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19th Century French Mantel Clock, circular dial with Roman numerals and central engraved florets, cylinder movement and contained within an ormolu case, surmounted by a maiden playing a lyre, with a mandolin by her side, on a rectangular base with appliqué of musical instruments and swept leafy feet, 41cms, (16"), under a glass dome.
A brass and wood Jugendstihl table centre, the cirucalr bowl supported on three external legs in the Art Nouveau manner, the sides of the bowl decorated with a continuous band of dancing, naked children playing instruments, inlaid in cut brass on a wood ground. 10.25in. (26.5cm.) diameter. Circa 1900.
Automata broadside. Maelzel's Grand Exhibition, No. 29, St. James's Street, Consisting of the following unrivalled Automata, viz. The Automaton Chess Player ..., The Automaton Rope Dancer ..., The Automaton Trumpeter ..., The Conflagration of Moscow ..., Admission 2s.6d. Children 1s.6d. each, printed by W. Glindon, Rupert Street, Haymarket, [1818?], orig. printed broadside within decorative border and with woodcut vignette of 'The Turk' being played, faded ink note 'A4' top right, a little overall creasing and marginal dust-soiling, old paper guard to upper margin along edge of printed border, a few marginal small closed tears and small light damp stain to left margin not affecting border or text, 1 p., 255 x 190 mm The Turk was a famous hoax which purported to be a chess-playing automaton first constructed and unveiled in 1770 by Wolfgang von Kempelen (1734-1804). Kempelen first exhibited the Turk at the court of Austrian Empress Maria Theresa in 1770, and later took it on a tour of Europe for several years during the 1780s. Kempelen eventually decided that the Turk was occupying too much of his time and consigned it to a corner of the Austrian palace, and focused on other forms of automata. After Kempelen's death in 1804, the Turk passed through many hands, eventually ending up with Johann Maelzel, inventor of the metronome. He too toured it with mixed success. Eventually the Turk was destroyed in a museum fire in Philadelphia in 1854. No other copies of this broadside have been located during our researches. See illustration on front cover of this catalogue. (1)
A late 19th century rosewood cased musical box. By Nicole Freres. the cover with floral cartouche and kingwood banding, revealing an interior with single 30cm long, 8.5cm diameter cylinder, steel comb, the lever wind action stamped with the maker's name and number 46866, playing twelve Scottish, English and Welsh airs, retailed by Methven Simpson Ltd, Edinburgh58cm wide, 19cm high, 27cm deep #500-800 123. An Italian carved walnut wall mirror, in the 18th century manner. the pierced Baroque-style frame deeply carved and pierced with acanthus scrolls, with a ribbon-twist inner slip, with later plat92cm wide, 105cm high
A 19th century Irish 'plum pudding' mahogany foldover card table. the serpentine top with moulded edge and baize skiver above a scroll carved frieze centred by a scallop shell, on leaf carved cabriole legs, the sliding rear legs enclosing fitted racks for playing cards 86cm wide, 77cm high, 43cm deep
* Hokusai (Katsushika, 1760-1849). Blind leading the blind, colour woodblock print, mid-19th-century, mounted on card, approx. 205 x 135mm, together with Shoyu Kyosai, Studies of Shojo, Emperor with young woman, Shuzan playing with a cat accompanied by a young woman, together three colour woodblock prints, each mounted on thin card, approx. 210 x 150mm , plus other similar small-format colour woodblock prints inc. Hiroshige, Genhito Joki, etc. (13)
Riall (Richard). A New Bibliography of Arthur Rackham, Ross Press, Bath, 1994, b & w port. frontis., col. plts., b & w letterpress illusts., orig. gilt dec. blue cloth, sm. folio, together with Coykendall (Frederick), Arthur Rackham, A List of Books Illustrated by Him, with Introductory Note by Martin Birnbaum, privately printed, 1922, b & w port. frontis., neat ms. inscription to front free endpaper 'To Lester amico amanter Martin' with stick figure playing a violin beneath, untrimmed, orig. japanese vellum gilt, spine ends. sl. rubbed, minor marginal browning to covers, slim 8vo, (limited to 175 copies), plus Latimore (Sarah Briggs, and Haskell, Grace Clark), Arthur Rackham, A Bibliography, Suttonhouse, Los Angeles, 1936, col. frontis., b & w plts., rough-trimmed, orig. cloth-backed patterned boards gilt, spine faded, in matching board slipcase, 8vo, plus Hudson (Derek), Arthur Rackham, His Life and Work, William Heinemann, 1960, tipped-in col. and b & w plts., letterpress illusts., patterned endpapers, orig. cloth in dusty d.j., with some chipping and edge-tears, 4to (4)
Cocteau (Jean). Drôle de Ménage, Textes et Dessins, Paris, Paul Morihien, 1948, col. illusts., orig. pict. wrappers, sl. rubbed, spine a little worn, 4to One of 2000 copies. Presentation copy from the author, inscribed on half-title: "a Carmen, son vieil ami de tout coeur, Jean, 1959" and with an accompanying ink drawing by Cocteau of a child playing with a skipping rope under a blazing sun. (1)
A Wedgwood 19th Century 8in. oblong toilet box, the cover decorated a Chinese landscape with terrace and buildings; a 19th Century 4 1/2in. oblong blue and white dish decorated children playing in a park with a church beyond; and a 6 1/4in. early 19th Century blue and white ware invalid feeding cup, blue transfer decorated with female figures and a landscape. (3)
A walnut upright Polyphon, fully restored, the twin combs numbered and marked DRGM62800, the gilt metal frame numbered 25740 and playing 50cm discs, the case of typical design with glazed top with drawer below and mounted on a later storage bin base containing thirteen discs (some modern), 203cm high, 73cm wide, 42cm deep
A Flip-O-Hoy air race game, of British manufacture, patent no.204204, generally very good condition (one painted lead playing piece broken at base), boxed; a 'White Horse' or 'Bell and Hammer' (or Schimmell) game, complete with miniature ivory gavel, in original wooden box with applied paper label; a parquetry game, in original wooden box with hand-coloured label (two pieces missing); a part set of Spellicans, boxed; a game of Lotto, in original cardboard box with hand-coloured label; a set of miniature billiard (or carpet) bowls by Taylor-Rolph, complete with jack and instructions, boxed; a set of boxwood and ebony dominoes in a (non-original) rosewood box; a Jeu du Nain-Jeune games box (lacking playing pieces); two vellum-covered ping-pong bats; a whist marker, 'The Foster' by Goodall; and two other markers.
Various - Sixty-one 33 r.p.m. long playing records, including The Small Faces, 'Ogden's Nut Gone Flake' (Immediate, IMSP 012); Big Brother and the Holding Company, 'Cheap Thrills' (CBS, 63392); Joni Mitchell, 'Ladies of the Canyon' (Reprise, K44085), gatefold sleeve; Joni Mitchell, 'The Hissing of Summer Lawns' (Asylum, SYLA 8763), gatefold sleeve; Joni Mitchell, untitled (Reprise, K44051), gatefold sleeve; Joni Mitchell and the L.A. Express, 'Miles of Aisles', double-album (Asylum, AB-202), gatefold sleeve; Carole King, 'Tapestry' (A & M, AMLS 2025); and others.
The Beatles - Twelve 33 r.p.m. long playing records, including 'A Hard Day's Night', mono (Parlophone, PMC 1230); 'With the Beatles', mono (Parlophone PMC 7027); 'Help', stereo (Parlophone, PCS 3071); 'Sgt Pepper's Lonely Hearts Club Band' (Parlophone, PCS 7027), complete with cut-out sheet, gatefold sleeve; 'At the Hollywood Bowl' (MFP, 4156761); White Album (Apple, PCS 7067 & 7068), unnumbered, complete with poster, gatefold sleeve; 'Abbey Road' (Apple, PCS 7088); with five others of related interest; with a quantity of singles, including the 'Magical Mystery Tour'; and three boxed mono tape records.
A Sammy Davis Jnr Official Souvenir Programme, circa 1960s, signed in ink to the front cover; a long-playing double record, 'Sammy Davis Jnr at the Cocoanut Grove' (Reprise R6063/1&2), gatefold sleeve, signed 'All / My / Best / Sammy Davis'; an 'Every Night at the Palladium' souvenir brochure, circa 1960s, signed by Eric Morecambe and Bruce Forsyth; a Bristol Hippodrome 'Russ Conway Show' programme, signed; a quantity of other pop music programmes, circa 1960s, including four Cliff Richard; and a collection of theatre programmes, including those for performances at the Bristol Hippodrome by Laurel & Hardy (1952) and Frank Sinatra (1953).
Abba - A 33 r.p.m. long-playing record, 'Greatest Hits, Vol.2' (EPC 10017), gatefold sleeve, signed in ink by all four band members; an Abba North American & European Tour souvenir programme, 1979; an Abba carrier bag; and a small quantity of programmes for other artists, circa 1980s-90s, including Madonna, 'Who's That Girl' (1987).
Two Mauchline ware paperknives (Alton Church and Aberystwith (sic)); a Mauchlin ware trinket box (Presbyterian Church, Portrush); a Mauchlin ware canister (Table Rocks, Whitley); a treen money box with parquetry inlay; a mahogany box with a Tunbridge style butterfly design within a geometric border to the lid; a set of bone and ebony dominoes; a set of 'CV Series' wooden draughtsmen, boxed; two treen dice shakers; an ebonized card box with an applied flower-festooned playing card decoration to the lid; assorted cards and card games; a brass and treen spirit level by Rabone; an ebony ruler of rounded form; two Sorrento ware boxes; a Tunbridge ware box with a bird's eye maple central panel to the lid; and a boxed 'Brinco' Junior No.6 stapler.

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79736 item(s)/page