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Click here to subscribeA Hallmarked Silver Caddy Spoon, L&S, Birmingham 1899, of Continental style, detailed in relief with couple in rural scene; a hallmarked silver Kings pattern salt spoon, London 1827 (the handle double struck), a bottom struck teaspoon (marks rubbed); German and other collectors teaspoons, etc.
A collection of silver items of various dates and maker's, including a small salt dish, a cigarette case, a mirror compact, a Georgian silver teaspoon, a silver lidded glass trinket box, two salt spoons, a silver tea caddy spoon with windmill top, a silver lid, a silver rimmed glass trinket dish, silver lidded glass jar, a silver box with wooden lining, and a boxed incomplete set of five George V silver teaspoons, along with a small wooden trinket box. Condition Report: Weighable silver, 7.6 ozt / 237 grams.
* LADY LUCINDA MACKAY (SCOTTISH b. 1941), MADRID CITY CENTRE oil on canvas, signed, titled and dated '17 versoframedimage size 41cm x 51cm, overall size 49cm x 59cm Exhibition label verso: 1 - 15 September 2018, The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
* LADY LUCINDA MACKAY (SCOTTISH b. 1941), WALLFLOWERS, MENAGGIO, ITALY acrylic on canvas, signed, titled and dated '17 versoframedimage size 41cm x 51cm, overall size 49cm x 59cm Exhibition label verso: 1 - 15 September 2018, The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
A George III Sheraton period figured satinwood and parquetry inlaid two-section rectangular tea caddy, strung in boxwood and crossbanded in tulipwood the top and front with sans shaded fan burst motifs. 20 cm wide x 11 cm deep x 11.5 cm overall height.Ivory certification reference SZR3HTX7 A private estate Good order
Cartier, United States. Sterling silver tea caddy of cylindrical form. The top embedded with a bronze French medallion depicting Napoleon and Marie Louise from 1810. Medallion marked, "NAPOLEON GALL. IMP. ITALIAE REX. M. LUDOVICA FRANC. AUST. IMP. FIL. A. A." For the ocassion of Napoleon and Marie Louise's wedding in Vienna. The obverse featuring the turreted and seated city of Vienna. The body of the tea caddy engraved with initials LBJ BAJ, 1926-1952. Marked Cartier sterling along the base.Height: 4 in x diameter: 3 in. Gross weight: 223.6 g.Condition: One dent to the lid and a small bump, tarnishing and wear through out.
A George III silver tea caddy, of oval form, decorated classical scenes, crested and inscribed, London 1782, 14.2 ozt, 14.5 cm high (overhandle)Cover crested and with small indentions caused by the ring handle, the inside with lion passant and maker’s mark, both rubbed. Does not close flush without pressure. No key. Both classical scenes are rubbed but the lion crest (as on the cover) visible on the palette. Couple of shallow dents either side of the palette scene. The base inscribed Sophia and with full hallmarks, maker’s mark AFSG. Base heavily scratched and slight dent in footring. From a trade source.
Teedose und HenkelkörbchenSilber. Sich konisch erweiternder, von Kanneluren umzogener Korpus mit Deckel bzw. gitterähnlich durchbrochen gearbeiteter Korb mit seitlichen Ringösen und Widderköpfen. Glaseinsatz fehlt. Gest., teilw. Beschauzeichen, Jahresbuchstabe und Herstellerzeichen u. a. von Ate de Groot Boersma. Gew. zus. ca. 345 g. H. 8 cm - 13 cm.A small silver basket and a tea caddy. Partly assay mark and maker´s mark. Glass insert missing.Niederlande. Sneek. Um 1900.
Miscellaneous silver plate, the first tray including a large punch bowl, vegetable tureens, hot water pot, tea pot, bachelor tea pot, two vegetable tureen, angel place settings, oval tea caddy and cover, six bottle coasters in various sizes and sauce boat. Second tray of silver plate including a fruit bowl, two toast racks, two large gravy boats, twin handled sauce boat of unusual design, three sauce ladles, one large punch ladle, oval card tray and six napkin rings. Third tray including vases, tureen and covers; bottle coasters, vintage egg stand with egg cups (one missing), water pot, cocktail shaker, 19th century tea pot, sugar bowl, christening mug, sauce boat, egg cup, pin dish, two sugar trough, twin handled sugar bowl, two salts, fruit basket, table lighter, bud vase and an oblong dish, and six silver plated tea light stands in the form of lotus flowers, stamped FKS.
Two silver & enamel 1977 Silver Jubilee commemorative spoons, Birmingham 1977 by Deakin & Francis, in original boxes as retailed by Mallory of Bath; a replica roman spoon; seven odd tea, coffee, egg spoons; a small pair of sugar tongs; a pickle fork; a caddy spoon; & various small plated items.
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