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Lot 33
Pair late 19th century Meissen porcelain figures of a boy playing a flute and a gardener taking cuttings, with polychrome painted clothes, on square bases - blue crossed swords and incised marks, 10cm high CONDITION REPORT Boy in hat- slight loss to side of hat, losses to leaves, loss to branch in his right hand. Boy with flute- loss to end of flute, small chip to corner of his coat
Lot 738
An early 18th Century French red tortoiseshell and Boulle mantel clock of Louis XIV design with 19th Century movement by Vincenti & Cie, No. 2566, the 8.5ins diameter gilt brass dial with raised and blue and white enamel numeral cartouches with Roman numerals, to the eight day two train movement striking on a bell, contained in case with shaped top, surmounted by a cast gilt brass figure of an angel playing a trumpet, with flambeau finials, the base with dragon and scroll pattern feet, 33ins high (some Boulle missing in places and in need of restoration)
Lot 74
A Noritake desert scene coffee set with gilded highlights comprising coffee pot, milk, covered sugar, six cups and seven saucers, a Royal Worcester small cup and saucer, fruit design date mark for 1952, "Derby Posies" milk and sugar, Royal Worcester figure groups of children "Leap Frog" and playing ball, (both repaired), A Mdina green glass bottle with stopper,
Lot 399
A group of six various prints; an 18th century coloured stipple engraving portrait of seated lady wearing a pink dress, signed and titled in pencil, 32 x 23cm, a pair 18th century style prints 'The Young Englishman' & 'Playing Shuttlecock', 19 x 22cm, a coloured print, probably of Milan Cathedral, 30 x 22cm, and two floral prints.
Lot 133
A PAIR OF CARVED WOODEN INDIAN FIGURES, modelled with figures seated, a composition figure of a classical woman, a carved wooden figure of a man playing bagpipes, a pair of african tribal busts, another figure of an African woman, a tall African figure of a woman carrying a pot on her head, and a small Chinese blue and white bottle vase, as is. (9)
Lot 105
12 DeAgostini military vehicles. 4x Pz.Kpfw.11 Ausf.F(Sd.Kfz.121)21.Pz.Div.Gambur (Libya) 1941. 3x Pz.Kpfw.38(t)Ausf.F7Pz.Div. Beresina (USSR) 1941. 2x Sd.Kfz.250/9Pz.Div.FHH Vimperk (Czechoslovakia) 1945. Pz.Bef.Wg.V Panther Ausf. G 116. Pz.Div. Germany 1945. Jagdpanzer 38 (t) “Hetzer” (Sd.Kfz.138/2) Pz.Jg.Abt. 744 Czechoslovakia) 1945. Plus a Sd.Kfz. 250/9 Pz.Div. FHH Vimperk (Czechoslovakia) 1945. Also 2x Junkers JU88A-4. Together with 10 different sceneries of hand painted tin figures, (continental flats) – children playing musical instruments, Pirates, granny telling stories, figures in botanical scene, Edwardian style motorcar with figures, Christmas scene, man with horse etc, 60 figures in total. VGC
Lot 515
A Columbia No 109 wind up portable gramophone, the lid with large painted RAF badge. GWO & C (the carrying handle AF), together with 13 78rpm records, including several by Alma Cogan, Perry Como (“You must have been a beautiful baby”), Roy Rogers (“A four legged friend”), etc, playing condition unknown.
Lot 123
Late Victorian ladies writing desk/games table in rosewood, hinged rectangular fold-over top with marquetry inlay, opening to reveal a green baize lined games surface, central mahogany lined long drawer over a knee hole flanked by four short drawers, tapering supports terminating on brown porcelain castors, good rich colour, recently relined baize to very good standard, height 75cm, width 76cm, depth 45cm, dimensions of (open) playing surface 77cm x 88cm
Lot 22
A collection of assorted 19th Century plates to include two transfer decorated with two ladies playing chess, a small plate with the alphabet moulded into the rim and various motto plates to include 'Frolic's of youth, the downfall of china' [sic] with two boys playing and in so knocking a vase over, damages (qty)
Lot 168
LLADRO FIGURINEnumber 4828, Daisa, 25cm high, four Royal Doulton figurines, Ballad Seller, HN 2266, 19cm high, Fair Lady, HN 2193, 19cm high, Francine, HN 2422, 12.5cm high and Marie, 12cm high, a Goebel figure of an upright bear, 17cm high and a seated boy playing an accordion, 8cm high and a Beswick character tea pot of Sairey Gamp, 14cm high (8)
Lot 496
RICHARD PLATTCaribbeans Playing Pin-Ball circa 1950Three colour lithograph Signed and inscribed by the artists widow Diane Platt Paper size 37.5 x 28cmRichard Platt was a young painter and lithographer in the mid 1950s when British art trod at the edges of abstraction and when barriers between high and low culture were being broken. His father, J G Platt from Lancashire, was a printer who gained a place at the Royal College of Art in 1920 when Henry Moore and Barbara Hepworth were fellow students. He became an etcher, woodcutter and engraver and was the principal of Hornsey School of Art until 1965.Following national service Richard Platt also attended the Royal College of Art from 1950 to 1953, along with an eclectic batch of students under the new progressive head Robin Darwin, great-grandson of Charles. Platt bought his fellow students works; that of Peter Blake, John Bratby, Derek Greaves, Cyril Reason, Jack Smith, Joe Tilson and from Mr Bucket the caretaker, who liked to show them how to paint eyes. At Platt's wedding Bratby was his best man.Richard bought the monochrome 'Three Young Bathers' for £5 from Peter Blake, who was about to discard it. Platt wanted a more colourful picture but it was too dear at £15. In 1977 when Blake saw the painting in Richard's Falmouth home he realised he still had the photo from which it was done, saying there was not much ordinary colour photography in 1953. On the back of the painting can be seen the remains of art school portraits from the model, then still a traditional requirement. Richard Platt’s work, like that of Smith, Greaves and Tilson, developed from the late 40’s through to the early 60’s from social realism towards abstraction. After leaving College he exhibited at the Leicester Galleries and painted a mural of a livestock market on the canteen wall of the Working Men’s College, Camden. His adept and direct pen and ink drawings of situations and people at work or leisure were transposed into exceptional three colour lithographs and paintings.He left London in 1962 for Cornwall to attempt self sufficiency, to paint and to help raise Falmouth School of Art to national status and acclaim by inviting a wide range of out standing British artists, musicians, writers and poets to visit, to run courses and lecture. In the mid 60’s Richard Platt turned to his other love, music. He became a musicologist and devoted his mind to the music of the English 18th century (the 'pop' of the time!)Richard developed Parkinson’s and was unable to sign many of his lithographs and drawings himself.Diane Ibbotson, (Platt's 2nd wife) Falmouth, June 2017. Condition report: Some prints have minor edge damage, no foxing, no tears, have been stored flat, oils will require individual condition reports. Prints have grubby edges from the printing process.
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