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A George VI silver caddy spoon with cast Devil terminal by J.H.B, Birmingham, 1938 together with a set of six Apostle style twist handle teaspoons, R.S, London, 1898; Modern Scottish coffee spoon amethyst set terminal, Robert Allison, Edinburgh, 1964; an Oyster fork, by Viners, Sheffield, 1960; pair Continental spoons, weighable silver 3.12 ozt
A group of silver two early 20th Century vesta cases, - one on suspension chain, profusely engraved Birmingham, 1904; another plain, Chester, 1901; a George IV fiddle & shell caddy spoon, the bowl with pricked decoration, London, 1829 (af) further silver mounted button hook, napkin ring and small bottle together with a collection of plate/epns flatware etc (1 box)
Cased set of six silver teaspoons and pair of sugar nips, maker Arthur Price & Co., Birmingham 1927; together with a James Dixon & Son silver mounted glass flask, Sheffield 1837, Grey & Co silver buckle, R M Maples & Son souvenir silver dish with Margate Jetty scene, silver souvenir Colwyn Bay teaspoon and silver caddy spoon
An impressive second quarter of the 18th century French tortoiseshell boulle inlaid bracket clock with original bracketBrezagez, a Paris. The case and bracket both stamped MarchandThe waisted case surmounted by an ormolu finial of embracing lovers over applied cornucopia and floral mounts and foliate scroll feet, the door centred by a large mount depicting a playful cherub hiding a key from an excitable puppy, on the matching wall bracket with concave sides set with smiling cherubs heads to each corner and tipped by a lattice-work finial; the cast dial with central bird and foliate scroll decoration enclosed by twelve blue Roman cartouche numerals, framed by an engraved minute band engraved with each number, the enamel makers signature plaque set just below VI; the rectangular movement untied by five vase shaped pillars, with (replaced) anchor escapement striking the hours and half hours on a bell mounted in the caddy above via a numbered outside countwheel, signed in engraved copperplate script along the lower edge. Ticking and striking. Sold with a pendulum, case key and large steel winding key. 120cms (47.5ins) high including bracket. Clock case 86cms (34ins) high. (2)Footnotes:Provenance:Sold with the receipt of purchase from Delehar Antiques, 146, Portobello Road, Kensington, W11 on 15th April 1967 for £350. 'Antique bracket clock and bracket. Movement by Brezagez. Case and bracket signed Marchand. Louis XV c1730.'Pierre Brezagez became a Master in Paris in 1727 and worked on Rue Montmartre until 1748. Nicolas Jean Marchand became a Maitre Ebeniste in 1738.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
An impressive late 19th Century gilt metal mounted ebonised quarter chiming table clock with interesting historyHaseldine, 36 Bond Street, LondonThe large case with pierced brass caddy top with elaborate satyr handle over four flaming urn finials over an arched pediment and pair of caryatid pilasters on a canted plinth base on elaborate scrollwork feet, the signed 8.25 inch silvered and brass Roman and Arabic dial with finely matted centre, with blued-steel Rococo style hands, with three subsidiary dials above, for slow/fast regulation, chime/silent and choice of 8 or 4 bell configuration, the substantial triple fusee movement with anchor escapement, striking the hours and the quarters on a large blued-steel coiled gong and up to 8 bells and hammers. Sold with a crank winder and case key. 77cms (30ins) high (3)Footnotes:A commemorative plaque on the back door reads:'This clock was purchased with money received by George Dalziel for literary contributions to Fun and other periodical publications 1880.''Fun' was a weekly magazine founded by H.J.Byron, an actor and playwright, first published on 21 September 1861. It ran for 50 years, before being absorbed into 'Sketchy Bits in 1901. It was aimed at a well-educated readership and covered literature, politics, sports, and the theatre in direct competition to the perhaps better known, but at times more staid, 'Punch'. Byron handed over the reins to a Mr Tom Hood in 1865, who in turn sold it to George (1815-1902) and Edward Dalziel (1817–1905) in 1870. The Dalziel brothers were publishers and highly regarded engravers in their own right who had established a family business in 1839. They cut the illustrations for Edward Lear's 'Book of Nonsense' in 1862 and those for 'Alice in Wonderland' and 'Through the Looking Glass' by Lewis Carroll. They worked with many internationally renowned names in the art world including Myles Birket Foster, William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and James McNeill Whistler. Examples can be seen in the Victoria and Albert Museum. An autobiographical study of their work 'The Brothers Dalziel, A Record of Work, 1840-1890' was published by Methuen. Various other family members were involved in 'Fun' until 1893.For further information on this lot please visit Bonhams.com
A late eighteenth century figured mahogany 'balloon' bracket clock with trip repeat and original bracketRichard Grove, 93 Wood Street, LondonThe shaped caddy surmounted by a gilt brass ball finial over foliate and fish-scale sound frets, the waisted case raised on a moulded plinth base and brass ogee feet, the signed 7.75 inch white painted Roman and Arabic dial with elongated fancy brass hands, signed two train fusee movement with anchor escapement striking the hours on a large bell. Sold with original mahogany wall bracket, case key and winding key. 61cms (24ins) high. The wall bracket a further 25cms (10ins) high. (4)For further information on this lot please visit Bonhams.com
A GOOD SECOND HALF OF THE 18TH CENTURY BRASS-MOUNTED EBONY BRACKET CLOCK WITH ORIGINAL WALL BRACKETWilliam Webster, LondonThe inverted bell topped case with bold handle and brass band to the caddy, over brass-bound rectangular glazed side panels over a plinth base on brass block feet, the 7.5 inch one-piece silvered dial with original blued steel hands reading against Roman and Arabic numerals, framed by a cast brass bezel within a square door, opening to reveal the wider dial plate signed along the lower edge and set with a strike/silent lever, the movement with five knopped pillars, pivoted verge escapement and rack strike on a bell, the backplate with a repeat pattern border framing asymmetric rococo foliate scroll engraving and the signature 'Wm. Webster, Exchange Alley, London', mounted with an engraved 'sprung block'-type pendulum holdfast, the backcock with matching scroll engraving and border. Ticking and striking. Together with the original veneered and brass-bound wall bracket of shaped outline and with pull-forward key drawer. Height 48cms (19ins) high. Standing on the wall bracket, 73cms (29ins) high. Footnotes:Provenance: Single family ownership for nearly 50 years; purchased by the vendors father from an auction in 1972.For further information on this lot please visit Bonhams.com
A mid-19th century French or English Boulle style inlaid tortoiseshell tea caddy, circa 1860Rectangular form, the plain ebonised sides with inlaid brass stringing, the lock plate reserved in brass inlaid tortoiseshell Boulle work. The with full inlaid with Boulle work scroll and arabesques with a vacant central cartouche. The interior with two lift out mahogany compartment lids wit brass stringing. The interior late refitted as a jewellery casket with black velvet lining and mirror to lid interior. Length – 23.7 cm / 9.4 inches
A 19th century French tortoiseshell and gilt bronze mounted Boulle style bracket clock, circa 1870The caddy top surmounted by a figure of a putto, the straight sided case with scrolling feet, the locking glazed arched door with gilt scroll base with a trophy of war (key deficient). The brass and twelve piece enamel dial with Roman numerals, signed ‘Bataille a Paris’. The twin barrel movement with outside count wheel striking on a bell (deficient), pendulum deficient. Movement backplate is stamped with the Japy trademark, an oval with the wording Japy Frères & Cie, Grande Medaille d’Honneur, Exposition 1855, also with numerals 162. He door interior with old sales label for Hagen’s House of Clocks, Benicia, California 12-17-85. Height – 52 cm / 19.75 inches
A late Victorian Art Nouveau silver tea caddy, square bombe form with relief embossed acanthus leaf and foliate decoration, by Thomas Bradbury & Sons, hallmarks London 1895, height 15cm, 10.1ozVery good original condition, no obvious damage or repair, high points are slightly rubbed and silver lightly abraded all over, knop is slightly bent and starting to split where it joins the cover, possibly from a drop, base of caddy has a few crease dents, hallmarks very slightly rubbed but still clear
A Continental silver tea caddy of shaped oval form with relief embossed lovers scenes, Swedish control marks on base, height 8.5cm, 4.7ozVery good overall condition, no obvious damage or repair, base has some abrasions all over, high points very slightly rubbed, lid fits perfectly, marks clear, engraved 830
GEORG JENSEN - set of various Vintage Danish stylised sterling silver Kongens pattern cutlery, including teaspoons, salad servers, cake slice, caddy spoons, forks, knives etc, 35.7oz weighable (58 pieces)Generally good overall condition, obvious light abrasions all over through general use, some pieces with engraved initials, marks clear, stamped sterling
A collection of Caughley blue and white porcelain in the Willow Nankin, Temple and Pagoda patterns, late 18th century, comprising barrel-form teapot and cover, tea bowls, saucers, coffee cups, teapot stand, and a spare sucrier cover - together with a Staffordshire caddy spoon and a Victorian sauce ladle (qty, some damages)
A Regency tea caddy, principally veneered in flamed mahogany, cross-banded in rosewood with strung boxwood borders, the cover with a loop handle, opening to reveal a divisional interior, velvet lined with a pair of lidded boxes flanking a central well with clear glass dish, together with a small silver caddy spoon (displayed behind silver counter), 30 x 15 cm x 15cm high
An 18th Century Chinese Qianlong tea caddy of small proportions, decorated in oxide red and famille-verte palette, raised on four bracket feet, 11 cm high CONDITION REPORTS Has large areas of loss to the glaze to the top, both the lid and shoulders, the collar of the tea caddy is broken and is in pieces inside, there is wear to the enamel work throughout as well as firing flaws, general wear and tear, etc. and one foot has damage as well as to the base line. See images for more details. General wear and tear conducive with age and use.

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81449 item(s)/page