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A mixed lot to include; a 20th century tiered wire egg holder/caddy, used for hard boiled eggs for sale at cafes, the top originally holding a salt shaker, probably French, approx. 32cm high, a small Black Forest style bear on skis figure (a/f), a small probably Chinese wooden figure of a man riding an ox on rectangular wooden base, a pair of novelty 20th century Deco style photographic mantle place ornaments depicting children, both with labels underneath for Herbert Vieler photograph studio, tallest approx.14.5cm high, an unmarked early to mid 20th century circular fishing reel with bone handles and brass mount, and a Union Zagreb biscuit tin. Along with a collection of mixed folk art figures, all 20th century to include; two painted as a man and wife with movable legs/feet, five farm yard painted figures of people and animals, miniature painted pig family, motorcyclist, other animals painted jockey in stripes and others. (1 box)
A late 19th century Russian 84 zolotnik silver rectangular tea caddy and cover, with engraved Chinoiserie decoration, assay master A. Romanov, Moscow, 1888?, height 14.5cm, 12.5oz.**conditionreport**Cover peppered with small dings. A few dings and surface scratches around the caddy in places. Marks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George III engraved silver tea caddy, by Benjamin Mountigue, of serpentine form, with carved ivory pineapple finial and button to open the hinged cover, London, 1784, length 14.2cm, together with a later associated silver caddy spoon, 11oz (a.f.). CITES submission reference:PEP4M192**conditionreport**Large patch repair to the left side of the caddy, near to the base. Repair to the edge of the cover. Engraved crest and initial to the front of the caddy. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Gwendolen White (British, fl.1910-1915) Tobacco box and a fruit bowlilluminated white woodthe box depicting Virginia, Russia, Turkey and Egypt with inscription relating to tobacco and signed to the underside 'Dennis his box', the bowl with inscription relating to fruit, together with some loose transfer pencil designs, a letter from 1915 and a business card**conditionreport**Tobacco box - shaped and made like a tea caddy but the inscription clearly relates to tobacco, with central gilt monogram now rather dark and faded, the inscription 'when all things were made none was made better than tobacco / there is no herb like unto it under the canopy of heaven' and around the frieze 'to be a lone mans companion, a bachelor's friend, a chilly man's fire, a sad man's cordial, a wakeful man's sleep & a hungry man's food'. Depictions of a native American Indian smoking a pipe, a crouched Cossack, a Turkish man smoking a huqqa and an Egyptian man holding a carpet, inscription regarding Dennis to the underside, 18cm wide, 10cm deep, 9cm high, overall rather dirty and dark, housing inside a business card for Decorative Illumination on Wood Gwen Plunkett of St Francis, Lancing, Sussex and Cecyl White Orchard Cottage, Long Hope, Gloucester. The bowl equally darkened with numerous panels and the inscription around the frieze, 'Come by come by sweet two time and sound to I come by, goblins cry, come by, our orchard fruits come by', running above small panels depicting goblins and fruit, with further inscriptions below. Rubbed to the inside, 23cm diameter, 10cm high. Comes with tracing paper designs of Georgians at a musical soiree, dancing medieval figures and a hunting party, together with a plain postcard addressed to Miss Gwen White, 338 Camden Road N and dated 24 July 1915, stating 'congrats to the infant on having been awarded ¼ dozen gold medals from Benjer of 81 Inverness Terrace West.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
With a caddy top above a cross banded inlaid frieze. The long drawer above a recess containing four drawers on an adjustable slide, flanked by pedestals each with three drawers, raised on bracket feet, the sides of solid timber.81cm wide x 48cm deep x 79.5cm highQty: 1The legs on the left hand side are loose and have been reattached. Some of the banding on the edges is lifting. Some minor losses to the banding. Evidence that the handles have been replaces on the drawers.
DENT OF LONDON; a late 19th century ebonised oversized carriage clock with cast metal swing loop handle above fluted pagoda caddy top, single fusée movement with signed backplate numbered 1015, replaced dial set with Roman numerals inscribed 'Dent, London', and raised on scrolling bracket feet, height 24.5cm.Condition Report: The dial does appear to have been replaced and has some perishing. It is missing the pair of pillars which should have flanked the door, a few small scuffs here and there, complete with pendulum, a small loss to the ebonised moulding at the rear of the caddy top, otherwise ok.
A BOX OF METALWARE AND OTHER COLLECTABLE ITEMS, to include a hinged metal card/cigarette/pencil box, the lid decorated with 'Black & White' terriers, a bronze swan car mascot, a black lacquered pencil box decorated with Japanese ladies in a garden landscape, a brass Lipton's souvenir tea caddy of the British Empire Exhibition 1922, a small brass pot etched with the letter 'F', a carved wooden sculpture of the Lion of Lucerne monument, inscribed 'Helvetiorum Fidei ac Virtuti' which translates as 'to the loyalty and bravery of the Swiss', two miniature teddy bears in a Mayfair Edition box, a boxed Royal Worcester 'Papal Visit 1982' thimble, a pair of brass candlesticks, etc (1 box) (sd)
A LATE VICTORIAN SILVER TEA CADDY OF SHAPED OVAL FORM AND A GEORGE V SILVER HIP FLASK, the tea caddy with pull off cover, repoussé decorated and chased with foliate scrolls, makers Atkin Brothers, Sheffield 1896, 2.06ozt, 64 grams, the hip flask with bayonet fitting hinged cover, presentation inscription 'Jack Weatherbe Xmas 1921', makers Walker & Hall, Sheffield 1921, height 10.5cm, approximate gross weight 4.01ozt, 124.7 grams (2) (Condition Report: the tea caddy is in good condition overall but with some orange/ rust colour marks to the base, the hip flask has a number of dents and dints, liquid leaks out if not kept upright)
A silver tea caddy spoon by Gwen Whicker. The finial applied with a flower, London 1961, length 7.5cm, 17.2g. The estimated in-house shipping to a UK mainland address is available from £20From the estate of Esme Beecroft. Esme was a lifelong friend of the Whickers and was painted as a child by Gwen. She was featured in several of her paintings as a young woman. She also supported the Whickers by buying their paintings and was the executor of their estates. Gwen Whicker (1900-1966) was born in Bristol. She studied at the Bristol Municipal School of Art, against her parents wishes. There she met the Australian born artist Frederick Whicker, whom she later married. They jointly exhibited at the Royal West of England Academy from 1923 to circa 1935, but Gwen was never elected an associate member, though she was a founding member of the New Bristol Art Club and was the first President. The Whickers moved from their home in All Saints Road, Clifton, Bristol just after the war to Woodlane in Falmouth, Cornwall. There Gwen and Fred became members of the St Ives Society of Artists, where they became secretary and treasurer respectively. They exhibited until their deaths. Gwen produced etchings, paintings, drawings, sculpture, jewellery and silver wares. Much of her silver has not been traced as it was sent to Fred`s sister in Canada on her death. A retrospective exhibition of their work was held at the Falmouth Art Gallery in 1994, where fourteen pieces of Gwen`s silver were loaned from private collections.
A good George III silver tea caddy by William Plummer. Of oval section, the hinged lid with urn finial and revealing two sections, the body embossed and chased with foliate C scrolls and vacant cartouche, the back with three Chinese figures in a Pagoda landscape, London 1785, width 12cm, height 12cm, 476.2g. The estimated in-house shipping to a UK mainland address is available from £20
LUDWIGSBURG Teeservice f. 6 Personen 'Purpurblume', 1. und 2. Wahl, 20. Jh. 27 Teile: goldstaffiertes Weißporzellan mit feiner Blumenmalerei in Purpur und Korbreliefdekor, 6 Teetassen, 6 Untertassen, 1 Mokkatasse mit 1 Untertasse, 1 große Teekanne (am Ausgießer beschädigt), 1 kleine Teekanne, 1 Sahnegießer, 6 Kuchenteller, 1 Teedose, 1 Untertasse (D. ca. 12 cm), 1 Ovalschale (L. ca. 24) und 1 Kratervase mit glattem Dekor (H. ca. 10). Alters- und Gebrauchsspuren.| LUDWIGSBURG tea service for 6 persons 'Purple flower', 1st and 2nd choice, 20th cent. 27 pieces: gilded white porcelain with fine floral painting in purple and basket relief decoration, 6 teacups, 6 saucers, 1 mocha cup with 1 saucer, 1 large teapot (damaged at the spout), 1 small teapot, 1 cream jug, 6 cake plates, 1 tea caddy, 1 saucer (d. approx. 12 cm), 1 oval bowl (l. approx. 24) and 1 crater vase with smooth decoration (h. approx. 10). Signs of use and age.
Tray of collectables; Curling stone ink well pot, Mauchline ware bucket match striker bucket, Leather cover travel vesta case, Sovereign holder, Clarke & Co Anchor Sewing dispenser, Heavy 19th century spherical lidded tea caddy, Mauchline trinket box containing various writing utensils and pen knife.
A Regency mahogany and banded tea caddy, ebony strung, the satinwood interior with a central mixing bowl and two removable cannisters, on gilt metal paw feet, H 17.5cm, at the feet: W 34cm, D 18cm, together with a Victorian kingwood and ebony banded tea caddy, the front and lid quarter veneered, interior with mixing bowl aperture and two removable cannisters, sides with loop handles, H 19cm, W 33cm, D 16.5cm (2)
A Victorian miniature parquetry chest of drawers, with walnut and maple rolling cube to the three drawers, the top and sides in burr maple, H 31cm, W 36cm, D 22cm, together with a late Victorian coromandel narrow sewing box, interior satinwood lined, W 31cm, and a Victorian walnut domed tea caddy, with chequer banding, twin lidded interior, w 23cm, (3)
Late Victorian silver tea caddy embossed with cherubs, birds and rabbits amongst foliate scrolls by Goldsmiths & Silversmiths Co. London 1897 H 10.5cm, octagonal sugar sifter by Stokes & Ireland Ltd and retailed by Harrods. Chester 1912, H 17cm, and a silver bottle coaster with wooden base by A Chick & Sons Ltd, London 1977, weighable silver 6,5oz 203gm
A George III mahogany and shell marquetry inlaid rectangular tea caddy, the top opening to reveal three brass canisters 18.5 cm wide x 10.5 cm deep x 12 cm high together with a late George III mahogany tea caddy with shell marquetry inlaid medallion decoration to the lid opening to reveal two lidded compartments over an oak leaf and acorn medallion decorated front panel 20.5 cm wide x 12 cm deep x 13.5 cm high
Three 19th century tea caddies for restoration - all rectangular form, one Regency period in fruitwood with inlaid paterae, 20.5 x 11.5 x 13cm, lacks one lid, veneer losses; one mid-19th century in figured walnut and parquetry, 23 x 12.6 x 12cm, interior lids lacks handles, small veneer losses; and a larger elm caddy, the interior missing, 28.5 x 15 x 14cm.
A George III tortoiseshell tea caddy - domed rectangular form with inverted arcading to the front and a shaped, outset base with boxwood bun feet, the interior with two compartments with floral mother of pearl handles and lead paper linings, the edge veneered with ivory, the lid lined with red velvet, 20 x 13cm, 12.5cm high, minor faults. Ivory Registration 2U2DG3L6).
A Regency tortoiseshell tea caddy - rectangular with domed lid and silver metal stringing, on bun feet, the interior with two lidded caddies (one missing handle) and central bowl well (bowl missing), 27.5 x 12.5 x 14cm, requires a little restoration, a few veneer losses, escutcheon and lid plate missing.
An unusually large late-Regency rosewood sarcophagus tea caddy - with gadrooned border to the hinged cover and mother of pearl escutcheon, the interior with two lidded caddies and a cut-glass sugar bowl (probably a replacement), with key, raised on bun feet. (LWH 39.25 x 22 x 18cm)* Condition: The polish to the front a little faded. Glued repair to a piece of veneer to the right hand top edge of the base section. Condition otherwise good. Lock in working order.
A Scottish School Arts and Crafts Glasgow style Ruskin mounted white metal tea caddy, embossed decoration to four sides and with hinged lid standing on legs of triangular section. Height +/- 11.5 cm, width 10 cm, depth 10 cm (see illustration). CONDITION REPORT: The cabochon to the top has some slight crazing and there are signs of general wear and tear, age-related marks etc to the whole item. On the left-hand side there is a scratch, although not particularly deep, approx. 3 cm in length.

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81449 item(s)/page