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Egbert van Heemskerck the Younger, Haarlem(?) circa 1676 - 1744. Interior with figures playing backgammon; Interior with figures playing cards, the former signed centre right: EHKerck; the latter signed lower left: EHKerck, a pair, both oil on copper, in English carved and gilt wood frames, each: 21.5 by 25 cm.; 8.25 by 9.875 in. (4), Together with two panels in the manner of David Teniers (21.6 by 28.7 cm. and 20.4 by 26.3 cm.) both in English carved wood frames.
A Meissen Commedia dell'Arte figure of Harlequin, modelled by J J Kaendler seated on a rock playing the bagpipes and wearing a pointed hat, floral waistcoat and green buckled breeches with yellow shoes on a green sprigged rocky mound with a blue and a yellow flower, 14cm h, crossed swords in underglaze blue, c1740 Restoration to the brim of the hat and the bagpipes
A GOOD QUALITY 19TH CENTURY WOODEN NETSUKE, depicting a crouching old man with a stone, ivory eye and two teeth, signature to base, 1 1/4 ins high , another of man wearing a lion mask, playing a drum, signed, 1 1/4 ins high, an ivory DITTO of a cyclops man emerging from a tent, 2 ins high and a boxwood OKIMONO, of an animal trying to get to a rat beneath a circular lid, 1 ins high, all with faults. (4).
Walter Dendy Sadler, (1854-1923) TWO SIGNED ENGRAVED PRINTS DEPICTING GENTLEMEN SMOKING "CHURCHWARDEN" CLAY PIPES, one depicting a gentleman standing before a fireplace, with friends enjoying pipes and a drink, the other with six gentlemen gathered around a table, a tray of clay pipes in the centre, both signed by the artist, and by the engraver (James Dobie), the first having a vignette of crows beneath, the second men playing bowls, published by H.Lefebvre in 1912 and 1921 respectively, image size 41.5cm x 58.5cm, (16.3in x 23in), in card mounts, and gilt slips and partially gilded ebonised frames under glass
A GOOD LATE 19TH-CENTURY DUTCH ROSEWOOD AND MARQUETRY THREE-FOLD DRESSING SCREEN each panel having a humped top with foliate plush-covered shaped panel above a finely inlaid foliate scene, one depicting lovers in a landscape, another a group of adults playing "Blind Man's Buff", the third a dandy conversing with a lady over a garden wall, all within a border of foliate scrolls and flowers, including tulips, 166.5cm x 149cm high, (65.5in x 58.6in) wide
A German gilt-metal-mounted porcelain snuff box probably circa 1770, the sides, base and cover painted with a landscape vignette depicting children at play, enclosed by gilt floral scrollwork borders, the inside cover with a similar scene of children playing instruments and at being soldiers, the interior gilt, 6.8cm., 2.6875in. by 9cm., 3.5in.
A Meissen figure of a lady playing cards late 19th century, her hat, long puce coat and floral-decorated dress all edged with lacework, the table and circular base with Vitruvian scroll all heightened in gilding, crossed swords mark in underglaze-blue, incised model number T.64, impressed 43, painter's numeral 41. in black enamel, 16.3cm., 6.5in. very minor restoration and tiny chips
A German metal-mounted snuff box second half 19th century, the cover and each side painted with a landscape vignette depicting figures and animals, enclosed by moulded foliate and trellis frames. the base with a similar vignette in purple camaieu, the inside cover with two gentlemen and a lady in 18th century costume playing backgammon, 6.2cm., 2.4375in. by 8.2cm., 3.25in.
A jewelled silver-gilt and enamel timepiece, Austro-Hungarian, early 20th century, modelled as a clock tower in a farmyard, set overall with pearls and coloured gemstones, 16cm, 6 1/4 in; another, in neo-classical taste, applied with a swandrawn putto near a fountain, similarly decorated, 15.3cm, 6in; and a gilt-metal example, the dial surrounded by figures playing musical instruments, 18cm, 7 1/8 in, (3)
Playing cards. 28 handmade illustrated playing cards, 19th century, each card illustrated with a different pen, ink and watercolour design, incl. some of a grotesque or fantastic nature, some minor wear and soiling, each approx. 92mm x 65mm, all loosely contained in a contemp. cloth pouch Among the grotesqueries depicted are three?headed dogs, fighting cocks, suicides, drunkards, devils on broomsticks and dogs dressed in human clothing. (28)
Carroll (Lewis & the Rossetti family). A fine album of approx. eighty (mostly albumen print) photographs on fifty leaves, of the Rossetti family and friends, plus art works by Dante Gabriel Rossetti and other Pre?Raphaelite artists, etc., c. 1850s to 1900, including six photographs by Lewis Carroll (i.e. Charles L. Dodgson) seven images of William Rossetti's first fiancee Henrietta Rintoul from the 1850s, images of other Rintoul family members, Marie Stillman, two unidentified girls, images of art works photographed by William E. Gray and Naya [many of the latter of paintings from the first Venice Biennale of 1895 of which William Rossetti was chairman of the judging jury], the first twenty images (all art works) pasted in, the remaining images corner?mounted, most images on rectos with ink captions on facing page in William Rossetti's hand, William Rossetti's ownership signature, dated 1898, orig. half morocco with William Rossetti's printed label to upper cover (numbered 24: Gabriel, Family, Miscellaneous), spine damaged and covers near detached, folio Full contents description available. The Lewis Carroll albumen prints are: 1) Drawing of the late Mrs D.G. Rossetti by Dante Gabriel Rossetti, with head resting on a pillow [Carroll's image number 1147], 158 x 146 mm; 2) Drawing of Mrs. Morris in an armchair, full?length, by Dante Gabriel Rossetti [image number 1152], 154 x 130 mm; 3) Alphonse Legros, [image number 1128], 122 x 101 mm; 4) Maria Francesca Rossetti, with her mother Frances Mary Lavinia (nee Polidori) and brother Dante Gabriel playing chess [image number 1134, also with Christina Rossetti to left of image], 124 x 158 mm; 5) Christina, Dante Gabriel, Mrs. Frances Rossetti, William and Maria (splash?marked on photographic plate) [image number 1133?, slightly wider], 150 x 177 mm; 6) Frances Mary Lavinia Rossetti with her son William Michael (almost trimmed out) [image number 1132, also with Dante Gabriel and Christina], 94 x 48 mm. The first two photographs are pasted in, the remaining four corner?mounted. All were taken 6?8 October 1863 at Dante Gabriel Rossetti's home at 16 Cheyne Walk, Chelsea, London. (1)
A marked Shorthose & Co. black-printed coffee pot, the light cream-coloured earthenware baluster-shape body on a pedestal foot with a simple strap handle, printed on each side with a scene of children playing with a toy sailing boat and on the cover with two small vignettes, with black lining to the rim, foot and handle, overall height 26.8cm, hand-painted mark "Shorthose & Co:" in a curve, circa 1800-20 (cover with chips and glued knop)
A May Queen pattern mug, of tall cylindrical shape with turned rim, foot and central band and simple strap handle, printed in blue with a genre scene featuring the May Queen and a companion and a piper playing to maypole dancers, all beneath a Wild Rose-type floral border and with a different floral-scroll border inside the rim, height 15.5cm, unmarked, circa 1820-30 (tiny chip to rim, short hair crack near handle). See FOB56 for this mug
Psalter [Slavonic]. Use of the Greek or Russian Church, ?mid-7th Century,. 330 leaves, handsomely printed in red and black in Slavonic script, 15 well?spaced lines of text per page, with large ornate initials, usually in red, and decorative head?pieces, full?page woodcut of a saint writing at a desk on the verso of the fourth leaf (recto blank), with an integral blank leaf about halfway through the volume, some slight soiling, generally in good, crisp condition, bound in contemp. blindstamped calf over wooden boards, central panel of the upper cover with a blindstamped design of King David playing the harp, with Adam and Eve in the Garden of Eden on the lower cover, 4 heart?shaped brass bosses at the corners, with a central leaf?shaped brass boss, rebacked c. 1770 in English red morocco, gilt, lettered on 2 black leather labels, and with Mus. Bapt/Bristol/Gifford in gilt on the bottom compartment, spine now rubbed, and chipped at the head, sm. 4to. Bookplate of A. Gifford on the front pastedown, over which the Bristol Baptist College bookplate has been pasted. Earlier ornate signature of Thomas Martin. Gifford himself has supplied an initialled inscription, identifying the item as a "Psalterum Sclavonicu[m]", on a free endpaper. The register appears to be in 8's, although the first gathering comprises only 6 leaves, indicating that 2 leaves, one being the title?page, is missing. (1)
An early 20th Century oak tantalus, the box of square section with a rising lid, having mirrored interior opening to reveal a fall front containing two fitted drawers with playing cards and bridge scoring cards, the whole with fitted interior containing three square cut decanters and stoppers, six pedestal glasses and three beakers, the whole with applied side carry handles and presentation inscription to lid, width 37cm
A mahogany half-size slate bed snooker table, (8ft x 4ft playing surface), the slate bed in three pieces, the whole raised on heavy turned and fluted supports, sold with accessories including balls, cues etc. (the snooker table is available to view in the saleroom in its unassembled condition)
A William IV rosewood pedestal card table, the fold-over top with swivel action and a thumb moulded edge opening to reveal baize lined playing surface above a plain frieze on a tapering turned and knopped column to a quatreform platform raised on four scroll supports with brass castors, width 91.5cm (please see lot 507 for image)

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79736 item(s)/page