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A Meissen porcelain figure group after Schönheit of ‘Two putti playing with a cradle and a monkey examining a goat’, on oval rocky base; blue crossed swords mark, incised No. H89 & impressed No. 26; 6¼” high x 5” wide x 4” deep. (slight faults/losses).

A Hadley’s Worcester porcelain standing male “Italian Musician” figure playing a pipe, wearing peach tunic & green coat & stocks, on oval mound base, 12” high (restoration to lower legs).

THE BEATLES - PLEASE PLEASE ME (MONO 'BLACK AND GOLD' ORIGINAL PMC 1202 - SOLID EXAMPLE). A well-presented original 1st UK mono 'black and gold' copy of Please Please Me. The record (PMC 1202, with correct Dick James credits) is in G+ condition. The playing surfaces retaining their 'sheen', there are number of surface 'pencil' marks and some scuffs that just occasionally extend to a couple of light but feelable scratches. With quite superb condition labels! Matrix/mother/stampers: XEX 421-1N 1 GR & XEX 422-1N 1 GD. The first printing sleeve is in solid VG condition - the front in lovely order, the reverse with some general foxing.

THE BEATLES - LADY MADONNA 7" - ORIGINAL UK DEMO (PARLOPHONE - R 5675). Wonderful to see original UK demo copy of Lady Madonna c/w The Inner Light. Commercially released by Parlophone in March 1968, this scarcely seen original 'Demonstration Record Not For Sale' is issued on the striking green/white 'A' label. The record is in well presented VG+ condition. There are some light surface hairline marks to the playing surfaces, though these are never at all heavier with no feelable scratches to note whatsoever. With super sharp and clean labels, with KT tax code on the A side. Matrix/mother/stampers: 7XCE 18438-3 1 G & 7XCE 18439-2 1 G. Housed with an extremely clean original company sleeve.

THE BEATLES - PLEASE PLEASE ME LP (ORIGINAL UK MONO 'BLACK AND GOLD' PRESSING - PMC 1202). A well presented 1st UK mono 'black and gold' copy of Please Please Me. The record (PMC 1202, with Dick James credits for tracks A1, 2, 6, 7, B4 and 6) is in glossy VG condition showing some light and minor surface marks to the playing surfaces which are never heavier feelable scratches. Matrix/mother stampers: XEX 421-1N 1 H & XEX 422-1N 1 H. With lesser seen 'deep grooved' labels which was a result of the record being pressed on an old-style press which were being phased out as this album was in production. With correct and clean original Emitex inner. Housed with the 1st printing sleeve ('left aligned' Angus McBean credit) in solid VG condition with a few creases on the front and some light foxing on the reverse and some wear to the bottom flipback tab) and also a 'second printing' sleeve ('right aligned' Angus McBean credit) in neat VG+ condition with some minor foxing on the reverse

THE BEATLES - PLEASE PLEASE ME LP (ORIGINAL UK 'BLACK AND GOLD' PMC 1202 - ARCHIVE COPY). An unbelievable condition 1st UK mono 'black and gold' copy of Please Please Me. The record (PMC 1202 on Parlophone's striking 'black and gold' labels with Dick James credits for tracks A1, A2, A6, A7, B4 and B6) has an extra 'wow' factor as it contains the ridged label on side 2 only... The record is in superlative Ex+ condition. A wonderful example, there are only a couple of extremely faint, slight and wispy paper marks to the playing surfaces. With stunning clean labels, MT tax code side 1. Matrix/mother/stampers: XEX 421-1N 2 GD & XEX 422-1N 1 H. Housed with clean original Emitex inner. The sleeve is in stunning Ex+ condition. A superlative example that rather feels 'as new' when handled, there are just a couple of very light creases to the laminate around the edges. No signs of shelfwear with the reverse flipback tabs in mind-blowing clean order.

THE BEATLES - SHE LOVES YOU - ORIGINAL INDIAN 10" 78RPM RECORDING (PARLOPHONE - R. 5055). An astonishing Beatles rarity with this very well kept original Indian 10" 78RPM shellac copy of She Loves You. The record (Parlophone R. 5055) is in E- condition. The playing surfaces not dulled, there are some light surface marks noted, though these are not heavier with absolutely no feelable scratches. With sharp and bright labels, the silver print text is in very clean order. With a name in pen on the B side label. Matrix (machine stamped): CE 17395 INTITI & CE 17396 INTITI. Housed with the scarce original company sleeve (G condition with a section torn).

A set of three Chinese coral ground ‘boys’ vases, Jiaqing period (1796-1820),each painted in famille rose enamels to shaped panels with boys playing in landscapes figures, the shoulder with a butterfly motif, the coral ground gilt decorated with flowers, leaves and lappets, turquoise glazed interior and foot,19.5 and 23.5cm high,

A late 19th century carved and painted wood Lusterweibchenmodelled as a woman playing a banjo with mountain goat horns curving up from her skirts, indistinct make a stamp to the base of one of the horns,H 60cm. W 80cm.

A pair of Chinese peach silk embroidered hangings, 19th centuryeach embroidered with Buddhist lions playing with a brocaded ball amid floral sprigs,137 x 44 cm

A pair of large Paris porcelain vases, early 19th century,painted with a gentleman playing a lyre and a lady visiting a monument, on a gilt tooled ground, unmarked,39 cm high, some restoration

A large Chinese blue and white ‘ladies’ vase, Kangxi mark, 19th century,painted with ladies playing music and weiqi in a garden setting, the cover with boys amid rockwork,44cm high, wood stand

A late 19th century Swiss harpe harmonique piccolo cylinder music boxaccommodating four 33cm brass cylinders (all present) each playing over six aires, the movement stamped throughout 2355, the original sound card marked ‘P.V.F, Ste. Croix (Suisse) (Lith: Vallluet & Fils)H 21cm. W 84cm. D 31cm.

each kneeling at a table and playing 'Go', cast six character seal marks to bases, Provenance - Mr W G Pullen,12 - 13cm high

Thomas Binney Gibbs (1870-1947)Red-haired girl playing a violinOil on canvasSigned and dated 191361 x 31cm.

A Victorian silver centrepiece (lacking trumpet),with engraved and embossed foliate decoration and surmounted with two children playing musical instruments(one instrument now missing, indistinct maker's mark, London, 1892, height 17.5cm, 36oz,

A fine late 18th century ivory and printed vellum fan, engraved by F. Bartolozzi (1727-1815),the leaf printed and handcoloured in England with cherubs in reserves, and flower garlands, emblematic of the Power of Love, the ivory sticks and guards probably from Dieppe, carved with neoclassical figures, birds and vessels, an old label states that the fan was gifted to Mrs John Hall by Bartolozzi, possibly the wife of John Hall, glass manufacturer in Bristol or a contemporary engraver of the same name, cased.An identical fan is in the Royal collection RCIN 25378. Although the fan in the Royal collection is attributed to Antonio Poggi he is known to have published works by Bartolozzi and John Hall.Literature - In the central medallion winged Cupid (holding a kithara, similar to a lyre), symbolising Love, rides a lion. On the left is Cupid with stick and ball; on the right is the infant Hercules. All these figures may be taken as symbols of the power of love; they all derive from Antique gems. The central figure is copied from the gem engraved (i.e. carved) by Protarchos, which was illustrated several times in the seventeenth and eighteenth centuries. The guards feature a decorative winged interpretation of the moon goddess Diana.A line of printed text, with the name of the fan-maker and publisher Antonio Poggi (fl. c. 1769 - after 1803), is just visible at the foot of the leaf, above the gorge. Mr Poggi, of St George's Row, Hyde Park, was highly regarded both as a maker of fans and as a painter. He is said to have arrived in London in the train of Pasquale Paoli, the Corsican patriot, and exhibited pictures at the Royal Academy in both 1776 (when he was still based in Rome) and in 1781. After Fanny Burney visited his shop with Sir Joshua Reynolds in March of the latter year, she recorded seeing:some beautiful fans, painted by Poggi, from designs of Sir Joshua [Reynolds], Angelica [Kauffmann], West, and Cipriani, on leather; they are, indeed, more delightful than can well be imagined: one was bespoke by the Duchess of Devonshire, for a present to some woman of rank in France, that was to cost £30 . . .The Power of Love was the earliest dated fan to be published by Poggi. It was followed by Victory in 1782, with Children playing Battledore and Children with Tops in 1788, Shakespeare's Tomb (after Angelica Kauffman) in 1790 and Cupid and Psyche in 1797. An auction of Poggi's stock held in London by Messrs Christie and Ansell on 11 April 1783 included fans made by Poggi himself (and by Bartolozzi, Kauffman and West), while lots 99-116 were described as 'Drawings of Fans'; these included The Universal Power of Love which presumably relates to the design shown on the present fan.Poggi frequently published the work of the engraver Francesco Bartolozzi (1725-1815), and Lionel Cust believed that Bartolozzi rather than Poggi engraved this fan leaf. A total of eighteen engraved fan leaves, including the present one, were included in the catalogue raisonné of Bartolozzi's work. The artists responsible for the designs that Bartolozzi engraved included Cipriani, Angelica Kauffmann, Joshua Reynolds and Benjamin West.Later in his career Poggi set up as a dealer in Old Master drawings, and in 1793 he helped to disperse Sir Joshua Reynolds's collection. By 1801 he was supplying drawings to the Prince of Wales (the future George IV). In February 1803 he wrote to request payment of his invoice: he was on the point of 'quiting [sic] this Country' after 'various disappointments'. It is unlikely that this fan has an early royal provenance; it was purchased by Queen Mary from the Red Cross Gift House in July 1916.Text adapted from Unfolding Pictures: Fans in the Royal Collection, 2005fan radius 27.5cm, case 62cm wide

BARTOLOZZI, Francesco.- [Album de gravuras].- S.l.: s.n., s.d. [ca. 1760-1790].- [57] gravuras; 54 cm.- E., Large volume comprising 57 engravings mounted on 48 sheets, of which at least 43 are by Francesco Bartolozzi, both as an original artist and as an engraver, two as a supervisor (nine prints do not have an engraver subscription ). Bartolozzi (1725-1815) was born in Florence, but it was in London that he became known, having developed the technique of stitching at the highest level. In 1802, at the invitation of D. Rodrigo de Sousa Coutinho, he settled in Portugal where he directed an engraving class. The list of engravings, with titles, themes and (simplified) subscriptions is as follows: 1 - [Female figure reading]. Barbierin inv. — Bartolozzi scu.; 2 - [Angel]. Guercino inv. — Vitalda sculp.; 3 - [Male figure near source]. Guercino inv. — Bartolozzi sculp.; 4 - [Group of four people and a child]. Guercino inv. — AG fecit 1760; 5 - [Two femaçle figures]. Guercino del. — s.n.; 6 - [The Virgin and seven female figures]. S.n. — s.n.; 7 - [female figure with hat]. S.n. — s.n.; 8 - [Female figure to read]. S.n. — s.n.; 9 - [Male figure and child]. Guercino inv. — Bartolozzi sculp.; 10 - S. Nilus. Zampieri pinx. N. Vanni del. — Bartolozzi sc.; 11 - Magnus Basilus. Zampieri pinx. — Bartolozzi sc.; 12 - S. Gregorius Nazianzenus. Nicolas Vanni del. — Bartolozzi sc.; 13 - S. Athanasius. Zampieri pinx. — Bartolozzi sc.; 14 - S. Gregorius Nyssenus. Zampieri pinx. N. Vanni del. — Bartolozzi sc.; 15 - S. Cyrillus. Zampieri pinx. N. Vanni del. — Bartolozzi sc.; 16 - S. Nicolaus. Zampieri pinx. N. Vanni del. — Bartolozzi sc.; 17 - S. Io. Damascenus. Zampieri pinx. N. Vanni del. — Bartolozzi sc.; 18 e 19 - [two greek friezes]. Cipriani inv. — Bartolozzi inc.; 20 e 21 - [Dois frisos gregos]. Cipriani inv. — Bartolozzi inc. 22 - [Figura de Bispo]. Guercino inv. — Bartolozzi sculp.; 23 - A Sacrifice to Diana. P. de Cortona auqf. — Bartolozzi sculp.; 24 e 25 - [two engravings]. Bartolozzi del. et sculp.; Cipriani inv. — Bartolozzi sculp.; 26 - [Appearance of Jesus to a group of three apostles?]. Domenichino inv. — Bartolozzi sculp. In Londra 1765; 27 - [Sleeping boy]. Bartolozzi del. et sculp.; 28 - [Our Lady of the Rosary with the Child Jesus]. Guercino inv. — Bartolozzi sculp.; 29 - The Judggment of Solomon. Paolos Galiery inv. — Bartolozzi sculp.; 30 - Th Infant Toilet. Bartolozzi inv. et sculp.; 31 - [Four putti [Bacchus?)]. Guercino inv. — Bartolozzi sculp.; 32 - [Female figure (Spring?) and four putti]. S.n. — s.n.; 33 - [Chilkd Jesus]. S.n. — s.n. 34, 35 e 36 - [Judgment of Paris]. Cipriani inv. — Bartolozzi inc.; Bacchanals. Lady Diana Beauclerk — Engr. by Bartolozzi; Virtue directed by Prudence to Honour. Cipriani del. — Bartolozzi sculp.; 37 - [Murder (group of four men)]. Guercino inv. — Bartolozzi sculp.; 38 - [Man in armour]. S.n. — s.n.; 39 - [Sacrifice of a sheep [Abraham?)]. Guercino invent. — Bartolozzi sculp.; 40 - [Virgin Mary with the Child Jesus and an angel playing the violin]. Guercino inv. — Bartolozzi sculp.; 41 - [Boy (Moses?) and three female figures]. Guercino invent. — Bartolozzi sculp. In Londra 1764; 42 - [Two troubadours]. S.n. — s.n.; 43 - [Three female figures, one painting]. Guercino inv. — Bartolozzi sculp.; 44 - [Bust of youngster]. S.n. — s.n.; 45 e 46 - Sculpture. Guercino inv. — Bartolozzi sculp.; History. Guercino inv. — Bartolozzi sculp.; 47 e 48 - [Two female figures (Diana?)]. A. Kaufman pinx. — Bartolozzi sculp.; Love and Fortune. Drawn by Cipriano — Engraved by Bartolozzi; 49 e 50 - [Three female figures, one on the throne]. W. Hamilton — Bartolozzi Etchd; A Sacrifice to Cupid. Cipriani inv. — Bartolozzi sculp.; 51 e 52 - The Three Fine Arts. A. Kaufman inv. — Bartolozzi sculp.; Earth. Cipriani inv. — Bartolozzi sculp.; 53 - La Panserosa. A. Kaufman del. —B. Pastorini sculp. Bartolozzi direct.; 54 - L’Allegra.. A. Kaufman del. —B. Pastorini sculp. Bartolozzi direct. 55 - The Birth of Shakespeare. A. Kaufman pinx. — Bartolozzi sculp. 1782; 56 - [Circumcision in the Temple (trimmed proof). Drawn and engraved by Bartolozzi; 57 - [Jesus at the Temple?(Trimmed proof)]. Drawn by Hussey — Bartolozzi sculp.. Some etchings were published from originals by great masters, by Bartolozzi himself, namely by Guercino (15 prints) and Domenico Zampieri (7 prints). Other artists were students and/or worked with Bartolozzi, such as Angelica Kaufman, William Hamilton or Cipriani. All plates will have been engraved before the engraver's arrival in Portugal. Smaller plates are mounted (glued) on heavyweight sheets of paper, generally clean and with good margins. Label with handwritten ownership on the back: "Este livro é de Maria Christina Maldonado Passanha, Belém, 28/6/1863". Set gathered in a volume covered with a contemporary full red sheepskin binding, a little worn and disjointed, with ornamental borders and the coat of arms of Portugal (poorly printed and with faults) in the centre of both; a loose and damaged flyleaf.

Attributed to Dorothea Sharpe 1874-1955. British. Oil on canvas. “Children Playing in the Sand”Measures 24cm x 32cm.Condition Report – Has been relined. Very presentable condition with no obvious issues.

Attributed to Walter Richard Sickert 1860-1942. British. Oil on canvas. “Woman Playing the Violin”. Signed lower left. Measures 25cm x 45cmCondition Report – Minor repairs but overall nice condition with impasto paint.

BOX OF WOODEN CRIBBAGE BOARD, PLAYING CARDS, DOMINOES ETC

A Box Containing a Collection of vintage Board Games,playing Cards etc.

P J Kavanagh - Real Sky, The Whittington Press, illustrated by Miriam Macgregor, signed by the author edition of 500, 24cm high, also A heyrick bestiary, Jericho Press, 2008, edition of 60, also 'Three wood engravings by Rachel Reckitt for The Mill on the Floss, Matrix 2006, limited to 160 copies, also Linda Leatherburrow 'The Shadow on the Plain, Little Bird Press, signed, also 'A bonnet full of Nursery Rhymes', Compton Verne 1998, limited to 300, also 'The Guest' with woodcuts by Helen Siegel, 1976, also Robert Graham - Playing Gershwin, Incline Press 1997, signed and numbered 98/200, also John Fuller - The Ship of Sounds, The Gruffyground Press 1981, signed and limited to 130 copies, also Justin Howes, Typefinders at the Old Bailey, Matrix 2004, limited to 160 copies. (9)Condition report: The Guest faded to cover, otherwise condition of this lot is good

* DANNY FERGUSON RSW RGI (SCOTTISH 1925 - 1993), SHALLOWS watercolour on paper, signed; titled on RSW Exhibition label verso image size 64cm x 91cm, overall size 75cm x 103cm Framed and under glass. Exhibition label verso: Royal Scottish Society of Painters in Water-Colours. Note: b. Lanarkshire, 1925, d. 1993. GSA student 1941-1943, Glasgow School of Art staff 1947-1986 (Both full-time and as a visiting staff member). Danny Ferguson was educated at Airdrie Academy from 1936-1942. He was an athletic youngster, playing football for (amongst others) Baillieston Juniors, Bedlay Juniors, Douglas Water Thistle and Blantyre Victoria (taking over the centre-half position from Jock Stein). Later in life, he was a keen snooker player, frequently championing the Glasgow Art Club, and enjoyed Curling. He began studying at GSA in 1941 but his studies were interrupted when he was called up. He joined the Royal Air Force in 1943 and served in the Far East. He re-joined GSA in 1947 and was awarded his diploma in Drawing and Painting in 1949. That same year he won a £30 prize at the Royal Scottish Academy annual competitions. From 1949-1950 he attended the Jordanhill Teacher Training College. He later combined a position as visiting lecturer at GSA with teaching in various Glasgow Schools. He returned to GSA as a full-time lecturer in 1968. In 1958 Ferguson married Margaret Dunn, also a graduate of the Glasgow School of Art, in Embroidery and Weaving. They had two children, Anne and David. Probably best known for his landscapes, still lifes and self-portraits. He exhibited regularly, had numerous one-man shows, and his work still hangs in many collections, including the Royal Collection. Danny Ferguson was elected a member of the RSW in 1969, having exhibited there from 1961. He had over 88 works exhibited at the Royal Glasgow Institute, from 1957. He was a member of the Royal Scottish Society of Painters in Watercolour. Ferguson also served as honorary secretary of the RGI for nine years and was also elected President of the Glasgow Art Club.

Adolfo Mexiac (Mexico, 1927-2019) Painting of children playing in a Mexican landscape with birds. Oil on canvas. Signed lower right. Sight Size: 21.75 x 30 in. Overall Framed Size: 24 x 33 in.

Early 20th Century Happy Families playing cards, with amusing drawings and text, 47 cards in total 

Mixed toys, to include Construction block set, Cuisenaire numbers in colour, Solido London bus, Corgi Model T Ford, Corgi Royal Mail Morris Minor Van, Tops & Tails No. 289, KEM playing cards, Russian dolls, Froc De Havilland DH110 etc., (qty)

Collection of various playing cards (qty)

A set of vintage playing cards, a fold out ruler and an oak book trough or shelf

19 a. pab. Louis XVI style silver, 950 fineness candy with lid decorated with embossed rocks, flowers and carvings of children playing. There is a manufacturer\'s label.The style of Louis XVI flourished in France during the 19-year reign of Louis XVI (1774–1793). It was the last stage of the Baroque style, inspired by ancient Roman paintings it became a rebellious reaction to the luxurious crowded ornamentation of the previous Baroque period. Louis XVI\'s style is characterized by rationality, symmetry, straight lines, classical proportions. Antique ornaments and idyllic pastoral motifs spread in the decoration.DETAILS:* Dimensions: diameter - 17 cm, height H-20 cm.* Country of origin: France* Weight: 1188 g.* Period: 19 a. pab.* Style: Louis XVI* Materials and performance techniques: silver, fineness 950, marking Minerva,* Product type: candy19 a. pab. Louis XVI style silver, 950 fineness candy with lid decorated with embossed rocks, flowers and carvings of children playing. There is a manufacturer\'s label.The style of Louis XVI flourished in France during the 19-year reign of Louis XVI (1774–1793). It was the last stage of the Baroque style, inspired by ancient Roman paintings it became a rebellious reaction to the luxurious crowded ornamentation of the previous Baroque period. Louis XVI\'s style is characterized by rationality, symmetry, straight lines, classical proportions. Antique ornaments and idyllic pastoral motifs spread in the decoration.DETAILS:* Dimensions: diameter - 17 cm, height H-20 cm.* Country of origin: France* Weight: 1188 g.* Period: 19 a. pab.* Style: Louis XVI* Materials and performance techniques: silver, fineness 950, marking Minerva,

A 19thC Staffordshire figural inkwell with man playing a harp, bearing paper label inscribed 'Old Derby', 4.5" high and two other pieces. (3)

An early 20thC Symphonian disc playing musical box, in walnut case with 18 10" discs, the box 13" across.

George V silver playing cards box, Stokes & Ireland, Chester 1920, 8cm high

Sue McDonagh, studies of children playing in the sea, pastel, framed

A copy of The Dominion News, no.2 Vol.6 February 1939 plus a pack of Dominion Tyres playing cards (unchecked).

A large framed print depicting gentlemen playing cards by fireside. 30" x 25".

* WILLIAM CROSBIE RSA, RGI (SCOTTISH 1915 - 1999), HOROWITZ oil on board, signed and titled image size 44cm x 35cm, overall size 61cm x 52cm Framed and under glass. Note: Vladimir Samoylovich Horowitz (1903-1989) was a Russian- born (Kyiv, Ukraine) American classical pianist and composer. Considered one of the greatest pianists of all time. He was known for his virtuoso technique, tone colour, and the excitement that was engendered by his playing. Exhibited: Artist's Retrospective, The Scottish Gallery (Edinburgh) 2020.

Various makers - unboxed and playworn die-cast models including eleven ships by Tri-ang, Matchbox etc; Dinky Viscount aeroplane; and five military vehicles by Britains, Lone Star etc; together with 'L'Attaque!' military tactics board game with seventy-two tin-plate figures and playing board, boxed with instructions

A large, ornately framed oil on canvas depicting two young girls playing with a doll, signed lower right by the artist, approximately 59 cm x 90 cm image size.

A vintage Mahjong set, wooden case with five drawers housing bone and bamboo tiles, approximately 16 cm x 24 cm x 16 cm.Condition Report: There are 140 playing tiles contained over four drawers and a further drawer containing eight blank tiles.

A mixed lot to include a Chiswick Products Ltd metal advertising sign for Cherry Blossom Shoe Polish (believed by the vendor to be 1950's), a LNER silver plated dish, playing cards, powder compact, cut throat razor, oil can and similar. (This does not constitute a guarantee). Further pictures to follow.

A good lot of shipping memorabilia including playing cards & coasters etc.

Approximately 18 packs of vintage playing cards including novelty & Lexicon etc.

Luke Anowtalikt (Inuit, 1932-2006). Group of three pieces of carvings depicting abstract humanoid figures and faces. Signed along the bottom. Of the Inuit, one of the peoples indigenous to the North American Arctic frequently referred to as Eskimos.Two Figures Playing; height: 8 in x width: 2 5/8 in x depth: 4 1/2 in. Supine Figure; height: 2 1/2 in x width: 6 1/2 in x depth: 4 in. Two Hugging Figures; height: 5 1/2 in x width: 5 1/4 in x depth: 3 1/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Two Figures Playing; height: 8 in x width: 2 5/8 in x depth: 4 1/2 in. Supine Figure; height: 2 1/2 in x width: 6 1/2 in x depth: 4 in. Two Hugging Figures; height: 5 1/2 in x width: 5 1/4 in x depth: 3 1/8 in.

Chinese Qing dynasty famille rose porcelain bowl decorated with pictorial cartouches along the sides depicting young children playing. Designed with floral motifs throughout. Marked with Qianlong zhuanshu script mark in red glaze along the underside.Height: 4 1/2 in x diameter: 8 3/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 4 1/2 in x diameter: 8 3/4 in.

†  SOLENTE; A SHIPS PIANO CIRCA 1925 The birds-eye maple veneered case with walnut moulding enclosing a hinged key board 107cm wide, 24cm deep, 115cm highProvenance:Originally supplied to the Music Hall singer, Ena Beaumont. Catalogue Note:This is a particularly fine example of a Ship's Piano with a folding keyboard. These small instruments were specially designed to fit on the confined spaces aboard a ship. One was even taken by Scott aboard the Discovery for his Antarctic expedition.This piano was purchased by WWI Flying Ace Captain Norman Macmillan for his wife, the music hall singer, Ena Beaumont. Beaumont was an actress known for her work on The Girl from Downing Street (1918), The Greater Love (1919) and Patricia Brent, Spinster (1919) It comes with its original purchase receipt showing its purchase in November, 1925. 索朗特; 一架船隻鋼琴 約1925鳥眼楓木貼面琴箱，帶有胡桃木造型包圍一個鉸鏈的鍵盤寬107cm, 深24cm, 高115cm 拍品來源:最初供應給音樂廳歌手埃娜·博蒙特目錄注解: 這是一個帶有折疊鍵盤的船隻鋼琴的極好實例。這些小樂器是專門為適應船上狹窄的空間而設計的。其中一架甚至是 斯科特在"發現"號南極探險船上的 這架鋼琴是一戰王牌飛行隊長諾曼·麥克米倫為他的妻子音樂廳歌手埃娜·博蒙特購買的。博蒙特是一位著名的女演員，她的作品有《來自唐甯街的女孩》(1918)、《偉大的愛》(1919)和《老處女》(1919)  它的原始購買收據顯示它是在1925年11月購買的。  † indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.Condition Report: In original, playing condition. Condition Report Disclaimer

Y†  BLUTHNER, LEIPZIG; AN EARLY GRAND PIANO1854The rosewood case with pierced music rest, on turned and faceted legs and castors, with unique Bluthner patent action213cm long, 136cm wide, 94cm high Provenance:Cobbe CollectionCatalogue Note:This is a very early Bluthner grand piano by this important maker who started manufacturing only the previous year, 1853. This piano has an intriguing history as it is signed by some of the great musicians of the time, including Annette Essipoff-Leschetizky, Emil Liebling, Ignace Paderewski, Georges Pitsch, Frances Planté, Erwin Schulhoff. It was rumoured to have spent time in Auguste Rodin's home, but that is not verified.Annette Essipoff-Leschetizky, was the daughter of a high Russian official, Esipova entered the St. Petersburg Conservatory, where she was a pupil of Theodor Leschetizky (whom she married in 1880). From 1871 to 1892 Esipova lived mainly in western Europe. Her London debut took place in 1874, her first Paris appearance in 1875. In 1876 she toured the United States. Esipova's repertoire included works by Chopin, Schubert, Mozart, and Beethoven. In later years she taught at the St. Petersburg Conservatory; among her distinguished pupils was Sergey Prokofiev. Emil Liebling was a German-American pianist and composer.Jan Paderewski was a famous virtuoso Polish pianist and composer who became a spokesman for Polish independence. In 1919, he was the new nation's Prime Minister and foreign minister during which he signed the Treaty of Versailles, which ended World War I. Francis Planté was a French pianist famed as one of the first ever recording artists. Planté was born in Orthez. He studied piano under Antoine Marmontel, his career beginning at the age of seven in Paris.  Erwin Schulhoff was a Czech composer and pianist. He was one of the figures in the generation of European musicians whose successful careers were prematurely terminated by the rise of the Nazi regime.   博蘭斯勒, 萊比錫; 一架早期三角鋼琴1854紅木琴箱與穿孔琴譜架，下面是旋轉多面腿和腳輪，有獨特的博蘭斯勒專利活動長213cm, 寬136cm, 高94cm拍品來源:科布收藏目錄注解: 這是一架非常早期的布魯斯納三角鋼琴，由一位重要的製造者製造，他在1853年才開始製造。 這架鋼琴有著有趣的歷史，因為它是由當時的一些偉大的音樂家簽名的，包括安內特·艾希波夫·萊謝蒂茨基, 埃米爾·列伯陵, 揚·帕德路斯基, 喬治·皮奇, 佛朗西斯·普蘭特，埃爾文·舒爾霍夫。據傳它曾在奧古斯特·羅丹的家中呆過一段時間，但這並未得到證實。安內特·艾希波夫·萊謝蒂茨基,俄羅斯一位高級官員的女兒，她進入聖彼德堡音樂學院，在那裡她是希歐多爾· 萊謝蒂茨基的學生(在1880年與他結婚)。從1871年到1892年，艾希波夫主要生活在西歐。1874年，她在倫敦首次亮相；1875年，她在巴黎首次亮相。1876年，她在美國巡迴演出。艾希波夫的曲目包括蕭邦、舒伯特、莫札特和貝多芬的作品。後來，她在聖彼德堡音樂學院任教；她傑出的學生中有謝爾蓋·普羅科菲耶夫。埃米爾·利布林是一位德裔美國鋼琴家和作曲家。揚·帕德路斯基，一位著名的波蘭鋼琴家和作曲家，也是波蘭獨立的代言人。1919年，他擔任這個新國家的首相和外交部長，期間他簽署了凡爾賽條約，結束了第一次世界大戰。佛朗西斯·普蘭特是法國鋼琴家，是最早錄製唱片的藝術家之一。普蘭特出生在奧爾蒂斯。他師從安東莞·馬蒙泰爾，七歲時在巴黎開始了他的鋼琴生涯。 埃爾文·舒爾霍夫是捷克作曲家和鋼琴家。在那一代歐洲音樂家中，他是其中之一，他們成功的事業因納粹政權的崛起而過早地終止了。   Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Original hammers. Requires restoration. Not in playing condition. Condition Report Disclaimer

Y†  FREY, PARIS; A 5 ½ OCTAVE SQUARE PIANO1811The Empire style mahogany and burr elm case with ormulu mounts, the faciaboard inset with verre eglomise nameplate inscribed 'Joseph Frey, elevé du plus grand maitre à Paris, 1811', on tapered turned legs, the lyre with four pedals controlling dampers, buff stop, bassoon and moderato168cm wide, 66cm deep, 84cm highCatalogue Note:Pierre and Joseph Frey were a firm of father and son piano makers based at Rue Vieille du Temple, Paris. Their instruments are known for exceptional decorative detail.  弗雷, 巴黎; A 5 ½ 八度方形鋼琴1811帝國風格的桃花心木、毛刺榆樹箱與歐姆魯銅錫鋅合金底座，招牌牌匾嵌有刻著"Joseph Frey, elevé du plus grand maitre à Paris, 1811" （約瑟夫·弗雷，由巴黎最偉大的大師撫養長大，1811）的verre eglomise銘牌, 在錐形車枳型桌腿上，七弦琴與四個踏板控制製音器、弱音器、低音管和中板寬168cm, 深66cm, 高84cm目錄注解: 皮埃爾和約瑟夫·弗雷是一家父子鋼琴製造商的公司，總部位於巴黎寺院古街。他們的樂器以獨特的裝飾細節而聞名。 Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.  Condition Report: Casework restored by Period Piano co. and repolished. Requires restoration. Not in playing condition. Condition Report Disclaimer

†  PLEYEL, A 6 1/2 OCTAVE TRANSPOSING KEYBOARDCIRCA 1875In original case127cm wide Catalogue Note:"We know that transposition on a keyboard is a difficult operation. When sightreading a complicated accompaniment only the most experienced accompanists and skilful musicians can transpose it into the right key for the singer. For a long time, pianos have been made where the keyboard can move by one or two semi-tones in order to remedy this issue. However, this movement in the keyboard hinders the precision in the mechanism of the piano and compromises the structural integrity of the instrument. Furthermore, the options on offer are inadequate and are no answer to the registers of different voices. Consequently, piano makers have almost universally abandoned this system.It is by another means that M A Wolff, the head of the Pleyel company, Wolff and Company, tried to resolve the problem of the automatic transposition of the piano. He invented a movable keyboard (see dia.) which fits instantaneously and easily on top of the piano keyboard, sliding onto these keys and then allowing the transposition of all the keys in the scale. We read and play the music as it's written on the upper keyboard and the lower keyboard reproduces it in another key. This section of music complete, if necessary, the transposer keyboard can very easily be removed as it's small and lightweight, - and then the pianist is free to resume playing the main keyboard which has not been subject to any change.Initially, you would think that to slide one keyboard on top of another seems like a very simple idea and not posing any undue issues. However, upon reflection, you quickly realise that the mixture of the unequal lengths and heights of the black and white keys needing to apply different pressures on the black and white keys of the keyboard below makes the construction of this little device complicated. Let's just state that thankfully, these difficulties were resolved. Pleyel's Wolff and Company transposer more than achieved the aim of the inventor. We believe this practical and inexpensive instrument is hailed to become the piano accessory for most music lovers."As described by a French advertisement at the time 普萊耶爾, 一架 6 1/2 八度變調鍵盤約 1875在原來為寬127cm目錄注解:我們知道鍵盤變調是一項困難的操作。在視奏複雜的合奏時，只有最有經驗的伴奏者和熟練的音樂家才能把它轉換成適合歌手的音調。長期以來，為解決這個問題，鋼琴的鍵盤可以調節一個或兩個半調。然而，鍵盤的這種操作阻礙了鋼琴機構的精度，損害了樂器的結構完整性。這是另一種方法。MA沃爾夫是普萊耶爾公司的負責人，沃爾夫與公司一起嘗試解決有自動變調問題的鋼琴。他發明了一種可移動的鍵盤(見直徑)，它可以瞬間輕鬆地安裝在鋼琴鍵盤上，滑動到這些鍵上，然後進行音階中所有鍵的移位。我們可以閱讀播放寫在鍵盤上的音樂，而下麵的鍵盤則以另一個鍵再現它。如果有必要，這部分音樂完整的轉換到鍵盤可以很容易地移除，因為它小並且輕量，鋼琴家可以自由地繼續演奏主鍵盤，這沒有任何改變最初，你可能會認為把一個鍵盤放在另一個鍵盤上似乎是一個非常簡單的想法，不會造成任何不必要的問題。然而，經過思考，你很快就會意識到，由於黑白鍵的長度和高度不等，需要對下面鍵盤的黑白鍵施加不同的壓力，這就使得這個小樂器的構造非常複雜。我們可以說，謝天謝地，這些困難都解決了。普萊耶爾的沃爾夫和公司的變調器超過了發明者的預期目標。我們相信，這種實用而廉價的樂器將成為大多數音樂愛好者的鋼琴配件。  † indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.   Condition Report: In working order. The outer protective case shows some signs of wear. No restoration history.Condition Report Disclaimer

Y†  ERARD, PARIS; A 5 OCTAVE FF- F3 EARLY SQUARE PIANO1798, NUMBER 3915The mahogany case with inlaid brass mouldings, the facia board inscribed Erard Freres & Co, raised on tapered fluted legs148cm wide, 56cm deep, 81cm highProvenance:Originally supplied to Viscount du Bouchage, Grenoble. Du Bouchage was an important high-ranking military officer and politician who received the Legion d'Honneur from Napoleon I.  Catalogue note:François Joseph de Gratet, Vicomte du Bouchage (1 April 1749, Grenoble - 12 April 1821), The Vicomte du Bouchage was an artillery general, politician, and French Minister of Marine in 1792 and 1815, and Minister of Foreign Affairs 1792. Born into a noble family of Bugey, he was the fourth child of Claude-Francois de Gratet, Vicomte du Bouchage, who was barrister and honorary knight in Parliament of the Dauphiné. Like his brother Marie-Joseph, he embraced a military career in 1763, at the age of fourteen. Considered a brilliant officer, he was appointed brigadier on 1 November 1784 during the creation of the corps of Colonial Royal Artillery.On 1 May 1786, he was Deputy Director at Brest naval artillery. Becoming a Director at the beginning of the revolution in 1791; he published a paper on the organization of the Marines which inspired a legislative decree June 1792. By 1792 he had been created Field Marshal and Inspector General of Artillery and accepted the position of Portfolio Minister of the Navy, after the dismissal of Roland, then as Minister of Foreign Affairs. He was dismissed in August 1792 for being anti-revolutionary. He advised Louis XVI in resistance. 艾拉爾, 巴黎; 一架 5八度 FF- F3 早期方形琴1798, 編號3915紅木琴箱鑲嵌黃銅模具，面板上刻的Erard Freres & Co在錐形凹槽腿上凸起寬148cm, 深56cm, 高81cm拍品來源: 最初供應給格勒諾布爾的維孔特·杜布夏。杜布夏是一位重要的高級軍官和政治家，他獲得了拿破崙一世授予的榮譽軍團勳章。 杜·布夏子爵在1792年和1815年曾任炮兵將軍、政治家和法國海軍大臣，1792年任外交大臣。 他出生在布熱的一個貴族家庭，是克勞德-弗朗索瓦 德 格雷特的第四個孩子，克勞德-弗朗索瓦 德 格雷特是杜布夏的子爵，他是Dauphiné議會的律師和榮譽騎士。 像他的哥哥瑪麗-約瑟夫一樣，他在1763年14歲時開始了軍旅生涯。1784年11月1日，他被任命為準將，他被認為是一名才華橫溢的軍官。1786年5月1日，他擔任布列斯特海軍炮兵部副主任。在1791年革命之初成為董事;他發表了一篇關於海軍陸戰隊組織的論文，這激發了1792年6月的立法法令。 1792年，他被任命為陸軍元帥和炮兵總長，並在羅蘭被解職後擔任海軍部長，當時他是外交部長。 1792年8月，他因反革命而被革職。他建議路易十六發起反抗。  Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Original condition with original strings. Hammers original (now requiring re-hinging). 1 hammer missing. Soundboard and bridge in good condition. Pedals and controlling levers missing. Case with some stains and marks. Action in non-playing original condition. No restoration history. Condition Report Disclaimer

† RIPPEN, HOLLAND; A 6'2'' ALUMINIUM GRAND PIANOCIRCA 1965The case finished in metallic silver with black polyester finish to lid, nameboard and music desk on tapered square legs141cm wide, 94cm high; together with matching stool designed by Nico Rippen Catalogue Note:This piano was a revolution in piano design. Johan Rippen threw away the rule book and instead of sticking with the traditional wooden-cased piano with a separate cast iron frame to take the tension, these pianos were made of a cast aluminium frame which was both the body of the piano and the frame bearing the tension of the strings The result is an iconic design reflecting the aesthetics of the 50s and 60s, but also, still strikingly modern with its sinuous case shape freed from the constraints of traditional construction. There were also several other brilliant innovations such as the laminated soundboard which does not crack or distort and a reverse 'crown' built into the soundboard at the time of construction. These instruments are very light and stable and it is no surprise that they were featured on many ocean liners of their day. These ocean liners were the epitome of taste and modern style, including the re-imagined, legendary Parisian Cafe de la Paix which lent its name to the one on board the 1958 SS Rotterdam, the ground-breaking, last great Dutch "ship of state" which was launched by Queen Juliana and featured the greatest Dutch artisans in the fitting out process. 裏朋,荷蘭; 一架 6'2'' 鋁制 三角鋼琴約1965琴箱以金屬銀和黑色聚酯完成蓋，名牌和錐形方腿上的音樂桌寬141cm, 高94cm; 搭配由尼科·來彭設計的凳子目錄注解: 這架鋼琴是鋼琴設計的一次革命。 約翰·來彭扔掉規則，堅持傳統木箱鋼琴加上一個單獨的鑄鐵框架進行拉力，這些鋼琴的鑄鋁框架是鋼琴的主體和承受琴弦張力的框架。其結果是一個標誌性的設計，反映了50年代和60年代的美學，但也仍然驚人的現代化，其彎曲的外殼形狀擺脫了傳統建構的限制。還有其他一些傑出的創新，如不開裂或扭曲的夾層音板、在建造時內置在音板上的反向"皇冠"。這些樂器非常輕便且穩定，所以它們當時出現在許多遠洋客輪上也就不足為奇了。  † indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium.Condition Report: Fully restored by Period Piano Company. New strings, hammers, dampers. In good playing condition.Condition Report Disclaimer

Y† PLEYEL, PARIS; A RARE 7'6'' 'AUTO PLEYELA' GRAND PIANO, NUMBER 17839 1925 The model is a traditional Pleyel Trois Bis grand, fitted into a special case accommodating the auto Pleyel piano roll mechanism. The Chinoiserie case decoration signed Leo Huillard, the scarlet lacquered and gilt gesso decoration depicting birds and flowering branches the underside to the top painted with birds and landscape on an old gold ground on 6 cabriole legs 145cm wide, 109cm high; together with a selection of 65 original piano rollsClick here to see the Pleyel playing a foxtrot, ‘Ce jeune et ça ne sait pas’, on an original piano roll, contemporary with the piano.Click here to see the Pleyel playing Stravinsky’s, 'Le Sacre du Printemps' ('The Rite of Spring') which premiered in 1913. It was arranged for piano roll and played by Igor Stravinksy himself. Provenance: Originally supplied to Monsieur Roger Sudreau in 1929Catalogue Note: The 'Auto Pleyela' was Pleyel's most sophisticated pianola mechanism offering considerable personal control of dynamics and tempi. The system runs both by pedalling and via an electric motor. Very few examples can still be found, the present lot is likely to be the only example in UK.The piano has been restored to playing condition, and all of the main components of the pianola mechanism have been restored.Roger Sudreau Roger Sudreau was a well know figure within New York and Parisian society during the early 20th century. His scandalous marriage to Jacqueline Lebaudy, daughter of the notorious sugar magnate known as the Emperor of the Sahara. He was a fabulously wealthy figure and the toast of the New York and Paris society in the early 20th century. 普萊耶爾，巴黎; 一架稀有的 7'6'' '自動普雷耶' 三角鋼琴, 編號178391925該模型是一個傳統的普雷耶三人重複演奏三角鋼琴，安裝了一個特殊的琴盒，可以容納自動普雷耶鋼琴滾動裝置。中國風格的琴箱裝飾上有利奧·於亞爾的簽名，紅色漆和鍍金的石雕裝飾描繪了鳥和開花的樹枝，從底面到頂部，畫著古老的金色地面上的鳥和風景，下面是6個彎腳寬145cm, 高109cm; 帶有精選的65個原版鋼琴捲簾拍品來源:最初是1929年供應給羅傑·蘇德羅先生目錄注解: "自動普雷耶"是普雷耶最複雜的自動鋼琴機制，提供相當大的個人控制動力和節拍。該系統通過腳踏和電動馬達來運行。現在已經很少有這樣的例子了，現在的這批可能是英國唯一的範例了。羅傑·於亞爾羅傑·於亞爾是20世紀初紐約和巴黎社會的知名人物。他和賈桂琳·勒波迪有著不體面的婚姻，賈桂琳·勒波迪的父親是臭名昭著的糖業大亨，被稱為撒哈拉大沙漠的皇帝。他極其富有，祝酒的人都來自20世紀初的紐約和巴黎社會。  Y indicates that this lot may be subject to CITES regulations when exported. Relevant CITES Regulations may be found at www.gov.uk/guidance/cites-imports-and-exports. The import of ivory is banned in certain countries. Please check your country's import regulations before bidding.† indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Case decoration/gilding restored. Musically restored. New strings and hammers, voiced and regulated. Pianola mechanism restored. Functions with foot pedals or electricity. Electrical system reconfigured to work with modern electrical vacuum pump rather than outdated electrical motor driven bellows.  Condition Report Disclaimer

†  A 7'10'' 61/2 OCTAVE CC-G4 VIENNESE FORTEPIANO COPY DAVID WINSTON, 1995, AFTER THE JOSEPH BRODMANN 1823 MODELThe French Walnut case with decorative ormolu mounts cast from the originals and bone keyboard on turned column legs, the lyre with 5 pedals controlling: Dampers, una corda, moderato, bassoon, and janissary91cm high, 129cm wide  Provenance:Previously owned by the Russian pianist Olga TverskayaThis is David Winston's first instrument and he considers it his best. It has been used internationally in many recordings and concerts by leading musicians.  "Playing on David Winston's 1995 copy of an 1823 Brodmann - an instrument I crave like I've craved nothing else - Cooper's notes emerged from the misty orchestral pianissimi like a thread of rosy seed-pearls: clean, cool, unique and sweet-- A generous, rapt, exciting embodiment of a rare sound-world". Review, Beethoven 2nd Piano Concerto, played by Imogen Cooper with the Orchestra of Age of Enlightenment. The Independent  一個 7'10'' 61/2 八度 CC-G4 維也納古鋼琴複刻大衛·溫斯頓, 1995, 根據約瑟夫·布羅德曼1823年的模型，法國胡桃琴箱帶有裝飾鍍金支架，原版鑄造和轉動柱腿上的骨鍵盤，由5個踏板控制的七弦琴：減震器、弱音踏板、中板、低音管、巴松管，janissary高91cm, 寬129cm拍品來源:之前的主人是俄羅斯鋼琴家奧爾加·特維斯卡亞這是大衛·溫斯頓的第一件樂器，他認為這是他最好的樂器。在許多國際唱片和著名音樂家的音樂會中都會使用到它。 "在大衛·溫斯頓1995年複製出的1823年的布羅德曼(Brodmann)鋼琴上演奏時，庫珀的音符從朦朧的管弦樂弱音中浮現出來，就像一縷玫瑰色的珍珠:乾淨、涼爽、獨特而甜美--一個罕見的聲音世界，成為慷慨、著迷、令人興奮的化身"回顧，貝多芬第二鋼琴協奏曲，由伊莫金·庫珀與啟蒙時代管弦樂隊演奏。《獨立報   † indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers' premium. Condition Report: Original condition. Good playing condition. Some marks and scratches consistent with use. Bell hammer lever for janissary mechanism is missing. Condition Report Disclaimer

Tom Brown (British 1933-2017) Backyard scene with children playing, signed, pastel.38cm x 53.5cm (15in x 21in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

An Air Ministry World War II period Captain Fields Improved Parallel rule, 1944, issue stamps; others; Technical scales, Draughtsman's drawing set; playing cards, etc

Four printed and over painted ceramic tiles indistinctly signed - The music lesson, fiddle; The music lesson, the flute; Playing with the baby and Family outing. (4)

A large collection of costume jewellery and watches to include a 9ct gold charm bracelet with various 9ct and gilt metal charms, a 9ct gold spitfire pin, a 9t gold ball and box chain necklace, two 9ct gold signet rings,  9ct gold cross, combined total gross weight approx. 33gms a 9ct gold and opal ring, vintage enamel brooches, paste set brooches and necklaces, clip on earrings, gilt and white metal rings, faux pearl necklaces, ladies dress watches, gilt and white metal chains, cufflinks and tie pins, Festival of Britain commemorative coin and a box containing vintage playing cards (1 bag)

A Japanese wind up musical mechanism, playing jingle bells, in a The Turkey Safety Matches box

C20th hollow bronze figure of Phra Aphai Mani seated cross-legged, playing a magic flute W47cm D35cm H62cm

Edwardian Sheraton revival satinwood banded and inlaid mahogany envelope top card table, swivel opening to reveal baise lined playing surface with counter wells above a single drawer on square tapered supports, brass sockets and casters with retailers label for F. W. Greenwood & Sons Art Dealers and Furnishers 24 Stonegate, York W55cm H74cm