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Box of miscellaneous Chinese porcelain and ceramics, including two Imari style plates, 21.5cm, another pair of plates painted with landscapes, pair of pear-shaped vases, Cantonese vase with figural panels, a cylindrical caddy and cover, other bowls and vases, some damages.Qty: 1 boxCondition report:Large plate - chip and hairline crack to rim. Two pairs of plates - nibbles to rims. Lidded pot - repair to base and body, chips to inside rim, chips and hairline crack to lid rim. Bowl - damaged. Pair of vases - good condition. Pair of tall vases - one with chips and hairline crack to rim. Tall vase- chips and hairline crack to rim. Octagonal bowl - repaired. Please see additional uploaded images.
Royal Doulton Golfing Series Ware jug and plate, the jug depicting two golfers with motto ' To Laugh Give Losers Leave to Speak And Winners ' (printed D3395 to base), approx 12cm high, the plate depicting a Crombie style golfer and caddy with motto ' All Fools Are Not Knaves, But All Kanves Are Fools, approx 25.5cm diameter
A Collection of Assorted Silver, including a Victorian Silver Mounted Antler Vesta-Case, London 1889, engraved with an inscription dated 1890; a cased seal-top spoon; a George III style caddy-spoon with plastic handle; a sugar-bowl, a cast silver plate model of Punch and a photograph-frame (one tray)
A George V Silver Teapot, Birmingham, 1928, oval, the lower body part fluted, engraved with an inscription, 28.5cm wide; Together With, an Edward VII silver tea-caddy, London, 1905, tapering oval and with part fluted lower body, 13cm high and the following similar silver plate items a coffee-pot; a hot-water jug and a cream-jug, gross weight of silver 25oz 10dwt, 783gr (5)
A Victorian papier mache shaped rectangular slope front writing box, the cover inlaid with mother-of-pearl cartouche with gilt and mother-of-pearl border, the plain body punctuated with painted motifs, the cover opening to reveal fitted interior and red velvet lined writing section, (ink bottle broken) 3a7 cm wide x 29cm deep x 10cm high together with a 19th Century Japanned tea caddy decorated with figures (cover detached / damages AF) and a 19th Century papier mache tea caddy, casket shaped opening to reveal lined sections n bun feet (3)
A group of eighteenth and nineteenth hand-painted Chinese porcelain famille rose and blue and white wares. To include: a tall vase with floral decoration, a baluster-shape mug, three cylindrical tankards and two tea caddies. 23 cm wide. (7).Condition: vase with restored rim and foot, mug with rim cracks and chips, large mug deficient of handle, blue mug with restored handle, one mug with tinker-repaired handle, one tea caddy with cracked lid, the other with replaced lid.
A GERMAN KINGWOOD AND BRASS MOUNTED TEA CHEST ATTRIBUTED TO ABRAHAM ROENTGEN, C.1750-60 the sarcophagus top with a brass swing handle, the front with a pierced brass cartouche shape escutcheon, the silk lined interior with three brass canisters, the central one with a domed cover and a twin interior, the circular covers with star decoration in low relief, the base with a spring operated secret drawer to the right hand side released by a button hidden when the cover is closed, on bracket feet, with a key, probably original, and a bright cut, Sheffield plate caddy spoon 15.5cm high, 22cm wide, 13.8cm deep Catalogue Note Abraham Roentgen (1711-1793) was a German ebeniste. He was born in Müllheim, Germany and learned cabinet making in his father's workshop, he then worked as an apprentice in the Hague before settling in London in 1731. He ran the Roentgen firm from 1742 to about 1800 together with his son, David. Abraham's then worked as a was characterised by superb marquetry and innovative designs, often incorporating hidden compartments, secret drawers and mechanical and musical devices and his work was sought after by rulers throughout Europe. One of his most famous pieces is the Walderdorffer bureau, now in the Rijksmuseum, Amsterdam. For similar tea chests, see W. Koeppe, 'Boxes from the Workshop of Abraham Roentgen in American Collections', pp.104-105 and the Met Museum, New York, Accession Number 1999.147 for an example lacking its canisters. For recent auction sales, see Lempertz Cologne, Decorative Arts, 20th May 2022, lot 1810 for an example with a different escutcheon. Christie's, European Furniture, Works of Art and Carpets, 24th September 2003, lot 287 for a similar example to that being offered but lacking its canisters. Christie's, Furniture, Clocks, Sculptures and Works of Art, 27 September 2001, lot 687 for an almost identical example that included the canisters.

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81455 item(s)/page