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![[ARTHUR RUBINSTEIN AUTOGRAPHED PHOTO]A SIGNED AND INSCRIBED PHOTOGRAPH OF ARTHUR RUBINSTEIN, 1918, depicting Arthur Rubinstei](https://cdn.globalauctionplatform.com/0cb7234f-c3d3-4b4d-8d1d-a6710164cf46/8ac44dc9-b1e4-4c73-c71a-3c25b6d2ce21/468x382.jpg)
Lot 376
A PAIR OF DEHUA FIGURAL GROUPS, QING DYNASTY, 17-18TH CENTURY, one depicting Guanyin seated on a pierced rockwork base that supports a vase on one side and a bird on the other, the goddess peers down at a child seated on her lap, wearing voluminous robes that drape over her topknot, two attendants are shown standing in front; the other figural group presents a couple seated at a table, the woman playing the pipa and the gentleman listening with hands and legs crossed, height of the group with Guanyin: 17.8 cm (7 in.), height of the musical group: 16.5 cm (6.5 in.)THIS LOT IS BEING SOLD WITHOUT RESERVE.
Lot 425
1939-1945 German Third Reich, Wehrmacht soldier's personal kit items. Includes, two packs of playing cards, tyre band for helmet, two packs of razor blades, box of soap, peppermint tin, pack of cigarettes, three packs of small bandages, butter dish, bakelite match holder, bakelite container, army issue glasses in case, tent peg, pair of prescription glasses, bakelite lighter, Pertrix flashlight with leather straps and 1941 dated bakelite fuse container. (19)
Lot 1220
Bradford Town folder containing typed pages 115 covering every detail of the club playing record from 45/46 - 61/62 tables goals corers all matches played a unique item with programme 1956/57 at Reading and Arsenal newspaper for v Norwich and book The Eyrie Roar Memories From 1919 - 1966. Great lot.
Lot 72
A stylish late 19th Century bronzed Gilt Metal and White Marble THREE PIECE GARNITURE MANTEL CLOCK SET with plinth bases and cast leaf work feet, five branch Candelabra with urn stems and partially draped female figure playing a Lyre above a love bird cresting and balloon-shaped clock with enamelled Arabic chapter ring and painted floral swags fronting a two train spring driven movement with pendulum escapement and outside count wheel strike the clock 45cms high 30cms across feet candelabra 50cms high
Lot 1302
ROYAL INTEREST - TELEMESSAGE FROM H.M. QUEEN ELIZABETH IIcongratulating Jimmy and Mrs Shand on their Diamond Wedding Anniversary, 23rd January 1996 also 1999 Invitation from The Lord Mayor of London to a Luncheon at The Mansion House in the presence of Her Majesty The Queen and His Royal Highness The Duke of Edinburgh along with Royal Household Grand Christmas Ball Programmes at Windsor Castle for 1958 (2) and 1962 (2) also letters from Buckingham Palace and Balmoral relating to Jimmy and his Band playing at Balmoral, 31st August, 1967; a letter from Peter Brough, dated 17th December, 1962 informing Jimmy of how much The Royal Family enjoyed his music; a letter for J. Kevan McDowall informing Jimmy that Her Majesty had approved Jimmy's inclusion in the programme for The Royal Performance at The Alhambra Theatre on 3rd July, 1958; 1963 Royal Visit Musical Programme and letter from 10 Downing Street congratulating Jimmy and his wife on their Diamond Wedding, signed by John Major
Lot 193
The Who John Entwistle stage worn jacket for his last ever performance with The Who. This is the jacket worn by John Entwistle at the Royal Albert Hall concert on Friday February 8th 2002 for the final night of the Who support for the charity "The Teenage Cancer Trust" John Entwistle chose this genuine Versace leather jacket for this performance 30 years after the jacket was made in Italy on 26/11/1973. The label stitched into the jacket bears the date and details confirming "100% pelle-cuir-pele leathers" It is interesting to note that John Entwistle had his jackets tailor made with extra long sleeves making the jacket look better when playing the bass guitar on stage. (1) PROVENANCE - John Entwistles Son Christopher sold the jacket to help raise funds to meet anticipated taxes on his Fathers estate. The sale took place at Sothebys in London on 13th May 2003 at which time the vendor offering this lot purchased the jacket in lot 372W.
Lot 84
After Mené, a bronzed pen and ink stand fitted with two ink wells and surmounted by a stallion, signed 'Mené', 22cm high, after Moreau, a pair of bronzed metal figures of cherubs, one playing a saxophone, the other a drum, on circular bases, 31cm, a pair of spelter Marley horses and one other metal figure of a poacher, (6).
Lot 9
French or Swiss rosewood musical cigar carousel, circa 1900, of hexagonal section, with opening sides revealing gilt metal cigar holders, on a musical base playing two airs, height 27cm. *See clocks and watches proviso Condition report: one cigar tray missing; no winding key; clockwork runs to unwound but we have not noted a change of air; veneer is in good order overall.
Lot 49
PLEASE PLEASE ME MONO 1ST - A very well presented 1st UK pressing of the widely heralded 1st LP from The Beatles. Black/gold Parlophone label (PMC 1202). This copy has Dick James credits for tracks A1,2,6,7, B4,6. Matrix/stampers: XEX 421-1N 1 G R and 422-1N 1 G D (extremely early). The record is in Ex condition. There are couple of quite minor, light and wispy surface marks to the playing surface, but nothing deeper to note at all. The original glossy nature of the record is remarkable considering this album is now 53 years old. The (right alligned Angus McBean) flipback sleeve is in VG+ condition. There's not much wrong here at all apart from some light peeling on the reverse (bottom right) flipback tab. A super copy.
Lot 51
PLEASE PLEASE ME UK STEREO 3RD - An incredible copy of (arguably) the hardest to find 3rd Stereo pressing of Please Please Me (PCS 3042). This copy was issued with the small '33 1/3' on the labels to the right of the matrix code indicators. MATRIX/STAMPERS: YEX 94-11 M and 94-2 1 G. The record is in astounding Ex+/archive condition. To the playing surface there are perhaps one or two of the lightest, tiniest wispy marks. The labels are exceptionally clean indicating this record has been played sparingly. The (right alligned Angus McBean) flipback sleeve is in extremely clean Ex condition. The often damaged flipback tabs are clean with no rips/tears or otherwise- the only thing barring this from an even higher grading is some minor edgewear that surely must be expected from a record of this age? A brilliant investment copy.
Lot 3171
Friendly/Secret Societies - an Ancient Order of Druids silver and garnet velvet ceremonial collar, the silver chains, Presented To A.O.D. Lodge 96 in the 60th Year of The Reign of her Majesty Queen Victoria 1897, possibly Israel Rosenthal & Co, Birmingham 1896, the white metal oval pendant cast with a druid playing a harp before a flaming urn within a band of laureate oak leaves and acorns, Presented TO A.O.D. Lodge 96 By P.A. Bro. G. Pratt, February 15th 1897, white metal N and A pins Presented By Bro: J. Hill N.A. To A.O.D. Lodge 96, March 1891; other A.O.D. sashes, belts, applied with metal mounts of oaks, foliage, druids, heads (6)
Lot 184
A 19th Century crank wound cylinder musical box, number 25617, the 28cms cylinder playing eight airs, with inner glass panel and contained in wood box with inlaid rosewood cover, with original box key 52cms wide 15cms high 22cms deep ++lacks original tune sheet, comb complete, works and with good tone
Lot 3339
Sporting History - an early 20th century L.F.A. presentation cowhide baseball, indistinctly inscribed and dated, turned and ebonised display stand applied with a silver plaque inscribed L.F.A., 1935, 15cm highThe monogram L.F.A is most probably an abbreviation for Lake Forest Academy, Illinois. The academy is said to be a 'highly selective' boarding school with a noted baseball team that have been playing since 1876.
Lot 1002
A SWISS INTERCHANGABLE CYLINDER MUSICAL BOX, C1880 numbered on mechanism and =tune sheet 93672, with nickel plated mechanism and four 14.5cm pinned cylinders each playing six tunes, listed on the original chromolitho tune sheets, in inlaid, grained rosewood and ebonised case, 47.5cm w, the cylinders each in original deal box ++In good average unrestored condition with no substantial damage that we have observed, the teeth on the comb appear undamaged, sticky oil and dust accretion, both tune sheets with loss, the mechanism in apparently good working order
Lot 256
Illuminated Manuscript. 'In die nativitatis domini', illuminated manuscript on thick card, 9 pages, finely illuminated in gold and colours, opening page with large elaborate historiated initial with an angel playing a rebec, signed 'D. Mark' lower right, remaining pages with text and music on 4-line staves surrounded by elaborate borders of varying styles (incorporating one Virgin and Child vignette, cherubs, angels, dragons, flowers, saints, etc.), 2 further decorated initials, one incorporating a sleeping Jesus, and one vignette on p[7], In sabbato sancto bendictio cerei, 8 pages, illuminated in red, blue and green, the music and text enclosed by ornate borders in leafy geometric patterns, 2 parts in 1 volume, the 9 leaves mounted on guards, full red panelled morocco by Lamcroft and Lawrence, sides with inner and outer ornate borders, upper cover lettered in gilt 'Pax', gilt panelled spine with raised bands and floral tools, inner gilt dentelles, gilt edges, 530 x 415 mm, together with another volume containing 3 illuminated manuscript leaves on paper, the first 2 finely illuminated in gold and colours (one miniature of the Resurrection, elaborate initials and borders), window-mounted, and with 3 further loosely inserted leaves in the same style as the 'In sabbato sancto bendictio' above, modern cloth, leaf size 355 x 275 mm, both volumes preserved in solander box Provenance: Fernham Priory, early 20th century. The Priory was first established in 1832 at Princethorpe, Warwickshire, by a community of Benedictine nuns from Montargis near Orleans who fled from France in 1792 after being persecuted during the French Revolution. The Priory was at one time the largest in England with over 200 nuns. In 1966 dwindling numbers led to the move to Fernham, and in 2001 the Priory closed and the nuns were dispersed. (1)
Lot 317
A TUBE CONTAINING THREE INDIVIDUALLY NUMBERED UNCUT SHEETS OF JAMES BOND PLAYING CARDS, (one for each of three decks), to commemorate 40 years of James Bond cinematography. The set is a limited edition of 2000 sets worldwide. The packaging tube has been signed by various actors and actresses from the films including, Richard Kiel (Jaws), Shirley Eaton, Luciana Paluzzi, Madeline Smith, Caroline Munro and many others
Lot 246
A LARGE COLLECTION OF W.D & H.O WILLS LTD PROMOTIONAL MATERIAL, from the 1930's - 1980's to include; 44 sets of playing cards, 70 coasters in 6 boxes, 1 album of Embassy brand merchandising material, 100's of boxes of matches, golf tees etc, a Wills magazine from 1950 + a framed 25 years Long Service award to Archibald Cyril Crosse dated 1st May 1938
Lot 461
A crystal and sterling silver figure of a swan, height 12.5cm, together with other crystal to include two Swarovski figures of a dolphin and a fish, a crystal figure of a cat playing with string, apparently unmarked, and a quantity of Baccarat of Paris crystal figures to include an amber heart, poodle, kneeling angel, elephant and three figures of cats, one without makers mark. (11) CONDITION REPORT: General light scuffs to the glass but overall very good condition.
Lot 449
A Victorian papier mache and mother of pearl games box, circa 1880, with mother of pearl inlaid chessboard top, fitted with a single drawer containing, dominoes, playing cards etc. CONDITION REPORT: Wear to gilding throughout, small chips to corners, crazing to papier mache, typical condition commensurate with age.
Lot 1572
An early 19thC musical pocket watch stand c1810 - 1820, comprising a decorative cast brass figure of Robinson Crusoe in typical pose, holding a gun in one hand and a parasol topped with a parrot in the other, standing next to a cast brass palm tree which holds a later 1890 - 1900 watch movement or clock. The rosewood base beneath contains a very early musical movement with sectioned comb in groups of four teeth, the front holds a mother of pearl panel with stop start and tune change controls, the spring motor is wound via a cord. The clock and musical movements are separate and not intended to work together. These musical clocks were the forerunners to the ornate Victorian musical boxes. Case approximately L25 x W12cm, overall height 25cm. Movement serial no. 8427 playing two airs
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79736 item(s)/page