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French ormolu Pendule d'officier, the 4" white enamel dial signed Adamson, Millenet, the movement with pull repeat striking the hours and quarters on a bell, within a rounded arched case applied with foliate cast mouldings and surmounted by a stepped caddy top with carrying handle, 10" high overall
English mahogany double fusee bracket clock, the 7" brass arched dial signed Theops Holdred, London on a shaped plaque to the matted centre with false bob and calendar apertures, also with strike/silent dial to the arch, the movement with foliate engraved back plate, within a stepped case surmounted by a caddy top, four brass turned finials and a carrying handle, 21.5" high (pendulum and keys) (alterations)
Large Spanish mahogany three train boardroom mantel clock, the 8.5" brass arched dial signed Pena y Lobrino, Madrid on a silvered disc to the arch over subsidiary slow/fast and strike/silent dials, the silvered chapter ring enclosing a matted centre, the movement with pull repeat striking the hours and quarters on three gongs, within a stepped case surmounted by a high caddy top and brass urn finial, 27.5" high (pendulum)
Oak boardroom double fusee bracket clock striking the hours and quarters on five gongs, the 9" brass arched dial with subsidiary slow/fast and silent/chime dials over a silvered chapter ring enclosing a matted centre within a foliate carved breakfront stepped case surmounted by a caddy top, 28" high, (pendulum and winding key)
Oak three train fusee boardroom clock, the 7.5" foliate engraved silvered arched dial with chime/silent and chime on eight bells/Westminster subsidiary dials, the substantial movement playing on a nest of eight bells and striking on a large gong, within a foliate carved case applied with caryatids and masks, surmounted by a caddy top and three turned finials, 30" high (pendulum)
French ormolu carriage style two train small mantel clock, the movement with platform escapement striking on a gong, the 2.25" cream dial within an ornate case applied to the front with a lion in relief and handles to the side, surmounted by a stepped caddy top and carrying handle, upon a square shaped giltwood stand, 11.5" high overall
A LATE 19TH CENTURY TORTOISESHELL BOULLE BRACKET CLOCK in the 17th century style, the case inlaid with engraved pewter and brass having a caddy top surmounted by eight gilt brass torch and urn finials supported on four Corinthian capped columns flanking a brass moulded edged arched glazed door enclosing an 8" silvered engraved chapter ring on black velvet ground above an applied gilt plaque depicting two sphinx, the eight-day spring driven movement with anchor escapement striking the hours/half hours on a gong 53cm high
A group of various Japanese ceramics to include a Meiji period fluted vase painted in underglaze blue with panels on floral ground, height 31cm, a Satsuma cylindrical brush pot and a square tea caddy, two Imari plates and Kutani miniature bottle vase, also a Chinese ginger jar, a similar provincial example, etc.
CHARLES HORNER (probably); an Edward VII hallmarked silver tea caddy of lobed inverted baluster form, with embossed foliate scrolls to upper part and hinged shaped rectangular lid with finial, on four paw feet, Birmingham 1903, height 15cm, approx 8.6ozt.Additional InformationGenerally intact, some areas of mild tarnish, slightly wobbly, areas of surface wear such as rubbing, scratched trade numbers to base, significant traces of cleaning products and some patination to gilt interior, the lid sits correctly but the edge of it seems to be slightly misshapen to the longest side where the hinge is.
JOSHUA STANCLIFFE OF BARKISLAND; a George III oak longcase clock, the caddy top above brass dial set with Roman numerals and date subsidiary dial, with painted moon phase, inscribed with maker's name, flanked by two columns above shaped slender single door, on plinth base with bracket feet, height 215cm.

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81449 item(s)/page