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Click here to subscribeA 19th century Swiss crossbanded rosewood and marquetry music box, 33cm cylinder playing twelve airs on a one-piece comb, lithographed tune sheet no.28966, steel cranking handle, Play/Stop and Change/Repeat selectors, hinged cover unlaid with a musical trophy, outlined throughout with boxwood stringing, shallow bracket feet, 63cm wide, c.1870
A 19th century Louis XV Revival gilt metal mounted kingwood and marquetry shaped rectangular card table, crossbanded top enclosing an inset baize lined playing surface, above a shaped frieze, profusely inlaid with sprays of flowers, leafy scrolls and musical and pastrol trophies, serpentine legs, 77cm high, 86cm wide, c.1860
An early 20thC Cyma 9ct gold gentleman's wristwatch, with Arabic dial and subsidiary baton second hand, 3cm diameter, engraved to the back to J Watson Sunderland Waterworks, with elasticated bracelet, a Majex 9ct gold seventeen jewel wristwatch, a ladies Timor 9ct gold cocktail watch with elasticated bracelet, a Seiko ladies cocktail watch and a set of P Motorsport advertising playing cards.
Cold painted bronze figure of a young girl playing with her cat, 10cm; also a cold painted bronze figure of a boy reclining on a rug, 8.5cm; and a cold painted spelter figure of a man at prayer, 10cm (3) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Regency rosewood and brass inlaid folding pedestal card table, circa 1820, the top inlaid with brass stringing and with anthemion details, opening to a green baize playing surface, the frieze further inlaid with anthemion, raised on a waisted rectangular column on four brass inlaid sabre legs with cast brass toes and castors, width 91cm, depth 45.5cm, height 74cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Late George III fiddle back mahogany folding card table, circa 1820, D-shaped top crossbanded with rosewood and with boxwood string inlays, opening to a baize playing surface, supported on double gates to the rear, the frieze inlaid with ebony stringing and raised on turned and ringed legs, width 91cm, depth 44.5cm, height 74cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
George Childs (1800-1875) Three children playing with a dog by some rapids Watercolour, bodycolour and gum arabic 61.1x 95.3cm; 24 x 37½in Together with Attributed to George Dunkerton Hiscox (1840-1901); Continental wooded landscape with travellers on a path, a town on a hill in the distance; watercolour, heightened with white; 39.7 x 62cm; 15ÎŽ x 24½in (2) Provenance: Each by descent to the present owner
*Agatha Walker (1888-1980)Jean Forbes-Robertson in the role of Peter Panc.1930, a painted wax statuette, inscribed to the plinth35cm high43cm high overall, cased This wax figurine is modelled on the actress Jean Forbes-Robertson (1905-1962) in the title role of J M Barrie's 1904 children's play 'Peter Pan'. Jean Forbes-Robertson first played the part at the Gaiety Theatre, Christmas 1927, and subsequently became one of the best known actresses associated with the role, playing it at the Garrick Theatre, 1928/1929; at the St James's, 1929/1930; and at the Palladium for five consecutive Christmases, from 1930 until the end of the 1934/35 season. Other actresses took the part subsequently at the Palladium, but Jean Forbes-Robertson returned to play it for the last time there for the 1938/39 season.This is one of several wax figurines modelled by Agatha Walker in the 1920s and 1930s, mostly of actors and actresses in costume for roles in successful productions on the London stage. There had been a craze for ceramic figurines of performers in the 19th century and Walker attempted to revive this tradition with her limited edition sculptures. They were modelled from life in plaster and coated with a fine wax layer which was then coloured. In 1931 there was an exhibition of her wax figures at the Fine Art Society.*Artist's Resale Right may apply to this lot.Condition report: The figure has been reset to the base plinth. Evident cracks to the ankles and the sword - also to the blade 2/3rds up the sword. Chips to the hair. Some minor chips and wear to edges. The velvet base is discoloured and colour lost. The case is glass.
Fine Victorian mahogany and brass bound games box, the hinged lid enclosing a fitted interior with near complete original contents comprising: boxwood and ebony Staunton pattern chess set, draughts, marbles, Escalado, table croquet, cribbage, playing cards and a guide to the compendium, folding chess and backgammon board etc, 18ins wide approximatelyAll marbles are approximately 15mm in diameter approximately
A silver match holder, cigarette case and vesta case. Match box holder with repousse work depicting a musician playing a lute to two ladies in a garden, hallmarked: Birmingham, vesta case with linear engraving and circular cartouche, hallmarked: G Ltd for Gieves Ltd, 1914, gilded interior. Cigarette case with engine turned decoration, gilded interior, hallmarked: Birmingham, 1934. 160g
FIVE LLADRO FIGURES, 'Eskimo Playing' No.1195, 'Bearly Love' No.1443, 'Eskimo Boy with Pet' No.5238, all three designed by Juan Huerta, 'Eskimo Riders' No.5353, designed by Jose Puche and 'Angel Dreaming' No.4961, designed by Salvador Debon (chip to wing), tallest height 17cm (5) Condition Report As catalogue description and Angel has chip to tip of left wing otherwise all in good condition with no other obvious damage or wear
EIGHT LLADRO FIGURES, comprising two 'Little Duck' No4553, 'Little Duck' No4551 and 'Little Duck' No4552, 'Madonna' No4534, height 17cm, 'Girl with Hands Akimbo' No4872, 'Boy Awaking' No4870 and 'Girl Playing Guitar' No4871 (head reglued), all designed by Fulgencio Garcia (8) Condition Report Girl playing guitar as catalogue description and Girl with hands akimbo, right arm has been re-glued, otherwise good condition no obvious damage or wear
A rare and imposing champleve enamel and brass musical-chiming four glass bracket clock, late 19th century, the architectural case with arched pediment surmount supported on four Corinthian columns on a stepped rectangular base with bracket feet, the gilt chapter ring with Roman numerals and signed "Angel Santini, 438 Cangallo, Buenos Aires" above Silent/Chime and Westminster/Cambridge (chime) subsidiary dials, the plate elaborately decorated with scrolling foliate enamel, the case and columns decorated en suite, the three train spring barrel movement playing on a nest of eight bells and striking the quarters on four gongs, the hours on a larger gong, movement unsigned, with pendulum and key. Height 54cm
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