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An interesting collection of 18th and 19th century and other prints and engravings, etc, including a pair of early 19th century coloured engravings of Napoleonic military and naval battle scenes after W Heath and AMS, both engraved by Sutherland, 26 x 37 cm approx, unframed, a humorous early 19th century coloured caricature of Poor Billy, published by T McLean, coaching subjects including A View on the Highgate Road after James Pollard, published by J Moore, various topographical studies, botanical studies, etc, mostly unframed together with a 19th century French coloured engraving of an interior setting with miser playing his fiddle whilst surrounded by bags of coinage, after Destouche, 40 x 47 cm approx in burrwood style frame
An unusual cast metal vase with moulded detail of flying putti, the spout adorned with a figure kneeling to wash her hair, marked to underside indistinctly Kyob with further marks, 28 cm tall approx together with a pair of cut onyx bookends with painted models of terriers, a vintage wind-up toy in the form of a drum playing monkey wearing a waistcoat, elephant, etc
A Victorian silver bon bon dish, Martin, Hall & Co., Sheffield, 1866, chased with a fruit and vine border, 93.2g; a pair of William IV silver sugar tongs, London, 1831, 46.6g; four silver teaspoons, Birmingham, 1937, each terminating with a scene of people playing bowls, 84.5g in total; miscellaneous coinage; two silver napkin rings; etc
An interesting collection of paintings by Doug E Taylor, mainly in oil on board including a cat toying with a canary, figures playing ball beside a windmill, further figures playing bowls in a garden setting, a figure walking along an alleyway wearing a red and white hat, a mournful woman in an interior setting contemplating an empty cage, etc, various sizes, 122 x 61 cm maximum approx, some framed (7) together with a further oil painting on board of a scene with Mediterranean style buildings, figures resting, etc, signed bottom left Sanson and dated 63, 123 x 61 cm approx
A pair of Sitzendorf porcelain comports, the tall pedestals entwined with climbing roses and supporting three cherubs playing musical instruments, the detachable pierced bowls in the form of baskets and also decorated to the exterior with roses and foliage, 43 cm h (2) Condition Report 1. Damage includes loss to the cherub's wing, petal and leaf loss 2. Damage includes tambourine cracked and reglued. Petal and leaf loss
A Staffordshire flatback depicting the death of Nelson 18.5 cm high to/w flatback of two seated Scottish children with arms held high, 15 cm high; a small flatback of two spaniels and a barrel, 10.5 cm high, a pair of Staffordshire sheep and a small Meissen style figure of a boy playing bagpipes, 10.5 cm high, impressed mark G11 42(6) Condition Report Damage includes : Nelson - firing blemishes Scottish - girl's head and arms restored Dogs - paint loss Sheep - base frits, paint loss Meissen - hat chipped, pipes broken
Two Meissen figures and a similar group, 19th century, the group modelled as a girl playing a mandolin, a boy seated on a wheatsheaf beside her, incised model no.G98, 15cm, the second of a shepherdess feeding a sheep, incised model no.F19 and the last of a girl violinist, model no.2570, all with underglaze blue crossed swords marks, 12.5cm, some damage
Peter Spicer. Nine burr walnut and maple trinket boxes, boxwood strung, some stained various colours, most stamped P. S Spicer. Notes Peter Spicer was born in Folkestone in 1930 where he lived until the evacuation of Dunkirk when his family moved to Tunbridge Wells. As a boy he went to watch his fathers friends at work, many of whom were craftsmen in various branches of woodwork. It was in their workshops that he learnt his woodworking skills, during this period, he has access to antique furniture and the restoration of antiques. On examining these items, he was often disappointed in the standard of workmanship in the backs, interiors and bottoms. He decided that whatever he made in the future would be of the same standard of workmanship and finish throughout. After National Service, he established a workshop at his home in Tunbridge Wells where he made many items to furnish his own home and for exhibition and competition. He gained many awards, gold and silver medals and prizes at National level for his work. Spicer studied music and violin playing and was able to combine this with his love of woodwork, for many years he was in demand as a repairer and restorer of old and valuable instruments of the string family. For more than twenty five years he cared for the stringed instruments of of The Royal Marines musicians on the Royal yacht Britannia.
Poster GWR 'North Wales Golfing - Boating - Free Fishing In Bala Lake' by Alec Fraser c1911, double royal 25in x 40in. The iconic GWR Poster depicting a Fisherman and Oarsman playing the catch on Bala Lake. Published by GWR, James C. Inglis Gen. Manager Paddington Station, printed by Andrew Reid & Co Lithographers, Newcastle. Extremely good condition with a small repair at the top and professionally mounted on linen.
LNER Playing Cards housed in a leather covered box. There are two, unopened packs inside, one having sepia backs showing full company title and depicting a sailing boat harbour scene 'Lowestoft'. The second having colour backs with similar sailing boats and town view 'Whitby'. Pristine condition throughout.
A GOOD PAIR OF CHINESE BRONZE MODELS OF BUDDHISTIC LIONS, possibly Ming Dynasty, together with fitted wood stands, each seated with one paw resting on a brocaded ball upon which are playing two cubs, the details engraved, 9.75in high overall, the stands 8.4in x 5.75in x 2.1in high, the bronzes themselves 9.5in long x 5.25in wide x 7.5in high.
HENRY TONKS (1862-1937) A FOLIO OF DRAWINGS AND LETTERS including a sheet of studies with a man reading, figures ice skating, a portly gentleman, an Aesthetic gentleman, a lady playing a harmonium by lamplight, Promenading on a London square, the contented reader, Scene at a Classical dance, together with a letter to Henry Tonks from Sir Thomas Monnington PRA; one initialled and dated (1879), several taken from letters from the artist; pen, ink and pencil, with one in watercolour over pencil Various sizes (9) Provenance Bequeathed to the artist's nephew, Myles Tonks and thence by descent

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79738 item(s)/page