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Lot 71
A French Empire style ormolu figural mantel clock, Unsigned, mid 19th century. The eight-day countwheel bell striking movement with circular white enamel Roman numeral convex dial with blued steel Breguet hands and foliate milled bezel, set into an ogee-shouldered plinth with foliate spray applied lower quadrants and supporting a music stand for a cherub stood on a cushioned stool and leaning on a columnar pedestal whilst playing his woodwind instrument to the right of the movement, on rectangular plinth base applied with a relief panel cast with a musical trophy to apron and on engine turned bell-shaped feet, 27cm high.
Lot 77
A French gilt metal mounted mottled red marble mantel clock garniture, Retailed by Finnigans, circa 1900. The eight-day bell striking movement with circular white enamel convex Arabic numeral dial inscribed FINNIGANS to centre with elaborate foliate scroll engraved gilt hands and glazed bezel, the case with cast lovebird surmount above dial and gilt foliate scroll putto term mounted panel to support flanked by patinated bronze reclining figures of putti playing pipes, the shaped moulded platform base centred with a foliate scroll decorated panel flanked by further fluted panels and rosette inhabited scroll cast mounts to the curved ends, on six engine-turned tapered feet, 41cm high; with a pair of casolette urn side pieces, each with reversible domed cover with foliate knop and gilt candle sconce to interior, above ovoid body applied with vine swags between the triform pan mask decorated supports united by a central collar and on hoof feet, on circular gilt metal frieze inset plinth base with engine turned feet, 30cm high.
Lot 97
An unusual small brass mounted table clock with rocking figure automaton, Now bearing signature for Vulliamy, London, basically early 19th century. The five pillar twin fusee bell striking movement with anchor escapement and shouldered plates, the pallet arbor fitted with an arm applied with a pivoted figure of a seaman who `dances` within a crescent shaped scene of sailors playing instruments and dancing on the deck of a ship, the 6 inch cream painted convex Roman numeral dial now bearing signature VULLIAMY, LONDON to centre and now in a single pad top break-arch case with brass carrying handle above brass fillet bordered crescent aperture for the automaton and glazed circular glass bezel for the dial, the sides with arched brass fishscale sound frets, on moulded skirt base with brass claw and ball feet, 36cm (14ins) high excluding handle.
Lot 1149
Harold Riley (b.1934) - set of six signed colour prints, comprising "Playing and dropping a goal", dated 1975, 23.5x31cm, "Rugby league ground Leigh", dated 1966, 23.5x31cm, "Paul Charlton", dated 1973, 31x23.5cm, "Central Park, Salford vs Wigan", 31x23.5cm, "Central Park, Wigan", dated November 1968, 31x23.5cm, "Salford vs Rochdale", 31x23.5cm (part af)
Lot 120
A Victorian walnut cased games compendium, the hinged lid revealing fitted interior with two removable compartments and out-swinging front doors, containing bone dominoes, chess set, draughts, playing cards, bezique and whist markers, large quantity of gaming tokens, two dice shakers, chess board etc, with patent lozenge for 29th November 1843, height 17.7cm, width 32cm, depth 21.5cm (illustrated)
Lot 135
A 19th century Swiss six-air musical box with decorative rectangular case and ebonised border, playing `Brown Of Colorado, She Was One Of The Carly Birds`, `La Mousme`, `For Me For Me`, `Faust Up To Date` and `The Little Alabama` and `The Little Alabama Coon`, with paper label to lid no.8227, length 32.5cm, height 11cm, depth 17.8cm (illustrated)
Lot 194
AN `ASTBURY` CREAMWARE FIGURE OF A MUSICIAN PLAYING THE BAGPIPES AND DECORATED IN UNDERGLAZE OXIDES, THE INSTRUMENT AND BASE OF GLAZED RED CLAY, 16.5CM H, EARLY/MID 20TH C AND A CREAMWARE TORTOISESHELL GLAZED CREAM JUG OF BALUSTER SHAPE WITH LIP TO THE SHAPED RIM AND STRAP HANDLE, COVERED IN A RICH MANGANESE BROWN OXIDE GLAZE, 8CM H, C1780 ++ Small professional restoration to upper right arm
Lot 1537
An Italian pottery lampbase, 20th Century, in the form of a standing putto playing a floral encrusted cello on a pink glazed pierced scroll moulded base, together with a small group of glassware including an atomiser with pink enamelled top and two silver mounted cut glass salts, also two plates with chinoiserie decoration.
Lot 1540
A pair of Dresden porcelain four light candelabras, 20th century, each modelled as a Cupid holding a basket or bouquet of flowers beneath three floral encrusted scroll arms on pierced trellis panelled bases, together with a late 19th Century Plaue porcelain centrepiece, modelled as three cherubs playing musical instruments around a column beneath a floral and fruit encrusted pierced basket top (basket top extensively restored).
Lot 1665
A Royal Doulton figure `The Suitor`, HN2132, together with two Royal Worcester figures of `Grandmother`s Dress`, modelled by F.G. Doughty, with magenta dress, model No. 3081, a Royal Doulton figure `Bonnie Lassie`, HN1626 (extensively cracked) and a Goebel figure of a young girl playing an accordion.
Lot 2662
A late 19th/early 20th Century German carved softwood and ivory musical automaton in the form of a whistling vagabond with moving head, leaning on a lamppost, the red glass and gilt metal lantern fitted with a bulb, the musical movement playing For He`s a Jolly Good Fellow, raised on a canted rectangular base, height approx 47cm.
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79738 item(s)/page