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Lot 1340

20th century AD. A pair of rectangular ivorine panels, each bearing a hand-painted design, comprising: a festive scene with crouching musicians playing a sitar and tabir drum, a dancing male with a light drum or tambourine, a standing or dancing female with expressive hand gestures; a garden scene with foliage and vessels, two standing figures in conversation and a third, bare-headed, reclining in the foreground. 330 grams, 40 x 30.5cm (15 3/4 x 12"). Property of an American collector; acquired Europe 1970s-1990s. [2, No Reserve] Fine condition.

Lot 1057

A 19th Century Swiss music box, the 21 1/4in. (54cms) brass cylinder playing on three steel combs (two broken teeth) and twelve bells, numbered "28823" with makers mark "SW", within a inlaid rosewood base with marquetry floral and musical trophy design surrounded by stringing, 32 x 13 x 9in. (82 x 32 x 22cms). See illustration

Lot 1079

An 18th Century needlework picture of a man playing a lute for a dancing couple beside a bull, a water mill and a church, within mahogany frame, 18 x 17in. (46 x 43cms).

Lot 1158

M. Young, Newcastle: a Victorian mahogany longcase clock, with painted roman dial, subsidiary seconds and dater dials, with scene to the arch of a King playing a harp, two train movement, anchor escapement, shaped weights, the case with pierced frieze, shaped waist door with arcaded surround, fluted detail, bun feet, 91in. high.

Lot 317

Thomas Danby (1818-1886) CHILDREN PLAYING ON A ROCKY RIVER BANK signed and indistinctly dated 184(0?) oil on canvas 49.5 x 59.5cms; 19 1/2 x 23 1/2in. See illustration

Lot 459

Chinese famille rose globular jar and cover, painted with boys playing within garden landscape, height 23cms approximately. (2)

Lot 56

An Oriental Chinese Circular Lacquered Hat Box Decorated with Figures Playing Games.

Lot 1119

London silver playing cards box, containing two sets of miniature playing cards

Lot 1457

Frank Turner, signed 19th Century oil on canvas, boys playing with toy boats in a rocky coastal inlet, unframed, 18ins x 14ins

Lot 1491

E. Hobday, signed watercolour, continental street with figures and children playing, 14ins x 9.5ins

Lot 1503

Two early 19th Century naive school watercolours, children with a bow and arrow and boy playing as a soldier, both in original ebonised fruitwood frames

Lot 1659

Cyrus Afsary, 1960's oil on canvas of a Middle Eastern gentleman playing a musical wind instrument, signed, 17ins x 23ins

Lot 195

Quantity of various greetings cards, playing cards, matchboxes and matchbox covers

Lot 2102

Large 19th Century Swiss rosewood marquetry inlaid musical box, the 15ins cylinder playing four airs (one comb a/f)

Lot 217

Box containing a large quantity of miscellaneous items including playing cards etc

Lot 673

Two Royal Doulton stoneware vases together with a framed porcelain overpainted plaque of two figures playing chess

Lot 113

A 20th century German porcelain figure of a gallant playing a lute, seated on a stump, H. 33cm, together with another of a lady, (2).

Lot 81

A 20th century German porcelain figure group, lady and gallant playing chess, H. 35cm.

Lot 101

A 20th century figure of an elegant lady playing a lute, H. 32cm, together with another similar figure seated, (2)

Lot 618

A Relief-carved Panel depicting King David playing a lyre, reclining in a guilloche banded cartouche flanked by harpies, 20 ins x 42½ ins (51 cm x 108 cms).

Lot 115

An art deco gilt spelter figure of a pierrot clown playing a mandolin, on circular onyx base, 9”

Lot 257

A Japanese Meiji period ivory netsuke, study of two boys and a Kylin playing at a large drum, 1.7”

Lot 5

Mahogany inlaid box containing assorted playing cards, a half leather spirit flask, oak letter rack etc

Lot 31

Two First World war trench art shells, engraved with a soldiers and Scots playing bagpipes, dated to the case 1916, 29cm high

Lot 356A

Good quantity of Waddingtons Top Trumps and similar playing cards, includes Racing Cars, Racing Motorcycles, Hot Rods, Helicopters, Power Rangers and many more. Appear VG (not checked if complete) and boxed. (56)

Lot 1341

A pair of reconstituted stone figures of seated cherubs playing instruments sat on a sphere, each approximately 103cm high, together with one reconstituted stone pedestal, 50cm high.

Lot 1839

A 9ct gold ring, mounted with three circular cut garnets and with two pairs of seed pearls, mounted at intervals and four mostly 9ct gold charms, comprising; a highlander playing bagpipes, a bird, a five pounds note and St George slaying the dragon (5).

Lot 2075

A Swiss walnut cased music box, late 19th century, the marquetry inlaid hinged lid opening to reveal a nine inch brass cylinder playing eight airs, with stop/play and change/repeat levers, and an interior label 'Upcott, 26 Edgware Road, London', 45.5cm wide.

Lot 2122

A set of English playing cards by Thomas Creswick, circa 1830, plain orange backs, partial case, together with two late 19th century packs of playing cards by Wooley & Co (3).

Lot 2123

A walnut cased Swiss music box, late 19th century, the foliate painted case enclosing a six inch roller playing on three bells, the hammers cast as swallows, with change/repeat and stop/start levers, (a.f.) 48cm wide.

Lot 2126

A pack of playing cards by Bancks and Brothers, circa 1832, spotted blue backs, together with another set by Goodall; 'The Crimea Pack', circa 1854, blue printed soldier design to the back.

Lot 253

A child's chafing dish, circa 1915 by John Aynsley & Sons Ltd, decorated with transfer images of Teddy bears playing sports, 22cm diameter.

Lot 258

An Italian marquetry playing card box, the hinged top with a club motif and a profile portrait of a lady in Art Deco style.

Lot 968

A pair of Chinese reverse glass paintings, 19th/20th century, each painted with a young woman seated on a balcony, one playing a musical instrument, 54cm. by 38cm., framed and glazed.

Lot 836

Heavy continental resin figures of ladies and a capodimonte figure of a boy playing a drum (4)

Lot 593

Royal Doulton musical figure Jogging Bunnykins playing King of the Road

Lot 706

An inlaid caddy, a cribbage games box with cribbage board top, playing cards and an enamel clock

Lot 187

An oil on canvas depicting a man playing a mandolin with a young boy, unsigned, image size 24cm x 33cm , gilt framed

Lot 313

A good mixed lot to include opera glasses, Sunagor binoculars, playing cards, a Royal Doulton posy decorated in the Carnation pattern, Art Glass vases and similar

Lot 171

A quantity of collector's playing cards etc

Lot 252

A mixed lot including ebony dressing table set, silver tea spoons, playing cards etc

Lot 1

***PLEASE NOTE THAT THE DESCRIPTION FOR THIS LOT HAS CHANGED. ***PLEASE SEE LOT 1A FOR THE WALES v NEW ZEALAND JERSEY. ****THE JERSEY IN THIS LOT IS MATCH-WORN BY GEORGE NEPIA IN THE CARDIFF v NEW ZEALAND MATCH PLAYED ON THE 22ND NOVEMBER 1924The All Blacks won the match 16-8. After the match Nepia swapped jerseys with his opposite number Tom Albert 'Codger' Johnson. Tom Johnson, retained the jersey and is the maternal grandfather of our vendor who is offering the jersey at auction. The jersey is in the traditional black with white collar, it is complete with draw-string, embroidered New Zealand fern to a stitched felt panel to the breast and with white felt number '1' to a square stitched panel to the back. The jersey is in an excellent complete state without any damage of note.Accompanying the jersey is a printed cardboard plaque which reads 'NEW ZEALAND JERSEY WORN BY ''NEPIA'' THE FAMOUS ALL BLACK'. The plaque stood alongside the jersey in a 1930s window-display at James Howells department store - an historic and landmark retailer located in Cardiff city centre (now part of the House of Fraser group).During the tour George Nepia won lavish praise for his faultless displays of kicking, tackling and fielding. The tour gained them the nickname 'The Invincibles' due to their record of playing 32 games and winning all 32, including four test matches. In the process they scored a formidable 838 points with only 116 points having been scored against them. Nepia was the only player out of the 29-strong squad to play every match, he was the scorer of 77 points. Nepia's performances prompted one leading British journalist to write, 'it is not for me to question whether Nepia was the best fullback in history. It is a question of, which others are fit to loosen the laces of his Cotton Oxford boots'George Nepia is regarded as one of rugby's finest ever full-backs and the most famous Maori of his generation. He was the third inductee to the New Zealand Sports Hall of Fame and one of the first fifteen players to be inducted to the International Rugby Hall of Fame during its inaugural year. In 2004 he was selected as number 65 in 'New Zealand's Top 100 History Makers' television show. George Nepia's portrait was featured in a set of New Zealand postage stamps in 1990 and in 'A Concise History of New Zealand' by Philippa Mein Smith, George Nepia is described as New Zealand's 'first rugby superstar'.George Nepia is also an important figure in terms of Maori racial history; the player was stopped from touring South Africa at the 'eleventh hour' as described in his biography '…it would be impolitic for us, as non-caucasians, to attempt to travel in a country whose policies toward non-Whites were even then severely restrictive.

Lot 1a

A New Zealand All Blacks rugby jersey worn by the great George Nepia (1905-1986) in the first ever All Blacks defeat of Wales at Swansea in 1924. The All Blacks won the match 19-0 with the Maori full back in superb form, a remarkable display considering he was only nineteen at the time. The jersey is in the traditional black with white collar, it is complete with draw-string, embroidered New Zealand fern, which points vertically, to a stitched felt panel to the breast and with white felt number '1' to a square stitched panel to the back. There is ‘diamond’ cross-stitch to the shoulders and upper-chest. It bears an internal label inscribed D.HIDDLESTONE. The jersey is in an excellent complete state without any damage of note. Provenance: As per the internal label, the jersey was in the ownership of David ‘Dai’ Hiddlestone. Dai Hiddlestone (1890-1973) was a Welsh international rugby union player who was capped five times for Wales including against New Zealand in the aforementioned 1924 test - he only played against the All Blacks this once for either club or country. The 1924 test was played on the 29th November at St Helen’s rugby ground in Swansea. Apart from the outcome being Wales first defeat against the All Blacks, the match was notable for Dai Hiddlestone’s impromptu and ill-advised war-dance, a response to the New Zealander’s pre-match Haka. It is thought that George Nepia, unlike other witnesses, wasn’t offended by Hiddlestone’s antics and actually sought the player out to swap jerseys. What is absolutely clear is that both jerseys must have been swapped as Hiddlestone only played against the All Blacks once. Dai Hiddlestone’s family confirm these circumstances. This type of jersey with the ‘vertical fern’ is supported by a pre-match photograph, included in our on-line cataloguing. In the years after the match, Hiddlestone intermittently displayed the jersey at his home rugby-club Hendy RFC and in the 1960s the jersey was donated to the club on a ‘permanent loan’. The jersey has been viewed by many tourers including a Maori Youth touring team whilst visiting Llanelli, the team included the late great Jerry Collins. After Dai Hiddlestone’s death in 1973, the jersey was passed on to his daughter and then to her children by descent. One of the children being the Welsh capped and British Lions player Terry Price (1945-1993). Joint ownership has been agreed between the Price family and Hendy RFC. It was reported that during the match Nepia and fly-half Jack Wetter, the Welsh captain were in a collision. The Welshman temporary retiring from the field of play but returned early in the second half to play out the game with a pronounced limp. Consequently, Hiddlestone who was employed as flanker was pushed out of the forwards in to the back-line as extra cover. Thus in a more opposing role to George Nepia’s position and so providing further reasoning as to why Nepia and Hiddlestone swapped jerseys. It is explained in his autobiography 'I, George Nepia' (A H & A W Reed, 1963) that the Wales victory was regarded as retribution for the 1905 loss for 'The Originals' in Cardiff which was regarded by many as '…..a miscarriage of justice attributable to incompetent refereeing. We had been brought up to believe that Bob Deans, the centre who scored the try which was disallowed, had exclaimed on his death-bed, only three years later ''It was a try'', and every New Zealand witness of the game was prepared to swear his life away to the same effect. All this had convinced us that whatever we did, we must beat the Welsh'.  During the tour he won lavish praise for his faultless displays of kicking, tackling and fielding. The test match against Wales was the twenty-first match of their 1924-25 tour of UK, Ireland, France and Canada. The tour gained them the nickname 'The Invincibles' due to their record of playing 32 games and winning all 32, including four test matches. In the process they scored a formidable 838 points with only 116 points having been scored against them. Nepia was the only player out of the 29-strong squad to play every match, he was the scorer of 77 points. Nepia's performances prompted one leading British journalist to write, 'it is not for me to question whether Nepia was the best fullback in history. It is a question of, which others are fit to loosen the laces of his Cotton Oxford boots' George Nepia is regarded as one of rugby's finest ever full-backs and the most famous Maori of his generation. He was the third inductee to the New Zealand Sports Hall of Fame and one of the first fifteen players to be inducted to the International Rugby Hall of Fame during its inaugural year. In 2004 he was selected as number 65 in 'New Zealand's Top 100 History Makers' television show. George Nepia's portrait was featured in a set of New Zealand postage stamps in 1990 and in 'A Concise History of New Zealand' by Philippa Mein Smith, George Nepia is described as New Zealand's 'first rugby superstar'. George Nepia is also an important figure in terms of Maori racial history; the player was stopped from touring South Africa at the ‘eleventh hour’ as described in his biography ‘…it would be impolitic for us, as non-caucasians, to attempt to travel in a country whose policies toward non-Whites were even then severely restrictive’. 

Lot 415

Group of vintage playing cards and small games including Patience, Peter Pan Draughts and Board, Bavaris Snap etc

Lot 549

Collection of vintage games and playing cards including boxed Spears Rail Race

Lot 311

A COLLECTION OF PRINTED EPHEMERA, includes a fold-out chromolithographic Valentine card circa 1905, a 1908 calendar etc. a pack of "Hard-a-Port cut plug "tobacco" playing cards with risque lady decoration, stereo photographic view cards, small illust rated childrens books, an album of postcards, a bone cased child's game, and a knapped stone arrowhead possibly early American

Lot 761

Sean St Ledger autographed high quality 16x12 inches colour photograph. Republic of Ireland footballer, now playing the MLS in America. Good condition

Lot 38

Two clockwork seated monkey, both playing the cymbals, also a clockwork dog by Victory and a small clockwork and tinplate bird.

Lot 572

An oak framed and glazed Nectar Tea advertisement depicting three young girls and two dogs playing in the snow, 11 x 13".

Lot 16

A Chinese export black and gold lacquered games box gilt with processions of figures, dragons and playing cards enclosing two boxes and six dishes on carved grotesque feet, 32cm wide

Lot 5

A Japanese okimono of a musician standing and playing a flute on a rock issuing flowers (part of flute lacking), signed, 28cm high

Lot 222

A 19th century black forest carved hardwood figure, of a gnome, wall mounting modelled seated on a log with horn lower legs, 39cm high, and a Victorian burr walnut playing card and dice box of oblong form with slightly domed hinged lid, pierced brass strapwork mounts opening to reveal a lined interior with plaque inscribed H.Rodrigues, 42 Piccadilly, 19cm wide (2)

Lot 342

A set of twelve Dresden monkey musicians, comprising conductor, singer, drummer, four playing stringed instruments and four playing wind instruments, underglazed blue mark, conductor, 16.5cm high (12)

Lot 431

Hilary Brock, three stoneware groups comprising 18th century style man and woman walking, 20cm high, 19th century style man playing a flute and lady playing a side drum, 20.5cm high and girl on a rocking horse, 15cm high (3)

Lot 432

Hilary Brock, four stoneware figures comprising floozie kneeling in a chair,16cm high, floozie reclining on floor, 15.5cm wide, floozie seated playing a banjo, 12cm high and Cromwellian man in the stocks being consoled by a wench, 13.5cm high (4)

Lot 443

Marie Whitby (Seven Springs Pottery), a Mozart style stoneware group of a man playing a grand piano accompanied by a violinist and two howling dogs, 28.5cm wide and another stoneware group of two figures at an alehouse piano, 24.5cm high, both with signed paper labels dated 1987 (2)

Lot 640

19th century Continental School, study of a lady playing a mandolin, oil, 60cm x 45cm, ornate gilt frame

Lot 325

A set of 4 19thC Italian oil on canvas (mounted on board) frieze panels of cherubs playing signed F.Berlingieri (39cm x 97cm).

Lot 343

Patrick Ronan (Ronayne) (19th Century) Irish. “Five and Ten or Who Shall?”, also known as ‘Two People Playing Cards’, Circa 1825, Oil on Canvas, 10.75” x 13”, together with an Aquatint and an Oil, of the same subject.  Provenance; Reproduced in Strickland, ‘Two People Playing Cards, Volume 11, Page 299.

Lot 223

3 Lladro angle figures 2 playing instruments

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