A COLLECTION OF SILVER ITEMS To include: an Edwardian cylindrical castor by Elkington & Co. Ltd., Birmingham 1904, with a pierced domed cover, the body pierced with foliate swags and lattice decoration, on a circular foot, 12.5cm (5in) high, with a blue glass liner; a cased set of four Edwardian shaped circular salts, London 1905, with shaped borders, girdles and on thee trefoil pad feet, 5.5cm (2 1/4in) diameter, with four matched salt spoons; a Victorian cased christening knife, fork and spoon by Aaron Hadfield, Sheffield 1849, the knife handle filled, 20cm (8in) long; a caddy spoon and crumb pusher by Walker & Hall, Sheffield 1938, the handles engraved with a monogram, chased with a cock and a hen, the spoon 8.5cm (3 1/4in) long; a napkin ring; a candle snuffer by William Comyns & Sons Ltd., London 1975, 23cm (9in) long; assorted silver and electro-plated spoons; and a white metal candle snuffer 535g (17.2 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
We found 81455 price guide item(s) matching your search
There are 81455 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
81455 item(s)/page
FOUR SILVER CADDY SPOONS WITH SHELL SHAPED BOWLS To include: a George III fiddle pattern caddy spoon by Josiah Snatt, London 1808, engraved H, 9cm (3 1/2in) long; a George IV fiddle pattern caddy spoon by Thomas Millington, Birmingham 1827, 9cm (3 1/2in) long; a George III caddy spoon by John Love & Co., Sheffield 1789, 8cm (3 1/4in) long; and a fiddle pattern caddy spoon, partial maker's mark only, engraved R. P. L. over H. A., 8.5cm (3 1/4in) 40g (1.3 oz) gross Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
NINE SILVER FIDDLE PATTERN CADDY SPOONS To include: a George III caddy spoon, London 1808, engraved R, 9cm (3 1/2in) long; a George IV caddy spoon by William Eaton, London 1825, the bowl engraved with foliate swags, 10m (4in) long; a Victorian caddy spoon by George Adams, London 1850, engraved RJH, 9.5cm (3 3/4in) long; a Victorian caddy spoon by George Unite, Birmingham 1850, engraved with a circular vacant reserve and a floral swag, 9cm (3 1/2in) long; and five other fiddle pattern caddy spoons 109g (3.5 oz) gross Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
AN EDWARDIAN SILVER HEXAGONAL TEA CADDY THOMAS BRADBURY & SONS LTD., LONDON 1909 With a swing loop handle to the cover 8.5cm (3 1/4in) high Together with a caddy spoon by Thomas Bradbury & Sons Ltd., Sheffield 1909, with a shell shaped bowl, 9cm (3 1/2in) long 188g (6.05 oz) gross Condition Report: Caddy - Maker's mark partially obscured, rest are clear, dent to the reverse of the body, hinge good, slight gap to the body, stands well, no engraving Spoon - Marks are well struck Both with light scratches and wear commensurate with age and use Condition Report Disclaimer
A Dutch white metal caddy spoon with windmill design, 3 ladies watches to include Perfex and Timex together with a 1920's sixpence in a pendant mount on a silver chain, sports fobs to include a yellow metal Faraday School example, 2x 1977 Commemorative necklaces, a 'For Home and Country' enamelled badge, a small red lacquered box and A quantity of vintage and modern buttons to include a pair of WW2 military officer pips dress buttons together with a WW2 blue enamelled Home Guard lapel badge and Three modern watches comprising a gold tone and brushed steel Wenger Swiss Military watch with brown leather strap. Location:RWM
IKENOURA DAIKI: A WHITE LACQUER NATSUME (TEA CADDY) WITH IRISESSigned Ikenoura DaikiJapan, 20th centuryOf typical form with a flush-fitting cover and bearing an eggshell-white lacquered ground, finely decorated in gold takamaki-e, mother-of-pearl inlays, and nashiji details with irises issuing from water. The interior in black lacquer with gold takamaki-e wavy lines.DIAMETER 6.7 cmWEIGHT 54.2 gCondition: Good condition with minor wear, the mother-of-pearl inlays detaching in some areas.Provenance: Dutch private collection.With an original wood storage box (tomobako) signed and inscribed by the artist.
KAWAKAMI MINEHARU: A SOMADA-STYLE AOGAI INLAID LACQUER NATSUME (TEA CADDY)By Kawakami Mineharu (active c. 1970-2010), signed and sealed by the artistJapan, late 20th centuryOf typical form with a flush-fitting cover, the exterior decorated with floral lozenge motifs inlaid with iridescent Somada-style aogai inlays. The interior of roiro with gold fundame edges.HEIGHT 6 cmCondition: Excellent condition with minor wear along the rims.With a wood tomobako inscribed to one side by the artist himself, 'Hanabishi kaihari, o hira natsume, nurishi Mineharu with the seal Mineharu' [A large flat natsume tea caddy, with shell inlay with the design of floral lozenge design, Lacquer artist Mineharu, with the seal Mineharu.] The box lid inscribed, 'i 27' イ二十七 [a collection number 27 of I category].
A GEORGE II MAHOGANY CHIMING BRACKET CLOCKMID-18TH CENTURYthe brass eight day chain driven triple fusee movement chiming on a nest of eight bells and striking on a single bell, the backplate inscribed 'Isaac Warriner Connock' inside engraved scrolling foliage, the brass dial with a silvered chapter ring and black Roman numerals with day, moonphase and date apertures beneath 'Fast Slow' and 'Strike Silent' subsidiary dials and an arch with an enamelled moonphase and date aperture surrounded by engraved scrolling foliage and inscribed 'Warriner Connock', the mahogany and brass case with a caddy top, brass grilles to the front and back, side panes and brass feet, with keys and pendulum61.5cm high, 37cm wide, 24.2cm deepCatalogue NoteIsaac Warriner is recorded as being the tenant of Conock Manor in the parish of Chirton, Wiltshire, between the early 1720s and his death in 1752. There are also local records that list a clockmaker by the name of W. Adams as being in Conock in c.1738. While it is a very well made clock for one made in the provinces and it unusual for the backplate and dial to be inscribed for the owner rather than the maker, it would seem likely that Isaac Warriner commissioned a clock from the aforementioned Mr Adams while in residency at Conock Manor.
An 18th century oak and mahogany long case clock with cross banded decoration, having caddy top hood with turned Corinthian columns, the trunk with full length compressed door and half turned pillars, canted corners to the base on ogee bracket feet, with square brass dial and 8 day movement by S. Whalley, Manchester, height 224cm
An early Victorian tortoiseshell and ivory banded tea caddy, mid 19th century; the domed and hinged rectangular cover with pewter stringing to a central inset vacant panel; opening to twin subsidiary covers and banded edges; above spherical ivory feet; 12cm high, 15cm wide, 9cm deep.Ivory sale exemption ref: XUULKC7D
DELFT TEA CADDY. An 18th century Delft square, fluted square tea caddy & cover. Two of the raised oval panels with a monogram below a crown, the other two raised panels with floral decoration. The screw lid with floral decoration, to the base a blue painted mark O over A. Height 12.5cm, width 7cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
BOTTLE OPENERS ETC. A Crown cork bottle opener & a Kean advertising bottle opener. Also, an advertising caddy spoon for Melrose's Tea, a small shell case sand timer & a glass sugar crusher. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
AN EARLY 19TH CENTURY IVORY STRUNG TORTOISESHELL PAGODA TOPPED TEA CADDYWith twin lidded interior, 20cm wide; 13cm deep; 14cm highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.Ivory Licence number: 38DPVW9BCondition report: Caddy in general good condition, no major loss or damages. No key. Both hinges are damaged the right hinge is reparable, the left hinge needs replacing.
A GEORGE III SHELL MARQUETRY INLAID SATIN WOOD CANTED RECTANGULAR TEA CADDYWith twin lidded interior, 18cm wide; 11cm deep; 12cm highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.Condition report: Key included, light lighting/ cracking to the veneer on the top. No major breakages/ losses or damage, minor scratches all the way round. Additional photo attached.
A George II and a George III Silver Tea-Caddy, in Rosewood Caddy, The First Apparently Unmarked, Possibly 1750s, The Second by William Troby, London, 1814, The Rosewood Caddy Circa 1814 the silver tea-caddies each oblong, the sides engraved with foliage on a matted ground and within trelliswork, the hinged covers similarly engraved and with stepped bezel engraved with scrolls and cinqfoils, each with lock plate and lead-lined, in fitted oblong rosewood caddy with foliage-cast brass handle and with cut-glass bowlthe caddy 30.5cm wide, the silver tea-caddies each 11.5cm high, gross weight of silver 31oz 15dwt, 988gr (3)These distinctive tea-caddies are very much in the style of known examples produced by Edward Wakelin in the 1750s. Examples, though with slightly more elaborate engraving, include a pair, along with a sugar-box, which are marked for London, 1758 and sold from an Important Washington D.C. collection (Christie's, New York, 7 April 2021, lot 64) and a single example, marked for 1752, which was ordered from Wakelin by Sir Edward Winnington, Bt. (Bonhams, London, 15 March 2002, lot 211). The latter example is listed in the records of Edward Wakelin, known as 'Edward Wakelin's Gentleman's Ledger' which are preserved at the Victoria and Albert Museum and provide a fascinating record of silver production in the 18th century. This form of caddy was to continue being produced into the 1760s by other silversmiths such as Pierre Gillois, for example one marked for 1768 now in the collection of the Victoria and Albert Museum (museum number M.320-1962) and a pair of gilt examples (A. Stevens, et al., The Story of British Tea Chests and Caddies, Woodbridge, 2022, p. 310, fig 17.21). The later iterations of the form lack the stepped bezel on the hinged cover which would seem to have been a feature of the earlier Edward Wakelin examples, suggesting that the present examples are more closely related to the examples from the 1750s, rather than the later examples. The difference in the actual weight of the unmarked example compared to the engraved scratch weight, 15oz versus 13oz 7dwt respectively, is probably explained by the existence of the original lead lining inside the body. This lining is very likely that which was applied when the caddy was created. The ledger entry for the example made for Sir Edward Winnington includes a charge of £3 3s for 'making the lock, graving the mosaick [sic] and lyning [sic]', along with the charge of £6 1s for the making of the caddy itself and a further charge of 10s for making a case. While we normally associate these caddies as being made in pairs this last charge is interesting as it shows that this was not always the case. Winnington opted for a single, cased, caddy and presumably the original owner of the present example also purchased a single example. It can only be assumed that the greater use of different types of tea by the 19th century necessitated the creation, in 1814, of a matching silver caddy which was cased, along with the cut-glass mixing bowl and all contained in the present brass-bound rosewood caddy.One caddy is apparently unmarked. The base of this example is engraved with scratch weight '13=7'. The other caddy is marked on side with lion passant, duty mark, date letter and duty mark. Further marked inside cover with maker's mark, lion passant and date letter. The marks are generally clear. There is some overall minimal surface scratching and wear, consistent with age and use. The locks are replaced on the first example and possibly replaced on the second example. Each is lead lined, there is some loss, wear and damage to the lining. The glass bowl with some minor scratching and chips overall. The rosewood caddy with wear, chips and scratching overall. The cover and part of the back are each very sun-faded and with some staining. There is some minor bruising to the hinge on the later example.
A George III Silver Tea-Caddy, by Edward Farrell, London, 1817 inverted pear-shaped and on openwork foliage and fruiting base, the sides chased with foliage scrolls and flowers on a textured ground and centring four vacant cartouches, the pull-off cover with foliage and flower finial14cm high, 8oz 9dwt, 263grFully marked on side and further part marked on cover bezel. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. The cartouches have possibly been erased. There is probably a section of the flower on the finial lacking.
A George V Silver Caddy-Spoon, by Charles Boyton, London, 1938 in the Art Deco-style, the handle stepped and with round bowl70mm long, 1oz 4dwt, 37grFully marked on back of bowl. The marks are generally clear. There is some overall surface scratching and wear. There is some pitting to the surface as can be seen in the catalogue illustration.
A Three-Piece Russian Silver Tea-Service and Associated Tea-Equipage, The Tea-Service Probably by Fyedor Yartsyev, Moscow, 1899-1908, The Flatware by Grigory Sbetnayev, Moscow, Circa 1908-1926 each piece with a textured finish and engraved with initials, comprising a teapot, with ivory-insulated handle; a sugar-bowl and cover, each with mother-of-pearl finial; a cream-jug; two tea-glass holders, one with plain base and the other with shaped base, with differing associated clear-glass liners, by Vasily Iconov, Moscow, 1908-1926; a set of twelve teaspoons; a caddy-spoon with baluster fluted finial; a pair of Fiddle pattern sugar-tongs; a Fiddle pattern sifting spoon and a Fiddle pattern small fork, contained in a fitted brass-bound oak casethe case 71.5cm wide, total gross weight of silver 54oz 12dwt, 1,699gr (21)With non-transferable standard ivory exemption declaration number FHLL36YA.Each piece is marked as expected. There is some minor wear to the marks, though in general each is clear. There is some overall surface scratching and wear, consistent with age and use. The ivory with some cracking and discolouration. Some of the supports in the box are partly detached. There are some minor bruises to some pieces. The lid on the teapot and sugar-bowl don't close completely flush.
A Continental Silver Tea-Caddy, Maker's Mark PR and With Pseudomarks, Probably Hanau, Late 19th Century shaped oval and with beaded border, the hinged cover with drop-ring handle11cm wide, 9oz, 280grMarked underneath with Augsburg style pseudomarks. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to the cover and some pitting to the front as can be seen in the catalogue illustration.
A mixed collection of silver items, including two 'Mayflower' commemorative spoons, a cased set of Albany pattern teaspoons and tongs, from Harrod's, various pepperettes and lidded mustards, various slat and condiment spoons, a caddy spoon, napkin ring, thimble, and pill box, together with an interesting 19th century Polish silver plated pair of sugar tongs, stamped 'Radecki' decorated with reliefs of Jozef Xiaze Poniatowski, 14cm long, and further small silver plated and metal items, total weighable silver 15.6toz. (1 bag)
Loading...-
81455 item(s)/page