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Lot 198
Green Crystal and Cat's Eye 'Frog Musician' Pendant/Brooch, an amusing figure of a frog playing a flute, the head and legs in emerald green and white crystal, the body an oval green faux cat's eye, with gold tone trim; 2.25 inches high with a brooch fitting and a pendant loop; plus chain, 19 inches long
Lot 95
A good Doulton Lambeth stoneware vase by Hannah Barlow, shouldered form, incised with a frieze of hounds chasing a wild boar amongst grasses, the shoulder incised with puppies and kittens playing amidst stiff leaf border, glazed in shades of black, green and blue on a buff ground, another Doulton Lambeth vase by Hannah Barlow incised with galloping horses and a Doulton vase decorated with seaweed scroll impressed mark, incised monogram, damages 25cm. high (3)
Lot 850
Francesco Bartolozzi, (Italian, 1727-1815) after Guercino A man playing the lute whilst a singer sings engraving; together with an engraving by Robert Vaughan (English, 1600-1660), "Thus free from all Marines, I rest in Neptune's arms", dated 1651, 23 x 13cm; and an engraving of a Martyr with a Lyre by W Baur (3) 25 x 30cm (10 x 12in) Provenance: From the collection of the late Christopher Hogwood CBE. The Bartolozzi is unframed. The Vaughan is trimmed and a little browned. The Baur is trimmed, foxed and discoloured. All are unframed.
Lot 851
John Kay (Scottish, 1742-1826) A series of caricature engravings; together with Isaac Cruikshank (Scottish, 1764–1811) and G M Woodward (British, 1760–1809), an oval portrait of a Lady playing a harpsichord, 21 cm (8.5 in) engravings (15) various sizes signed "J Kay" and "G M Woodward del. / Cruikshank sculp." with ink in print Provenance: From the collection of the late Christopher Hogwood CBE.
Lot 860
Attributed to Mauro Gandolfi (Italian 1764 - 1834) A group of putti playing horns and tambourines, circa 1810 signed lower right "Gandolfi" watercolour 16½ x 23cm (6 x 9in) Provenance: From the collection of the late Christopher Hogwood CBE. Purchased at P & A Merridale, Stookbridge, 1979. A little loss of colour and the paper is crinkled under the glass.
Lot 863
Elizabeth Cobbold (British, 1767-1824) A paper cut out sillhouette of exotic birds on a branch with an angel playing a trumpet and a handwritten verse below paper cut out 23 x 19½cm (9 x 7in) Provenance: From the collection of the late Christopher Hogwood CBE Elizabeth Cobbold of Ipswich sent paper cut -outs as invitations to her annual St. Valentine’s Day Ball in the early 19th Century, making around 60 cut-outs a year.
Lot 871
After Caspar Netscher (Dutch, 1639-1684) A Gentleman playing the lute to a lady at a casement window; and A Visit from the doctor oil on metal (a pair) 31 x 26cm (12 x 10in) Provenance: From a Suffolk country house. The present paintings are both believed to be after the originals by Caspar Netscher destroyed by Allied bombing in Dresden in 1945. Some little bumps to the surface. Modern frames and backs.
Lot 155
A French gilt metal and Sevres style porcelain mantel clock garniture, unsigned A French gilt metal and Sevres style porcelain mantel clock garniture, unsigned, late 19th century, the circular eight-day bell striking movement with circular powder blue ground Roman cartouche numeral dial with polychrome floral painted concentric band to centre, the case with lovebird and laurel surmount to the shallow arch pediment, fronted with panel painted with a musical trophy over scroll crest and dial flanked by free-standing bulbous uprights painted with reserves of cherubs playing musical instruments within a blue field, the shaped base with conforming inset panel to centre flanked by Ionic pilasters and moulded curved end sections issuing scroll supports, 36cm high (41cm high overall including separate giltwood stand); with a pair of urn-shaped side ornaments en-suite, each painted with panels depicting cherubs and with grotesque mask handles over panel centred shaped base with curved end sections and toupe feet, each 27.5cm high (32cm high overall including giltwood stands).
Lot 167
A fine Swiss inlaid walnut 'Sublime Harmony Piccolo' music box A fine Swiss inlaid walnut 'Sublime Harmony Piccolo' music box, retailed by Wales and McCulloch, London, late 19th century, the mechanism playing a choice of eight airs via a 17 inch pinned brass cylinder and two tuned steel combs, the movement driven by single crank-wound spring drum mounted on gilt iron bed with tune indication sector inscribed WALES & McCULLOCJ, 20 & 22 LUDGATE HILL, LUDGATE HILL, Manufactured in GENEVA to centre beneath hinged glass internal cover with CHANGE/REPEAT and STOP/PLAY selection levers to right hand side, the lid pasted with hand-written tune sheet with lower margin inscribed No. 13128, the exterior with small foliate marquetry lozenge decoration within banded border to lid, the front and sides with conforming borders and fitted with cast brass handles to each end, 82cm wide.
Lot 168
A Swiss ¾lls in sight' automaton music box, Picard-Lion, Geneva A Swiss ¾lls in sight' automaton music box, Picard-Lion, Geneva, late 19th century, the mechanism playing a choice of ten airs via an 11 inch pinned brass cylinder and tuned steel comb with additional accompaniment on six bells played in pairs by one of three seated figures in Oriental dress, the mechanism driven by single crank-wound spring drum mounted on gilt iron bed with tune indication sector beneath hinged glass internal cover with CHANGE/REPEAT and STOP/PLAY selection levers to right hand side, the lid pasted with hand-written tune sheet within lithograph landscape decorated borders centred with a pair of figures in traditional Swiss Alpine dress to foreground, the lower margin inscribed PICARD, LION, EDITEUR, GENEVE, the exterior with musical trophy marquetry decoration within line-strung borders to lid and cast brass handles to the grained sides, on ebonised squab feet, 58cm wide.
Lot 169
A Swiss carved and marquetry decorated walnut fifteen-inch disc music box A Swiss carved and marquetry decorated walnut fifteen-inch disc music box, Polyphon, late 19th century, the mechanism comprising a set of star wheels driven by tangs on a rotating interchangeable steel disc engaging pair of tuned steel combs fitted to the gilt painted cast iron bed inscribed POLYPHON, the inside of the lid inset with a monochome lithograph of putti playing music, the exterior with marquetry floral spray decoration within a raised burr panel ground and carved cavetto moulded border, the front with geometric panel overlaid decoration, the right hand side with a crank winding handle, on conforming moulded skirt incorporating squat bracket feet, 57cm wide.
Lot 407
A Regency rosewood card table , circa 1815 A Regency rosewood card table , circa 1815, the burr-banded top with canted corners opening to baise playing surface and swiveling to compartment, above turned pillar and platform base with quadrouple outswept legs, terminating in brass acanthus caps and casters, 74cm high, 91cm wide, 45cm deep
Lot 938
Abraham Blooteling (Dutch, 1640-1690), after Sir Peter Paul Rubens Variae Leonum Icones - two young lions playing etching, together with a Bartolozzi print and a print of a Moghul Ambassador (3) 20 x 26cm (8 x 10in) A copy of this print is in the British Museum Department of Prints and Drawings. Unframed. There is a tear to the upper right-hand corner.
Lot 1086
Two Ledgers of Cambridge University Cricket Club match scores, recording matches from 30th May, 1928 to 23rd June, 1945, and 30th April, 1946 to 9th May, 1952, written in a flowing neat hand in ink, very probably compiled by Percy Piggott, official scorer for the CUCC, and author of "Fenner's Reminiscences of Cambridge University Cricket". The matches include first class county series and Oxford University and many others. Famous names include D.S.Shepherd and Peter May, (playing in the final recorded fixture against Essex), and the record breaking partnership of Hubert Doggart and John Dewes who in 1949 set up a new English second wicket record of 429 unbroken against Essex. 43 x 30cm (17 x 12in) Provenance: Obtained by the present vendor following the acquisition of the Piggott & Co printing business in Cambridge.
Lot 547
A miscellaneous collection to include several vintage white linen tablecloths, two similar polished onyx ashtrays with applied spelter dog figures, a similar office standish, an eastern brass panel of rectangular form with embossed detail of parading figures and animals, a brass oil lamp with clear glass chimney, further desk lamps, contemporary embroidered panels to include an example depicting a lady playing an organ, etc, 28 bone and ebony dominos, etc (dominos displayed behind cabinet opposite)
Lot 55
A collection of 19th and early 20th century Japanese Satsuma wares including a vase with pierced cover, angular handles and painted and gilded decoration of puppies playing, raised on three small supports with painted seal mark and gilded marks to base, a further lidded vase, various bowls, a further pot and cover with pierced detail and floral knop, etc
Lot 562
A vintage pine chest of squared form bearing the label G Insall to the interior containing a contemporary hard wood multi-divisional paper tidy, a vintage leather folio with locking clasp and multi-divisional interior, a printed tin together with a further Victorian pine chest containing a quantity of large timber bun feet, a vintage iron bladed hatchet, a small panelled multi-sectional painting on oval ground depicting a lady playing a harp in 17th century dress, a box of rectangular form containing a wax doll (AF), etc
Lot 385
A Regency mahogany gilt brass mounted bracket clock,by William Robson, Cripplegate, London, the musical eight-day triple fusee movement, striking the quarters on a single bell, and playing the tone on eight graduated bells, with a repeater, the convex glazed door opening to reveal a painted dial below three further dials with a repeater, 'Strike/Silent', 'Slower/Faster', 'Chime Fast/Chime Slow', the backplate inscribed 'William Robson, Cripplegate, London',63cm high
Lot 48
A set of four Meissen Figures,c.1850, modelled as a boy playing a flute, a girl selling flowers from a basket, a boy with grapes and scales, and a girl with a plumed hat at her feet, each in pastel coloured costume standing on a gilt scrolled base, underglaze blue crossed swords mark and impressed numbers,13 to 14cm high (4)
Lot 242
An early 20th Century 14ct gold enamel and sapphire mounted rectangular card case with curved ends, the face enamelled in colours with a racehorse and a jockey, three playing cards, a Moulin Rouge dancer and a champagne bottle and glass, the front clasp set with an oval cabochon cut sapphire with cabochon cut sapphires to either end, No. 48493, 47mm x 87mm x 12mm deep (gross weight 78 grammes)
Lot 43
A Victorian child's silver christening mug, the cylindrical body engraved with five young girls playing badminton and with cast bead mounts to rim and footrim, and cast double scroll handle, 3.375ins high, by Richard Martin and Ebenezer Hall, London 1880 (weight 3.5ozs), in leather covered fitted case for same, a Victorian silver tumbler of cylindrical form, the body engraved with floral sprays and circular cartouches within stylised leaf bandings, 3.125ins high, by Edward Barnard & Sons, London 1875 (weight 2.5ozs - dented and marked around base), a Victorian child's knife, fork and spoon with embossed moulded silver handles (various dates - handles loaded and dented)
Lot 218
IVORY CARVED FIGURE - A C20th Chinese ivory carved figure of an Emperor seated on a Dragon throne (Slight piece of flat ivory missing of the seat), measures height 19cm (7 1/2") x width 12cm (4 3/4") x depth 11cm (4 1/2"). Also a terracotta glazed seated nodding figure playing a mandolin c.1900
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79738 item(s)/page