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Lot 46
(Napoli 1856 - 1936)Cm 32x19,5 | In 12.60x7.68Oil on panelVincenzo Caprile studied at the Academy of Fine Arts in Naples with Domenico Morelli and Gabriele Smargiassi. A painter of Impressionist imprint, he was linked to the Resìna School, and devoted himself to the depiction of landscape scenes and popular characters. His painting technique denotes great freshness of stroke, bringing to mind influences of Filippo Palizzi, and resulted in his excellent commercial success. He lived for long periods in Venice, alternating paintings of the Lagoon with Neapolitan landscapes. With other Neapolitan painters (Luca Postiglione, Pietro Scoppetta, Vincenzo Volpe, Edoardo Matania, Attilio Pratella, Giuseppe Alberto Cocco, Giuseppe Casciaro, Giuseppe Chiarolanza, Gaetano Esposito, Vincenzo Migliaro, and Vincenzo Irolli) he was called upon to decorate the rooms of the Caffè Gambrinus in Naples. He died in Naples in 1936. Works in museums Other works: Intimacy (1879) Face of Woman (1879) Woman Playing Mandolin (1879) Face of Maiden (1879) Peasant Girl with Little Donkey (1879) Peasant Girl (1880) The Little Pumpkin (1881) Portrait of a Little Girl (1881) Na cozinha (1881) Marina (1883) Maria Rosa and the Kitten (1883) Watercolor (1884) Landscape (c.1885) Farmhouses (1885) Acqua zurfegna (1885) Peasant girl in the stable (Maria Rosa) (1886) Face of commoner (1887) Male portrait with cigar (1887) Venice (1887) Old village (1887) Shepherd in celebration (1887) Along the Canal, Venice (1888) Quiet Canal, Venice (1888) Shepherds with donkeys (1888) Portrait of woman (1889) Ants (1889) The beach at S. Benedetto del Tronto (1889) The Model (1894) Portrait of a Maiden (1898) The Flower Vendor (1899) Portrait of a Fisherman (1903) Goats (1904) Little Goats (1904) Piazzo San Marco (1905) Shepherdess on the Edge (1905) The Three Ages (1906) The Porta della Carta, Palazzo Ducale, Venice (1909) Old Man with a Pipe (1910) The Pipe Smoker (1914) View of Positano (1924) The Red Door (1924).
Lot 26
Oswald Achenbach (1827 Düsseldorf - 1905 ebenda)Fischer vor der Bucht von Neapel, Öl auf Leinwand, 89 cm x 135 cm, signiert, 1880 datiert, doubliert, restauriert, retuschiert, leicht craqueliertOswald Achenbach galt gemeinsam mit seinem Bruder Andreas Achenbach als das "A und O" der Landschaftsmalerei des 19. Jahrhunderts. Als Künstler wird er der sogenannten Düsseldorfer Malerschule zugeschrieben. Diese bezeichnet die damalige Zusammensetzung verschiedener Maler, die um die Mitte des 19./Anfang des 20. Jahrhunderts an der Königlich-Preußischen Kunstakademie - heute weltbekannt als Düsseldorfer Kunstakademie - studierten, lehrten und in diesem Umfeld gewirkt haben. Bereits in den 1850er Jahren reiste Achenbach das erste Mal nach Italien. Nach seiner Rückkehr nach Düsseldorf war er bereits über die Grenzen Deutschlands bekannt. 1863 wurde ihm die Ehre zuteil, als Professor für Landschaftsmalerei an die Kunstakademie berufen zu werden. Dies bedeutete neben seiner Heirat von Julie Arnz, der Tochter des Verlegers Heinrich Arnz, einen gesellschaftlichen Aufstieg. 1872 legte er sein Amt jedoch bereits nieder, um nicht in seiner eigenen künstlerischen Entfaltung eingeschränkt zu sein, wozu selbstverständlich auch das Reisen gehörte. Das Gemälde "Die Fischer vor der Bucht von Neapel" ist auf 1880 datiert, eben in die Zeit, in der Oswald Achenbach mit seinem Schwager, Albert Arnz, nach Italien reiste. Durch lasierenden Farbauftrag ist dem Künstler das Einfangen einer wunderbaren Atmosphäre am neapolitanischen Golf gelungen. Vermutlich wurde der Blick zum Vesuv von einem der Fischerdörfer zwischen Neapel und Amalfi gewählt, die entlang des Ufers liegen. Die Szenerie zeigt die Freiheit der Kinder, die in den Wellen des Meeres spielen, ebenso wie die tief verwurzelte Religiosität Italiens, während der Segnung eines Priesters am Ufer. Stimmungsvolle Landschaften durch eine effektvolle, die Atmosphäre steigernde, Behandlung von Licht und Farbe machen sein Oeuvre aus. Heute sind die Ölgemälde Achenbachs in Museen zu sehen, dazu gehört sowohl die Alte Nationalgalerie in Berlin oder die Eremitage in St. Petersburg.Oswald Achenbach (1827 Düsseldorf - 1905 ibid.)Fishermen in front of the Bay of Naples, oil on canvas, 89 cm x 135 cm, signed, 1880 dated doubled, restored, retouched, slightly craquelureOswald Achenbach, together with his brother Andreas Achenbach, was considered the ''A and O'' of 19th century landscape painting. As an artist he is ascribed to the Düsseldorf School of Painting. This refers to the composition at that time of various painters who studied, taught and worked in this environment at the Royal Prussian Academy of Art - today world-famous as the Düsseldorf Academy of Art - around the middle of the 19th/beginning of the 20th century. Achenbach travelled to Italy for the first time as early as the 1850s. After his return to Düsseldorf, he was already known beyond the borders of Germany. In 1863 he was honoured to be appointed as professor of landscape painting at the Academy of Arts. This, along with his marriage to Julie Arnz, the daughter of the publisher Heinrich Arnz, meant social advancement. In 1872, he already resigned from his post so as not to be restricted in his own artistic development, which of course included travelling. The painting ''Fishermen in front of the Bay of Naples'' is dated 1880, precisely the time when Oswald Achenbach travelled to Italy with his brother-in-law, Albert Arnz. The artist succeeded in capturing the wonderful atmosphere of the Neapolitan Gulf through the glazed application of paint. Presumably the view of the Vesuvius was chosen from one of the fishing villages between Naples and Amalfi, which lie along the shore. The scenery shows the freedom of children playing in the waves of the sea, as well as the deep-rooted religiosity of Italy, during the blessing of a priest on the shore. Atmospheric landscapes through an effective, atmosphere-enhancing treatment of light and colour make up his oeuvre. Today, Achenbach's oil paintings can be seen in museums, including the Alte Nationalgalerie in Berlin and the Hermitage in St. Petersburg.
Lot 55
The British Horse Society, ‘Playing Up’, a solid silver cast limited edition equestrian sculpture, by Lorna McKean, hallmarked London 1975, in a fitted case, with artist signed Certificate of Authenticity, inscription ‘The First British Horse Society Silver Sculpture’, 12cm high, 610g
Lot 2155
Collection of 20th Century Molas from San Blas Islands, Panama comprising twelve reverse appliqué and embroidered cotton decorative panels comprising a pair with male and female musicians playing instruments 40x33cm,a large octopus holding an intrument and a cross 41x37cm,another depicting two boxes with large birds enclosed, letters and numbers to the bottom 43x33cm,a large monkey to centre with smaller butterflies surrounding on a red cotton ground 43x31cm,another with a pink graphic line print with a seated owl seated on a branch to the centre 55x43cm,a shield depicting various creatures 43x39cm,another with the face of a large dog like creature to the centre, with othe smaller animals surrounding it 48x42cm,Nalu Nega figures in a hammock under a roof, and also a horse like creature, with a border of graphic line design 42x36cm,another with floating figures and a triangular graphic design 40x37cm,a mola titled "GENERAL COLMAN" along with other figures and symbols 46x37cm,a large lizard like creature to the centre with various plants 45x40cm(12)John Newall Private CollectionFading and wear overall.
Lot 2158
Collection of 20th Century Molas from San Blas Islands, Panama comprising eleven reverse appliqué and embroidered cotton decorative panels and a shirt, including a pair of red and yellow 'maze' design mounted on to a green cotton ladies top,a pair of mola panels depicting 6 figures seated or standing in coloured boxes, appliquéd with names including 'Bob Lewis' and 'Ron Lundy' on red cotton grounds, 49cm by 41cm,a figure on a table beside a lit match on a red ground, 41cm by 31cm,three kite flying figures on an orange ground with embroidery, 44cm by 34cm,another depicting dancers and musical instrument players at a party on a red ground, 45cm by 38cm,a pair of flying birds on a black cotton ground, 43cm by 35cm,a donkey on a black cotton ground with embroidered motifs, a four legged creature on a blue background, each 47cm by 31cm,Medellin molas depicting figures playing the maracas, and a 'maze' style design in yellow and red with a pair of 'eyes' to the centre, each 42cm by 35cm,a pair of sand timers on a red cotton ground, 45cm by 36cm,(12)John Newall Private CollectionFading and wear overall.
Lot 13
Robertsons - Lot to include advertising / promotional wares to include three preserve spoons, a small jug (11.5 cm height) and a set of 24 badges contained in presentation box.Note: These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history. Originally handmade by mothers in Africa for their children from old fabric and cloth, the golly doll was adopted as the mascot and trademark for the Robertson's confectionery brand around 1910 after the company's founder John Robertson visited the US and noticed children playing with them. Robertson's Gollies have been collected by people across the UK and around the world for generations but garnered a contentious image in the 1980s because of links to racism. The trademark was removed from Robertson's branding in 2001.
Lot 282
A 19th century French gilt brass mantel clock, the white enamel dial with a floral garland, with a winged cherub playing harp, 23cm. The glass is missing from the bezel.The movement winds, sets and is ticking. No visible damage or repairs, showing only age related wear & tear including tarnishing and rubbing to the surfaces
Lot 410
A Ding Dong flipper skill game / pinball machine, by Williams, C.1968, works on a 10P coin, illuminated upper glazed panel decorated with a scene of children playing, above a playfield decorated with a matching theme, also illuminated, painted wood case around a metal frame, on four pressed steel legs, 57 x 167 x 131cm As far as we are aware the vendor told us this and two others have been stored in a barn for 40 years and has not moved or been touched since, it looks complete but we cannot guarantee that.We are not experts in this field and as so, they are sold as seen, spares or repair.
Lot 462
A coin operated arcade automaton, Laugh with Jolly Jack, wooden case with three glazed sides, above a hinged door (includes key), opens to reveal workings and cash draw, on bracket feet, 178 x 52 x 66cm, converted to run via AC power (power lead included), insert a coin (20p) and watch the puppet move its body, head and eyes, with laughter track playing along with the movements, the puppet is seated on a wooden box on a laminate tile effect floor in front of a hand painted coastal scene, the puppet is 74cm tall, dressed in a Naval themed outfit.Owned by our vendor since 1975.
Lot 70
Ralph Fiennes, a signed 10x8 photo. An English actor, film producer, and director. He made his film debut playing Heathcliff in Emily Bronte's Wuthering Heights (1992). His portrayal of Nazi war criminal Amon Goth in the Steven Spielberg drama Schindler's List (1993) earned him nominations for the Academy Award and Golden Globe for Best Supporting Actor. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 28
A 19th Century Swiss music cylinder box by PVF St Croix. Rosewood case with inlaid decoration and satinwood borders. The 27.5cm long cylinder playing 8 airs with hand written card to inside of lid. Appears to work and function correctly with the comb appearing to have all the teeth present. Case measures approx. 16cm x 52cm x 22cm.
Lot 525
Ken Ross - A Contemporary bronze worked sculpture garden feature / figural statue group depicting children playing on a log. The four children with detailed features balancing up the log with a small dog perched to one end. Signed by the artist Ken Ross. Measures approx. 100cm x 124cm x 47cm. Please note that collection is from a Bristol postcode that will be disclosed once purchased.
Lot 80
A 19th century intricate jade sculpted lidded vase presented upon mahogany carved stand. Lid topped with three flapping and chirping geese perched in the canopy of a (bonsai) tree, vase with the lower branches and leaves, the trunk and roots of the tree, and two young deer playing alongside it. Mounted upon shaped mahogany base with pierced intricate decoration. Slight damage to one tree root with loss, as well as to the antler of one roe deer. Sculpture 37cm tall, with base 4cm tall approx.
Lot 4031
Autographs: Leonard Duncan Albert Hussey, OBE (1894-1965). An Autograph book with Signed inscription of Leonard Hussey, written in black ink on a single page, the seven-line inscription reads, L. Hussey Sir Ernest Shackletons Antarctic Expeditions Endurance 1914-1916 Quest 1921-22 With all good wishes to Terry; with three cricket related autographs also within the book, including, L. Bishop, M.C.C, 1932, Len Graham, English footballer and first-class cricketer, the autograph book with ink ownership of J.E.D. Murphy and address, 239 Clapham Rd, Stockwell, SW9, on front paste-down, brown paper boards with brass insignia to front, 13 x 10.5cm. Leonard Hussey was an English meteorologist, archaeologist, explorer, medical doctor and member of Sir Ernest Shackletons Imperial Trans-Atlantic and Shackleton-Rowell Expeditions. During Sir Ernest Shackletons 1914-1917 Imperial Trans-Atlantic Expedition, their ship Endurance became trapped in pack ice of the Weddell Sea throughout the winter of 1915 and in April 1916 when Ernest Shackleton took the ships captain, Frank Worsley, and four other men to make the 800 mile open-boat journey in the James Caird to find help, Leonard Hussey was one of the twenty-two men left behind on Elephant Island. Husseys banjo playing, quick-wit, and good humour continued to maintain the morale of his fellow crewmen while they waited to be rescued.Following the end of World War 1, Hussey qualified in medicine and returned to serve as meteorologist and assistant surgeon on Shackletons Expedition aboard the Quest to Antarctica, 1921-1922. Shackleton suffered a fatal heart attack on January 5, 1922 whilst in harbour in South Georgia, and Leonard Hussey was asked by Frank Wild to escort Shackletons body back to England while Wild himself assumed command of the Quest. Hussey arrived in South America and cabled England with news of the explorer's passing. Shackleton's widow responded that the explorer should be buried at Grytviken in South Georgia, and Hussey carried out these instructions.Following his return to England, Leonard Hussey practised medicine in London until 1940. He had become a member of the Royal College of Surgeons and a Licentiate of the Royal College of Physicians, while residing at 328 Clapham Road, London.Provenance. Leonard Hussey signed this autograph book for 'Terry' ? possibly a neighbour of his who also lived in Clapham Road, Stockwell, London. Condition Report: light marks and some foxing to the covers of the autograph book, otherwise internally clean and bright. with strong signatures.
Lot 4032
Rugby - Nathan Hughes Match Worn yellow Adidas boots from his first game for Wasps in 2013. Each boot has been signed by Nathan Hughes. Consigned to auction by Nathan Hughes. Fijian-born rugby union footballer who is currently playing for Bristol Bears. He has also played for England. He plays as a flanker, a number 8 or at lock.
Lot 4033
Rugby - Nathan Hughes Match Worn red Adidas boots from his Challenge Cup final match v Toulon. Each boot has been signed by Nathan Hughes. Consigned to auction by Nathan Hughes. Fijian-born rugby union footballer who is currently playing for Bristol Bears. He has also played for England. He plays as a flanker, a number 8 or at lock.
Lot 4036
FA Cup medal from 1877, 'Football Association Challenge Cup Wanderers 1877'. 2.5 cm diameter. Wanderers Football Club was an English association football club. It was founded as "Forest Football Club" in 1859 in Leytonstone. In 1864, it changed its name to "Wanderers", a reference to it never having a home stadium, instead playing at various locations in London and the surrounding area. Comprising mainly former pupils of the leading English public schools, Wanderers was one of the dominant teams in the early years of organised football and won the inaugural Football Association Challenge Cup (now known as the FA Cup) in 1872. The club won the competition five times in total, including three in succession from 187678, a feat which has been repeated only once. The 1877 FA Cup final was a football match between Wanderers and Oxford University on 24 March 1877 at Kennington Oval in London. It was the sixth final of the world's oldest football competition, the Football Association Challenge Cup (known in the modern era as the FA Cup). Wanderers were the reigning cup-holders and had won the competition three times in total. Wanderers won the match 2-1.
Lot 30
Eyre family albums (mid 19th century).- Collection of 4 bound albums with over 200 original drawings and watercolours, the vast majority all appear to be in the same hand, initialled 'G.E.', or possibly 'G.G.', with various views and locations within England, including Cornwall and the Lake District amongst others, some views in the vicinity of Newhouse Estate, including a monochrome watercolour study inscribed 'Early Days at Newhouse/ Julia Eyre/ Dressing Room/ /Mrs [?]Tudor playing the harp', watercolours, many signed with initials in red, various sizes, most neatly tipped onto album leaves with ink inscriptions underneath, many dated, some inserted loose, some signs of a few missing, occasional spotting and surface dirt, various contemporary half calf with marbled or cloth boards, rubbed and worn, oblong folio, circa 1830s-1870s; with a largely disbound collection of maps published by Thomas Stackhouse, and another 2 scrap albums, 19th century (7)
Lot 94
Pavlos (Pavlos Dionyssopoulos) (Greek, 1930-2019)Jeu de cartes signé et daté 'Pavlos/2004/PAVLOS' (au revers)papier d'affiches et jeu des cartes sur panneau131 x 103 x 11cm (51 9/16 x 40 9/16 x 4 5/16in).Réalisé en 2004.signed and dated (on the reverse) paper construction and playing cards on woodFootnotes:ExpositionsAthens, Mihalarias Art, Pavlos 2006, November 9 - December 2, 2006 (illustrated in the exhibition catalogue, p. 31).Athens, Art Athina International Contemporary Art Fair, May 13-16, 2010.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1319
Good cast iron three train turret clock playing on four tubular bells, bearing a maker's silver plated plaque inscribed W Carter, Stavely Bank, Halifax, 1920, the movement 24" wide x 7" deep sitting in front of the framework housing the tubular bells, all within a well constructed bespoke glazed oak cabinet upon a beaded edged panelled base and stepped plinth, surmounted by a wavy carved cornice, 83.5" high x 34" wide x 25.5" deep (pendulum with bob, three weights and keys)
Lot 1324
Good English oak triple fusee boardroom clock, the 7" brass arched dial with silvered chapter ring enclosing a matted centre surmounted by chime/silent and eight bells/four bells subsidiary dials, the movement playing on a nest of eight graduated bells and striking the hours on a large gong, with locking pendulum, within a stepped gilt metal mounted pillared case surmounted by a rounded arched cornice and pineapple finial, 26.5" high (pendulum and keys)
Lot 1508
German ebonised three train mantel clock, the movement back plate stamped with the Lenz Furtwangler & Son trademark logo, the movement playing on four small gongs and striking the hours on a larger gong, the silvered chapter ring under slow/fast and strike/silent subsidiary dials, within a stepped bevelled glazed case, 14.25" high (pendulum and key)
Lot 1801
Mahogany three train grandmother clock, the movement playing on eight rods, the 10.5" silver foliate engraved dial with silent/chime lever at nine o'clock and Tempus Fugit boss to the arch, the case with long pointed arched glazed door and the hood surmounted by a rounded moulded stepped pediment, 80" high (pendulum and three weights)
Lot 1803
Good and rare mahogany automata eight day longcase clock, the 12" silvered arched dial signed Isaac Court, Henley to the centre with subsidiary seconds dial and calendar aperture, with a painted automata scene to the arch depicting a man and woman playing with a bat and ball before a rural Lakeland landscape, also bearing the maker's monogram engraved to the movement back plate, the case with blind fret carvings above the long door and to the canted corners, surmounted by an ornate hood with swan neck cornice foliate mounts and three brass ball and eagle finials over pierced fretwork panels, 94" high (pendulum and two brass cased weights)
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79736 item(s)/page