Zafiro Storm Atomic, 2023 Oil pastels, tempera, acrylic, oil, watercolour and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Margaux Carpentier Moon, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margaux Carpentier Stone, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Zafiro Storm Bizum, 2023 Oil pastels, tempera, acrylic, watercolour, oil, markers and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margaux Carpentier Piss, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Katarina Holbrough Winded Moth, 2023 Oil and thread on canvas paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Currently living and working in Toronto, Ontario. A mixed media artist, working primarily with oil paints, collaging different spaces together. Recently graduating from OCAD University, May 2023, with an Honors Bachelor of Fine Art Degree. Often, her work plays with both painting and installation to envelop a space; exploring liminal spaces, community connections, and imagined worlds. Her latest series uses the amalgamation of different frames and moments to create a tapestry of stories that describe the generational knowledge and relationship that continues through community. Education 2019 Diploma, Art Foundations, Humber College, Tkoronto, On 2022, Certificate, Marketing, UFT Rotman Business School, Tkoronto, On 2023, BFA, Criticism and Curatorial Practices with a Minor in Painting, OCAD University, Toronto, ON Select Exhibitions/Awards 2023 Why Do You Create?, VAM, Mississauga, ON GradEx 108 2023, OCAD U, Toronto, ON Art On A Postcard, AOAP, London, UK 2022 Partial Gallery OCAD U Showcase, Partial Gallery, Toronto, ON Metamorphosis, The Great Hall, OCAD U, Toronto, ON Riverdale Artwalk, Artist Network, Toronto, ON 2019 Art à la Carte, Legislative Assembly of Ontario, Toronto, ON Landscape Show, J.E.H Macdonald's House, Vaughan, ON PUBLICATIONS 2023 Addition Magazine, Issue 1 Gallery Representation Partial Gallery, Toronto, ON Statement about AOAP Submitted Artwork My work collages images of people that are close to me with imagery of animals. The people are situated in a temporal, liminal space with black and white giclée photography cut and sewn, suspended in this imaginary space. While based on a photo, each piece is adapted to build the relationship between the audience and the figure. With this work, I am playing with imagery and how I interact with the community that surrounds me. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Katarina Holbrough Winding Snakes, 2023 Oil and thread on canvas paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Currently living and working in Toronto, Ontario. A mixed media artist, working primarily with oil paints, collaging different spaces together. Recently graduating from OCAD University, May 2023, with an Honors Bachelor of Fine Art Degree. Often, her work plays with both painting and installation to envelop a space; exploring liminal spaces, community connections, and imagined worlds. Her latest series uses the amalgamation of different frames and moments to create a tapestry of stories that describe the generational knowledge and relationship that continues through community. Education 2019 Diploma, Art Foundations, Humber College, Tkoronto, On 2022, Certificate, Marketing, UFT Rotman Business School, Tkoronto, On 2023, BFA, Criticism and Curatorial Practices with a Minor in Painting, OCAD University, Toronto, ON Select Exhibitions/Awards 2023 Why Do You Create?, VAM, Mississauga, ON GradEx 108 2023, OCAD U, Toronto, ON Art On A Postcard, AOAP, London, UK 2022 Partial Gallery OCAD U Showcase, Partial Gallery, Toronto, ON Metamorphosis, The Great Hall, OCAD U, Toronto, ON Riverdale Artwalk, Artist Network, Toronto, ON 2019 Art à la Carte, Legislative Assembly of Ontario, Toronto, ON Landscape Show, J.E.H Macdonald's House, Vaughan, ON PUBLICATIONS 2023 Addition Magazine, Issue 1 Gallery Representation Partial Gallery, Toronto, ON Statement about AOAP Submitted Artwork My work collages images of people that are close to me with imagery of animals. The people are situated in a temporal, liminal space with black and white giclée photography cut and sewn, suspended in this imaginary space. While based on a photo, each piece is adapted to build the relationship between the audience and the figure. With this work, I am playing with imagery and how I interact with the community that surrounds me. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Zafiro Storm 'Play Hide' with 'The Elephant in the Room', 2023 Oil pastels, tempera, acrylic, watercolour and markers on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Zafiro Storm My Limits, 2023 Oil pastels, tempera, acrylic, watercolour, markers and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Elizabeth Pybus Sutton Two Pears IV, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Elizabeth Pybus Sutton Three Lemons, 2023 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Elizabeth Pybus Sutton Three Clementines, 2023 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Elizabeth Pybus Sutton is a contemporary figurative artist, born in Yorkshire and now practising in SW London. Trained in both conceptual and atelier methods, she loves exploring the balance between modern and traditional styles and playing with abstract and representational aspects. Elizabeth's work includes portraiture, life drawing, still life and landscapes, using a range of mediums, primarily in oils. Working from life is an important element in much of her art. Whilst nature is predominantly her teacher and inspiration, she focuses on strength of drawing and a celebration of colour. Education Since completing her Foundation at Chelsea School of Art and BA Hons in Fine Art at Kingston University, Elizabeth has also trained in botanical art at Chelsea Physic Gardens and London Fine Art Studios in atelier methods. Select Exhibitions/Awards As well as completing international commissions, recent exhibitions include The Green and Stone Summer exhibition 2021 & 2022, 'River Views' at The County Hall Arts Exhibition 2022 and The Chelsea Art Society 73rd Annual Exhibition 2022. Statement about AOAP Submitted Artwork I'm delighted to be included in such a worthy cause and hope my paintings create some joy and happiness. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
James Bond Live & Let Die (1973) - A Replica Flute Radio based on the prop seen in the film. Hand crafted in Moso Bamboo with a telescopic antenna and a prop microphone. After playing a few notes and commenting on a beautiful day, Baron Samedi (Geoffrey Holder) uses a flute radio to notify Mr. Big that Bond and Solitaire are heading for the hill. Disclaimer - This item was not licensed or authorised by Danjaq/MGM and has no connection to the Bond franchise. Approx 62 cm.
An Attic red-figure pelike Attributed to the Eucharides Painter, circa 490-480 B.C.39.5cm highFootnotes:Provenance:with Münzen und Medaillen A.G., Basel, 1977 (Antike Vasen, Sonderliste R, no. 50).Dr. Dragisa Momirovic, Germany.Greek Vases from the Momirovic Collection; Sotheby's, London, 7 July 1994, lot 340.Private collection, Manhattan.Anonymous sale; Christie's, New York, 18 April 2018, lot 36.with Jean-David Cahn, Basel.Private collection, Switzerland, acquired from the above 30 April 2020.Beazley Archive no. 13607.Published:R.-M. Becker, Formen attischer Peliken von der Pionier-Gruppe bis zum Beginn der Frühklassik, Boblingen, 1977, vol. I, p. 33, no. 107a.E. Keuls, The Reign of the Phallus. Sexual Politics in Ancient Athens, New York, 1985, pp. 293–294, fig. 264, 265.M. Robertson, 'Two Pelikai by the Pan Painter', in Greek Vases in the J. Paul Getty Museum, vol. 3, Malibu, 1986, p. 82, fig. 3, p. 83, and fn 54.I. Peschel, Die Hetäre bei Symposium und Komos in der Attisch-Rotfigurigen Vasenmalerei des 6.-4. Jahrh. v. Chr., Frankfurt, 1987, p. 192, pl. 144.A. Dierichs, 'Erotik in der Kunst Griechenlands', in Antike Welt no. 65, Mainz, 1988, fig.108 (A).C. Reinsberg, Ehe, Hetärentum und Knabenliebe im antiken Griechenland, Munich, 1989, pp. 194–195, fig. 109.M.F. Kilmer, Greek Erotica on Attic Red-Figure Vases, London, 1993, pp. 16, 88, 171 and 247, fig. R371.N. Boymel Kampen et al., Sexuality in Ancient Art, Near East, Egypt, Greece, and Italy, Cambridge, 1996, pp. 90 and 92, fig. 39. J. Davidson, The Greeks and Greek Love, London, 2007, pp. 435–436, ill. 49.M. Barbanera, 'Dikaios eros?', Workshop di archeologia classica, Paesaggi, construzioni, reperti, 6, Rome, 2009, pp. 50–51 54, fig. 1. A. Lear and E. Cantarella, Images of Ancient Greek Pederasty. Boys Were Their Gods, London/New York, 2009, p. 219, no. 4.178.H. Parker, 'Vaseworld: Depiction and Description of Sex at Athens', in R. Blondell and K. Ormand (eds.), Ancient Sex: New Essays, Columbus, 2015, pp. 23-141, fig.1.5.J. A. Johnson, The Greek Youthening: Assessing the Iconographic Changes within Courtship during the Late Archaic Period, Tennessee, 2015, pp. 168–170, 247, fig. 39.Side A depicts a scene of intercrural lovemaking between an older, bearded man and a male youth, in what Davidson called 'one of the most flagrant scenes of homosexual copulation' (ibid), and Kilmer noted as 'our earliest example of actual copulation' between a man and youth (ibid, p.16). Pederastic partnerships such as this, between an erastes and an eromenos, were a widely-accepted social institution amongst the aristocracy in Archaic and Classical Athens, and were seen to offer the younger male mentorship and an initiation into the social etiquette of the upper echelons as he came of age as a citizen.Side A also depicts a third male, likely the older male's slave, sitting to the side and holding his master's staff; his inclusion in the scene may serve to emphasise that the lovers are part of the aristocracy. The architectural column, and the strigil, sponge and aryballos which hang in the field, indicate that this scene takes place within the palaistra, i.e. a wrestling school or gymnasium. This setting is fitting both because it was a place where men were commonly nude, and their bodies perfected and admired, and also because Classical pederastic relationships included the erastes supporting, both financially and otherwise, the athletic and educational pursuits of the eromenos. For example, Xenophon's Symposium, set in 422 B.C., recounts a banquet hosted by Calias III's home in honour of his beloved Autolykos' victory in the pentathlon at the Panathenaic Games.Side B depicts a komos scene of a youth playing the double flute behind a heavily-draped female, who is playing krotala and is likely hetaera. A ball (?) and staff hang in the field.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Pierre Chenet - a patinated bronze figure of two cherubs in a tussle late 20th century, signed, 9½in. (24.1cm.) high; together with a small 19th century gilt and patinated bronze candlestick with a recumbent putto, 3 5/8in. (9.2cm.) high, drilled for lamp conversion; and a bronzed spelter figure of a putto playing cymbals, on later cut glass base, 9¼in. (23.5cm.) high. (3) * Chenet: good condition. - Candlestick: Gilt wear and dirt. Drilled for lamp conversion. - Spelter figure: flaking and wear to patination. Crack to raised arm.
A 1950/60s vintage pedestal football table, with painted metal players. A/F. 164x88x137cm.Fair. Extensive signs of wear and use. One side of the frame appears to have been sanded back for re-finishing, but has been left incomplete. Some areas or surface loss, including to playing surface, which is slightly warped. Handles show some cracking. Pedestal likely adjusted through the years. Would originally have been coin operated, but mechanism has been removed and patched over.
Pair of French bronze Bacchanalian figure groups, each cast as the infant Bacchus and a cherub playing with goats, richly patinated, height 22cm x 15cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
A Chinese blue and white ovoid vase, 19th century, painted with scattered birds and flowers, apocryphal Kangxi four character mark, 10cm high; a Chinese Famille Rose tea caddy, Qianlong, 10.5cm high and a Chinese blue and white vase, late 19th century, painted with a lady playing the Zither for a seated gentleman, apocryphal Kangxi four character mark, 16cm high (3) Condition Report: Chinese blue and white ovoid vase with 5cm haircrack and another crack about 4cm long Chinese famille rose tea caddy with areas of restoration to rim Condition Report Disclaimer
A RARE PAIR OF CHINESE BLUE AND WHITE PORCELAIN ‘SOLDIER' VASES AND COVERS, QING DYNASTY, KANGXI PERIOD, 1662 – 1722Boldly painted in underglaze-blue with four circular panels of court ladies at leisure on pavilion terraces playing a Qin, another group looking at a scroll painting, all reserved against a peony ground flanked by lotus-leaf shaped panels, the domed covers similarly decorated with ‘bronzed’ Buddhistic lion dog knops, all on later giltwood stands (6)Height: 112cmProvenance: Purchased from Christie’s London, 4th November 2010, lot 226, previously with Vanderven & Vanderven Oriental Art, Hertogenbosch, NetherlandsThe term ‘Soldier’ or ‘dragooner’ vase was adopted in the early 18th century to describe types of incredibly large vases after Frederick Augustus I (1670-1733) Elector of Saxony, and King of Poland, an avid porcelain collector, traded a regiment of cavalry for a group of vases from the collection of Freidrich Wilhelm I of Prussia in 1717The present pair of vases are a very unusual type, and would appear to have no direct comparable and rarer than the vases typically now found in the East Asian Porcelain from the Collection of Augustus the Strong, State Art Collections Dresden, Porzellansammlung. See also Charlottenburg Palace, Berlin, GermanyCondition ReportVase 1UV light inspected. With two holes drilled to base. Appears to be sprayed to interior and exterior around the foot rim. The upper body is overall good with no obvious faults/areas of spraying to interior . There are three marker labels inside which correlates to an area of overpainting to the exterior behind the scene of the ladies playing the Qin to the left hand side, confined to some foliage, possibly running down the panel to the lady outside the compound.Some old over-spraying around the foot, with related hairlines, with some retouching which can be seen under UV light. Although hard to ascertain exactly the extent of damage. It is likely that it could be just some consolidation of luting faults, hairlines. Firing imperfection/bubble burst to ladies punting panel, right hand side.The cover has been restored, probably in three, with a replacement lion dog. Typical frits around rims, shoulder and some minor staining.Vase 2UV light inspected. with two drilled holes in the base. Some fluorescence along luting lines but doesn’t appear to be restored to upper body. Small three pointed star crack to shoulder interior, not visible to exterior.Base with one hole visible. No over spraying to exterior. Firing fault to shoulder. Section of rim re-stuck in two pieces, frits and 3cm scale chip to interior of rim, with associated short hairline confined to the rim.The cover with four small areas of the rim over-sprayed. Minor restoration to original lion dog. Otherwise good.Typical frits around rims, shoulder and some minor staining.Please also see additional natural light and UV photographs.Please note our conditions of business and sale regarding condition reports, paragraphs 6 & 14
Postcards, Buckinghamshire, a comprehensive collection of approx. 140 cards of Eton, with RPs of Army Camp, absence in Weston Yard (gathering), College and Chapel, Rowlands shop front, Windsor to Eton Road, aerial views of Eton (3), High St Eton (various ages (6)), St John's Church, Memorial Hall. Many college views, printed cards of chemical lab, playing fields, HTL etc (mainly gd)
A 19th century Swiss rosewood and marquetry rounded rectangular bells-in-sight orchestral music box, 15cm barrel playing eight airs on a one-piece comb, Stop/Start and Change/Repeat selectors, cranking handle, the hinged cover inlaid with a musical trophy and outlined with boxwood stringing, 41.5cm wide, c.1870
European Ceramics comprising a deep Meissen cabinet cup saucer, 19th century, dark blue ground, painted with a circular panel of figures conversing in woodland, painted blue crossed swords and impressed numeral '75', gilt lined foot rim, 14.6cm diameter; A Meissen chamberstick, painted in underglaze blue and heightened with over-glaze gilt and iron red, painted mark, 6cm high; a Helena Wolfsohn 'Augustus Rex' cup and saucer, yellow and white panels, a similar Dresden twin-handled chocolate cup and saucer; Dresden miniature chamberstick, an 'Oldest Volkstedt Porcelain Factory' figure, circa 1915-36, modelled as an elderly peasant lady, 16cm high; pair of smaller Continental figures of a young girl playing the mandolin and a boy playing the flute, 11cm high; a Continental model of a blue and gilt parrot seated on a branch, spurious gold anchor mark, 18cm high; a Dresden model of a girl with a flower garland and lamb, 13.5cm high; and a French figural group, Meissen-style markings, 21cm highCondition:Dresden chocolate cup and saucer - Gilding heavily worn. Cup chipped to rim.Mandolin figure - neck of instrument broken, chips to the rear of her bonnet. Base repaired. Head broken and re-attached.Parrot - chip to one rear tail feather.Figural group - Standing male's head broken and re-attached. Small nibbles around base.No further damages.
A Meissen porcelain figure of a boy playing tricks with a dog19th centurymodel B94, modelled seated on the stool, the dog dressed in a hat and frock coat, incised model number, impressed '127' and underglaze blue crossed swords, 12.5cm high (a.f)Condition:Missing trick hoop from the boy's outstretched hand. Small chip to the inner rear brim of the boy's heart. Small losses to the flowers on the base.
Attributed to William Henry Hunt (1790 - 1864) Boy Playing Recorder, watercolour, 31 x 24 cm, frame 57 x 47 cmProvenance: Collection of Peter Roberts, purchased from The Swan Gallery -label verso, label for Noel Gregory GalleryFootnote:Peter Roberts was born in Shropshire and brought up in the market town of Shrewsbury. He attended the Priory Grammar School before leaving for Cambridge University where he studied Classics and English. He qualified as a teacher, working first at Rydal School in North Wales before being appointed Head of English at Oundle School in 1982 where he remained until his retirement in 2007. Later in life he returned to his roots in Shropshire and spent his time pursuing his love of the arts, and built up a very carefully curated collection of antique furniture, antiquarian books and in particular, 19th Century English Watercolours. Roberts had a keen eye and focused on some of Britain’s best loved landscape painters such as David Cox, John Varley, Paul Sandby, Peter de Wint and William Leighton Leitch.
A late 19th century Swiss inlaid rosewood music box, the case inlaid with marquetry flowers and foliage, the movement playing eight airs with six bells, 54cm wide x 31.5cm deep x 25cm high.Condition:Case showing minor signs of age, a little faded to the front panel and evidence of old worm to the back panel. Movement winds and runs, all comb teeth intact. All bells function - see video https://youtu.be/qyEt6a0pZnY
19TH CENTURY SCHOOL "The children of Reverend John Harrison - William, Kate and Sissy Jane", silhouette, depicting three young children, one playing with a hula hoop, another holding a basket of flowers, another seated on a stool, bears label verso, 15 cm x 20 cm, a further 19TH CENTURY SCHOOL "Family group depicting gentleman, lady and two children", silhouette, 18 cm x 25.5 cm and a further EARLY 19TH CENTURY portrait silhouette "Lady with lace-trimmed cap", 9 cm x 8 cm (3)
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