A 19th Century Pack of Swiss Hand Coloured Playing Cards "Views and Costumes of Switzerland" by J.Muller, with a dotted pattern to back of cards, in the original printed pictorial wrapper; a Smaller Pack of 19th Century Swiss Playing Cards by C.L.Wust, the court cards in traditional Swiss dress, with plain green backs, in original pictorial box; A 19th Century Pack of Thirty Six Swiss Hand Coloured Playing Cards by J. Muller, and a part pack of thirty cards, with traditional suits of escutcheons, bells, roses and acorns, circa 1874 (4)
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A Pack of Fifty Two 19th Century English Transformation Playing Cards, the court cards each as different characters, the suited cards each with a different design, many with a military theme, orange diapered back; another Similar Pack of Fifty Two Cards, slightly larger with a border, but with three of the cards having trimmed borders (2)
A Pack of 19th Century Swiss Hand Coloured Playing Cards "Views and Costumes of Switzerland", the back patterned with dots (one card missing); A Pack of Thirty Six 19th Century Swiss Hand Coloured Playing Cards, the aces with views of Switzerland, mottled blue backs; A Pack of Fifty Two 19th Century Printed Playing Cards, the suits as flowers, the full length court cards each as a different person, plain white backs (3)
A Collection of Cards and Games, including two "Pneuma Erythema" cards, two "Triple Changing Flowers", two French Souvenir Puzzles from "De L'Exposition 1878", Florence Upton's "Golliwog" Game, Alice in Wonderland Game, Snap, Spellicans, Goodall's Viceroys Playing Cards, a Montezuma Puzzle etc
Fourteen 19th Century German and English Novelty Greetings Cards, mainly moveables, including a German pop-up fish tank, a pop-up Christmas tree, an embossed and pierced cardboard and silk pop-up fan shaped card, a lever operated Cupid card, a pop-up card with girl playing a violin to the birds, a moveable bouquet of roses etc.
Gert Heinrich Wollheim (German, 1894-1974) An Allegory with Vice as a Clown playing Cards with Ignorance, who is holding an Ace, and Old Age, Vanity looking in a Mirror, and holding an Apple, an Admirer Kissing her Foot, and a Parrot , signed lower right "Wollheim" on the chalk board, oil on board, 80 x 102cm. Wollheim was born in Dresden and studied at the College of Fine Arts in Weimar from 1911 to 1913. Wollheim went to Dusseldorf at the end of 1919 and became one of the founding members of the "Young Rhineland" group, which also included Max Ernst, Otto Dix and Ulrich Leman. In 1925 he moved to Berlin, and his work began a new phase of expressionism. Immediately after Hitler seized power in Germany in 1933 his works were declared degenerate art and many were destroyed. Wollheim fled to France and became active in the Resistance. In 1937 he was one of the joint founders of the artist federation "L«union de l'artistes libres" in Paris, and he became the companion of the dancer Tatjana Barbakoff. Meanwhile, in Munich, three of his pictures were displayed in the defamatory Nazi exhibition Entartete Kunst (Degenerate Art) in 1937. In 2000 the August Macke Haus in Bonn presented an important retrospective exhibition of his work
Good large figured walnut penny-in-the-slot polyphon, playing 24.5" discs, the arched glazed door inscribed in gilt letters Polyphon H. Floto, Altona Adolfstrass, flanked by fluted turned pillars and surmounted by a foliate pierced breakfront gallery, supported upon a plinth with the fall front housing nineteen discs, 90" high overall
Good English mahogany triple fusee bracket clock, the movement signed George Flashman on the floral engraved back plate, playing on eight bells and striking on another, the 7" arched silvered dial signed James Vigne, London, with calendar aperture and subsidiary strike/silent and seconds dials to the arch, within an arched case inlaid with brass lines and with canted corners, arched pierced fish scale side panels, side carrying handles, surmounted by an open winged eagle, 19.5" high
Good mahogany three train musical longcase clock, the 13" brass arched dial with subsidiary seconds dial to the floral engraved centre, also subsidiary chime/silent and Westminster/Whittington subsidiary dials to the upper spandrels, moon phase to the arch, the substantial movement playing on nine tubular bells, the case with long arched glazed door flanked by cable twist pillars and surmounted by a flat top swan neck pediment, 98" high
Paul Harvey (b.1960) Portrait Kino XXI Acrylic on canvas Inscribed and dated Jan 2006 on the stretcher Unframed 50cm x 40cm Paul Harvey is a Stuckist artist and musician, playing in post-punk bands from 1982. In 2001 he became a lecturer in art and design at North Tyneside College, joining the Stuckist art group the same year. He was a featured artist in The Stuckists Punk Victorian show at the Walker Art Gallery for the 2004 Livepool Biennial. The images in his work are often derived from pictures of film and singing stars in magazines, and he describes his methodology as including changing the composition on a computer, projecting onto the canvas, and painting details freehand.
An early 19th Century European carved Powder/Shot Flask, of heart shaped form with all over carved decoration to a brass throat with ring-turned horn mount, and ring suspension, length 11" 401. A vintage Bakelite Cribbage Score Board, inset with an advertising motif "Have a Capstan"; together with a further lacquered Playing Card Box (2)

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