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Good ebonised and ormolu mounted three train bracket clock, the substantial W & H movement playing and striking on five gongs, the 9.5" x 7" brass dial plate with silver chapter ring enclosing a matted centre surmounted by a subsidiary slow/fast dial, within an ormolu mounted stepped case surmounted by a caddy top, 18.5" high
Reproduction faux walnut three train bracket clock, the Warmink movement striking and playing on eight copper rods, the 4.5" silvered dial surmounted by a moon phase and with off/on and Westminster/Whittingham/Winchester levers within a stepped case surmounted by a caddy top and brass carrying handle, 13.5" high
Good large English oak triple fusee bracket clock, the substantial movement playing on eight bells and striking on a gong, the foliate engraved silvered dial plate signed James McCabe, Royal Exchange with subsidiary chime/silent and chime on eight bells/Cambridge chimes dials within an architectural pillared stepped case surmounted by a broken arched pediment, 23" high
Good English oak triple fusee bracket clock, the movement playing on eight bells and chiming on a large gong, the 7" gilded arched dial with chime/silent, slow/fast and Cambridge/Westminster subsidiary dials to the arch over a silvered chapter ring enclosing a matted centre, within a foliate and mask carved case surmounted by a cushion cornice and flat top, 21.5" high
Contemporary Schatz three train four glass mantel clock, the movement with platform escapement playing St Michaels, Whittington and Westminster chimes on eight copper rods, the 4.25" silvered chapter ring enclosing a skeletonised centre, within a brass bound glazed case surmounted by a stepped caddy top and brass carrying handle, 11.5" high
A pair of Minton porcelain cabinet plates in the Aesthetic taste each decorated with a fan shaped panels depicting sentimental scenes of playing children reserved on a turquoise ground with lilly-of-the-valley and tooled gilt embellishment within a dentil rim, 24 cm diameter, impressed marks and date code for 1872, inscribed in red G.1267. * Purchased from Geoffrey Godden 1978, this lot is accompanied with the catalogue from the selling exhibition `A Hundred & One Decorative Porcelain Plates`, where it appears on page 60.
Bruford & Son, Exeter, an Edwardian chiming longcase clock having an eight-day duration movement striking the hours on a gong and playing one of two tunes, `Whittington` or `Westminster`, on a further eight gongs (removed), the thirteen-inch break-arch brass dial having pierced and engraved gilt brass decoration, with the raised silvered chapter ring having applied gilt-brass Arabic numerals and with two subsidiary dials within the arch for `chime/silent` and tune changer, the silvered plaque to the centre engraved with the retailer`s name `Bruford & Son, Exeter`, the mahogany case with satinwood crossbanding, an arched glazed door, a panelled base with inlaid ovoid decoration, fluted columns to the hood with cast brass capitals and a swan neck pediment having a brass ball & spire finial to the centre, height 240cm. ** Provenance: Rowcroft Hospice, Torquay
Linde (A. van de) Gutenberg Geschichte und Erdicht some light water-staining later cloth-backed boards Stuttgart 1878 § Gottschalk (Paul) Die Buchkunst Gutenbergs und Schöffers colour plates occassional spotting later cloth-backed marbled boards Berlin 1918 § Ruppel (A editor) Gutenberg Festschrift zur Feier des 25 Iaehrigen Bestehens des Gutenberg Museums in Mainz plates and illustrations original pictorial wrappers stained Mainz 1925 § McMurtrie (Douglas C.) The Gutenberg Documents original cloth spine gilt New York 1941 § Lehmann-Haupt (Hellmut) Gutenberg and the Master of the Playing Cards colour frontispiece illustrations some colour folding table in pocket at end original cloth gilt New Haven and London 1966 § Kapr (Albert) Johannes Gutenberg Persönlichkeit und Leistung plates and illustrations some colour original pictorial cloth dust-jacket Frankfurt 1986; and c.40 others Gutenberg v.s. (c.46)
A Victorian rosewood and marquetry envelope card table, folding and turning top inlaid with leafy scrolls, enclosing a velvet lined playing surface and four dished counter wells, drawer to frieze, brass swing handle, shaped stretchers, turned and fluted under-finial, turned legs, ceramic casters, 75cm high, 54cm wide, c.1890
A large French porcelain figure group, after Meissen, the central figure playing the guitar while a couple and children sit around a rocky stump, draped in long flower garlands, raised on a circular scrolling base, 2nd half 19th century, a small amount of restoration, 42.5cm. Provenance: from a good private collection.
A large Meissen garden group, after a model by Acier and Schönheit, the central figure winding a spool of thread while a gentleman tied her hair ribbon, two other couples around the base playing with a caged bird, raised on a circular Neoclassical base, crossed swords mark, incised `D93`, 19th century, minor good restoration, 28cm. Provenance: from a good private collection.
A Meissen model of two children, after Acier and Schönheit, allegorical of Summer, the boy seated on sheaves of corn and holding a sickle, the girl garlanded in flowers and playing the viol de gamboys, blue crossed swords mark, incised `F92`, 19th century, a small amount of damage and restoration, 15.5cm. Provenance: from a good private collection.
A vintage circular Box, lid inscribed “Stubbs and Studs and Ink”; a further Ronson “Queen Anne” pattern Table Cigarette Lighter; a set of vintage Screwdrivers; a vintage Players Navy Cut Cigarette Tin containing a set of draughts pieces, all inscribed “Morganite & Battersea Carbon Brushes”, together with a playing board etc
1956 CUP FINAL MENU Menu for the Official Manchester City Cup Final Banquet held at The Café Royal post match 5/5/56, signed to the reverse by Bert Trautmann who was the hero of the game as he continued playing with a broken neck to help City to a 3-1 victory over Birmingham. Other signatures are Bill Leivers and Les McDowell. Sky blue cord is attached to the spine.

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79736 item(s)/page