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Ethelbert White (1891-1972) THE SUN UMBRELLA Signed l.r., inscribed verso, oil on canvas 60 x 73cm. This is probably a study of the artist`s wife, Betty, at their country retreat in Amberley. Ethelbert White was born in Isleworth, Middlesex. In 1911, he studied at St. John`s Wood Art School under Leonard Walker and, in the same year, married Elizabeth Crofton Dodwell, always known as `Betty`. The couple shared a liking for a simple and unconventional way of life, full of fun, friendship, music and travel. They lived in an 18th century cottage in Hampstead Grove, Camden, and travelled around the countryside in their gypsy caravan, `Reading`, Ethelbert producing paintings of village life and Betty playing the lute. White exhibited at London Group and New English Art Club from 1916. His first one-man-show was at Paterson and Carfax Gallery in 1921. He was a regular exhibitor at the RA and RWS. A memorial exhibition was held at the Fine Art Society in 1979. His work is represented in may public collections. Literature: Hilary Chapman, `Ethelbert White 1891-1972, Painter & Printmaker`, Primrose Hill Press 2003
The Great Exhibition.- M. (S.J.) [Notes autograph manuscript notes, and some other notes in another hand, 18pp., ink inscription: "S.J.M. to C.H.A.." and other inscription on envelope, sm. 8vo,16th May 1851 & 8th October 1862 ***The Great Exhibition. "We spent two hours at the Great Exhibition. It is much more beautiful than I had fancied. The first glance as we went in at the south entrance was of a scene so perfectly new and strange - you enter a great space - the intersection of the transept & nave as they rather strangely call it - there are statues standing about, and groups of people amongst them - orientals in red Fez caps. . In front of you is the great glass fountain playing; it looks like a part of Kubla Khan`s palace - beyond two palm trees and the great English Elm overshadowing them, and revealing the immense height of the roof that covers it..
THE ARTIST 'HH', 1827 A young lady, playing a lute tied with red ribbon, in gold-trimmed mauve robe, white turban with plumes fixed with gem-set brooch, seated at a draped table with a musical score signed with initials and dated 'HH 1827' on the musical score rectangular with rounded corners, 5 x 4 1/8 in. (128 x 105 mm.), gilt-metal mount with stamped foliate border View on Christie's.com
A COLLECTION OF LEATHER ACCESSORIES INCLUDING A VICTORIAN GILT-TOOLED LETTER BOX SECOND HALF 19TH CENTURY AND LATER Inscribed to cover 'DALLINGTON HOUSE', together with various other Spencer family gilt-tooled leather items, including a portable card playing board embossed 'C.S.' beneath a coronet and box of travel maps dated 1946 13 in. (33 cm.) wide (13) View on Christie's.com
An impressive Secessionist earthenware vase, circa 1900, possibly Amphora and for an International Exhibition, in the form of a tree trunk, with gilt leaf border with applied birds, a scantily clad male playing a lyre flanked by lions standing upon a bulbous base, marked Reproduction Reserved, height 120 cm, (A/F).
A 20th century Continental figure groups, modelled as a male and female playing musical instruments, raised upon a rococo style scrolled plinth base, height 21 cm, together with a Continental figure group, modelled as a male and female seated on a chaise raised upon a rococo style scrolled plinth base, height 18 cm, two Continental figure groups modelled with a lady playing a musical instrument with children, two courting couples figural groups and two smaller figural groups of courting couples and another, (9).
* Le Brussel, act. early 19th century- "Aloys Senefelder"; lithograph, after Jabard, full sheet with margins, on cream wove, 31x24cm, (unframed) Note: Senefelder the inventor of lithography; Problems with the printing of his play Mathilde von Altenstein caused him to fall into debt, and unable to afford to publish his new play, playing with an etching technique using a greasy, acid resistant ink as a resist on a smooth fine-grained stone of Solnhofen Limestone. He then discovered that this could be extended to allow printing from the flat surface of the stone alone, the first Planogrphic process in printing. He joined with the André family of music publishers and gradually perfected his technique into a workable state. He called it "stone printing" or "chemical printing", but the French name "lithography" has stuck.
A Japanese ivory netsuke, of a recumbent mouse, seated upon tail looking over hind legs, marks to underside, width 4 cm, a Japanese carved netsuke, a dragon playing with a ball, width 5 cm, a Japanese carved netsuke, of a seated tiger, width 4 cm, three hardwood stands, a Chinese scribes box, fitted writing area and abacus, (7).
A 19th century turned and stained boxwood cotton reel holder / pin cushion, 3in (7.8cm) h, an 18th century painted wood and tortoiseshell lined needle case, decorated children playing musical instruments, with a gilt cental band, 3.5in (9cm) and a 19th century burr maple and tortoiseshell lined snuff box. (3)
Nine pieces of Shelley Mabel Lucie Attwell nursery ware design to include `Fairies fairies everywhere dancing in the sun flying here and flying there yet I cant catch one` side plate, printed factory marks and reg no.721562 to base, diameter 17.5cm, `Fairy folk with tiny wings playing all over the plates and things` side plate, printed factory marks to base, diameter 18cm, `There was a little man lived in a caravan his friend were the bunnies and other such funnies` side plate, printed factory marks to base, diameter 16cm, `Oh Mr Rabbit do put up your gamp or else you will get most awfully damp` side plate, printed factory marks and reg no.721563 to base, diameter 14.5cm, `Do you know the laddie who lives in a tree with the fairies to love him and ask him to tea` side plate saucer and coffee can, printed factory marks to base, `Gee up good Ned how slow you are we cant go fast so we wont go far` saucer, printed factory marks to base, diameter 13.5cm, `Little blue bird how he sings so happy on my plate and things` coffee can, printed factory marks to base, height 7.5cm, together with a Shelley saucer and side plate `Look at the fairies how fast they can fly but they cannot catch us as we flash by`, printed factory marks to base
An Antique postcard album with approximately two hundred postcards with various scenes comprising amusing cartoon of African children playing on a log with a snake emerging out of one of the knot holes, another with African children playing with a gramophone etc, scenes of Durban, Ladysmith, Pretoria, seaside scenes to include the Isle of Man, Wales, shipping scenes, scenes of Manchester to include the Westinghouse Works, Moseley street, railway scenes, actresses dressed up as men, churches and tunnels etc
A Late Victorian Inlaid Walnut Games Table Having Lift and Twist Top to Inset Green Beize Playing Surface and Inlaid Cribbage Scorers, Single Fitted Drawer Containing Staunton Style Chess Playing Pieces and Pull Out Slide. Turned Supports and Stretcher, Carved Feet Culminating in Castors 60.5 cm x 41 cm x 76 cm High.
Russian silver: an Imperial Russian Romanov period (pre-1917) silver tazza, assay master`s mark for Dmitri Ilych Tsverskoi (St Petersburg 1833 - 1851), the circular top with frieze band depicting a procession of dancing nude figures, `the triumph of Bacchus`, playing instruments, one riding an elephant, another on a chariot pulled by a panther, flags and trophies, the support with raised female face masks, scrolls, gadrooning and goats head masks, on guilloche foot rim, base with inscribed number 1562. Date mark indistinct, marked 84 (84 zol, 875 / 1000 purity), weighing approximately 4lb (64oz) 22cm diameter, 16cm high.
A Paillard Voucher and Fils interchangeable musical box N21210,six cylinders playing six airs each,reeded bedplate ,single comb with zither attatchment,dust lid and large tune sheet for the thirty six airs,in ebonised and crossbanded case,floral inlaid dome cartouche lid,on turned legs and central storage drawer 76cm,cylinders 21cm. ILLUSTRATED

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79738 item(s)/page