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Newhall style plate with iron red and gilt foliate border decoration and central floral sprig, 22cm diameter, 19th Century circular lobed plate, the blue ground with five floral polychrome panels surrounded by further gilt fruiting vine decoration, 23cm diameter, Copeland transfer decorated mug depicting children playing and a small Spode twin handled pot pourri vase of urn form, blue ground with white and gilt moulded floral decoration, beaded borders, scroll handles and bud finial (a/f). (4)
A George III musical bracket clock by John Thwaites, Clerkenwell, arched brass dial with silvered chapter ring and dial-centre, two subsidiary dials to arch, Chime/Not Chime and Song/Hornpipe, engraved signature above, backplate also signed, eight-day verge movement striking on single bell, musical mechanism playing on eight bells, in mahogany case mounted with ormolu caryatid terminal figures and torch finials, the grilles similarly mounted, on ormolu knurled scroll feet, 24.5in. high
Various Makers: German fabric-covered Monkey Playing Cymbals in original box, Chinese grey and MF Citroen ID19 Estate Car, Wells 15 clockwork Spanish Dancer in original box, Top-toys Gyroscope Top, MS clockwork Jumping Frog, MS clockwork Jumping Rabbit, a Perspex aeroplane brooch, put0out boat and a fur covered Dougal, G-E, boxes F (9)
Three small Staffordshire figures: one depicting a man standing cross-legged holding a ram to his thigh, with underglaze blue jacket and enamelled waistcoat and trousers, on an oval mound gilt-lined base, height 18cm; the second in the form of a shepherd girl standing beside a mound with her arm around a sheep, height 18cm; and the third a spill vase flanked by small figures of a man playing the bagpipes and his female companion, with a running goat at their feet, enamel coloured on an oval gilt-lined base, height 17cm (repaired); all unmarked, mid-19th century or later See Harding & Harding 2/1979 for a very similar but more detailed figure of the man with a ram
A Meissen musical family group circa 1745 modelled by Johann Joachim Kandler, the gentleman seated playing the flute, wearing a green hat, green-lined jacket, puce breeches and yellow shoes, his companion seated with an infant at her breast, holding a sheet of music, wearing a skirt decorated with indianische Blumen and a puce apron with gilt and black flowers, the base applied with leaves and flowers crossed swords mark in underglaze-blue to rear of base 14.5cm., 5.75;in. restored Another example of this group was sold by Sotheby's New York, 12th November 1999, lot 32.
A Sevres large cup and saucer circa 1764 each painted by Vielliard pere, with a landscape vignette, the cup with a boy playing the violin in front of an urn on a pedestal, the saucer with a girl with a basket of fruit, gilt dentil borders to rims interlaced LL monograms in blue, the saucer with date letter L and painter's mark in blue the cup: 8.2cm., 3.25;in. high minor surface wear to saucer (2)
A Meissen pate-sur-pate plate circa 1890 the centre decorated in pate-sur-pate with a scantily-clad maiden seated on a curved arch, on her lap a cupid playing with flowers which have fallen from a cornucopia she is supporting, to her left side a pair of doves, the arch decorated with a recumbent lion and a crayfish, all against a pink ground within a raised gilt and platinum scroll circular border against a cobalt-blue ground, the rim moulded with flowerheads picked out in gildng and outlined with gilt ovals crossed swords in underglaze-blue, impressed 8 18. 23.5cm., 9 5/8in. The Sevres factory created interest at the London World Exhibition of 1851 with its newly developed pate-sur-pate technique, though it would still take scientist Dr Heintze up to 1878 before the Meissen factory had mastered the technique. The pieces were exhibited in the Internationalen Kunstausstellung im Kgl. Glaspalast in Munich in 1888, and then won great acclaim at the World Exhibition in Chicago in 1893. See H. Jedding Mei§ener Porzellan des 19. und 20. Jahrhunderts, pp. 90f.
A large Continental porcelain figure group and stand late 19th/early 20th century modelled as a rocky outcrop surmounted by a maiden seated in a carriage attended by putti with floral wreaths and baskets of flowers, below two other maidens each seated beside a swan with floral wreaths, the reverse with two putti playing with birds, the naturalistic oval base applied with flowers, raised on an oval-shaped stand moulded with shells and scrolls heightened with gilding and pink and turquoise enamel and applied with flowers gilt-painted crossed swords marks 56cm., 22in. typical minor losses and damage (2)
A pair of Derby bocage groups circa 1770 modelled as a boy standing playing a pipe, a dog at his feet, his companion holding flowers in her apron, a sheep at her feet, each before bocage and raised on scroll-moulded bases; together with a Derby candlestick figure, modelled as a woman playing an instrument, a sheep at her feet; and a Derby figure of Edmund Kean as Richard III, modelled from the original figure of David Garrick pair 24cm., 9.5;in. some damage and restoration (4)
A group of three musical boxes the first, circa 1830, in ivory and bone, carved and pierced as a piano, the cylinder and single comb movement playing two tunes, inscribed: 114, 117,& 115, with label giving the two airs played, including an exerpt from Rossini's Guillaume Tell, width 11cm, 4 1/4 in; a rectangular tortoiseshell example, with silver-gilt mounts, maker's mark rubbed, Paris petite garantie 1819-1838, the movement numbered: 1573, cylinder and comb with 21 groups of 4 tines, 9cm, 3 1/2 in; and a lobed pollard wood example with tortoiseshell tips and lining, also playing two tunes, cylinder and comb with 18 groups of 3 tines, numbered: 595, 9.5cm, 3 1/4 in, the last two with keys (6)
A George III silver gilt viniagrette Joseph Walker,Birmingham,1814 lid with boy playing a flute and cattle in low relief, initialled AP to JC on reverse, width 5cm, 2in.; and a silver gilt viniagrette, Nathaniel Mills, Birmingham 1844, width 4cm, 1 3/4 in.; a silver coloured metal viniagrette, lid decorated with cartouche of cupids playing, width 4cm, 1 1/2 in.; a silver gilt viniagrette, John Bettridge, Birmingham, 1823, width 3.5cm, 1 3/8 in.; a silver gilt viniagrette of book form, inscribed Je ne change qu en mourant, London, 1825, width 3.5cm, 1 3/8 in.; and a silver gilt viniagrette, lid monogrammed AB, Birmingham, 1829, width 4cm, 1 1/2 in.
Game. Belagerungs Spiel, Jeu de Siége, The Game of Besieging, pub. Germany, c.1860, hand col. litho. playing board with grid forming a cross, illustration of a large fortification at the top with four scenes of soldiers firing canon-balls at its walls and army-camp scenes in the two lower corners, approx. 345 x 320. mm, folded twice and contained in orig. slipcase (sl. wear to corners), hand col. litho. label to upper side depicting view of besieging army, slipcase approx. 175 x 165 mm (1)
A Swiss sixteen-air cylinder musical box with three bells circa 1890 the nickel finish movement with 6. inch cylinder playing two tunes per turn tune pointer indicator and three bells with butterfly hammers beneath glazed lid flanked by crank wind and Change/Repeat Star/Stop levers the lid with tunesheet to underside and musical trophy painted panel within ribbon borders to top the front back and sides ebonised on pad feet 48cm wide.
Various modern white metal solid cast military figures for the 1st World War period by Bastion, Tommy Atkins etc including mounted cavalry, infantry with rifles and bayonets fixed, marching, charging, rifles at the trail etc, mounted officer; various wounded, hand mortar operator, seated figures playing cards, standing with gun in hand, and semaphore flags etc. In makers boxes, most associated. VGC - mint, few minor marks
Two Derby candlestick figures of a shepherd and shepherdess c.1780, each figure modelled seated before bocage wearing brightly enamelled clothes, he sits playing pipes with a dog seated at his feet and she sits playing a lute with a sheep, each raised on scroll bases picked out in turquoise and gilt (lacking candle sconces and some damage) 8.75" high (2)
A late Victorian walnut polyphon the hinged lid, circa 1890, with marquetry floral sprig central inlay within a quarter veneered border revealing an interior print depicting classical putti playing instruments and dancing, the movement with single comb numbered 312 the case with swing brass handle standing on four short turned feet, 19.5" wide, 9.5" high, 18.5" deep also including 17 marque de fabrique polyphon 15.5" steel discs
A Derby group of a classical woman and a putto, emblematic of Music, she playing a pipe, and standing beside a column, the putto holding a violin and sheet music, decorated in coloured enamels, the mound base applied with flowers and leaves, 10 1/4" high (26cm), incised 217, circa 1790 (some damage)

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79738 item(s)/page