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Charles Avery (born 1973); limited edition print, two drunken figures playing chess, signed and no.25/100 verso, 51 x 42.5cm, unframed. Charles Avery is described by the National Galleries of Scotland as one of the most interesting contemporary artists with a considerable international reputation. He has had several successful exhibitions including one at The Scottish National Gallery of Modern Art 2008 and at other leading public galleries including Tate Britain and The Haywood Gallery, London.
A mahogany fold-over card table, early 20th century, the rectangular top opening to reveal four counter wells and a baize inset playing surface over an inlaid frieze and hidden card store raised on four turned and tapering legs terminating in a compressed bun foot, 76cm wide, 73cm high, 38cm deep
* Thomas Rowlandson 1756-1827- "Political Terriers hunting for new Taxes", publ June 23 1806 No 1 James S Adelphi; hand-coloured etching, 24x34.5cm: James Gillray 1757-1815- "Meeting of Unfortunate Citoyens", publ May 12th 1798 by H Humphrey 27 James Street; hand-coloured etching, 25.5x36cm: James Gillray 1757-1815- "Visiting the Sick", publ July 28th 1806 by H Humphrey 27 Stt James`s Street; hand-coloured etching, 26x36cm: James Gillray 1757-1815- "The Phantasmagoria or a Review of Old Times", publ by T Williamson No 20 Strand London March 9th 1803; hand-coloured etching, 24.5x35cm: James Gillray 1757-1815- "Playing at Parts", publ May 15th 1801 by H Humphrey No 27 St James`s Street; hand-coloured etching, 25.5x36cm: Thomas Rowlandson 1756-1827- "The Parody or Mother Cole and Loader", publ April 10th 1784 by W Humphrey 227 Strand; hand-coloured etching, 24.7x35cm: William J Colland, publ March 1809- "Spectacles for Lottery Adventurers or John Bull`s Eyes open at last"; hand-coloured etching, 30x24,5cm: George Cruikshank 1792-1878- "Whitlock the second or another tarnish of British Valor", publ Sept 29 1808 by S W Fores 50 Piccadilly; hand-coloured etching, 24x34cm: H Humphrey 27 St James`s Street, publ Jan 1st 1800- "The French-Consular-Triumverate settling the New Constitution with a peep at the Constitutional-Pigeon-Holes of the Abbe Seiyes in the Back round"; hand-coloured etching, 35x24.2cm: Robert Isaac Cruickshank 1789-1856- "Frank and Free or Clerical Characters for 1825", publ August 1825 by J Fairbairn Broadway Ludgate Hill; hand-coloured etching, 24.5x34.6cm., (10)
* Italian School, mid 19th century- Two musicians playing wind instruments; watercolour on paper, bears inscription in pencil and signed indistinctly, from the `Collection of Admiral Robert Spencer Robinson 1843`, according to inscription in pencil on the reverse, 37.5x27.5cm:Italian School, mid 19th century- Study of a musician; watercolour, 35.3x25.2cm: together with three other watercolour studies of figures dancing, European Provincial School, 19th century, 25.2x17.4cm., (max) (5) (unframed)
BILLIARDS Two advertising cards issued by Birmingham Billiards in 1937, one shows Joe Davis , Snooker Champion of the World, the other shows Horace Lindrum, Snooker Champion of Australasia, the two were playing against each other for the World Championship. The cards measure 4" x 5". Generally good
THAMES - LAST MATCH Brentford home programme v Thames Association, 7/5/1932 and a crowd of 6,364 saw the last-ever Football League game to be played by Thames. Brentford won 1-0 and Thames finished in bottom place five points behind Gillingham. Virtually bankrupt Thames initially decided to apply for re-election but then changed their minds after an appeal for funds fell on deaf ears. The players were released and the Club became defunct, their existence ending after four years of life, two years being spent in the Southern League and two in the Football League. Their ground was the rather large West Ham Stadium which was primarily a Speedway and Greyhound Stadium. It was claimed that the ground could hold 120,000 although 64,000 for a Speedway International v Australia seems to have been the maximum attendance. Thames Record attendance was 8,275 v Exeter for their first League match, the lowest being a dismal 469 v Luton, 6/12/1930 which was a record low for a scheduled Saturday League game. Playing in red and blue quartered shirts and white shorts, Thames finished 20th and 22nd in their two seasons. This programme is a standard Brentford home programme, it has a fold and the staple has been removed, however it has no writing and is in generally good condition. As described.
BOLTON Home programme v Brentford,1/5/1935, a crowd of 46,554 saw Brentford lose 2-0 to the team that finished runners-up to them in the Second Division. At the time of playing the game, Bolton were third a point behind West Ham who had played one game more. Bolton only drew their last match and whilst the Hammers won, they were deprived of First Division promotion on goal average as they both finished five points behind Brentford. Slight fold, very minor ageing. Generally good
QPR / FULHAM 4 page Benefit match programme played at Osterley Sports ground 3rd December 1951 between London transport team and a combined Fulham / Queen`s Park Rangers team. This match was put on for the dependants of Sydney Russell who was a prominent amateur player, who died playing football. Punch-holes, no writing. Fair
Mid-20th century satinwood-type viol having rosewood-type pegs etc, decorative flowerburst design to the body above the bridge, label reads "Viola da Gamba, faciebat 1971 Wolfgang Uebel celle Germany", together with bow and book "Play the Viol, the Complete Guide to Playing Treble, Tenor and Bass Viol"
A 19th Century Swiss Cylinder Music Box by Nicole Freres, the 33cm brass cylinder and single steel comb movement stamped `Nicole Freres` playing twelve airs, enclosed by a glazed inner lid, with ratcheted winding handle (numbered 52721) to one side opposite Change/Repeat and Stop/Play levers, the underside of the hinged lid set with original hand written Nicole Freres tune sheet numbered L.No.1106, G.No.52721 and S.No.5054, in an ebonised and stained case, the rosewood lid inlaid with a vase of flowers surrounded by foliate decoration, working order, length 66cm (case wormed)
A 19th Century Swiss Flutes Voix-Celeste Musical Box, No. 12097, playing eight airs with a 36cm brass cylinder, seventeen note organ section and two steel combs, with single spring ratchet wind motor, brass handle numbered 12097, stop/play and change/repeat levers, tune sheet to inside lid, the inlaid rosewood case with boxwood stringing and floral marquetry decoration to front and lid, raised on later cabriole legs terminating in ball and claw feet, 63cm wide (needs attention)

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