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A late George III or Regency japanned metal tea caddy, circa 1810, the hinged cover with canted edges and brass loop handle, with bands of black and gold paint, the front decorated with a sailor mourning beside a monument inscribed Nelson, He Conquerd & Died 1805, on a red ground, the interior with division, 11.5cm high, 10.5cm wide
An Early Victorian Tortoiseshell Veneered Two-Division Tea Caddy, pewter wire stringing overall, the shallow domed and hinged lid centred by a white metal cartouche inscribed "SO", internally with two pull-off lids with mushroom finials, edged in ivory, and on four white metal sphere feet, an old label on the base inscribed "Mrs Cadman, 13 Crescent, Scarborough", 13.3cm high; containing A George IV Caddy Spoon, by Joseph Taylor, Birmingham 1826, the daffodil engraved bowl within a pierced lobed rim, with bright cut handle (2) See illustration
A Pair of Chinoiserie Lacquered and Parcel Gilt Cabinets on Stands, circa 1930, rectangular section, with shallow "caddy" tops, over a pair of cupboard doors mounted with intaglio carved polychrome lacquer panels depicting Manchu families in courtyard settings, framed with stylised guilloché, on conforming stands with shell carved aprons and on cabriole legs with shell feet, 66.5cm by 39cm by 142cm See illustration
A Danish silver-coloured metal four piece tea service by Georg Jensen, stamped marks including GI 925 S in an oval of dots for 1915-1930, designed by Georg Jensen in 1915, lightly hammered with ebony handles and finials, of a side-handled tea pot and cover, a sugar basin and cover, a side-handled cream jug and a tea caddy and cover, design no. 80, the tea pot 21cm (8.25in) long, 760g (24.25 oz) gross. See Drucker, Janet. Georg Jensen: A Tradition of Splendid Silver. 2nd edition, p. 218
A selection of silver by Stuart Devlin, comprising: a parcel gilt double ended goblet, London 1979, 15cm (5.75in) high; a parcel gilt and enamelled caddy spoon, London 1982, limited edition no. 52, cast with the Prince of Wales feathers, in its box; and three gilt textured openwork napkin rings, London 1978, 156g (5 oz) gross
A mid-18th Century Ebonised and Gilt Metal Mounted Caddy Top Bracket Clock, Ellicott of London, the caddy top case with a lacquered brass and leaf capped carry handle to a moulded cornice and glazed side panels to a hinged door with pierced gilt metal corner mounts, enclosing a circular brass dial surround to a plinth base and raised on four cast and applied foliate bracket feet, to a 7” square silvered dial with strike silent lever at 1, and signature to the bottom with Roman and Arabic chapter ring and pierced and blued steel hands, the twin chain fusee movement converted from verge to anchor escapement with signed and engraved backplate and united by five knopped pillars, with pull repeat and strike on a bell, height 18” (ILLUSTRATED INSIDE BACK COVER)
An early 20th Century blue lacquered Mantel Timepiece, the caddy top with cast brass carry handle to a lacquered blue and gilt highlighted chinoiserie decorated case on four bracket feet, to a cast brass bezel enclosing a textured gilt 3” Roman dial with outside minute track and blued steel spade hands, to a French circular brass movement with lever platform escapement, height 8 ½”
A mid 18th Century Walnut cased 8-day Long Case Clock, Jon Austin of Shoreditch, the caddy toped hood (detached), to an overhanging cornice, over glazed side panels to an arched door with integral three quarter columns with gilt metal mount capitals, to an ogee throat and long cross banded trunk door, to a stepped plinth base, to an associated 12” arch brass dial with wheat ear engraved borders, circular boss to the arch, with dolphin spandrels and strike silent lever above a Roman and Arabic chapter ring flanked by mask and foliate applied spandrels, with minute track, inside quarter track and half hour fleur de lys markers, to a matted centre with subsidiary seconds and date sector with ring winding squares and pierced steel hands, to a movement united by five knopped pillars with anchor escapement and strike on a bell
A large 19th Century Oriental Lacquered Tea Caddy of canted rectangular form, japanned throughout with typical scenes with iron red detail, the interior fitted with two large metal containers, each with outer and inner lids, applied on either side with brass drop handles and raised on paw feet, 13 ½” wide
An oak eight-day longcase clock Part 18th century The 19th century four-pillar rack and bell striking movement now with a 12 inch square brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, cruciform half hour markers and bearing signature Dan.l Robinson Northampton to lower edge, the angles with Indian mask and scroll cast spandrels, in a case with ogee moulded caddy above blind fret frieze and integral pilasters to hood and long break-arch door to trunk, on plinth base with moulded skirt, composite, 210cm high.
An unusual oak eight-day longcase timepiece Abraham Torn, Sheffield, mid 18th century The four-pillar movement with anchor escapement and 10.75 inch square single-sheet brass dial with subsidiary seconds dial and curved applied plate signed Abraham Torn, Sheffield to centre within a Roman numeral chapter ring with Arabic five minutes and plain spandrels to angles, the slender case with tall ogee caddy and integral pilasters to hood above long rectangular trunk door and plinth base with moulded skirt incorporating bracket feet, 220cm high.
A German oak cased quarter chiming bracket clock Junghans, early 20th century The two-train movement chiming the quarters on four gongs and striking the hour on a further gong, the brass full-arch dial with matted centre within an applied silvered Arabic numeral chapter ring beneath regulation and chime/silent dials to arch within a foliate scroll etched gilt ground, the case with moulded caddy top above pilaster applied canted angles and moulded plinth base with pad feet, 44.5cm high.

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81449 item(s)/page