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Lot 1
THREE EARLY VICTORIAN RELIEF-MOULDED POTTERY JUGS, the first of octagonal section, modelled with "singerie" scenes of monkeys dressed as Native American Indians smoking clay pipes, playing cards and drinking, beneath a frieze of fruiting vine, pale blue glaze, 26cm, (10.2in) high; the second in buff stoneware, of pear form, modelled with a grape harvesting scene with ox and cart, within all-over fruiting vine, 31cm, (12.2in) high, the third, in green stoneware, modelled in deep relief with an enebriated Bacchus being aided by two satyrs, and a young Bacchus with satyrs riding a donkey; all with fruiting vine, banner mark "No 18" beneath, with pewter cover, 18.5cm, (7.3in) high excluding thumbpiece (3)
Lot 1
A GOOD GEORGE II MAHOGANY FOLD-OVER CARD TABLE having an oblong top with projecting front corners, enclosing a green baize-lined playing surface and four square corner gaming wells, the front frieze having a short central drawer with original brass backplate bale handle, on a knuckle-jointed gateleg and three standard legs all of slender cabriole form terminating in pad feet, the whole of fine quality, colour and condition, 81cm x 40cm x 72cm high, (32in x 16in x 28.3in)
Lot 1
A pair of Staffordshire pearlware figures of musicians, one depicting a man playing the hurdy-gurdy, the other a woman playing a lute or similar stringed instrument, each standing on a mound on brown-lined square bases, 23cm high, unmarked, circa 1790-1800 (filled chip to lady's hat); also a Thomas Parr type figure of a boy with a bird's nest, on a simple mound base, 14.5cm high, unmarked, circa 1850-70. See Pat Halfpenny, 'English Earthenware Figures 1740-1840', page 171, for a similar pair of musician figures with impressed Wedgwood marks
Lot 1
A Meissen figure of a woman, modelled standing at a tripod table playing cards, 17cm high, blue crossed swords mark, Pressnummern, incised F64, late 19th century (repaired and restored) # 200-300. 215. A Meissen model of an oriental maiden, modelled standing holding a parasol, 18cm high, blue crossed swords mark, Pressnummern, incised 2676 (some chips and repairs)
Lot 1
A George Tinworth Doulton Lambeth stoneware vase, the trumpet body with seated mice to the base, one playing a drum and the other pan pipes, raised on a stepped oval base, impressed marks and incised monogram, 13cm high (small rim chips) See Dennis, Richard, Catalogue of an Exhibition of Doulton Stoneware and Terracotta, 1870-1925 Part 1 (London 1971), illustration no. 650
Lot 1
Edward Bilbie, Chew Stoke. A rare William & Mary thirty-hour musical longcase clock, circa 1695, the substantial three-train posted movement with four square section brass pillars riveted into the base plate and secured via brass nuts at the top plate, with verge escapement, outside countwheel bell strike and music playing every three hours via a 2.75 inch pinned cylinder on eight bells with twelve hammers, the movement raised on four steel spurs, the 9.5 inch square brass dial engraved with leafy tulip trails around a formal flowerhead and signed 'Edward Bilbie Fecit' to centre, within an applied Roman numeral chapter ring with stylised trident half hour markers and foliate cast winged cherub head pattern spandrel applied angles, now in a walnut veneered case with ogee cornice over rectangular door to hood and narrow trunk with slender door, on plinth base, 203cm high. Edward Bilbie is thought to have learnt the clockmaking trade from Edward Webb, who died in 1694. Bilbie started casting bells in 1698 and it is highly probable that he was making clocks by this time. This clock bears a very strong resemblance to an example by Edward Webb (as discussed in Moore, A J 'The Clockmakers of Somerset 1650-1900' Appendix vii) thus may well be one of the first clocks made by Edward Bilbie. The level of decoration and attention to detail lavished on the arbors, collets and other parts of the clock indicates a great deal of pride by the maker, possibly supporting a theory that this may well be his masterpiece. The movement and dial have survived in remarkable original condition, however the case is almost certainly associated but of the period with later veneers.
Lot 1
Wain (Louis). An early 20th c. glazed pottery nursery mug, decorated with a transfer print in dark green, showing three naughty kittens upsetting the food and drink from the table, with three-line verse 'Now I know what mother meant yesterday when she said she felt upset. She must have been playing with a tablecloth too!', approx. 3 in (7.5 cm) tall (1)
Lot 1
HENRY BUNBURY, 'Falstaff playing the prince, the prince playing the king' 'Fluellen making pistol' 'Dick the butcher & Smith the weaver seizing the Clerk of Chatham' 'Falstaff at Justice Shallows mustering his recruits' 'Falstaff escapes' 'Dogberry & Verges with the watch' Engraved by J Chapman. Published by Thomas Macklin 1792.
Lot 1
"Grey (Heraclitus). Playing Trades, 2nd ed., c.1870, sixteen col. plts., light foxing to a few leaves, pub's ads. to rear, hinges split, orig. gilt and black dec. cloth, with col. illust. onlaid to upper cover, spine rubbed at ends and sl. darkened, small 8vo, together with Ellis (Sarah), The Juvenile Scrap-Book, a Gage d'Amour for the Young, 1848, steel-eng. frontis. and addn. title, and numerous plts., scattered light foxing, a.e.g., orig. grey moire silk, elaborately gilt dec., spine sl. faded, and frayed at ends, 8vo, plus Lucas (E.V.), Runaways and Castaways, illust. F.D. Bedford, 1908, col. frontis. and title-page, b & w illusts., pub's ads. at rear, endpapers foxed, t.e.g., orig. gilt dec. cloth, 8vo, plus 11 other items of illust. juvenilia, similar (14)"
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79736 item(s)/page