Schallplatte. LRB. Playing to win. Maxi Single. 1C K 060 – 20 0479 6. Köln, EMI Electrola, ca. 1984. Durchmesser 30 cm. In illustrierter Papphülle. (66)* Das Cover zeigt einen Herren mit Sonnenbrille und Anzug vor einem Schachbrett mit mehreren daraufstehenden Personen und der dort eine Frau mit der rechten Hand umklammert. Zustand: Papphülle gebräunt, etwas gebräunt und mit Gebrauchsspuren. Papierhülle mit Defekten und Stempel. Etikett auf Plattenlabel. Die technische Funktionsfähigkeit wurde nicht geprüft.
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Lladro gres figure 'Scheherazade' Limited Edition no.991/1000 Large Lladro gres figure of a semi-clad seated lady playing a lute 'Scheherazade' 17678, on shaped plinth. Limited Edition no.991/1000. In original box with extensive packaging, also included is the framed certificate in the original envelope. 33cm high not including base.Good condition, rarely taken out of the box. Plinth still has plastic cover and is undamaged. Figure in good condition with no cracks or chips. Please see all images. Original glue residue visible underneath guitar neck.
Tom Clare 1894 England football cap Tom Clare 1894 England football cap, purple, from the 7th April 1894, Scotland v England (2-2) at Celtic Park, Kerrydale Street, Glasgow, aged 29. Cap with silver wire English rose design, made by Foster & Co. Oxford.Thomas Clare (12 March 1865 – 27 December 1929) was an English international footballer, who played at right-back, and football manager. He began his playing career with Stoke in July 1884, having moved from Burslem Port Vale. He spent the next fourteen years with Stoke, playing 251 games in all competitions, helping them to the Football Alliance title in 1890–91. In 1897 he signed with Manchester City via Port Vale, before returning to Vale for a three-year spell in 1898, helping them to the Staffordshire Senior Cup on his arrival. He also won four England caps between 1889 and 1894. He was appointed as manager-secretary of Burslem Port Vale in 1905, a position he held for the next six years.
Claude E. Shannon, A Chess Playing Machine, Scientific American, Febuary 1950, Claude E Shannon, A Chess Playing Machine, Electronic computers can be set up to play a fairly strong game, raising the question of whether they can "think" [p.48 - p.51] a month before the appearance of his technical paper in Philosophical Magazine in Febuary 1960, Shannon published his popular paper in Scientific American. In this article he discusses the fundamental ideas of computer chess and computer intelligence.
Edwardian ash cased games compendium, the hinged case with engraved key escutcheon opening to reveal a multi-game tooled leather board to reverse of lid, a cribbage board, and draught set, fitted in a pull-out compartment, with recess holding a bone dominoes set, above an inner sectioned interior, the fitted tray to include seven lead racehorses with metal gate, and playing cards, the hinged doors to front, opening to reveal a further compartment, comprising a boxwood and ebony chess set and a gavel, 33cm x 22cm x 17cm high
* Africa. Portraits of West African Men in a Studio from the Exposition Universelle, Paris, 1889, albumen prints, showing a man smoking a pipe, a seated man playing a drum, and three men and boys seated in a group (small stain to upper blank area), images 17 x 11.5 cm, each mounted on stiff card, together with a sepia photogravure of Three East African Warriors with Spears and shields, c. 1930, image 16 x 22.5 cmQTY: (4)
Kimbei (Kusakabe, 1841-1934). An album containing 50 photographs of Japan and its people, c. 1890, hand-coloured albumen prints, the album largely arranged with photographs of figures mounted to rectos and views mounted to versos, subjects include Tokyo girl, Japanese prince, Samurai, Buddhist priests, wrestlers, Japanese tattoo, cutting tobacco, tea house girls, vegetable pedlar, playing samisen, Tsudzumi and Taiko, curio merchant, pipe mender, Jinrikishia, Kago: travelling chair, umbrella maker and other trades, images 21 x 26 cm and similar, printed captions in English pasted at foot of mounts, inner hinges cracking, contemporary silk-covered boards, worn, oblong folioQTY: (1)
FIVE ITALIAN LACQUERED MUSICAL JEWELLERY BOXEScomprising one with inlaid flowers on a green ground playing Swan Lake, 20cm wide; another with inlaid flowers on a red ground playing Dr. Zhivago and with key, 15cm wide; and three with printed scenes by Ercolano - Between Friends playing Winter Wonderland (box 55, limited edition of 950), A gift of Love playing Pennies from Heaven (box 1745, limited edition of 5000), and Cymbidium playing Tchaikovsky's 1812 overture (box number 187, limited edition of 5000), all approximately 15cm x 11cm
Circle of George Morland (1763-1804) - study of a boy, head and shoulders playing a musical instrument, bears a signature, also inscribed with the artist's name and his dates on the mount below, pencil, coloured chalks or crayon and watercolour, 9.75" x 7.5" - * The work is a preparatory study, possibly study for a figure in one of the artist's larger oil paintings
Swarovski Interest. Comprises 1/ Small Bear Playing the Concertina. Complete with Box and Certificate. Approx Height 5 cms. 2/ Girl Dressed up as a Clown, with Box, Outer Box and Certificate. A 7550 NR 000 012, 3/ Bear with Scarf on Ice Skates, With Box. 4/ Dome Paperweight with Box and Outer Box. ( 4 ) Items In Total. All Figures In Very Good Condition, Boxes are a bit Worn.
Christopher Reeve signed 10x8 black and white photograph signed in blue ink. Christopher D'Olier Reeve (September 25, 1952 - October 10, 2004) was an American actor, best known for playing the titular character in the film Superman (1978) and its first three sequels. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Jewad Selim (Iraq, 1919-1961)Self Portrait with Guitar oil on card laid down on board, framedexecuted circa early 1940s50 x 35cm (19 11/16 x 13 3/4in).Footnotes:Provenance:Property from the collection of the renowned architects Nizar Jawdat (1920-2017) and Ellen Jawdat (1921-2020), acquired directly from the artist,thence by descent to the present owners'I remember constant gatherings in our house where we would hear Segovia and Carlos Montoya in the background, I also remember Amou Jewad playing the Guitar sometimes, and in fact he was very good!'- Zaidun Jawdat, the son of Nizar and Ellen Jawdat, who acquired the present work from Jewad'The bold style with bright colours is similar to that in the paintings [dated in the early 1940's]. These were therefore painted when Jewad was in Baghdad during WWII, presumably after he had met and been influenced by the Polish artists Józef Jarema and Józef Czapsk , stationed with the 'Anders Army' in Baghdad during the early 1940s. Before the war Józef Jarema and Józef Czapski had been members of the Post-Impressionist Kapisci movement, or the Paris Committee or the Colourists, an art group established 1924 by Jozef Pankiewicz.'- Zaineb Jewad Selim, the artists daughterThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Sliman Mansour (Palestine, born 1947)Shaheda Min Tel al-Zaatar (The Witness of Tel al-Zaatar) oil on canvas, framedsigned 'Sliman Mansour' in Arabic and English and dated '1976' (lower left), executed in 197694 x 77cm (37 x 30 5/16in).Footnotes:The Witness of Tel al-ZaatarA rare and poignant 1976 painting by Sliman Mansour in memory of the Tel al-Zaatar Massacre, and the earliest work by the artist to come to auctionProvenance: Property from the collection of a Diplomat at the Embassy of Qatar, London, thence by descent to the present ownerNote: The authenticity of the present work has been confirmed by the artistBonhams is proud to present this rare painting by one of the most sought-after Palestinian artists of our generation, Sliman Mansour. Mansour was born in 1947 and spent his childhood around the verdant hills and fields of Birzeit and then spent his adolescence in Bethlehem and Jerusalem. His childhood experiences left a significant mark on his work, heightening a sense of gradual loss in Palestine, notably after the occupation of the West Bank and Jerusalem in 1967. His early encounters also presented him with the symbols and images he would later use to preserve and highlight the Palestinian identity.The present work was executed in 1976, widely considered Mansour's artistic prime and shortly after he produced his critically acclaimed and widely known masterpiece Jamal Al Mahamel. The painting depicts a sorrowful and ghoulish figure playing a shebbabeh or traditional Palestinian shepherd's flute. The figure is a witness to the harrowing Tel el-Zaatar Massacre which happened in the very same year, one of the greatest tragedies to befall Palestinian refugees during the Lebanese Civil War. The siege of the Tel el-Zataar refugee camp began in January of 1976 with an attack by Christian Lebanese militias led by the Lebanese Front as part of a wider campaign to expel Palestinians, especially those affiliated with the opposing Palestine Liberation Organization (PLO) from northern Beirut. After five months, the siege turned into a full-scale military assault in June and ended with the massacre in August 1976 which resulted in the death of over 2,000 civilians. The green figure in the current work is both noble and ghoulish, representing the mixture of dignity and sorrow which characterises the Palestinian plight for freedom and making use of red and green colour palettes which Palestinians at the time were banned from using by Israeli authorities. She stands against a backdrop of typically Palestinian brick dwellings and possibly ancient ruins, Indicating the rich tapestry of civilisations that Palestine historically harboured. As a female the figure also pays tribute to the increasing role of women in Palestinian activism during the period and also highlights the particular tragedy of the massacre which saw women as the principal survivors. By using symbols derived from Palestinian life, culture, history, and tradition; Mansour uniquely illustrates Palestinians' resolve and connection with their land. His paintings epitomize art as a form of resistance. With orange trees, he represents land lost in the Nakba of 1948. With olive trees, he represents land occupied in 1967. With women wearing traditional embroidered dresses, he represents Palestinian land and the Palestinian revolution. With the landscape of Palestine and its stone terraces, he represents the mark of Palestinian farmers on the land. With images of Jerusalem, and the glistening Dome of the Rock, he represents the Palestinian homeland and the dream of return.For further information on this lot please visit Bonhams.com
George Fullard (British, 1923-1974)Head signed with initials and dated 'F 60' (to base of sculpture)bronze with a dark brown patina25cm (9 13/16in) high excluding base; 30cm (11 13/16in) including baseThe work was executed in an edition of 2Footnotes:ExhibitedLondon, Gallery One, George Fullard, October-November 1961 (another cast)London, Serpentine Gallery, George Fullard, July-August 1974 (another cast)Wakefield, Yorkshire Sculpture Park, George Fullard - A Fastidious Primitive, August-November 1997 (another cast)Sheffield, Mappin Art Gallery, George Fullard: Playing with Paradox, May-July 1998 (another cast)LiteratureG. Whiteley, Assembling the Absurd: The Sculpture of George Fullard, The Henry Moore Foundation, London, 1998, p. 45 & 63, no. 46, pl. 40 and 60, illustrated (another cast)'Art is an implement of realisation in a universal sense and of self-discovery in the personal sense. Sculpture, for me, is compelling in the way it requires, paradoxically, that the complex quality of being, which is intangible and elusive, be given tangible form...Instead of dreaming a dream it is like making a dream piece by piece...like putting together a jigsaw puzzle whilst simultaneously inventing the picture...' (George Fullard, quoted in G. Whiteley, Assembling the Absurd: The Sculpture of George Fullard, The Henry Moore Foundation, London, 1998, p. 9)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Beer Mats Set of beer mats made especially for The Paul Daniels Magic Show BBC TV special from The Pack of Cards pub on Coombe Martin Devon 1988 they are made of thick card to resemble large playing cards with picture cards on the front and the Paul Daniels TV Logo on the back along with a booklet with the story of The Pack of Cards pub
Best Of Limited Edition Magic Poster c' 1990-91 From the successful Thames TV magic show (1989-90) this is a special limited edition (# 4/200) photographic poster with embossed logo to bottom, featuring a panoply of the world's greatest magicians including Houdini, Channing Pollock, David Nixon, Jeff McBride, Uri Geller, Harry Blackstone Jr, David Devant etc. The poster presents images of the magicians & the three TV presenters (Anthea Turner, Simon Mayo & Geoffrey Durham) in the form of playing cards Poster conservation paper-backed & in excellent condition, poster 20" x 27 1/2"
Levante Magic Poster c' 1930's Large British three sheet poster with a prominent image of the "Famous Australian Illusionist" pictured alongside the spirits of past great magicians including Houdini, Chung Ling Soo, Kellar, Carl Hertz, Lafayette & De Biere & a pipe playing satyr in the corner. Large posters like this would often have been pasted onto billboards & sides of buildings & few will have survived. A wonderful memento of C19th & early 20th century magic. Poster illustration by Rob Kemp & printed by Central Printing Co, Burnley. Poster linen-backed, originally printed in three parts, minor paper loss to central vertical foldline of lower portion & subsequent extensive water damage to left hand side which has stained reverse & caused some "rippling" but not dis-colouration to the front, poster 38" x 86 1/2"
French Magic Poster 1945 For "Solanis - Le Magicien Moderne" & presenting the image of colourful birds & flowers emerging from a magician's upturned top hat, further embellished with playing cards & the flags of France, America, Britain & Russia. The joyful nature of the illustration & the presence of the allied flags represents the euphoria of victory over Nazi Germany in the immediate post-war period. Poster illustration by Geo Conde. Poster conservation paper-backed, with some creasing including one running horizontally 3 1/2" under top rim which has cracked the ink, a couple of small closed edge tears & small area of infill to paper loss on lower right rim, 23 3/4" x 36 7/8"
Postcards and personalised cards playing and others, including names such as Thurston, Cardini (The Suave Deceiver), a trick postcard from Maskelyne's Theatres, postcard of Gilly-Gilly with floating match, signed The Great Levante, Horace Goldin, postcards of levitations, Envoy Hutton (as he was), another of Jill in the box The Madras Juggler.... and others, 21 original and various re-prints
Books hard cover, 5 Genie Presentations by will Ayling, Oceans of Notions by Ian Adair with inscription to Paul Daniels and Paul Daniels Book Plate, The Concealed Art of Magic by George Sanderson with Pau; Daniels blind stamp, Playing Cards by R Tiley, Annemans Card and Mental Miracles by Burling Hull,
‡ A RARE WORCESTER COFFEE CUP, CIRCA 1758-60, of bell shape with wishbone handle, painted with two Chinese boys playing in a fenced garden, a woman seated nearby with two rabbits inbetween, a bird in a gilded hoop on the reverse, 6cm high Provenance: Provenance: a Swiss Private Collection of English Porcelain (Lots 44-76); The Sir Jeremy Lever Collection, sold Bonhams, London, 7 March 2007, lot 52; The Billie Pain Collection, sold Bonhams, London, 26 November 2003, lot 133
A MEISSEN FIGURE OF HARLEQUIN PLAYING A PUG, 20TH CENTURY, after the model by Johann Joachim Kändler (1706-1775), leaning against a tree stump, winding the tail of the pug held under his left arm, wearing diamond chequered shirt with ruffled collar and brown and black breeches, the mound base applied with flowers, blue crossed swords mark, incised No.3043, impressed 1470, 18cm high
♦19 x Greek & Roman Provincial, comprising: 4 x Mesopotamia: uncertain mint AE15 obv. Tyche turreted head right; 2 x Edessa Septimius Severus & Abgar VIII AE18 obv. Severus laureate and bearded right, rev. Abgar tiara bust right (BMC14-30); and Gordian III AE27 obv. radiate bust right, countermarked, rev. Tyche turreted left (cf.BMC 124-32); and Singara Gordian II & Tranquillina obv. confronted busts, rev. Tyche (BMC 7-13); 3 x Arabia: Caracalla AE25 obv. laureate bust right, countermarked, rev. Tyche seated left in distyle temple; and 3 x Kings of Nabataea: Aretas IV AE12; and 2 x Rabbel II obv. jugate busts of Rabbel and Gamilath right, rev. two cornucopia crossed (BMC 3-7); Mysia - Pergamum Philetaerus obv. head of Athena right, rev. bow strung (BMC 54-62); 7 x Bithynia: 4 x Prusias II: AE20 obv. Dionysius, rev. centaur (Cheiron) playing lyre (BMC 8-17); AE19 and AE18 with obv. and rev. similar to previous; and AE17 obv. Prussias II head right, rev. Herakles (BMC 3-7); and 3 x Julia Domna: Heraclea obv. diademed head right, rev. Athena standing left holding spear and patera, altar before her to left; Nicaea obv. diademed bust right, rev. Homonoia standing before altar, wearing modius, holding patera and cornucopia; and Prusa ad Hypium obv. diademed head right, rev. ΠΡΟΥϹΑΕΩΝ, Athena? wearing modius standing before lighted altar holding spear; and 2 x Phoenicia, Aradus AE17 and AE15, both rev. ships prow; and Mesopotamia, Antioch Severus Alexander AE24 rev. ΔΕ within wreath; VG to GFine
♦14 x Roman Provincial - Ionia, comprising: Clasomenae/Klazomenai Augustus AE19 obv. bare head left, rev. two figures 6 x Ephesos: AE19 obv. Artemis right, rev. long torch between facing stags (BMC 182-4); Augustus AE15 rev. stag standing, (BMC 197-8), Trajan Decius, Julia Domna, and Faustina; Magnesia AE11 obv. head of Apollo left, rev. forepart of butting bull (cf.BMC 14); Miletos AE11 obv. head of Apollo right rev. lion standing (BMC 76-80); 3 x Smyrna AE20 obv. Amazon turreted left, rev. lion stranding, left paw raised (cf.BMC 170); AE24 obv. Senate right, rev. statue of Tyche within tetrastyle temple, (cf.BMC 236); and Julia Domna AE24 rev. similar to previous (cf.BMC 385, 394); and Teos Valerian II AE20mm rev. Anacreon seated right playing lyre (BMC 87-9); generally near Fine to GFine
Nicole Freres music box of hinged rectangular form, the movement playing Six Airs, total length 67cmhttps://www.youtube.com/watch?v=L4tkOOBRa04 Key presentlid worn with some decoration missing and lifting brassMovement dirty and with missing toothMovement plays when wound, but has no guaranteeCylinder is just over 45 cm in length
An early Tunbridge ware print and paint decorated Pope Joan board, of rotating circular compartmentalised form, four compartments painted with flowers, four with colour prints, two of Brighton Pavilion, one of the chain pier with water wheel and promenade and one unidentified, the outer border inscribed 'Matrimony/Intrigue/Game', with painted floral sprays and colour prints of playing cards, 30cms dia., 7cms high. From the collection of Dr. Brian Austen
Mauchline ware - eleven pieces in 'alternative finishes', comprising a dome top cylinder powder box (playing cards/fans), 8cms, a rectangular box (chequer ware), 9cms, another similar, 8cms, a rectangular Clark and Cos. box (flowers/Forget Me Not/gothic), 10.7cms, a paper knife (chintz), 18.5cms, and six napkin rings in unusual patterns. (11)
Mauchline ware - eight pieces, comprising three rectangular boxes all with interior table scenes, (A Disputed Point/x 2, A Game of Chance), largest 15cms, a rectangular black ground playing card box (flowers - ace of spades), 11.2cms, a rectangular box (colour print, seaweed and shell / The Pier Southsea, Hants), 13.2cms, a rectangular box (colour print, flowers), 11cms, a book - The Golden Text - Book (colour floral print / A Wish .....), 9.2 x 8cms, and a needle book, worn (flowers / A Wish .....), 8.5cms. (8)
Ten material pin cushions, including a jockey cap, 5.5cms, a lady's hat with pin flannels, 6.3cms, six card form examples including a lady's boot, and another as the six of clubs playing card, a patchwork pin stuck example and another, some wear and ageing. (10) From the collection of Enid Riley Part 4

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79736 item(s)/page