Mahogany Gothic style triple fusee bracket clock, the movement striking on a gong and playing on a nest of eight bells, the 8" silvered dial signed J & M.B. Warry, Bristol below a subsidiary strike/silent dial, within a stepped case surmounted by a carved architectural cornice, 25" high (pendulum)
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Good mahogany three train musical longcase clock, the 12" brass arched dial signed Goldsmiths & Silversmiths Company, 112 Regent Street, London on an arched plate to the matted centre with subsidiary seconds dial, also with chime/silent subsidiary dial to the arch, the substantial movement playing on four small gongs and striking on a larger gong, the case with long astragal glazed door flanked by fluted canted corners and the hood surmounted by a carved foliate cornice, 96" high (pendulum, three weights and winding key)
A TUBE CONTAINING THREE INDIVIDUALLY NUMBERED UNCUT SHEETS OF JAMES BOND PLAYING CARDS, (one for each of three decks), to commemorate 40 years of James Bond cinematography. The set is a limited edition of 2000 sets worldwide. The packaging tube has been signed by various actors and actresses from the films including, Richard Kiel (Jaws), Shirley Eaton, Luciana Paluzzi, Madeline Smith, Caroline Munro and many others
Theatre Poster: A Streetcar Named Desire (12.5" by 20", x 2, extra thick, very good condition). Play by Tennessee Williams (also author of Cat on a Hot Tin Roof and The Night of the Iguana), this production was put on by the Peter Hall Company and its first night was 30th December 1996 at the Theatre Royal, Haymarket, London SW1. Jessica Lange headed the cast list playing Blanche Du Bois, while Bill Kenwright was the presenter and Peter Hall the producer.
CLASSIC-MODERN SOUL/FUNK/JAZZ/DISCO - More quality deep grooves now with this selection of 50 x LPs presented in lovely condition. Artists will include The Monitors, Klique, Lew Kirton, Light Of The World, Laurel Masse, Richard Fields, Kathy Mathis, Mass Production, Sphere (playing Thelonious Monk), The Staple Singers, The Spinners, Makoto and Eugene Wilde. Condition is generally Ex to Ex+/unplayed.
A George III silver snuff box, by Joseph Willmore, Birmingham 1813, rectangular form, the hinged cover with a scene of a shepherd boy playing his flute, with animals around, scroll border, the sides and base with chased and engraved decoration, the interior initialled, length 6cm, approx. weight 2oz.
A German silver pineapple cup and cover, by Neresheimer of Hanau, with import marks for Chester 1906, importer's mark of Berthold Muller, the bowl of lobed circular form, the pull-off cover with a scroll finial, the stem modelled as a tree trunk and mounted with a figure playing bag-pipes, on a raised lobed circular foot, height 28.5cm, approx. weight 11oz.
A James II silver Waits' badge, unmarked, dated 1688, oval form, the centre with the arms of Wakefield, engraved around the rim 'Wakefield Waits 1688', with two ring attachments, length 12.6cm, approx. weight 2oz. Provenance: The Oakwood Collection, Centuries of Style, Christie's, London 17th November 2009, lot 230. This Waits' badge was worn around the neck of one of the town Waits, corporation minstrels or musical watchmen who sang the hours of the night and warned the towns people of fire and other dangers in "rude rhyme". The Waits would have played every morning and night and at all major feasts. They supplemented the gratuities and stipends they received from the townspeople and council by playing at weddings. They received the badge on their appointment to the office, having provided two sureties for the safekeeping of the badge. The badges were returned to the council upon death or dismissal from the office.
A Victorian cased set of six beadwork napkin rings to/w a Mortlock porcelain-painting kit, a tinplate novelty cigarette/playing cards case in the form of a miniature longcase clock, a 'Tic Tac' Bookie's runner's money-bag with Richmond Timer Recording Co watch mechanism and two cased sets of drawing instruments
Two Japanese wooden karakuri netsuke, one in the form of a peach with inside two Go-playing man; the other one in the form of a lychee with inside two figures with a broom; added a finely basso relievo carved wooden katabori netsuke in the form of a peach kernel, the lot early Meiji-period, signed, W 4,1 - 3,6 - 3,1 cm
Two Japanese wooden katabori netsuke, one in the form of a pumpkin and three eggplants; the other one in the form of a vineyard snail, both signed and late Edo-period; added a wooden anabori netsuke depicting a dragon playing on weaves; extra added a ditto netsuke depicting an octopus, late Edo-period, W 4,5 - 4,2 - 3,8 - 3,5cm.
A Chinese ivory sage bearing a ruyi scepter, discrete scrimshaw decoration, late Qing dynasty; added a Chinese ivory drum playing godess, slightly scrimshaw decorated, early Republic, H 17,8 (sage) - 27,4 cm (godess) , Weight: ca. 293 (sage) - 694 g (godess) (without base) (godess with damaged and some missing scarf ends)

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