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Lot 328
A RUSSIAN SILVER TEA GLASS HOLDER IN THE PAN-SLAVIC STYLE, MOSCOW, 1908-1917finely chased and repousse with pan slavic geometric and swirling motifs, depicting Sadko playing on the gusli from the Russian medieval epic, engraved in Cyrillic, zaigral Sadko v guselki prozvuchal [Sadko played and sounded the gusli], struck in Cyrillic with maker`s mark CB, an obliterated kokoshnik, and later Soviet 800 standard on bottom; height: 8.3 cm (3 1/4 in)
Lot 199
Urwick, Hunter & Cooke Families & Irish Interest. A 19th Century leather bound album containing an extensive collection of portrait and topographical photographs relating to members of the Urwick, Hunter and Cooke families, notably images of William Urwick DD (1791-1868) dated Dublin 1860 and 1865, his wife Sarah, his sisters Elinor and Lydia Urwick dated 1862, William Urwick the younger (minister of Hatherlow, Cheshire), Thomas and Mrs Hunter of Manchester, Jonathan Cooke of Shrewsbury, Samuel and Mrs Hodgkinson of Marple Hall Manchester, members of their extended families etc, together with views in Co. Wicklow (Glendalough Seven Churches, Vale of Avoca), Killarney (Eagles Nest, Purple Mountain, Muckross Abbey, Old Weir Bridge), Dublin (Exhibition Building), Manchester (Marple Hall and Aqueduct), Wales (Menai Bridge, Beaumaris Castle) and elsewhere; also a group of carte-de-visite photographs of notable persons, to include: Captain John Hanning Speke, Rev. Charles Kingsley, Richard Cobden, Rev. Robert Moffatt, Charles Allen DuVal (playing chess), Henry Vincent, Keshub Chunder Sen (1870), George Foley, Rev. George Wade Robinson, Rev. Prof. Rowland Williams and others.
Lot 152
A PAIR OF DERBY FIGURAL PORCELAIN CANDLESTICKS one in the form of a lady playing a lute with sheep alongside, the other her male companion playing a bagpipe with dog alongside, each with floral encrusted bocage, 23cm high (2) For a similar pair of figures see Peter Bradshaw Derby Porcelain Figures plate 292 (No. 307 seated bagpiper and lady with a lute)
Lot 125
A SPINET by Meredith Moon of Oxford in an ebonised and gilt lined case, the hinged top opening to reveal a pierced roundel carved with figure playing the lyre surrounded by painted flower decoration, the fascia panel inscribed with maker's name and dated 1964 on ebonised square section stand, 180cm wide overall The lot is sold together with an Article 10 transaction certificate
Lot 24
Ivor Kittle - a group of early 20th century photographs to include three depicting King George VI at a camp jamboree, signed by the photographer, two others exhibited at Lowestoft and District Photographic Society July 1964 entitled Southwold Railway and Veterans of the Sea, Playing Cards at the Old Beach Shed, Lowestoft, signed, exhibition label verso and four other mostly signed, all mounted on card, various sizes
Lot 1388
Two English enamel gaming counter baskets, 2nd half 18th century, the oval forms painted with playing cards to the interior, the sides reticulated, a small ivory gaming counter box of circular form, enclosing several horn counters inlaid with mother of pearl, and a Staffordshire enamel egg-shaped pendant painted with landscape panels on a white ground, some damages, 8.2cm max. (4)
Lot 1265
A large Jérôme Massier Majolica model of a wishing well, late 19th/early 20th century, unusually modelled with four musical frogs playing the mandolin and singing as they perch on parts of the well, a further frog seated on the ground, a small bucket suspended from the frame above the well itself, painted JMF Vallauris mark to the underside, minor damages, 71.5cm high. Wells of this type are more commonly seen with songbirds in place of the frogs and are made in several sizes, this being unusually large.
Lot 1560
A Chinese porcelain Dutch-decorated bowl, Qianlong 1736-95, later-enamelled in Holland with a repeated scene of European musicians, a gentleman playing the cello, a lady a small harp, while a second seated lady conducts from a central position, the bowl's interior with a central scene of swans swimming before a village, the inside walls with three landscape scenes, 14.5cm dia. Cf. Helen Espir, European Decoration on Oriental Porcelain, p.166, pl.15 for a similar bowl.The decoration on this bowl is perhaps derived from Philip Mercier's painting The Music Party, which depicts the three children of George II (including Anne, Princess of Orange).
Lot 1517
A pair of Frankenthal vases, dated 1772, of campana shape, painted in puce monochrome to one side with figures drinking and playing games on a barrel, the other with landscape panels, reserved within moulded C scroll motifs picked out in gilt and polychrome enamels, blue crowned CT monogram marks, some damages, 11.4cm. (2)
Lot 1708
A rare Derby figure group of children playing Hazard, c.1780, a boy and a girl either side of a fortune wheel on top of a pillar, a dog seated beside the boy, a basket of fruit covered with a cloth behind the girl, raised on a low base applied with flowers and leaves, incised '95' to the base, damages, 15cm. This group is copied from a 1736 painting by François Boucher, entitled Country Fair. A similar version was produced at Sèvres, modelled by Falconet. Peter Bradshaw in Derby Figures illustrates a group on p.247 which includes a second boy standing behind the pillar, however, this figure does not appear to have survived the firing process in this instance.
Lot 1216
A pearlware rectangular moneybox, 2nd half 19th century, the top printed in black with boys playing Blind Man's Buff, the long sides with a view of a church, the shorter with tea clippers titled 'Scawfell Liverpool' and 'Warrior Stockton', raised on four paw feet, the top pierced with two differently sized apertures, 12.5cm across.
Lot 420
A Rosenthal ceramic figurine of a naked girl kneeling and putting a daisy chain around her hair, a brief towel across her knees. Incised signature of the artist, "A Causmann" around the base. Underglaze Rosenthal backstamp to underside. Ht. 15cm., together with two figurines of "Russian dance", figures playing and dancing to the balalaika. Polonnoe factory marks, blue on one, red on the other. Ht.16cm.
Lot 405
A very elaborately carved Japanese Meiji period ivory okimono of a cormorant fisherman with a child, the well carved figure in exquisite detail, wearing a multi-layered garment and grass apron tie around waist with cord, holding on his right arm with a cormorant, left hand taking a carp from the beak of another cormorant standing on his shoulder, his grandchild standing in front him playing toy boat. “Three characters” mark to the bottom, Meiji period, late 19th/early 20th century, 22cm high, tiny repair to fingers of his right hand and the back of his pigtail, otherwise in good condition.
Lot 514
After Auguste Moreau. A pair of ormolu electric table lamps in the form of naked children, one playing a horn, the other a tambourine, signed in the cast "Aug. Moreau" on Rosso Antico marble socles above laurel wreath ormolu bases. The figures have been adapted to electric lamps with reeded stems carrying the holders, one holder missing, pierced sconces carrying lustre beads, two beads missing. Ht. of figures 17cm., overall 27cm.
Lot 25
JAMIE ASHMAN I am every woman Acrylic on Indian paper Dimensions (hxlxd) A3 Signed bottom right canvas front www.jamieashman.com Central Saint Martins Fashion Graduate turned forward thinking Contemporary Artist Jamie Ashman creates paintings with acrylic paint from his imagination. Thinking outside the box and using his background in Fashion he now paints people in situations that reflect his vision of modern life and times. Exhibiting internationally former trend Predictor and Fashion teacher Ashman hopes to reflect a future Earth that is both compassionate and Eco conscious. His new work has evolved into a Fashion influenced World narrative that searches for Paradise on the Planet in an attempt to get the bigger picture. His style merges classicism and Kitsch and refers both to Art history and a world of both today and the future looking beyond graffitti and Pop Art to express the zeitgeist of the Computer age. With photography, Internet and social media playing such a huge part of modern life Ashman’s paintings work to slow down the fast paced mobile phone generation and throwaway society creating images that celebrate a more laid back and innocent Utopia.
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79738 item(s)/page