Alex Song red and white Arsenal No.17 Poppy home jersey v West Bromwich Albion at Emirates Stadium, 5th November 2011,short-sleeved with BARCLAYS PREMIER LEAGUE sleeve badges, embroidered with red poppy and ARSENAL REMEMBERS ARSENAL V WEST BROMWICH ALBION 5TH NOVEMBER 2011, club crest and sponsor logos, reverse lettered SONG Arsenal defeated West Bromwich Albion 3-0, with Alex Song playing in midfield/defence.
We found 79738 price guide item(s) matching your search
There are 79738 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
79738 item(s)/page
Thomas Vermaelen red and white Arsenal No.5 home jersey v New York Bulls in the Emirates Cup at Emirates Stadium, 31st July 2011,short-sleeved with EMIRATES CUP 2011 sleeve badges, club crest and sponsor logos, reverse lettered VERMAELENThis fixture resulted in a 1-1 draw, with Thomas Vermaelen playing.
Justin Hoyte signed white Arsenal No.31 away jersey v Sheffield United in the League Cup fourth round at Bramall Lane, 31st Ocotber 2007,long-sleeved with UEFA STARBALL sleeve badge, club crest and sponsor logos, reverse lettered HOYTE, signed in black marker pen on reverseArsenal defeated Sheffield United 3-0, with Justin Hoyte playing in defence/midfield.
Bakary Sagna red and white Arsenal No.3 home jersey v Celtic in the UEFA Champions League qualifying play-off second leg at Emirates Stadium, 26th August 2009,long-sleeved with UEFA STARBALL and RESPECT sleeve badges, club crest and sponsor logos, reverse lettered SAGNAArsenal defeated Celtic 3-1, with Bakary Sagna playing in defence.
Bakary Sagna yellow and blue Arsenal No.3 away jersey v Fulham in the Premier League at Craven Cottage, 24th August 2013,short-sleeved with BARCLAYS PREMIER LEAGUE sleeve badges, club crest and sponsor logos, reverse lettered SAGNAArsenal defeated Fulham 3-1, with Bakary Sagna playing in defence. This match was the first time this away jersey was worn.
Ben Thatcher white Tottenham Hotspur Worthington Cup Final no.18 presentation jersey v Blackburn at Millennium Stadium, 24th February 2002,short-sleeved with WORTHINGTON CUP FINAL sleeve badges, club crest embroidered WORTHINGTON CUP FINAL CARDIFF 2002, sponsor logo, reverse lettered THATCHERBlackburn Rovers defeated Tottenham Hotspur 2-1, with goals by Jansen and Cole for Blackburn Rovers and by Ziege for Tottenham Hotspur, with Ben Thatcher playing on the day.Tottenham Hotspur worn their special edition yellow and navy jersey for this fixture and it is thought if they won the final to collect their medals they would have worn their white and navy home jersey.
Ben Thatcher yellow and navy Tottenham Hotspur Worthington Cup Final no.18 jersey v Blackburn at Millennium Stadium, 24th February 2002,long-sleeved with WORTHINGTON CUP FINAL sleeve badges, club crest embroidered WORTHINGTON CUP FINAL CARDIFF 2002, sponsor logo, reverse lettered THATCHERBlackburn Rovers defeated Tottenham Hotspur 2-1, with goals by Jansen and Cole for Blackburn Rovers and by Ziege for Tottenham Hotspur, with Ben Thatcher playing on the day.
Youri Tielemans purple and white RSC Anderlecht no.31 jersey v Arsenal in the UEFA Champions League Group D, at Constant Vanden Stock, 22nd October 2014,short-sleeved with UEFA STARBALL and RESPECT sleeve badges, club crest and sponsor logo, reverse lettered TIELEMANSArsenal defeated Anderlecht 2-1, with Youri Tielemans playing in midfield.
Defour lime green and purple Anderlecht no.16 jersey v Tottenham Hotspur in the UEFA Europa League Group J at White Hart Lane, 5th November 2015,short-sleeved with UEFA EUROPA LEAGUE and RESPECT sleeve badge, club crest and sponsor logo, reverse lettered DEFOURTottenham Hotspur defeated Anderlecht 2-1, with Steven Defour playing in midfield.
Civil Service Football Club cap awarded in 1909-10,the navy velvet cap with gilt tassel and braiding, embroidered with C.S.F.C. and the Civil Service crest and 1909-10 in cap peak, and 1902-03, 04-05, 06-07, 08-09, 1910-11 on the cap border, bears wear externally and internally with a split in the fabric above the crest and the silk lining deteriorated internallyThe original recipient of this cap is unknown.The Civil Service Football Club was formed in 1863 playing football under both the Association and Rugby rules and was one of the dozen founding sides of the FA. The Civil Service played a significant role in the introduction and popularization of the game of football in Europe early in the 1900s through touring and undertaking their first continental tour in 1901.
A TORTOISESHELL CIGAR CASE, early 19th century, of plain oblong form with white metal stringing, 5 1/4" x 3", together with a shagreen playing cards box, 1930's, of plain oblong form with ivory button opener and edging, 8 1/2" x 3 1/4" (2) (Est. plus 21% premium inc. VAT)Clasp works but hinge and flange is detached, unengraved plaque to cover, some stringing on main body missing, Shagreen exterior quite faded, cover gapes a little, interior generally good
A SAMSON PORCELAIN FIGURE GROUP, 19th century, modelled as a young lady playing a harpsichord, a gentleman playing a flute, lady singing and a companion seated with a dog at their feet, all in 18th century style garb on a blue "carpet" and gilt highlighted arcade moulded oval base, mark in blue, 11 3/4" high, base 12 3/4" wide (Est. plus 21% premium inc. VAT)Hole to base has a large firing crack emanating up and across base, inevitable but major losses to lace, otherwise no cracks or restoration
H SABATINI (20th century Continental); oil on canvas, head and shoulders portrait of a woman playing a harp, signed, 66 x 52cm, framed. CONDITION REPORT There are some white marks to the canvas, one on her thumb, one central top with a slight indentation to the canvas on each mark, a scratch middle of the painting with white mark, another above her lip, a scratch across her necklace.
SOUL; a quantity of records, eleven by The Drifters to include 'I'll Take You Where the Music's Playing', 'Still Burning in My Heart', Baby What I Mean', 'We Gotta Sing', five by Otis Redding to include 'Hard to Handle', 'Shake', 'My Girl' and six by Sam Cooke to include 'Twistin' the Night Away'.
SHERLOCK HOLMES; 'The World of Sherlock Holmes', single volume by Martin Fido, bearing inscriptions and signatures of Charles Gray, who played Mycroft Holmes, as well as playing Enst Stavro Blofeld in the James Bond Film 'Diamonds Are Forever', further bearing the signature of Edward Hardwicke, who played Doctor Watson'.We have not authenticated these signatures, please satisfy yourself as to the veracity of the item prior to bidding.
A key-wind mandolin musical box, playing four airs by Bellini, Julien, Donizetti and Salas, with mandolin teeth in groups up to eight in upper half of comb, the bedplate stamped Bissen à Paris 9582, with D. Lecoultre tune sheet (Bulleid 157) (slight damage), in grained case with endflap and rosewood veneered lid with crinkle moulded edges and boulle inlay (some stringing loose, one brass corner piece missing, one end moulding loose), with flush carrying handles at ends -- 22 ½ in. wide, the cylinder 15 in.(38cm.)
A lever-wind mandolin forte-piano musical box, playing four airs by Strauss, Verdi and Abt, with mandolin teeth up to eight for approximately 5 in. of main comb, with cast iron bedplate, flat-topped winding lever, Ducommun-Girod tune sheet (Bulleid 7) (edges damaged) numbered 2934 (repeated on base), with part of William Whiteley supplier's label, in case with rosewood-veneered lid with large floral inlay (hinges detached due to split old repairs to back of case) -- 24 ¼ in wide, the cylinder 16 in.
A rare key-wind musical box, by Francois Nicole, No. 4379, with "Rigid Notation" grid on the cylinder, playing the overture to Gazza Ladra in two revolutions and Andante & Allegro from Adelaide di Borgogna (all Rossini), the comb in two main parts with 8-tooth section at treble end and five wider spaced extreme bass teeth and ogee profile to governor frame, in plain fruitwood case with exposed controls with turned handles, the interior lined in blue paper, with hand-written tune-sheet, with key (in very good playing condition; long-dead woodworm in case) (no serial number on base) -- 14 ¼ in. wide, the cylinder 10 x 2 ½ in. (25.2 x6.2cm.) diam., 1822-25 (203 teeth) (Literature: see Ison, R: 'Boxes by Francois Nicole and Freres Nicole', The Music Box, Vol 21 No. 3, 2003; 'The Products of François Nicole and Frères Nicole', in The Nicole Factor, Chapter 3, (MBSGB 2006); and 'Francois Nicole and his Place in History', The Music Box, Vol 27 No. 2, 2015. The conclusion was made that the mis-named "rigid notation", or squared grid on the cylinders, was unique to Francois Nicole products, noted for their outstanding quality.)
An early 19th-century Laurencekirk musical snuffbox, in typical burr-wood case, playing two airs, the sectional comb movement with right-hand bass, concealed beneath tortoiseshell cover, the lid with enamel mountainous landscape (Vallée de Chamonix), lined inside with tortoiseshell , with (later) key -- 9.2 cm. wide (in good playing condition, base of case slightly warped)
An early 19th-century small musical snuffbox, playing Ranz des Vaches and Prayer from William Tell, numbered on bedplate 6257, in black tortoiseshell case with oval glass picture of a landscape in lid and inlaid white metal spandrels (no key, not played; crack on lid, and on three corners of bottom plate
An early 19th-century musical snuffbox, with sectional comb, right-hand bass, the bedplate stamped HC, playing Uf de Bergen achtgu lebe and one other air, in tortoiseshell case with minature (on ivory) of a goddess with Cupid (lacking grip for lid opening, old repaired crack to front and rear, chip to front right hand bottom cover. No key, but plays well)
Important Announcement - the lot estimate has been revisedAn early 19th-century musical snuffbox, by H. Lecoultre, playing two airs, Rocking round the Bay of Biscay / Rise Gentle Moon, in pressed horn case with view of the Louvre on lid -- 3 ½in wide (in good condition, base plate has chip on one corner)
An early 19th-century musical work box, with sectional-comb snuffbox movement playing two airs, No 2770, the tool tray with mother-of-pearl handled implements (one pair of scissors missing), in fruitwood case with canted corners, the lid with black cut steel deoration -- 9 in. wide (handle broken but present; no key, but plays well)
A rare key-wind musical box, playing three airs, on four-piece comb (two main sections plus 17 treble teeth and four extra bass teeth screwed sideways into main section), each main comb signed F. Nicole in very small font, the cylinder with "rigid notation" grid, in plain fruitwood case with exposed controls with turned handles, the lid probably an early replacement, with no tune-sheet or evidence of one -- 1822-25. --13 ¾ in wide, the cylinder 9 ¼ x 2 ½ in. (23.5 x 6.2cm.) diam., with key (plays well but softly, motor at times reluctant to start. Old worm infestation in case, long dead, but none in lid. Each end has a hole near the top, of uncertain purpose.) (See footnote to Lot 143)
CONJURING. - John Northern HILLIARD. Greater Magic. Minneapolis: Carl Waring Jones, 1945. Revised edition, seventh impression, 8vo (228 x 145mm.) Numerous illustrations. (Mild toning, some spotting to pastedowns.) Original red cloth (spine ends bumped), dust-jacket (chipping, small loss to spine ends). - And a quantity of approximately sixty further volumes relating to magic (including W. Gurney Benham's 'Playing Cards', 1931, 4to). Provenance: by descent, from the estate of Barry Murray (a quantity).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
REG GUEST SYNDICATE - UNDERWORLD 7" (ORIGINAL UK 3 PRONG COPY - MERCURY MF 927). Wicked Hammond led Mod Dancer from The Reg Guest Syndicate with the 1966 cut Underworld c/w Guns, Dolls and Danger. The record (Mercury original UK 3 prong centre, MF 927) is in VG condition with some surface marks and scuffs to the playing surfaces though no heavier feelable scratches. With clean and sharp condition labels.
THE GLASS MENAGERIE - FREDERICK JORDAN C/W I SAID GOODBYE TO ME (UK PYE ORIGINAL - 7N 17615). Wicked slice of Freakbeat from The Glass Menagerie with this 1968 cut Frederick Jordan c/w I Said Goodbye To Me on the A. The record is in VG+ condition with a few light surface marks to the playing surfaces and remnants of a sticker on the A side label. With clean original company sleeve.
A copy of the fabled debut release on Factory Records, FAC-2 'A Factory Sample' with tracks from Joy Division, The Durutti Column, John Dowie, Cabaret Voltaire. This example has been signed to inner gatefold by Ian Curtis, Stephen Morris, Bernard Sumner, Peter Hook. The owner has overlayed each signature with tape in an attempt to protect their clarity - though this has had the effect of transferring the signatures from the paper sleeve to the adhesive tape. The discs themselves are in Ex condition with light marks across the playing surfaces. The tape on the sleeve dictates a grading of VG. With set of four stickers and a separate 'Factory Records' sticker in excellent condition. Provenance: the vendor attended the Bowdon Vale concert and had the record signed in person.
MIKE STUART SPAN - COME ON OVER TO OUR PLACE 7" (ORIGINAL UK DEMO RELEASE - COLUMBIA DB 8066). More Dancers from MIke Stuart Span with this original 1966 UK 7" demo of Come On Over To Our Place c/w the completely wicked Still Nights. The record (Columbia DB 8066) is in VG+ condition. The playing surfaces in very fine Ex condition showing just a couple of very faint and wispy marks, the centre is unfortunately missing.
THE ARTWOODS - JAZZ IN JEANS EP (ORIGINAL UK RELEASE - DECCA DFE 8654). A very well presented original UK 1966 copy of the famed EP from The Artwoods (whose lineup famously featured Jon Lord and Keef Hartley). The record (Decca DFE 8654) is in clean VG+ condition. With a few light and minor surface marks, there is nothing ever heavier in nature to the playing surfaces. With lovely clean and sharp labels. The original picture cover is in sharp Ex condition - the front showing only slight wear, there is some minor discolouration/light ringwear on the reverse.
THE EYES - THE ARRIVAL OF THE EYES EP (ORIGINAL UK RELEASE - MERCURY 10035 MCE). Hailing from Ealing, West London, here are the mighty Eyes with their tough 1966 EP on Mercury, a real staple of the Freakbeat/Mod scene. The record (original UK copy, 10035 MCE) is in VG condition. There are surface marks to the playing surfaces, though these are not heavier with absolutely no feelable scratches to mention. The 3 prong centre is fully intact, with some spindle marks showing. The original picture cover is in VG+ condition showing some light creasing though no rips or tears with the reverse flipback design in neat order.
PINK FLOYD - POINT ME TO THE SKY 7" (ORIGINAL UK DEMO RELEASE - COLUMBIA DB 8511). Wicked to see early UK 7" demo from Pink Floyd with Point Me To The Sky c/w Careful With That Axe Eugene. The record (Columbia demo green/white labels, DB 8511) is in lovely Ex condition. With bright and clean playing surfaces, there are just a few light and minor surface hairline marks which are as stated only very light with absolutely no heavier markings to note. Super sharp and clean labels, KT tax code on the B side label. Machine stamped 7XCA 32288-1 1 G KT & 7XCA 32289-1 1 G KT matrix/mother stampers. Housed with clean original company sleeve.
ALEXANDER PATTON - A LIL LOVIN' SOMETIMES 7" (ORIGINAL UK DEMO RELEASE - CAPITOL CL 15461). Another monster Northern classic from Alexander Patton with this '66 cut A Lil Lovin' Sometimes c/w No More Dreams. This is the original UK demo pressing on Captiol. The record (CL 15461) is in VG+ condition with some rather light and minor surface hairline marks to the playing surfaces and with the centre missing.
THE POETS - ORIGINAL UK DECCA 7" COLLECTION. Totally killer selection of 3 x super clean original UK Decca 7" from the 60s Glaswegian Psych/Freakbeat connoisseurs! Titles are That's The Way It's Got To Be (F. 12074 - Ex+ condition on this huge Andrew Loog Oldham produced cut, the record showing just a couple of extremely minor and faint wispy paper marks), I Am So Blue (F 12195 - Ex+ extremely fine condition, one or two very light hairline marks to the remarkably glossy playing surfaces) and No We're Thru (F 11995 - lovely Ex+ again).
COMPLEX - COMPLEX LP (ORIGINAL UK SELF-RELEASED PRESSING TD 6869 - SUPERB CONDITION). A spectacular condition original UK self-released copy of the fabled eponymous 1970 LP from the Blackpool lads Complex. The record is in superb Ex+ condition. Certainly the best we've seen, there are just a couple of extremely minor, faint and wispy paper marks to the playing surfaces which never extend any deeper or heavier than this. With very sharp labels, there are some light spindle marks on side 1. Machine stamped matrix JET TD 6869 B (crossed out) A & JET TD 6869 B. The hand made sleeve is graded in VG+ condition. With fantastic 'integrity', with superb sharp and bright colours, noted is the 'seam' largely split on the top edge and a smaller section on the bottom edge split. With care we believe this could be restored. The reverse shows very little wear.
LED ZEPPELIN - 'I' LP (ORIGINAL UK 'TURQUOISE' COPY - ATLANTIC 588171). A superb condition original UK copy of the must have debut long player from Led Zep! First UK pressing with Superhype/Jewel credits on both labels and the iconic 'turquoise' lettering sleeve. The record (Atlantic plum labels 588171) is in magnificent Ex+ condition. A superlative copy, there are just a couple of extremely faint, minor and wispy paper marks to the incredibly clean playing surfaces. With super sharp and clean labels showing just some minor spindle marks. Matrix/runout: 588171 A//1 1 2 4 & 588171 B//1 1 8. This copy with 'corrected' 8s. The sleeve is in VG+ condition. A neat example, there is some light creasing and some light scuffs on the reverse though no rips, tears or seam splits.
THE ZOMBIES - ODESSEY AND ORACLE LP (ORIGINAL UK MONO PRESSING - CBS 63280). An extremely well kept original UK mono copy of the seminal April 1968 LP from The Zombies. The record (CBS 63280) is in Ex condition. With lovely clean and glossy playing surfaces, there are just a couple of very light and minor surface marks that do not extend any heavier than this. Matrix: 63280 A1 & 63280 B1. Complete with clean original company inner. The sleeve is in very sharp Ex condition. With just some very small and light creases to the front laminate, there is some rather minor foxing on the reverse and very light signs of a sticker removal mark on the top left section of the reverse. Lovely copy.
IAN CARR'S NUCLEUS - ROOTS LP (ORIGINAL UK COPY - VERTIGO 6360 100). The hard to source 1973 LP from Ian Carr's Nucleus. The record (original UK pressing on Vertigo, 6360 100) is in very clean Ex condition showing some rather minor poly bag residue on side 1. Elsewhere with very clean playing surfaces. The sleeve is in stunning Ex+ condition showing but slight wear.
ARZACHEL - ARZACHEL LP (ORIGINAL UK PRESSING - EVOLUTION Z 1003). The 1969 masterpiece from Steve Hillage and Egg band members, this a fantastic condition first 1969 UK copy on tiny label Evolution Records. The record (Z 1003) is issued on blue/silver labels with the songs on the labels not numbered. The record is in very strong Ex condition with only a couple of very light and minor hairline marks to the playing surfaces. With small black stickers on the labels. Matrix: Z 1003 A1 - ⬦ H & Z 1003 B1 - ⬦ H. The flipback design sleeve is in sharp VG+ condition with the front extremely clean - showing some light ringwear on the reverse.
PAUL MCCARTNEY - PRESS 7" - ORIGINAL UK ABBEY ROAD ACETATE RECORDING. A fantastic Paul McCartney rarity with this original UK single-sided 7" acetate recording of the classic 1986 cut. With printed Abbey Road Studios label, the title and timing handwritten - this an early shorter version of the commercial release with the song length as 3.35 (the final release was 4.20). The acetate is in very clean Ex condition showing just a couple of very light and minor surface marks to the playing surface and with no deterioration to the lacquer.
U2 - THREE 12" (ORIGINAL IRISH PRESSING - CBS 12-7951). A must have addition to any serious U2 collection with this original Irish pressing of their debut 1979 single. This is one of the first 1000 copies pressed by CBS (CBS 12-7951) with the band members names inscribed on both sides of the vinyl in the dead wax and Ireland spelt correctly on the label and "Made in England" at the 6 o clock position. The record is in clean Ex condition showing only a couple of rather light and minor surface marks to the playing surfaces which do not extend any deeper than this. Please note that there is a visual only 'pressing fault' on the A side: When the record plays, the player arm moves right and left noticeably (as if it was stamped off-centre) - as mentioned this is only aesthetic and we could not tell the difference upon playback. Matrix/runout: CBS 7959-12-A CBS U2.3. A-1 (etched drawing of a person) BONO ADAM THE EDGE LARRY BANG! & CBS. U2.3 B-1 BANG BONO ADAM THE EDGE LARRY. This copy is housed with an original company CBS 12" sleeve though does not have the original numbered sticker.
GIOCONDA DE VITO - BACH/MOZART VIOLIN CONCERTOS LP (ORIGINAL UK STEREO EDITION - HMV ASD 429). Holy grail time for classical collectors with this superb rarity featuring virtuoso Gioconda De Vito performing Bach and Mozart. The record (original UK stereo edition on cream/gold HMV labels, ASD 429) is in wonderful Ex+ condition. Apperaing to be seldom handled or played, there are just a couple of extremely wispy, ever so slight and faint paper marks to the superb clean playing surfaces. With stunning clean labels that interestingly appear to be applied incorrectly (side 1 on side 2 side and vice versa). Matrix/mother stampers: 2YEA 459-2 1 A & 2YEA 460-1 1 G. The sleeve is in well presented VG+ condition. The front lovely, clean and sharp, there is some minor foxing around the perimeter of the reverse flipback design sleeve.

-
79738 item(s)/page