularly popular at the time and they only remained in use until the end of the 18th century, when the larger tea strainer was introduced.
A (probably) early 20th century Dutch metalwares silver tea caddy, maker not traced (SS over TM within a rectangular cartouche), lion passant second standard mark for 833/1000 standard silver, of oval cylindrical form decorated with panels of repoussé domestic scenes, the friction fitting cover with repoussé scenes of animals and decorative motifs, 9 x 7cm at the base, 13cm high, 5.7ozt
Georg Jensen, Denmark sterling silver handled 'Acorn' salad servers, with horn effect ends and acorn finials, stamped, 8" long (fault); together with an 'Acorn' sterling handled bottle opener, Georg Jensen 'Cactus' cake slice, 'two 'Cactus' jam spoons, 5.25 "long, and two caddy spoons 3.75" long, Cactus spoons and cake slice 7.3oz t (6)
Norwegian Fine Pair of Silver Ornate Caddy Spoons. Marked T.K, D.A.409. Each 5 Inches - 12.5 cms long + A George III Silver Caddy Spoon with Shell Bowl. Dated London 1801 + Hallmark, 3 Inches - 7.5 cms long + a Sterling Silver Figural Handle Caddy Spoon, The Handle In the Form of a Tall Giraffe, Eating at a Tall Tree. Marked Sterling Silver. Length 3.25 Inches. Silver Weight 100.2 grams.
A George IV silver fiddle pattern caddy spoon, the bowl engraved with leaves, Birmingham, 1826, Joseph Willmore together with a George III silver caddy spoon with a bell shaped bowl with rope twist decoration, Birmingham, 1816, Cocks & Betteridge and another George III silver fiddle pattern caddy spoon, with a grape and vine leaf decorated shovel shaped bowl, Birmingham, 1813, Samuel Pemberton, approximately 24 grams
A George III silver caddy spoon, with a splayed handle and a shell shaped bowl, London, 1796, Elizabeth Morley together with a Victorian silver caddy spoon with a shell shaped bowl and a scrolling handle, Birmingham, 1859, George Unite and a white metal caddy spoon, with a shell shaped bowl, unmarked, approximately 18 grams
A Victorian silver fiddle pattern caddy spoon, with a shell shaped bowl, Birmingham, Hilliard & Thomason together with a George V silver caddy spoon with an oval shaped bowl and splayed handle, London, 1920, and another Victorian silver fiddle pattern caddy spoon, with a pointed shaped bowl, Birmingham, Hilliard & Thomason, approximately 30 grams
A Victorian silver caddy spoon, with an oval shaped bowl, Birmingham, 1877, George Unite together with another Victorian silver caddy spoon with a shovel shaped bowl and scrolling handle, Birmingham, 1850, George Unite and a white metal caddy spoon, with a ship at sea decorated shovel bowl and scrolling handle, approximately 20 grams
A George III silver caddy spoon, with a shell shaped bowl, London, 1796, Duncan Urquhart & Naphtali Hart together with a Victorian silver caddy spoon with an double oval shaped bowl and fiddle pattern handle, London, 1860, The Portland Co (Francis Higgins III) and a George III silver caddy spoon, with an oval shaped bowl, London, 1800, John Snatt, approximately 37 grams
A Victorian silver fiddle pattern caddy spoon, with an oval shaped bowl, London, 1867, H J Lias & Son together with a Victorian silver fiddle pattern caddy spoon with a circular shaped bowl, London, 1856, Samuel Hayne & Dudley Cater, and another Victorian silver caddy spoon, with an oval shaped bowl, London, 1869, Chawner & Co, approximately 57 grams
A PAIR OF SCOTTISH VICTORIAN SILVER TODDY LADLES, DAVID MCDONALD, GLASGOW, 1838, Fiddle pattern, initialled G; together with a Scottish George III silver caddy spoon, initialled Fiddle Shell pattern handle and scuttle shaped bowl, William & Patrick Cunningham, Edinburgh, circa 1818; a George III silver caddy spoon, with initialled Fiddle pattern handle and fluted bowl, probably London, 1814; and a Victorian silver caddy spoon, initialled Fiddle pattern, Henry Holland & Son, London, 1860; 118gr (5)
A rare Robert Russell 'Tunbridge Wells Marquetrie' tea caddy, of cube form, the sides veneered in burr maple, the hinged lid with inset 'marquetrie' panel bordered in rosewood, the lid interior lined in original gold on green chinoiserrie style paper over a single rosewood lid, remnants of foil lining, with a key, 12 x 11.8 x 10.2cms.
A mahogany tea caddy of sarcophagol form, circa 1820, the front and sides inlaid with boxwood lines, the latter with brass lion mask handles. The lid with dot and triangular inlays to the front below a four panel sloping lid with decorative line inlays rising to a rosewood tablet. The lid interior lined in red paper over a pair of inlaid lids divided by a bowl frame complete with cut glass mixing bowl. Inset brass ball feet, 32 x 16.5 x 20cms. From the collection of Dr.Brian Austen
Two tea caddies, comprising a Georgian mahogany example of hexagonal form, the front and lid with oval fan inlays, rope strung edges (some lacking), bone escutcheon, complete with internal lid, male section of lock lacking, 17.5 x 8.7 x 11.5cms, and a mahogany tea caddy of sarcophagol form on bun feet, complete with two internal lids, 19.5 x 11.5 x 12.5cms. (2)
A rare early Tunbridge ware print medallion decorated tea caddy in hare wood, of rectangular form, the sides and lid applied with classical style circular and oval prints on red background within multiple line inlaid borders, the lid centred by an oval silver plated handle. The lid interior in original red paper over a pair of hinge top caddies with conforming oval prints divided by a bowl stand complete with original cut and engraved glass bowl, 30.5 x 14.5 x 15cms. Illustrated Austen(B) Tunbridge Ware 3rd edition Page 48 (15). From the collection of Dr. Brian Austen
A Tunbridge ware burr ash tea caddy, the sloping sides inlaid with Van Dykes between borders of stick ware, the circular rosewood escutcheon probably replaced. The lid with angled borders of stick ware to a raised panel of cubes centred by a mosaic panel of a butterfly. The lid interior in burr ash with a stick ware border over two compartments now lacking caddies and divided by a circular frame with a matched mixing bowl. The lock stamped T. Carman and with a later key, 34.5 x 19 x 15.5cms. From the collection of Dr. Brian Austen
An early rosewood Tunbridge ware tea caddy, of sarcophagol form, the sides with borders of Van Dykes between decorative bandings, the angled lid rising to a cube work panel within conforming borders. The lid interior lined in blue paper over diamond pattern lids, the base compartments re-lined, 20.5 x 13 x 13cms. From the collection of Dr. Brian Austen
An early Tunbridge ware print decorated small tea caddy by George Wise, veneered in rosewood and raised on brass ball feet, the front with line inlaid and crossbanded borders, the conforming domed lid with a colour print within gold cross hatched border titled internally 'Bayham Abbey, Published at Wise's Manufactory Tonbridge Town'. The lid interior in original distinctive printed paper over a single rosewood and banded lid with turned knob, 16 x 9.2 x 10.5cms max. From the collection of Dr. Brian Austen
A rosewood Tunbridge ware tea caddy, of sarcophagol form the sides with unusual demi-rosettes of various woods between inlaid bandings, the canted lid with inlaid border to three diamond form panels of stick ware. The lid interior in rosewood with conforming inlays over a pair of rectangular tea cannisters each hinged lid inlaid with a single perspective cube and divided by a bowl frame with a cut glass mixing bowl, on brass ball feet, 33.4 x 17 x 16.5cms. Illustrated Austen(B) Tunbridge Ware 3rd edition, page 55. From the collection of Dr. Brian Austen
A Tunbridge ware rosewood tea caddy with a mosaic view of Eridge Castle, of rectangular form, the sides with a broad band of floral mosaic and a narrow band of geometric mosaic, the slightly domed lid with inset mosaic panel of Eridge Castle within a geometric mosaic border. The lid interior in original maroon paper over a pair of rosewood lids, one split and 'repaired' with Sellotape, one rosewood border to underside of base lacking, 20.5 x 11.5 x 11.5cms. From the collection of Dr. Brian Austen
A Tunbridge ware rosewood tea caddy with a fine mosaic and gauge work view of the Eastern Ranges of the State Apartments, Windsor Castle, attributed to George Wise of rectangular form, the front with inset mosaic medallion within a border of broad mosaic, the short sides each with oval fan motif probably covering earlier handle holes. The top with inset mosaic of Windsor Castle within a conforming mosaic border. The lid interior in original red paper, the lower section with neat replacement mahogany divisions, the whole raised on later bun feet, 31 x 16 x 16.5cms. Illustrated and discussed Furniture History Society Newsletter No 198, May 2015 and reproduced at the front of this catalogue. From the collection of Dr. Brian Austen From the collection of Dr. Brian Austen
An unusual Tunbridge ware pale flecked oak single tea caddy of sarcophagol form, raised on brass ball feet, the front inset with a mosaic panel of a dog at rest, within geometric mosaic border the canted lid with an inset mosaic panel of a bird on a branch within geometric mosaic border. The lid interior in original printed paper over a mosaic bordered lid and foil lined base, male portion of lock bent, 12cms square max/, 13cms high. From the collection of Dr. Brian Austen
A Tunbridge ware rosewood tea caddy with mosaic view of Muckross Abbey, of rectangular form, the concave sides with a broad band of floral mosaic and a narrow band of geometric mosaic. The cushion form lid with inset mosaic panel of Muckross Abbey attributed to Henry Hollamby within a narrow band of geometric mosaic. The lid interior lined in rosewood over a pair of lids with geometric mosaic borders each with turned knob. Some chips to corners of rosewood, two bun feet only present, 23.2 x 13 x 13cms. From the collection of Dr. Brian Austen

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81455 item(s)/page