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Lot 1
A Meissen group of vintners circa 1880 modelled as a boy seated beside an open pannier holding a vine branch and grape bunches, a girl standing to his side holding a filled beaker and wine jug, on a rocky oval base; and a later group of a gallant and his companion, he with flower posies, she playing a lute, a lamb at her feet, a tree to the rear, applied flowers crossed swords in underglaze-blue, the first incised F.92 and with cancelled mark, impressed numerals 16.5cm. and 15cm., 6Iin. and 5Pin. some typical losses and repairs (2)
Lot 1
A 'S'vres-style' blue-ground gilt-metal-mounted vase and pedestal stand late 19th century the vase painted on each side with an oval panel depicting a scantily clad maiden accompanied by Cupid and a putto playing musical instruments, seated on stone steps in parkland, enclosed by an elaborate gilt foliate scrollwork frame and reserved against the dark blue ground, mounted with twin gilt-metal foliate scroll handles, the blue-ground pedestal stand decorated in raised gilding with an arrangement of musical instruments between ribbon and scrollwork borders, mounted on a stepped marble base and surmounted by a gilt wood capital and marble shelf the base inscribed in gilding 'Manufactured expressly for the Berlin Exposition' vase 93cm., 36Kin.; the stand 101cm., 39Nin. marble shelf repaired and loosely fitted to pedestal (2)
Lot 1
Three enamel plaques, French, late 19th century each painted in opaque and translucent enamels, the first, entitled: Le dafi, by T. Leroy, signed, 16.5cm, 6 1/2 in; the second, entitled: Cadet de Gascogne, also by T. Leroy, signed, showing a smiling soldier draped in his flag, 16.5cm, 6 1/2 in; and a smaller example, signed with initials OR, of a troubadour playing the lute, 14.5cm, 5 3/4 in, each in elaborate gilt-metal frame (3)
Lot 1
Two Copeland sprig-decorated jugs, each in light buff stoneware with blue grounds and white sprigs: one with a design of the Dancing Hours, height 14cm, the other with designs of revellers, Uncle Toby and a group with man playing the small pipes, height 19.5cm (very small rim chip); both impressed 'COPELAND' with 'ENGLAND', the larger jug also with a brown-printed maker's seal mark, late-19th/early-20th century
Lot 1
8 animal figures: 4 cats playing cello, piano and 2 ‘singing’ from music sheets; kitten running, cat carrying placards ‘A Merry Christmas’ and on his back ‘A Happy New Year’, hare playing side drum and a begging rat, 2 figures in ceramic the others hand painted cast brass. AF - VGC. (1 ceramic cat tail broken, minor age wear)
Lot 1
Deep Purple/Ritchie Blackmore A 1961 Gibson ES-335 thinline electric guitar, Serial No. 26457, in cherry red finish, double cutaway body, mahogany neck, Kluson machineheads, 22 fret bound rosewood fingerboard with dot inlays, two Humbucker pickups, four rotary controls, selector switch, tune-o-matic bridge, Bigsby tremolo tailpiece; and black hardshell case, stencilled on the front and back in white lettering DEEP PURPLE; accompanied by a colour snap-shot of Blackmore playing the guitar on stage with The Three Muskateers circa 1965 -- 3 1/2x5in. (9x12.7cm.); and two black and white photographs of him playing it on stage with Deep Purple, circa 1968, largest -- 8 1/2x6 1/2in. (20.2x16.5cm.) (5). According to Barbel Blackmore, Ritchie Blackmore played this guitar with Deep Purple between 1968-1971. Film footage of Blackmore playing it at the Royal Albert Hall with The Royal Philharmonic Orchestra on September 24th, 1969 was included in the Deep Purple episode of the 1990s t.v. series Rock Family Trees.
Lot 1
Reg Dwight/Elton John A rare acetate of Elton John's first release under his real name, Reg Dwight, the double-sided 7"" mono acetate by Bluesology, 1965, with blue and silver Jackson Recording Studios, Rickmansworth, Herts label, the A-side and B-side with typescript details ""Come Back Baby"", Bluesology and ""Corina Corina"", Bluesology, the acetate in common mount with a copy of the released version of the single Come Back, Baby/Times Are Getting Tougher Than Tough, Fontana, 1965, 45rpm; and three black and white photographs of Bluesology in rehearsal at a hall in North Harrow in 1965 [printed later], two of Reg Dwight singing and playing the piano and one of all five band members, each -- 4x3in. (10.2x7.7cm.) or 3x4in. (7.7x10.2xcm.), framed; accompanied by a letter concerning the provenance from Bluesology bass guitarist, Geoff Dyson (2).
Lot 1
The Who/Keith Moon Keith Moon's Premier five-piece drum kit, 1968, the part kit in chrome finish comprising: bass drum transfer-printed with The Who logo in orange and black, two floor tom-toms and two mounted tom-toms, with two bass drum spurs and a mounted tom-tom post -- the kit custom-made for Keith Moon in 1968 and used by him throughout 1968 - 1970 on various occasions including: The Rolling Stones' Rock N Roll Circus, 10-11th December, 1968; The Who's U.S. tour, 1969; Woodstock, 16-17th August, 1969; the second Isle Of Wight Festival, 30th August, 1969; and the concert at Leeds University, 14th February, 1970 which produced the Live At Leeds album (6). This kit was custom-made for Keith Moon by Premier in 1968. It originally consisted of two bass drums, three floor tom-toms, three mounted tom-toms and a snare drum. A clipping from Premier's annual Talking Drums publication, circa 1969/1970, shows Moon with his new kit, the caption reads ...Keith Moon of ""The Who"" has now added to his vast collection of drums a 10-drum outfit which has an all-over chrome finish. Keith says audiences are now able to see themselves as the group sees them!... The original vendor of this kit was a drummer in a band playing support to Thunderclap Newman. The drummer in Thunderclap Newman had been given this kit by Keith Moon. The original vendor wanted to buy the complete kit, but at the time could only afford five pieces, hence the incomplete kit offered here. According to the original vendor, he contacted Premier in 1985, and they confirmed that they built this kit for Keith Moon using a then novel chrome finish in response to his desire for something different. The kit has since been re-chromed.
Lot 1
The Beatles A rare early concert ticket A Dance will be held at the Village Hall, Irby...Friday, 7th September, 1962, The Beatles and the Courting Group... -- 3x4 1/2in. (7.6x11.4cm.); accompanied by a typescript letter from Brian Epstein to Mrs Newton on NEMS ENTERPRISES LTD headed stationery, signed, dated 30th July, 1962, confirming ...a booking for THE BEATLES at the 'Village Hall' at Newton Dancing School, Irby on Friday September 7th...at a fee of 1/235 and that playing time will be one hour... 1p.; a NEMS ENTERPRISES LTD compliments slip; and related material (a lot).
Lot 1
A fine Wedgwood Fairyland Chalice bowl, shape 3385, the exterior decorated 'Twyford Garlands' and baby fairies in violet playing with green bubbles on flame and orange lustre ground, the interior decorated a variation of the 'Fairy Gondola' pattern, the foot decorated 'Flaming Wheels', 10 1/2in. x 6in. high-Portland Vase mark, pattern no. Z5360.
Lot 1
A Minton plate, finely painted in coloured enamels with courtly figures playing with swords, in 18th century costume, within a gilt roundel, the blue ground border decorated in gilt with flowerheads and leaf scrolls, 9 3/4" diameter (24.8cm) impressed marks for 1877 and Paris Exhibition 1878 mark in gilt
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79736 item(s)/page