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Lot 461
Sitzendorf, a large German Sitzendorf figural group interior scene with a seated lady playing a zither, a man playing the guitar and two dancing children, on a shaped base highlighted with gilt. Blue factory mark to underside of group. Both children are missing a thumb. Scarce piece. Height 29cm, length 40cm, depth 24cm.
Lot 377
Guinness, eight original Guinness Carlton Ware Advertising Figures, to include; Ostrich, Penguins (x2) "My Goodness My Guinness" Toucan, "You Too can be happy" Kangaroo, "My Goodness My Guinness" Toucan balancing pint on beak "My Goodness my Guinness", Small Toucan playing clarinet, small Penguin "Guinness for strength" on breast "My Goodness My Guinness" on reverse, base stamped Arthur Guinness Son & co Park Royal Ltd. No chips or cracks. (8)
Lot 384
Guinness, range Of Guinness Memorabilia to include; Plastic Rugby player, Plastic Ref, Small sponge Ruby ball, Guinness Cruet set in the form of Miniature Guinness bottles, Guinness bottle opener in form of Guinness bottle, Guinness cork screw in form of Guinness bottle, Guinness menu holder, Guinness ceramic cruet set, Guinness playing cards, Guinness teaspoon, Guinness place markers (x2) one Toucan and one pint pot, Guinness shamrock sun glasses. Miniature bottle of Guinness, Two Guinness plastic novelty walkers, one penguin one bottle. One small pocket bottle opener. 19 items in total. (19)
Lot 2
Bishop Auckland V Preston North End Rare Framed Matchday Poster for the game FA Cup 2nd Round Proper played on Saturday 14th December 1974 at The Kingsway Ground. Northern League - North East Amateur Football Side Bishop Auckland were beaten 2.0 with the legendary Bobby Charlton playing for Preston North End. Hard to find Matchday poster as most if not all were pasted onto walls and outside the ground do not many will have survived. Small piece missing bottom left corner. Frame is Black wooden and Glass and measures approximately 54cm wide X 42cm high. Frame has marks. Please see photo for condition. Unique Item.
Lot 1170
THE SWEET - 7" ACETATES PACK. A smashing pack of 2 7" acetates by glam group The Sweet. Titles include Co Co (Single-sided Apple Records acetate. Labels have printed text information. Lacquer playing surface is VG+) & Blockbuster (RCA acetate. Hand-written label information. Playing surface Ex).
Lot 54
Five A3 folders containing a superb archive of approx 105 concert, event and tour programmes, many with ticket stubs, for Cliff Richard concerts c 1958-1969. Collected over many years by a dedicated fan - the archive also includes signed items and many early Rock n Roll group show concerts and tours. Includes a 1956 Cheshunt County school programme for 'A Christmas Carol' with Cliff (Harry Webb) playing Bob Cratchit.Provenance: from the estate of acclaimed artist and graphic designer Bogdan Zarkowski who worked extensively within the music industry from the 1970s to present day.
Lot 677
LED ZEPPELIN - 'I' LP (ORIGINAL UK 'TURQUOISE' COPY - ATLANTIC 588171). A sought-after original UK pressing of the legendary eponymous LP from Led Zeppelin. The record (plum Atlantic label, 588171, with Superhype And Jewel Music credits both sides and uncorrected matrix) is in G+ condition - the playing sides are both glossy but display numerous surface marks, including couple of hairline but feelable marks. Matrix runout: 588 171 A//1 1 1 2 & 588 172 B//1 1 8 1. The turquoise lettering/ grey stripe sleeve is in VG condition, has a tear on the bottom right edge of the opening side, same front and back).
Lot 665
SEX PISTOLS - ANARCHY IN THE UK 7" (UK ORIGINAL - CHRIS THOMAS MISCREDIT - EMI 2566). A sought after original UK 7" pressing of Anarchy In The UK/ I Wanna Be Me by Sex Pistols, with side B incorrectly credited to Chris Thomas instead of Dave Goodman. The record (EMI 2566, 1976 UK pressing on EMI. Aside label is bright and legible, some numbers written on the 4-prong centre. Side B label with the producer Miscredit has a scratch on the left side through the EMI text. A side playing surface VG+, displays some light paper surface marks, nothing feelable of note. Side B is VG, has one hairline/ light feelable mark, likely what ever caught the label, caught the playing surface. Comes in EMI paper/ company sleeve.
Lot 170
Three artworks to include a pair of 19th century French stipple engravings of cats titled 'Question Débattue' and 'La Paix Peace' in glazed gilt frames, along with a 19th century oil painting on canvas depicting kittens playing with a ball of string signed M. Kirk to the lower right. H.41 W.53cm
Lot 977
TWO BOXES OF PLAYING CARDS, to include a pack of Playing Politics with caricatures by Trog, Marc, Gerald Scarfe and John Sprigs, Naval Spotter playing cards, Dartex card game, Eagle Five Suit Bridge, American Patriotic Coast Guard, Double Nine domino cards, Hollywood Great Movie Stars etc approximately 130 packs
![A mixed lot to include ceramics, playing cards, plated ware and other. [2]. [W]
NOTE: IN HOUSE SHIPPING IS NOT AVAILABLE FOR](https://cdn.globalauctionplatform.com/05b8a26d-2976-46b2-8fa1-b23c00fb99e1/522d54f1-0212-493b-b8fa-b27b00a777b4/468x382.jpg)
Lot 267
A GROUP OF TWO PAINTED POTTERY FIGURES OF COURT MUSICIANS A standing lady holding paixiao woodwind instrument, wearing long robe and swaying to left side, and a lady seated playing flute (flute missing), possibly Tang dynasty 21cm and 28.5cm high Ownership Statement: This item is offered for sale in the name of the owner, Tan Hui Seng. Condition Report Both heads have been re-attached. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 143
Ca. AD 1 -200.A round intaglio engraved with a bucolic scene depicting the god Pan sitting under a tree, playing a flute. In front of him, a goat rears up on its back legs. The intaglio is set in a possibly later silver ring.Size: D: 18.34mm; US: 8 1/4; UK: Q; weight 9gProvenance: Private UK collection; From an old British collection formed in the 1990s.
Lot 381
Ca. AD 600 -700.A pottery figure representing a seated female musician playing a string instrument. The woman is depicted seated on a square mat, with her legs tucked behind her and hidden under the pleats of her voluminous dress. Delicate facial features include a rounded face, red lips, black eyebrows, and her hair is styled in a double topknot. Original pigments are still visible. This artefact serves as a Mingqi, "spirit goods", referring to objects crafted to accompany individuals in their journey to the afterlife. These objects varied widely and could include representations of daily life, such as pottery figures like the one described, as well as functional items.For similar see: The Metropolitan Museum of Art, Object Number: 23.180.4–.7.Size: L:240mm / W:130mm ; 1.16kgProvenance: Private UK collection; From an old British collection formed in the 1990s.This piece has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.
Lot 406
Designed by the award-winning British architect and designer, Nigel Coates and celebrating the Ferrari 166 MM, this substantial table offers a unique opportunity to own and enjoy a rare presentation of parts and memorabilia relating to this special car that brought Enzo Ferrari his first victory. The 166 Mille Miglia (‘MM’)Touring Barchetta was the car that, in 1949, delivered Ferrari an extraordinary year that truly put Enzo Ferrari’s young company on the map and he commented many years later 'I don’t remember anything more worthy than that first victory'. Designed and built by Ferrari using the legendary 2-litre Gioacchino Colombo V12, cradled in Aurelio Lampredi's inspired tubular chassis and clothed by Carrozzeria Touring, the car was launched at the Turin Motor Show in September 1948. Between 1948 and 1953, just 47 examples of the 166 MM were constructed and sold. In April 1949, two Ferrari 166 MM Barchettas scored a breathtaking 1-2 in the Mille Miglia and then at the Le Mans 24 Hours, Luigi Chinetti put in a world class performance to win this legendary race, Ferrari’s first victory at Le Sarthe. Within weeks, Chinetti was in the lead yet again, winning the Spa 24 Hours in the 166 MM. Three world-class victories from Enzo Ferrari’s still-new sports car firm announced the Prancing Horse had truly arrived. Scuderia Ferrari was in the ascendancy and it was the 166 MM that had propelled it to the top.This table and its associated 166 MM-related automobilia are undoubtedly unique, a word often misused but not in this case. Its current owner previously had it on display in his office for a number of years but it has recently come from dry storage. The upper glass tier is 2,400mm long x 950mm wide with each bevelled and toughened glass pane being approximately 15mm thick. It's complemented by four Charles Eames-style chairs, a set of four Ferrari coffee mugs and coasters and a selection of period ‘Souvenir’ official Ferrari playing cards together with several specialist journals, including Cavallino and Ferrari Owners Club GB magazine articles which feature the fabulous Ferrari 166 MM.On the lower glass tier is a full display set of 12 numbered pistons for the Ferrari 166 V12 manufactured by JE Pistons of Ohio and complete with all ring sets (authenticated). There is an original 1949 Italian sales brochure for the car, a very rare copy of the 1949 special race edition of the L’Eclaireur regional newspaper detailing all the 24 Heures du Mans race entrants, two beautiful 1:18th scale models of the car, a rare copy of L’Idee Ferrari in English featuring the colour sketches for the 166 MM together with a Jeroboam (four bottles) of 1949 Moet et Chandon Champagne.Click here for more details and images
Lot 566
Y William Gear R.A., F.R.S.A., R.B.S.A. (Scottish, 1915-1997), a folio of works on paper, c. 1936-38 contained in a cardboard folio inscribed "Gear Paris Sept. Oct. 1937", comprising: "The Process of Thought", preparatory pen and ink sketch, verso pen and in preparatory sketch for "The Sick Person", unframed 37.5cm by 27.5cm; pencil sketch for "The Sick Person", signed lower right and dated (19)38, unframed 37cm by 27cm; three pen and ink sketches of nude figure studies, one playing a violin signed and indistinctly dated, the second a standing figure, her hands upon her head, signed and dated (19)36, the third standing and leaning in profile, unsigned, 20cm by 17cm, 34cm by 17cm and 37cm by 26cm, each unframed; an abstract figure group, pen and ink, signed and dated (19)36, 37cm by 26cm; "Anno XVII", pen and ink sketch 37cm by 26cm; "A Cat sat on a Mat", signed William, pen and ink with a further unsigned pen and ink sketch verso 37cm by 26cm; an abstract composition of blocks in colours, unsigned, mixed media 31cm by 38cm; an abstract composition in red and blue, signed and dated (19)38, mixed media 27cm by 37cm; an abstract monochrome composition of lines, signed lower right watercolour, 31cm by 38cm; an abstract composition in browns, greens and reds, signed and dated (19)38 31cm by 38cm; abstract composition in red, blue and black, signed, crayon 31cm by 38cm; abstract composition with chainlink, indistinctly titled, crayon 31cm by 38cm; together with a catalogue of "Retrospective Exhibition from the Artist's Studio" held at Talbot Rice Art Centre, University of Edinburgh 5-15th May and 19th May-5th June 1982, also at the Ikon Gallery Birmingham. Note: the sketches date from the period when Gear took his travelling fellowship in Italy, Greece, The Balkans and finally Paris where he studied under Fernand Leger at the Academie Colarossi. The finished works, some from the sketches in this lot, were included in the first Surrealist Exhibition to be held in Britain under the banner of "The New Era Group". The exhibition was held at Gladstone's Land Galleries, Edinburgh in 1939 and also included works by Hugh Crawford, Joseph Forrester, Tom Pow and Rendall Wells. Provenance: Rendall Wells - Gear rented studio space from Wells at Church Lane, Inveresk, Musselburgh between 1935 and 1949. This lot may be subject to ARR.
Lot 200
†HELEN LAYFIELD BRADLEY MBE (1900-1979); oil on board, 'The Men are playing Peggy' signed with fly monogram, with inscribed label verso 'The men are playing Peggy. Please let us stay and watch'. Mother and Aunt Frances took George and I to meet Miss Carter (who wore pink) and there was a man just about to give Peggy stick. The men all cheered as he paced out the length. That's the longest so far, they cried, just then Miss Carter came along, alas we had to go home, and to bed, and the year was 1907', 29 x 36cm, framed. Provenance: Frank Marshall November 2006, lot 1181 for the sum of £15,000.Condition Report: Very light surface were rubbing to the frame. The main image is in good condition with strong colours, presented well.
Lot 201
†HELEN LAYFIELD BRADLEY MBE (1900-1979); oil on board, ‘Mumps Station, Oldham' signed and dated 1971, bears label verso "Come Frederick cried mother, George is missing, mother grandma, the three aunts, George & I the dogs, Gyp & Barney, also the Cato, Maretha & Nelson in their basket), seemed to have been waiting a long time on Mumpo station, Oldham, for fathers to come with our tickets?, we were just going to choose an empty carriage when we noticed George was missing, aunt Mary begged a porter to cook for a little boy in a white sailor suit. We soon found him, George and two other boys had been playing on an engine on the opposite line, "Dear One" said mother who was very glad to see him, "you are a naughty boy" and the year was 1907. 40 x 60cm, framed, complete with a copy of "And Miss Carter Wore Pink" book signed by Helen.Condition Report: Presented well in overall good condition with strong colours. There is a small scratch to the oil just above the signature (please see image). There is also a small blemish above the suitcases below the carriage but the images presented very well.
Lot 274
THEATRE: A fine Staffordshire Pottery Portrait Figure, modelled as Jenny Lind, in the role of Marie, mid 19th century, attributed to the Alpha Factory, Jenny playing Marie, from ‘La figlia del regimento’ (The daughter of the Regiment), holding her hand to her hat and wearing a colourful costume consisting of waistcoat, jacket, and ankle-length skirt, on a gilt lined base, 20cm high. A number of similar models of Jenny Lind were created and there is another fine example in this collection. Marie is the central character of The Daughter of the Regiment, a work first performed in 1840. The 'Swedish Nightingale', Jenny Lind was born in Stockholm in 1820 and became a leading figures in opera houses in Sweden, Britain and France
Lot 370
THEATRE: Two Staffordshire Pottery Portrait Figures, including a rare figure of Artaxerxes; also another of possibly 'Lady Hester Stanhope' bearing a flower, possibly Rockingham Factory, mid 19th century, Artaxerxes modelled as a woman playing a guitar and wearing ermine, standing on a gilt lined base, possibly John and Rebecca Lloyd of Shelton, 18.5cm high; the other dressed in a fine robe, on a gilt line base, 18.5cm high (2). Refer: Harding Second Addendum, Page 91, Fig 1228/1229 for similar version of Artaxerxes. Artaxerxes is an opera by Thomas Arne set to an English adaptation of Metastasio's 1729 libretto Artaserse. The title role of the King Artaxerxes was played by female contraltos as Castrarti were outlawed by the time the piece was staged. Stanhope was the first English woman to enter the Great Pyramid at Giza, an explorer and a thorn in the side of William Pitt and the Ottoman Empire.
Lot 372
THEATRE: Three Staffordshire Pottery Theatre Figures, including a group of Mrs Vining & Miss M Glover, playing Yourawkee and Peter Wilkins, mid 19th century, arm in arm, apparently on stage at Drury Lane, 16cm high; also a fine pair of William Shakespeare & John Milton, all painted in colours on gilt line bases, 17.5cm high (3). Refer: Pugh Page 431, Plate 24, Fig 49 (Glover); Harding Book 1, Page 128, Fig 320, Page 86, Fig 202P (Milton/ Shakespeare).
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79738 item(s)/page