A 19th century enamel patch box The domed hinged lid decorated with a flute playing cherub and a lyre playing maiden, the base decorated with musical trophies, the interior with floral bouquets; together with two French painted porcelain boxes, each decorated with flowers and figural vignettes, one marked Lille 1763. The former 6 cms wide. (3) CONDITION REPORTS: The former with chip to one corner, some cracking, general wear. The other two each with detachable/loose lids, some decoration wear, scuffing, scratching, slight fritting, general wear.
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*** VOYTEC A study of three young ladies in evening dress costumes for the actress Alison Fiske playing Beatrice in 1971 production of Shakespeare`s Much Ado About Nothing, inscribed ""To Margaret with many thanks"", Pencil and Crayon, signed, inscrib ed and dated Sheffield, 1971, 40cm x 55cm
J Sodenkamp, a portrait of a man playing a guitar, oil on canvas, signed, 80 x 60 cm (unframed), two paintings by Peter Gardner, an Irving Amen artist proof print, Melody, signed, inscribed and dated Sept 1978 to margin, a W Dendy Sadler coloured engraving and other watercolours and prints (qty)
A George III gilt brass mounted mahogany musical table clock, The dial signed for Edward Ellicott, London, circa 1790, The substantial five pillar back-wound movement playing a choice of five tunes via a pinned cylinder on a nest of eight graduated bells after striking the hour on an additional larger bell, the backplate incorporating projecting feet to the lower corners and engraved with fine open rococo scrolls around a central basket of flowers within decorative line borders, the convex white Roman numeral dial inscribed EDÂ’WD ELLICOTT to centre and with pierced blued steel hands within outer minute track and slender brass bezel fitted to the 8 inch full-arch white painted dial plate polychrome decorated with dancing musicians beneath applied curved tune selection sector inscribed SONG, JIGG, MINUETT, AIR and COTILLION to arch, the break-arch case with concave sided plinth for the central brass vase finial flanked by four further finials and applied symmetrical rococo scroll cast mounts to the sides of the arch, the front with heavy acanthus cast brass arched door flanked by female caryatids applied to the canted angles, the sides with hinged carrying handles above sunburst mask centred scroll cast arched brass sound frets, the rear with arch glazed door, on cavetto moulded skirt base with scroll feet, 54.5cm (21.5ins) high. Two generations of the celebrated Ellicott family with forename Edward are recorded working in London in around 1790. Edward (I) is listed in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as son of John (II) working from Royal Exchange, London 1753-91, he was appointed watchmaker to the King. His son, Edward (II) is listed as free of the ClockmakersÂ’ Company in 1795 and was appointed Master in 1835 but did not live to see out his term. The current lot is an attractive model clearly made in a workshop used to producing clocks for the Export market. The back-winding is typical of examples made for export to China as the Chinese prefer clock dials to be free of winding holes, and the heavy foliate cast gilt brass front door is of a type more often seen on examples exported to the Middle-East (see Barder, Richard C.R. The Georgian Bracket Clock 1714-1830 pages 160-1 colour plates 22-4).
A Victorian coin operated Polyphon playing 39cms diam metal discs, labelled inside ""W Schneider"", crank wound, in oak and walnut veneered case with drawer in the base, 82cms high 62cms wide 37.5cms deep together with 19 metal discs ++movement working, case a little worn, one disc clean the others rusty
A pair of cylindrical nanny brooches, each similarly set to the centre with a rectangular cut four claw set goldstone, set between a moulded leaf design to each end. Brooch pin fitting. Total weight of both approximately 15.84gms. Length approximately 4.8cm; a silver coloured stick pin, designed as a thistle to the top, set to the centre with a protruding faceted amethyst as the thistle flower, between realistically carved leaves. Length approximately 8cm. Weight approximately 4.72gms; and a coat fastener, set to each end with a circular plaque, one plaque depicting a maiden with wings amongst foliage, the other plaque depicting a maiden playing the harp. Length approximately 12cm. Weight approximately 4.03gms. (4)
A collection of Danish B & G dinner wares with floral sprigged design comprising a set of nine crescent shaped side plates and nine dessert plates together with further decorative ceramics including a continental tureen and cover of oval form with painted floral sprigs and sprays and triple blue line mark to base, a plate in the Chelsea manner with exotic bird decoration and painted gilt anchor mark to base, an oval dish with painted floral garland, a figure group of card playing ladies and gentlemen in 18th century style costume and a 19th century meat plate of oval form with turquoise border and crest
A pair of gilt framed and glazed Le Blonde coloured prints, one of figures sorting the catch with moored fishing boats beyond, the other of children playing in a stream beside a thatched mill house, each 13.5 x 16cm, together with a Hogarth framed and glazed print of a country estate after Humphrey Repton.
West German Football, a collection of various items, including international programmes and autographed material, to include signed postcard and magazine picture of Kevin Keegan whilst playing with Hamburg, West German National Team Postcards, including a signed example for 1981 against Brazil in Uruguay, a 1982 pennant with original signatures, for game against Portugal, with letter of authenticity.
1966 World Cup, a collection of various items, including the Red, padded photograph album issued by the World Cup collectors club, in excellent unused condition, a set of 6 photographs of the goals from the World Cup Final, together with the 6 original negatives of the pictures, plus the original double long playing record of the World Cup with recordings of the Finals, Semi-Final and Quarter Final games, with the original sleeve, plus another LP which covers the 1966 & 1970 Final games.
French Educational Playing Cards Jouy (E[tienne de]), Septieme Jue de Cartes Historiques, Vie de Jesus-Christ, nd. [early 19th cent.], Lille & Paris, a full set of forty-eight playing cards for a religious game, designed to instruct the young on the life of Jesus, each card 102mm x 66mm, uncoloured, with vignette, black text and borders. Small double sided sheet with notice and rules of the game. Original lower box (restored base) with lower part of original label, reproduction upper box

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