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Victorian sarcophagus shape tea caddy, cut crystal bowl with hallmarked silver rim,silver- plated trophy 'U.S. Golf Club W.H.W. 1939' cigarette cards, vintage football programmes, records and other items in one box Condition Report Click here for further images, condition, auction times & delivery costs
A collection of 18th century Worcester porcelain. Including a Queen Charlotte pattern chocolate cup and saucer, gillyflower pattern lobed plate, European landscape saucer and a fisherman pattern tea caddy. Plate 20cm diameter. Condition Report. To be used as a guide only. Chocolate cup with a hair crack, saucer good. Plate good. Saucer good. Caddy lacking cover.
A Regency mahogany and boxwood tea caddy, the top opening to reveal fitted interior with two tea compartments and bowl holder, on squat bun feet, h. 20 cm, w. 31 cm, d. 15 cm CONDITION REPORT: No bowl. Large patch of veneer missing to back. Later hinges and lock. Later mother of pearl escutcheon and inset to top. Polish perished in places. One later foot. General wear and tear
A Regency coramandal sarcophagus form tea caddy with a brass mother of pearl and abalone escutcheon, the top lifting to reveal a part fitted interior on squat bun feet, h. 20 cm, w. 33 cm, d. 17 cm CONDITION REPORT: Handles missing. Later tea compartment tops. Bowl and bowl holder missing. General wear and tear
18th century Worcester porcelain tea caddy, underglaze blue square mark, 12cm and pair of matching vases and covers, 11.5cm. (3) CONDITION REPORT: Glaze generally good condition. Vase 1: top good, body appears to be in good condition, slight rubbing to rim gilding. Vase 2: body appears to be in good condition, slight running to rim gilding. Lid has been cracked through, chip at rim beside crack, mostly to underneath but around 5mm x 5mm. Some worn areas to gilding. Tea caddy: Lid appears in good condition, wear to gilding, body appears good, gilding good. Possibly pierced footrim repaired and re-gilded but could be natural?? also in another part of footrim. Small flat chips to surfce on side around 4mm.
Large and interesting English ebonised triple fusee musical table clock, the substantial six pillar movement with foliate engraved back plate, fitted with a 5.5" musical cylinder striking on a nest of fourteen bells, the 10" square brass dial signed Paul Beauvais on a recessed silvered plate to the matted centre with ringed winding holes and calendar aperture, enclosed by a silvered chapter ring and surmounted by subsidiary calendar and Bonnie Charlie/Duncan, Davison/Logie of Buchan/Devil's Dream tune selector dials, also with a silent strike lever above twelve o'clock, within an impressive ormolu mounted case fitted with a base drawer to house a spare cylinder (missing) and swivel stepped base, with ornate pierced cast side handles and glazed sides, surmounted by a caddy top with four turned finials and the naked standing figure of a man playing a small harp, 30" high overall, with pendulum and door key (alterations)
Good English red lacquer and chinoiserie decorated eight day longcase clock (in need of restoration), the 12" brass arched dial signed Willingham Billingshurst, Haymarket, London on a silvered convex boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long rounded arched door, the hood surmounted by a caddy top with three gilded ball and spike finials (one missing), 92" high (pendulum and two brass cased weights)
Fine mahogany three train musical longcase clock, the 12" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a subsidiary seconds dial and three winding apertures, the substantial movement playing on a nest of eight bells and striking on a large gong, the case with long moulded rounded arched door with fine applied foliate mouldings, also carved with stylistic foliate designs to the sides and base, the hood surmounted by a carved caddy top with three classical gadrooned vase finials, 103" high (pendulum and three weights)
Mahogany eight day longcase clock, the 12" square brass dial signed Charles Merry, London on the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a moulded stepped caddy top, 94" high (pendulum and two weights)

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81449 item(s)/page