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Rare bi-fold Christmas card titled 'A good fling at Christmas - may fun be alive and kicking', with textured cover decorated with designs of fans, opera glasses, playing cards, pipes, etc., opening to reveal three ballet dancers, the two femaile dancers with pop-up skirts, the dancers above a verse by SK Cowan MA. 13.5 x 16.5cm.
An impressive brass inlaid rosewood musical boardroom clock with triple fusee movement, late 19th century, the gilded brass arched dial with all over floral and foliate engraving, 7 3/8in. silvered chapter ring and silvered Chime/Silent and Cambridge Chimes/Chime on 8 Bells subsidiary dials to the arch, the substantial engine turned movement playing on a nest of eight bells, also chiming the hours on a large gong, within a breakfront case with fluted frieze and gilt brass Corinthian columns, the front inlaid in brass with stylised foliate decoration, spandrels and stars, gilt brass caryatid and foliate grilles to sides, surmounted by a moulded rounded arched cornice and five brass pineapple finials, 28¾in. (73cm) high, on a later shallow mahogany plinth. (2)
A finely painted late 19th / early 20th century Japanese painted pale peach silk wall hanging, framed, depicting two adult macaques on the branch of a flowering prunus tree with three youngsters, one on the male's knee and two playing on the branch near the female, signed in black lower right and with red seal marks, 46¼ x 27¾in. (117.5 x 70.5cm.).
A large Japanese carved ivory figural group, Meiji period (1868-1912), the tusk carving depicting a spear fisherman and child on a base carved to depict waves breaking over a rock, a crab nipping the fisherman's heel, two deities playing musical instruments flying above, the upper deity with wings and long tail feathers, signed with two character mark to base, 17¾in. (45cm.) high, on a later carved hardwood base. (2)* Condition: In very good condition, with no damage. Good colour with attractive darker patina in places from handling.
A Japanese carved ivory netsuke, Meiji period (1868-1912), with three leverets playing amongst toadstools, on naturalistically carved base, the leverets with glass eyes, two character signature to stem of one of the toadstools, 2½ x 2in. (6.4 x 5.1cm.).* Condition: Scratch to top of two toadstools and another to one leveret's ear, no other damage. Very good condition overall.
A Berlin KPM porcelain figure group of a boy helping two girls in front of a magic lantern show, 19th century, printed and blue marks to base, 18cm high, together with a Meissen style porcelain figure group of a piper standing on a column with other figures below playing instruments, on a natural rocky base, bearing marks for Meissen Marcolini period, 27cm high (2) first group has a firing crack to base, losses to hat, rubbing to glaze,other group has potential losses to instruments and repairs
Diary of a Voyage to Calcutta by Thomas Maunsell, KCB, Surgeon General. Born 1st July 1839, died 29th December 1937 CB, (1896) KCB (1906).A leather bound notebook 18.5 x 11.3cm, densely filled with handwritten text, watercolours, hand drawn maps, photographs, pasted cuttings and stamps.The bulk of the notebook taken up with a daily diary written by Thomas Maunsell on board the Ship 'Copenhagen' bound for Calcutta. Commenced Plymouth, August 2nd 1862, completed December 7th 1862.The diary gives us a fascinating glimpse into life on board ship at this time. Maunsell, 23 years old, travelled with a servant so did not suffer much deprivation (although they were both very seasick during the many storms which he describes). The account gives details on weather, food, and the desire of his military companions to shoot everything that moves, swims or flies. Boredom affected him considerably. As a Catholic, his Sunday worship was restricted to below decks, though after a period he celebrated mass in the company of a number of ships fellow Catholic crew. Musically accomplished, he helped entertain his companions, singing and playing the violin.The diary also contains illustrations; a delightful sketch of his cabin (starboard after cabin), maps of the journey, two accomplished watercolours: 'Cape of Good Hope soldier' and 'The halt at Lak Bungalow, E.Indies' which shows a laden carriage and two Indian figures. There are three faded sepia photographs which we can assume were taken in the 1860s: 'Toms Bungalow at Meerut' another, grander bungalow with servants outside and a small gig or carriage with two Indian servants. At the end of the diary section is a photograph of Tom in uniform. The notebook then becomes a record made by another member of the family of Tom's letters, further journeys to and from India, visits home on leave and also that of his brother Robert Frederick Maunsell, Staff Assistant-Surgeon who sadly died in India in 1869. The family had his remains brought back to Dublin. A very interesting historical notebook.Note: Surgeon General Thomas Maunsell was the son of John Maunsell Esq and the seventh of a large family of nine children from Dingle, County Kerry. He was in the first batch of undergraduates at Cardinal Newman's Catholic University of Ireland from whence he entered the British Army on 1 October 1860. He took the the LRCSI in 1859 and the LRCPI in 1860. His university conferred on him the LLD. He served with the Burmese expedition in 1886-1887 for which he was mentioned in despatches and received the frontier medal with clasp. In 1895, he was with the Chitral Relief Force on the North West Frontier of India under Sir Robert Low as Principal Medical Officer. He was again mentioned in despatches (London Gazette of 15 November 1895), appointed a Companion of the Order of the Bath and received the medal with clasp. In 1911, Surgeon General Thomas Maunsell founded the Guild of Catholic Doctors of St Luke, St Cosmas and St Damian. He was an Honorary Associate of the Order of St John of Jerusalem in England.(See illustration)
A rosewood and mother of pearl inlaid games box, early 20th century, the cover decorated with four playing cards to the centre surrounded by floral sprays, the interior fitted with a lidded central compartment containing two packs of Alomon & Co. playing cards, flanked by four square boxes containing gaming counters, height 6.5cm, width 27cm, depth 16cm. Condition report: Condition Report: Left side front of lid has 12.5cm split.
A Chinese Republican style porcelain globular bottle vase, supporting a cylindrical neck and trumpet mouth, the body decorated with petal edged roundels with famille rose enamels showing two scenes of two ladies in boats, one pair placing flowers upon the water and the second with one lady relaxing listening to her companion playing a flute, a cherry tree in the background, dividing these roundels are two pairs of fan and medallion reserves decorated with flowers, all on a coral red glaze, over painted with scattered symbolic plants and symbols and pendant palmates below a trumpet mouth, the foot with a Zhuanshui four character seal mark of Qianlong, on a carved wood stand, height 33cm. Condition report: Generally in fair condition some minor scratching, no chips or cracks.
A pair of French brass chenet, late 19th century, each modelled with a boy and girl playing with puppies, on naturally modelled grounds, with sarcophagus form bases, each with cherub form faces in profile, on scrolling feet, 36cm high (2) figures are loose on the bases on the chenet, moulding is poor in places
A pair of Continental porcelain figures of a seated bearded man and his wife, possibly Russian, late 19th century, he with a staff between his knees stroking a dog, she with a distaff in her hands, a cat playing with the thread, on shaped bases, 16.5cm high (2) both figures are seated on chairs, both have losses to back of chairs, chips and losses to mans hat and other parts of figure
Liverpool Football Club Interest Autographed Retro Football Signed By Jurgen Klopp, Firmino, Henderson And Coutinho Official brown leather L.F.C branded leather football, signed by manager and players. Provenance, obtained by in person by our client at Liverpool John Lennon Airport on the teams return from playing Dortmund.
20TH CENTURY ITALIAN VIOLIN labelled: Giuseppe Pedrazzini, dated: 1919 and appearing to bear signature. Two piece back with double scribed outline, the back 35.5cm approx. Scrolled tuning head, two bows in plastic case with canvas cover, the label fully reading: Giuseppe Pedrazzini, Cremonese Fece in Milano L'anno 1919, with initials: G.P. in rondel and signature.(B.P. 24% incl. VAT) CONDITION REPORT: The violin overall is worn, it has a repair to the top left of the body as you look at it and a similar repair to the opposite side (bottom right-front), no obvious cracks noted, the neck is generally worn through playing. Surface wear and scratches as expected. General wear with age and use. Length of back (Not including half moon button, body only) - just over 14 inches. (approx 36cm)No names on bows.
VICTORIAN ROSEWOOD FOLD OVER PEDESTAL CARD TABLE, straight fronted and opening to reveal baize playing surface above a foliate moulded frieze on a faceted, baluster turned pillar with circular base, on claw feet with casters. 91 x 91 x 76cm.(B.P. 24% incl. VAT) CONDITION REPORT: Overall appearing in good condition, some scuffs and marks with age, no obvious serious damage.
VICTORIAN WALNUT BREAK FRONTED FOLD OVER STRETCHER CARD TABLE, having moulded edged top opening to reveal baize playing surface on a baluster and ring turned under frame, with centre pole stretcher and outswept scrolled legs with brass casters. 91 x 95 x 77cm(B.P. 24% incl. VAT) CONDITION REPORT: Generally rather grubby, with minor movement in the framework, no obvious damage noted.
A LATE 19TH CENTURY SWISS TABLE TOP MUSIC BOX, the 15.3cm/6 inch cylinder playing eight airs on three bells with butterfly and flower decoration, the comb missing two teeth, with original tune sheet attached to the lid interior, within a walnut stained case with transfer printed design to the cover and ebonised detail, width 48.5cm x depth 27.5cm x height 22cm (Condition: case shows signs of old woodworm damage and veneer repairs, movement in working order but not playing in tune and teeth catching on cylinder)
CHARLES HUNT (BRITISH 1829-1900), 'The Court Martial', children playing a game in a cottage interior, oil on canvas, signed and dated 1872 lower left, gilt frame with title plaque, approximately 74cm x 124.5cm (condition: Deceased estate item, the canvas has been relined, it is recommended you assess the picture in person as under UV light it is possible there has been some repair or restoration on the left hand side but due to relining we are unable to commit to condition)
TWO LATE 19TH CENTURY CONTINENTAL SILVER DECORATIVE SPOONS, both with pierced and chased bowls with heraldic crests, spiral twist stems, one with Cockerel finial, the other with seated man playing the violin, bearing import marks for B. Muller & Son, London and Chester 1901, approximately 8.7ozt, 270 grams (2)
A rare Japanese red lacquer Netsuke, Edo Period,In the form of an oval single case inro or kogo, carved with figures playing drums on a diaper ground, the top and bottom carved with kiku, double loop suspension, 1 3/4 in WFootnote: Cf. Metropolitan Museum of Art, no. 10.211.2081, for a very similar netsuke dated to the 18th Century form the Russell Sage Collection
A Chinese blue and white inverted baluster vase, 19th century, painted with ladies playing go with attendants holding either a sprig of flowers or fans, all between floral borders, four character Kangxi mark. 31 cm. CONDITION REPORT: There are a few small specks of kiln dirt in the glaze however there do not appear to be any obvious post production faults, flaws, cracks or chips visible. This vase carries a pseudo four character Kang Xi mark.
A G. Paillard & Co. Swiss music box, late 19th century, playing six airs, with 21.5 cm drum, the movement with applied label for "G. Paillard & Co. Manufacturer, St. Croix, Switzerland" and in inlaid and printed walnut case with cast carrying handles, with instructions for the Proper Management of Paillards Amobean Musical Boxes". Width 64 cm, height 22.5 cm, depth 28 cm. CONDITION REPORT: The inlaid lid is generally in good order however is currently detached from the main body and requires new hinges. There is no plain sheet attached to the interior although three retaining studs remain with one vacant hole. On the comb the extreme far right tooth is missing its tip. The mechanism appears to be overwound and currently does not play. The drum is stamped on the left hand side with the number "44" and on the right hand side it is struck "Right". The glazing from the viewing window is missing. There is a residue of old grease on the mechanism and comb. The movement appears to need a clean. There do not appear to be any parts missing but this is only from a preliminary inspection. The case appears to be in good order although the ebonised base has numerous wear marks and scratches.
A late 19th century rosewood marquetry cased musical box by Nicole Freres, Geneva, playing twelve airs including Rule Britannia, The Girl I Left Behind, Home Sweet Home, etc., with 31 cm cylinder of large diameter. Case width 57 cm (see illustration). CONDITION REPORT: The movement winds and plays tunefully. The change mechanism appears to operate as it should. The on/off lever also appears to operate. The nearest lever does not seem to operate anything as far as we can see. There maybe something missing from the top of the section of bent wire. The comb appears to be in good order. There is one tip missing to the extreme right hand side. There are however no spikes on the barrel opposite this tip. The case itself is in generally good order with only the usual surface scuffs and marks that one would expect. There are no significant losses to the marquetry and the lid fits flush.
A large late 19th century rosewood and marquetry cased music box, playing six airs, with six bells in sight, the paper label marked "Ste. Croix Suise". Cylinder length 27.5 cm, case width 51 cm (see illustration). CONDITION REPORT: The movement appears to be fully wound it does however play but is a little sluggish. The drum operates as do the three bells. There do not appear to be any tips missing from the comb although some teeth have been repaired. The change mechanism appears to operate as does the on/off lever. The case is in reasonable order but does have numerous surface scratches, small dents and marks. The veneers to the top are a little dry in places and there is a small area to the front right hand top quarter veneer that is slightly lifting and dry to the touch.
A late 19th century Swiss musical box, simulated rosewood, playing eight airs, paper label. 15.5 cm cylinder, case width 46 cm. CONDITION REPORT: The movement winds as it should. The mechanism is however very dry and is not currently running. The change lever appears to operate as it should. The stop/start lever has a replacement end. The comb teeth appear to be in good order. The painted case has numerous scratches and scuffs but no significant losses. There are losses to the floral painted front cartouche and musical cartouche to the top. The lid fits correctly.
A late 19th century Nicole Freres musical box, with inlaid rosewood and boxwood strung case, playing six airs, Auld Lang Syne, My Hieland Laddie, etc. Cylinder 28 cm, case width 46 cm. CONDITION REPORT: The movement winds as it should. The mechanism is running. It sounds tuneful. The tips of the comb appear to be in good order. The change and stop levers appear to operate as they should. The case is in generally good order. The right hand side has a loss to the rear corner and is very dry. The edge return moulding to the lid is a little loose and has small losses and stress fractures.

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79738 item(s)/page