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Click here to subscribeA Collection of Assorted Silver and Silver Plate, including: a silver cigarette-box; a cased set of silver and enamel spoons commemorating the coronation of George VI; a silver hand-mirror; a silver-mounted toddy-ladle; three various silver-mounted glass dressing-table jars; a silver plate double tea-caddy and other items (qty)
Good early French Boulle two train bracket clock with bracket, all in need of refurbishment, the movement with outside countwheel signed Frizon, Paris, the 9.5" gilded and floral engraved dial plate with Roman cartouche enamel numerals, within an ornate case with mermaid cast feet and surmounted by a caddy top with a semi-robed seated bearded man holding a scythe above his head, 33.5" (without bracket), height of bracket 13.5" (key)
Interesting early English double fusee original verge bracket clock in need of extensive restoration (no dial), the movement back plate engraved with scrolling foliage and signed Andrew Dickie, London within a stepped case with gilt brass mounts and surmounted by a caddy top and brass carrying handle, 21" high
English mahogany three train bracket clock, the movement playing on a nest of eight graduated bells and striking the hours on another, with foliate engraved back plate and locking pendulum, the 8" brass arched dial with subsidiary silent/chime dial to the arch over a silver chapter ring enclosing a matted centre, within a stepped case surmounted by a caddy top, four pineapple finials and a brass carrying handle, 20.5" high (pendulum)
Interesting English mahogany automata double fusee original verge bracket clock, the 7" square brass dial with silvered chapter ring enclosing a plain centre signed Thomas Bray, Westminster, with calendar aperture, under the automata with moving figures in a blacksmith's workshop, the meandering foliate engraved back plate also signed Thomas Bray, Next St. Margaret's Church, Westminster, with locking pendulum, within a stepped case surmounted by a caddy top with four foliate engraved ball and spike finials and a carrying handle, 22" high (pendulum and winding keys)
English mahogany double fusee verge bracket clock, the 6.5" silvered dial signed George Ellicote, London, with strike/silent dial to the arch, the movement with pull repeat and decoratively engraved back plate, within a stepped case surmounted by a caddy top with four brass urn finials and a carrying handle, 22" high (pendulum and winding key)
Good English faded mahogany triple fusee original verge bracket clock with alarm, the 8" silvered arched dial and movement back plate signed James Tayler, London to the centre over a central alarm dial and calendar aperture, also with strike/silent dial to the arch, the movement with pull repeat playing on a nest of eight bells and striking on another, within a stepped case with gilt metal mounts surmounted by a caddy top and five turned brass flaming finials, 28.25" high (pendulum and winding key)
Good English mahogany double fusee verge bracket clock, the 8" brass arched dial signed Tho Willmore, London on a shaped plate under twelve o'clock to the matted centre, the silvered chapter ring with Roman and Arabic numerals enclosing an internal calendar chapter ring, the movement with pull repeat and foliate engraved back plate, within a stepped case surmounted by a caddy top and five urn finials, 23" high (pendulum and winding key)
English mahogany double fusee bracket clock, the silvered dial signed Jos Fackler, Clerkenwell London to the centre of the chapter ring beneath a strike/silent subsidiary dial, within a later stepped case surmounted by a caddy top, four pineapple finials and a carrying handle, 22" high (pendulum and key)*This clock is sold with an invoice from John E. Peters for engraving undertaken on the dial dated 10th July 1986
Unusual French mahogany and walnut cased two train bracket clock, the 7.5" white convex dial signed Higer á Paris, with centre seconds, the movement of one month duration with rare Coup Perdu escapement, striking the hours and half hours on a bell, within a pillared rounded arched case applied with cherub and foliate cast metal mouldings, surmounted by a caddy top and acorn finial, 27.5" high (pendulum and key) (adaptations)
Good English walnut single fusee bracket clock, the 6" brass chapter ring enclosing an engine turned centre and signed Viner, Regent Str either side of twelve o'clock, the five pillar movement with long shoulders to the shaped plates and with locking pendulum, within a well made later stepped case inlaid with burr walnut and chevron banded spandrels, surmounted by a caddy top and brass carrying handle, 15.25" high (pendulum and keys)** This clock bears a rectangular plaque fitted to the inside of the back door inscribed Repaired by Camerer Cuss & Co, 54 & 56 New Oxford St., London est. 1788. It is probable that these makers were responsible for making the case in the early part of the 20th century
Oak thirty hour longcase clock, the 11" square brass dial signed Mark Hawkins, St. Edmunds Bury at six o'clock on the brass chapter ring enclosing a matted centre with calendar aperture, the case with long foliate carved lozenge door and the hood surmounted by a stylised foliate carved caddy top, 87" high (pendulum and decorative vase shaped brass weight)
Oak eight day longcase clock, the 12" brass arched dial signed Johnathan Martin, Bristol on the brass chapter ring beneath six o'clock enclosing a matted centre with subsidiary seconds dial and calendar aperture, with missing strike/silent dial to the arch, the case with long wavy top door stylistically carved with birds amidst flowering foliage and the hood surmounted by a carved caddy top over a rounded moulded stepped cornice, 97" high (pendulum, two weights and winding key)
Mahogany three train longcase clock, the 12.5" brass arched dial signed Henry Swaine of Hilperton on a flat silvered disc to the arch over a silvered chapter ring enclosing a subsidiary seconds dial (missing hand), calendar aperture and three ringed winding holes, the case with long beaded moulded rounded arched door inlaid with an oval conch shell to the centre within cabled banding, the hood surmounted by a caddy top inlaid with an oval satinwood panel and with three brass ball and spike finials, 96" high (pendulum, three weights and keys) (alterations)
Good quality 20th century triple fusee chiming longcase clock, the substantial movement playing on a nest of eight graduated bells and five gongs, with deadbeat escapement and maintaining power, the 9.25" foliate engraved arched dial with 8" silvered chapter ring enclosing a painted marine battle engagement, with Westminster/eight bells and strike/silent selection levers at three and nine o'clock, also with a moon phase to the arch, the case with narrow beaded moulded rounded arched door and the hood surmounted by a caddy top with four turned wooden and one brass urn finial, 87" high (pendulum and keys)
12 items of miniature Royal Crown Derby to include a pair of 4072 pattern jugs dated 1899, a 2649 pattern imari teapot, 2649 milk jug, 2649 jug, a 4112 pattern teacup and saucer dated 1909, two thimbles (1989 & 1994), 2649 pattern tea caddy jar and lid dated 1913, a garden roller dated 1996, gold metal pill box with screwtop and a jug c.1935.Condition report: All first quality, some minor loss of gilding mainly to the jug handles and feet.
AN EARLY 20TH CENTURY SILVER TEA CADDY by George Nathan & Ridley Hayes, Chester, 1905, of oval form, decorated in relief with people in a rural scene, together with another silver tea caddy by Elkington & Co Ltd, Birmingham, 1904, of tapering oval form, with a half-fluted body and hinged lid, c.280 grams (2)
AN ART NOUVEAU SILVER AND GUILLOCHE ENAMEL SPOON by Goldsmiths & Silversmiths Co Ltd, London, 1902, together with a silver, mother of pearl and ivory tea caddy, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, London, 1896, of oval form and silver lettering to the mother of pearl body to read 'Tea'. Spoon 17cm long, tea caddy, 10.5cm high (2)
the caddy top hood with carved giltwood flaming urn finials and repoussé brass fret above a twelve inch silvered dial with Roman numerals, subsidiary seconds dial, date aperture, and twin ringed winding holes, signed on the chapter flanking the VI 'Andrew Broun/ Edinburgh', with crown and cherub spandrels, above a geometric line inlaid and crossbanded trunk door with an oval brass bound lenticle, on a similarly decorated plinth base with bun feet; the month going movement with five wheel trains and turned pillars, anchor escapement, and hourly strike on a bell via a counterwheel46cm wide, 247cm high, 25cm deepFootnote: Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow". A marquetry longcase clock by Broun dating to the late 17th century sold in these rooms, 1 September, 2021, lot 18, and another 17 November, 2021, lot 18.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
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