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Lot 20
Make & Model: Ford Focus Zetec 105Date of Reg: WV12 JVDColour: Silvercc: 1596MoT: 03-06-2021Fuel Type: PETROLMileage: 111kTransmission: MANUALSummary: 2 Registered keepers. 7 Service stamps - Last entry March 2019 at 96kVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139639
Lot 22
Make & Model: VW Transporter T30 TDI LWBDate of Reg: LB57 UJYColour: Greycc: 2460MoT: 23-02-2022Fuel Type: DIESELMileage: 110kTransmission: MANUALSummary: 1 Owner from new. NO VAT. Service Book present, handwritten invoice for new alternator - Feb 2021. 2 x keys (not tested).Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139400
Lot 25
Make & Model: Ford Mondeo Titanium TDCIDate of Reg: MW15 UGLColour: Bluecc: 1997MoT: 12-08-2021Fuel Type: DIESELMileage: 92kTransmission: MANUALSummary: Company owned and entered. 1 Owner from new. 4 Service stamps + Invoice for service - Dec 2020. note; Bonnet catch only working on one side.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139406
Lot 27
Make & Model: Nissan Primaster SE LWB DCIDate of Reg: BD63 DGOColour: Whitecc: 1995MoT: 06-11-2021Fuel Type: DIESELMileage: 174kTransmission: MANUALSummary: NO VAT. 4 Service stamps and a selection of receipts.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139410
Lot 28D
Make & Model: Ford S Max TitaniumDate of Reg: EJ12 YPCColour: Silvercc: 1997MoT: 26-07-2021Fuel Type: DIESELMileage: 151kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Nov 2015. 6 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139412
Lot 29D
Make & Model: BMW 420D M Sport CoupeDate of Reg: PK64RSZColour: Blackcc: 1995MoT: 28-02-2022Fuel Type: DIESELMileage: 60kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since Feb 2017. 3 Service entries 18k, 51k and 60k.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139414
Lot 34D
Make & Model: Ford Focus Zetec TDCIDate of Reg: AP12 BNZColour: Silvercc: 1560MoT: 28-05-2021Fuel Type: DIESELMileage: 109kTransmission: MANUALSummary: 3 Registered keepers. 9 Service stamps - Last entry May 2020 at 102k. 2 Keys (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139496
Lot 41D
Make & Model: BMW X1 XDrive 18D X LineDate of Reg: WF63 BPOColour: Bluecc: 1995MoT: 28-03-2022Fuel Type: DIESELMileage: 78kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since December 2015.Sold with an after sales test driveVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=139668
Lot 50WM
Make & Model: VW GolfDate of Reg: SF09 TKZColour: Redcc: 1968MoT: 30-11-2021Fuel Type: DIESELMileage: 70kTransmission: MANUALSummary: 9 Service stamps. 2 Keys (not tested)This vehicle has been imported/re-registeredVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=140251
Lot 51WM
Make & Model: Mini Cooper DDate of Reg: WP14 ZKUColour: Redcc: 1496MoT: 02-01-2021Fuel Type: DIESELMileage: 85kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since FEb 2017. Mini service invoice at 52k. 2 Keys (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=140253
Lot 75DG
Make & Model: Ford Kuga Zetec TDCIDate of Reg: AD09 XGYColour: Bluecc: 1997MoT: 28-08-2020Fuel Type: DIESELMileage: 145KTransmission: MANUALSummary: 3 Registered keepers. 2 Keys (not tested). Non - runner.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=135949
Lot 85DG
Make & Model: Mazda 5 Venture EditionDate of Reg: CX13 LYJColour: Bluecc: 1999MoT: 12-11-2020Fuel Type: PETROLMileage: 99KTransmission: MANUALSummary: 1 Owner from new. 2 Keys (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=135951
Lot 93
NEUPERT 'TELEMANN' WALNUT SINGLE MANUAL HARPSICHORD, c. 1970, 4 1/2 octaves and knee lever Condition: case faded, stained/bleached section to flapThe keys do not play, most of the strings are broken.There is some heavy staining to the top, looks like liquid damage.The dimensions are:Height – 88cm’sWidth – 80cm’s at its widestLength – 142cm’s.
Lot 157
A CIZHOU PAINTED BRUSH POT, BITONG, SONG-MING DYNASTYChina, 11th-15th century. The semi-ovoid body with a cylindrical mid-section rising from a short spreading foot, the ivory-glazed sides painted in dark brown with a lotus flower surrounded by leafy vines and on the reverse with a poem.Provenance: French private collection. Old gallery label “Sin-France, 37 Ave. Victor Emmanuel III, Paris” to base, with manual inscription reading “Epoque Song, du X au XII” (Song dynasty, 10th-12th century).Condition: Excellent condition with some wear, expected firing flaws, fritting and glaze flakes, kiln grit and pitting, all commensurate with age.Weight: 1,172 gDimensions: Height 20 cmLiterature Comparison: For a closely related Bitong see Beijing Palace Museum, Cizhou kilns of China, 2017, Page 374. Note that this example is dated to the Ming dynasty.宋至明代磁州彩繪筆筒中國，11-15世紀。直筒形，至足部漸收。象牙釉面塗成深褐色，裝飾著一朵被纏枝蔓藤包圍的荷花，反面則是一首詩。 來源：法國私人收藏。底部有藝廊老標簽“Sin-France, 37 Ave. Victor Emmanuel III, Paris”, 以及手書“Epoque Song, du X au XII” (宋朝，十至十二世紀)。 品相：狀況良好，有一定的磨損，預期的燒制缺陷，燒結和釉料剝落，窯渣和點蝕，這些都與年齡相符。 重量：1,172 克 尺寸：高 20 厘米
Lot 192
A BLUE AND WHITE ‘ROMANCE OF THE WESTERN CHAMBER’ PORCELAIN WEIGHT, QING DYNASTYChina, mid-18th to mid-19th century. Of rectangular form, the top painted with a scene from the Romance of the Western Chamber, showing Hongniang and Cui Yingying with the scholar Zhang and a monk, the scene set within craggy rockwork, lingzhi-shaped clouds, a boat on a lake and mountains in the background. The sides with blossoms on scrolling vines. Qianlong seal mark to base and possibly of the period.Provenance: Dutch private collection. Two old collector’s labels with various handwritten inscriptions and number “C-251” to base. Condition: Excellent condition with minor wear and firing irregularities. Several distinct spur marks to base. One small hole to one side was added before firing.Weight: 582.8 gDimensions: Size 3.4 x 9.1 x 14 cmExpert’s note: While it is rare to find an old weight made from porcelain, this author has yet to see another bearing a Qianlong mark, which has even the remotest chance of being from the actual period. However, on the present lot the depth and detail of the depiction would not only point towards a Qing dynasty dating, but in fact to the 18th century. Despite the limited space available, various tones of blue were cleverly accentuated by the artist to create an eclectic, if not complex scene, all without letting it become too cluttered. Quite the contrary: The depiction seems airy and elated, something we typically do not find in later 19th century works, and much less during Minguo or modern times. The complete lack of shading would even indicate that the work was created during the first half of the 18th century, possibly for export. One of the manual inscriptions on the old paper labels at the base reads “Jap thee ceremonie ‘table plaque’”, which may be a distant hint towards the original purpose of this lot.清代青花西廂記陶瓷鎮紙 中國，十八世紀中期至十九世紀中期。長方躰，上方一面繪有《西廂記》中的場景，描繪了園中崔鶯鶯與紅娘及張生與和尚見面的場景。四周有假山，空中可見如意形雲朵，湖上的有船和背景中可見遠山。側面裝飾纏枝花紋。底座上有乾隆款，鎮紙也極可能是來自該時期。 來源：荷蘭私人收藏。底部有兩個藏家老標簽，不同的手寫字樣以及 “C-251” 。 品相：狀況極佳，輕微磨損和燒製不規則，底部有幾個標記。一側在燒製前就已存在的小孔。 重量：582.8 克 尺寸：3.4 x 9.1 x 14 厘米
Lot 339
A CELADON JADE ‘DOUBLE FISH’ SNUFF BOTTLE, QING DYNASTYChina, 1750-1870. The twin bottle is well carved and well hollowed as two side-by-side fish with fanned tails, the scales finely incised. The translucent nephrite stone with some veining and russet tones, and with a ‘natural’ suspension hole between the two tails, to be also worn as a pendant.Provenance: Viktoria Lindströms Antikhandel, Stockholm. A Swedish collector, acquired from the above on 23.12.1961, and thence by descent in the same family. An original business card from Viktoria Lindströms Antikhandel with a manual inscription on the backside is accompanying this lot.Condition: Good condition with some small losses and chipping. The stone with natural flaws and fissures, some of which may have developed into cracks over time.Stopper: Coral cabochons with carved spoonsWeight: 53.5 g Dimensions: Height including stopper 66 mm. Diameter neck 12 mm and mouth 5 mmAuction comparison: Compare to a related bottle made from agate at Christie’s New York, in Fine Chinese Jade Carvings and Works of Art from the Lizzadro Collection (Part II), 19 September 2013, lot 1245, sold for USD 8,750. Also compare to a related bottle in white jade at Sotheby’s Hong Kong, Snuff Bottles from the Mary & George Bloch Collection: Part VIII, 26 May 2014, lot 1183, sold for HKD 375,000.清代青玉雙魚形鼻烟壺 中國，1750-1870年。雙生瓶精雕細刻，並鏤空為兩條並排的魚，尾部呈扇形，刀工精細。 半透明的和田玉石有赤褐色脈理，並且在兩條尾巴之間有一個“自然”的懸掛孔，也可以作為垂飾佩戴。 來源：斯特格爾莫 Lindströms Antikhandel藝廊。瑞典藏家，1961年12月23日購於上述藝廊，自此同一家族傳承。隨附藝廊名片與手寫相關描述。 品相：狀況良好，有少量損失和碎裂。 具有天然瑕疵和裂縫的石材，隨著時間的流逝，其中一些可能已發展成裂縫。 壺蓋：珊瑚蓋，小壺匙 重量：53.5 克 尺寸：總高66 毫米，頸部直徑12 毫米，嘴部直徑5 毫米 拍賣結果比較：一件相近的瑪瑙鼻烟壺見紐約佳士得 Fine Chinese Jade Carvings and Works of Art from the Lizzadro Collection (Part II)拍場，2013年9月19日lot 1245, 售價USD 8,750. ；另一件相近白玉鼻烟壺見香港蘇富比 Snuff Bottles from the Mary & George Bloch Collection: Part VIII拍場，2014年5月 26日 lot 1183, 售價HKD 375,000.
Lot 349
A BLACK AND WHITE JADE ‘SEEKING SHELTER’ SNUFF BOTTLE, ‘MASTER OF THE ROCKS’ SCHOOL, QING DYNASTYChina, 18th century. Extremely well-hollowed through a small mouth, the mostly opaque stone is of a deep black tone with white shadings to one side, skillfully utilized by the lapidary in the carved relief depiction of a man holding an umbrella in the black night, desperately trying to find shelter before a perfect storm.Provenance: From an old private collection in Ohio, USA.Condition: Excellent condition with minor wear, microscopic nibbling here and there.Stopper: White jadeite cabochon with shades of apple green, finely carved spoonWeight: 81.3 gDimensions: Height including stopper 69 mm. Diameter neck 20 mm and mouth 7 mmThe flattened and rounded rectangular body rises from a thick oval foot to a short cylindrical neck with a concave top. Thin and translucent white veins on a plain black ground to the backside. The surface with a fine patina and a smooth and unctuous manual polish.The Master of the Rocks School seems to have specialized in carvings from two-colored hardstones, such as agate, crystal, chalcedony and jade. The school's main output was bottles carved with landscape designs, but many other subjects are recorded, which may have been partly produced for the Imperial Court. The quality of carving and the use of material in the present bottle are typical of this school.Literature comparison: For other examples of snuff bottles from the Master of the Rocks School, see Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Vol. 1, pp. 332-369, nos. 128-141. The bottle, no. 128, pp. 322-323 exhibits a very similar material and style to the presently offered bottle.Auction result comparison: Compare with a related snuff bottle from the same school at Christie’s New York in The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part V on 13 September 2017, lot 217, sold for USD 47,500. Compare also with a related snuff bottle at Sotheby’s New York in The Joe Grimberg Collection of Chinese Snuff Bottles on 14 September 2010, lot 70, sold for USD 23,750.清代蘇作墨玉巧雕人物場景鼻烟壺 中國，十八世紀。幾乎不透明的石料，小口，掏膛完整。深黑色玉帶有白色紋理，巧雕刻一個人在黑夜裡拿著一把雨傘，試圖在一場完美的暴風雨之前找到住所。 來源：美國俄亥俄州私人老收藏 品相：狀況極佳，輕微磨損，局部有細的磨損 壺蓋：白色翡翠飄綠，小壺匙 重量：81.3 克 尺寸：含蓋總高69 毫米，頸部直徑20 毫米，嘴部直徑7 毫米 扁平式，溜肩，橢圓形足内凹，短圓柱頸。 背面通透的純黑色面上有細而透明的白色紋理。 表面包漿細膩，光滑無瑕。 拍賣結果比較：一件相近蘇作鼻烟壺，見紐約佳士得 The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part V 拍場，2017年9月13日 lot 217, 售價USD 47,500.；另一件相近鼻烟壺見紐約蘇富比The Joe Grimberg Collection of Chinese Snuff Bottles 拍場，2010年9月14日 lot 70, 售價USD 23,750.
Lot 35
A TRANSLUCENT BANDED AGATE BOWL, QING DYNASTYChina, 18th-19th century. The deep rounded sides rising from a straight ring foot to a slightly everted rim. The almost transparent stone is brilliantly polished and shows attractive variegated tones of milky gray, caramel, and honey. The base with a neatly incised four-character Yongzheng nianzhi seal mark and possibly of the period.Provenance: British private collection. Condition: Excellent condition with minor wear.Weight: 100.9 gDimensions: Diameter 11.2 cmThe agate used for the present bowl is exceptional for both its beautiful coloration and its highly translucent quality. Agate, with rippling layers of color ranging from bright honey to coffee brown, is one of only a few hardstones in ancient China that were valued as much as jade and introduced no later than the Han dynasty. Therefore, the bowl possibly belongs to a group of vessels carved from this material in the Imperial Jade Workshop, yuzuo, within the Imperial Palace Works, Zaobanchu, during the Yongzheng reign and bearing the respective Imperial mark. In any case, it certainly demonstrates the superb craftsmanship achieved almost exclusively by the Imperial Workshops.The Yongzheng Emperor took a personal interest in the artistic production during his period with a special focus on carved hardstones. Records in the archives of the Imperial Jade Workshops, yuzuo, dated between 1724 and 1729, note that he specifically ordered agate brush washers and bowls to be kept undecorated in order to show the original pattern of the agate stone. Pieces with intricate, cluttered designs or made from stones of unsatisfactory quality were rejected and sent back to the workshops, because only plain, elegant vessels could serve the purpose of showing off the superiority of the stone, while carved designs were literally limited to serve the purpose of hiding natural flaws in the mineral. When comparing the number of agate vessels and jade carvings bearing Yongzheng and Qianlong reign marks, it is evident that the Yongzheng emperor greatly admired the natural virtues of the agate stone, while the Qianlong period saw a much larger output of jade carvings.Expert’s note: The strictly traditional shape of the present bowl, with its elegantly rounded sides, flared lip and comparatively massive circular foot rim, places it firmly in the 18th century. The exceptional quality of the agate stone and completely undecorated design would make a dating to the Yongzheng period reasonable at the very least. One small detail, however, possibly points to a later date: The inner side of the foot shows a series of irregular grooves from manual lathing, hardly visible to the naked eye. While remnants of such grooves occasionally appear on hardstone carvings from the 18th century and earlier, on an Imperial piece we would expect these to have been eliminated completely by manual polish, even on the inner sides of the foot rim.Literature comparison: For examples of agate carvings see a group of vessels, some inscribed with Yongzheng reign marks and of the period, in the National Palace Museum, Taipei, included in the museum's exhibition Harmony and Integrity: The Yongzheng Emperor and His Times, National Palace Museum, Taipei, 2009, cat. nos. II-61-70. Compare also a shallow bowl in the Palace Museum, Beijing, published in Chinese Jades Throughout the Ages, vol. 11, Hong Kong, 1996, pl. 28, and an agate cup and dish, published in Yang Boda, Zhongguo yuqi quanji, Hebei, 2005, pp.553 and 550, nos. 10 and 62. A lobed agate bowl, being offered as a tribute by a high official during the reign of Qianlong, is illustrated in Qingdai gongting shenghuo ('Life in the Forbidden City during the Qing Dynasty'), Hong Kong, 1985, pl. 280; and a set of six cups, from the Musee Guimet, Paris, included in the exhibition Emperor Kangxi and the Sun King Louis XIV, National Palace Museum, Taipei, 2011, cat. no. 1A-13. Also compare the shape of the present bowl with a pair of white jade bowls of exactly the same form, dated to the Qianlong period, at Sotheby’s Hong Kong in Imperial Pursuits: Treasures from the Palace Workshops, on 2 May 2005, lot 555.Auction result comparison: Compare with a related agate cup with an incised Yongzheng seal mark at Sotheby’s Hong Kong in Fine Chinese Ceramics and Works of Art on 8 October 2014, lot 3774, sold for HKD 1,060,000, and a lobed agate bowl, of larger size and unmarked, at Sotheby’s Hong Kong in Important Chinese Art on 3 October 2018, lot 3605, sold for HKD 1,250,000.清代瑪瑙碗 中國，十八至十九世紀。天然瑪瑙製成，乳白色的底色，飄著焦糖色和蜂蜜色的片狀花斑，間有細密如纏絲的條帶狀紋路。盞身光素，敞口微外撇 ，直圈足，底足刻篆書“雍正年制”兩行款。 來源：英國私人收藏 品相：狀況極好，輕微磨損 重量：100.9 克 尺寸：直徑11.2 厘米 拍賣結果比較：一個相似雍正款瑪瑙碗 售于香港蘇富比Fine Chinese Ceramics and Works of Art 拍場2014年10月 8日，lot 3774, 售價HKD 1,060,000；一件尺寸較大、無落款的瑪瑙碗售于香港蘇富比Important Chinese Art拍場2018年10月3日，lot 3605, 售價HKD 1,250,000。
Lot 353
AN APPLE-GREEN AND LAVENDER JADE SNUFF BOTTLE, LATE QING TO REPUBLICChina, 1850-1940. The semitranslucent stone of an elegant apple green tone with lavender shadings and milky white clouds. The ovoid body rising from an oval foot to a cylindrical neck. Well hollowed and with a smooth, manual surface polish.Provenance: From a private collection in Chicago, Illinois, USA, and thence by descent. Old collector inventory label ‘K 43’ to base. Condition: Very good condition with minor wear and minuscule nibbles to foot and mouth.Stopper: Coral cabochon with bronze fitting and finely carved old spoon Weight: 91.3 gDimensions: Height including stopper 65 mm. Diameter neck 17 mm and mouth 7 mm清末民初翠玉飄紫素面鼻烟壺 中國，1850-1940年。淡淡的蘋果綠色調半透明玉石，飄著淡紫色和乳白色調。卵形的身體，橢圓形圈足，圓柱形頸部。 掏膛充分，表面拋光極好。 來源：美國芝加哥私人收藏，保存至今。底部藏家舊標簽“‘K 43“。 品相：狀況極佳，有輕微磨損，唇部磕損很小。 壺蓋：珊瑚蓋，銅托，精美舊壺匙 重量：91.3 克 尺寸：總高65 毫米，頸部直徑17 毫米，嘴部直徑7 毫米
Lot 356
A LARGE YELLOW AND RUSSET JADE SNUFF BOTTLE, QING DYNASTYChina, 18th century. Extremely well hollowed through a minuscule mouth, with an exceptional manual polish, the translucent stone of an exquisite greenish-yellow tone with russet shadings. Note the remarkably thick and broad foot rim. Provenance: From the private collection of Mr. Wong, Honolulu, Hawaii.Condition: Superb condition with only minor wear, the stone with very minor natural flaws. Stopper: Banded agate cabochon with a finely carved spoon Weight: 142.8 gDimensions: Height including stopper 81 mm. Diameter neck 18 mm and mouth 6 mm The flattened and rounded rectangular body rising from the oval foot to a short and broad cylindrical neck with a slightly concave top.Auction result comparison: Compare with a jade snuff bottle of closely related color, but a different form, at Sotheby’s Hong Kong, in Snuff Bottles from the Mary & George Bloch Collection: Part VIII, on 26 May 2014, lot 1109, sold for HKD 100,000.清代黃玉帶皮鼻烟壺中國，十八世紀。小嘴，但掏膛非常細緻，表面光滑。半透明的石頭呈精緻的黃綠色調，帶有赤褐色皮。明顯厚實而寬大的底足。 來源：夏威夷火奴魯魯 Wong先生私人收藏 品相：狀況極佳，僅有少量磨損，石材具有很小的自然缺陷。 壺蓋：帶紋瑪瑙壺蓋，雕刻精細的小壺匙 重量：142.8 克 尺寸：總高81 毫米；頸部直徑18 毫米；嘴部直徑6 毫米 拍賣結果比較：一件顔色相近但不同形狀的玉鼻烟壺見香港蘇富比Snuff Bottles from the Mary & George Bloch Collection: Part VIII拍場2014年5月26日lot 1109, 售價HKD 100,000.
Lot 585
A TIBETAN MEDICAL CHART, 17TH-18TH CENTURYTibet. Distemper on cloth. Painted with anatomical diagrams, inscribed and labeled in Tibetan script, a row of figures of lamas wearing red and orange robes and striking various poses along the top, a mantra inscribed in large red characters to the reverse.Provenance: British private collection.Condition: Extensive wear, soiling, losses, fading to colors, creases.Dimensions: Size 72 x 50 cmThe fundamental text of Tibetan medicine is the Tantra of Secret Instructions on the Eight Branches, the Essence of the Elixir of Immortality and commonly abridged as Four Tantras. These tantras are not four separate treatises but the same medical doctrine from four perspectives. The 'Root Tantra' encompasses the teachings of Bhaisajyaguru and the origins of diagnosis and treatment. The 'Exegetical Tantra' covers aspects as diverse as anatomy, physiology, diet, and herbology. The 'Instructional Tantra' serves as a manual for techniques and diagnosis while the 'Subsequent Tantra' builds on the former adding pulse techniques, divination, demonic possession and urinalysis.The paintings are an extension of the Four Tantras appearing as part of the commentary written by Sangye Gyamtso, Regent to the Fifth Dalai Lama, in 1687-88, and entitled The Blue Beryl. Sangye Gyamtso was entrusted by the Fifth Dalai Lama to codify the histories and traditions in medicine from the various schools of Tibetan Buddhism into one centralized source. The first set of 62 medical paintings appeared in 1688. The publication of The Blue Beryl later resulted in Regent Sangye Gyamtso's founding of the Chagpori College of medicine in 1696 on the Iron Hill adjacent to the Potala Palace.Literature comparison: For an in-depth discussion of Tibetan medical practice and further illustrations, see A. Aris (ed.), Tibetan Medical Paintings: Illustrations to the Blue Beryl Treatise of Sangye Gyamtso (1653-1705), 1992. See also some 17th century examples of medical charts in the Norbulingka Collection illustrated in Tresors du Tibet, Museum National d'Histoire Naturelle, 1987, pl.86-93.十七至十八世紀西藏醫療圖示 西藏，布面膠畫。上面繪有解剖圖，並用藏文書寫和標記，一排穿著紅色和橙色長袍的喇嘛，擺著各種姿勢，背面刻有大紅色字樣。 來源：英國私人收藏 品相：大量磨損，污跡，缺損，褪色，起皺。 尺寸：72 x 50 厘米
Lot 63
AN IMPERIAL WHITE JADE ‘HAITANG’ BRUSHWASHER, WITH A POEM BY CHEN YUYI, YONGZHENG MARK AND PERIODChina, 1723-1735. Carved to one side in shallow relief with leafy crabapple (haitang) branches, blossoms and small fruit, as well as craggy rockwork, the reverse superbly incised with a poem. The translucent stone of a spectacularly pure white tone with a single russet and cloudy white vein, masterfully incorporated into the depiction. The base neatly incised with a four-character seal mark Yongzheng nianzhi and of the period.Inscriptions: Two lines from a poem composed by the famous Song Dynasty poet Chen Yuyi (1090-1138), which may be translated as 'the crab apple flower displays its pink blossoms, standing alone in the rain'.Provenance: A private Danish collection, acquired in Asia prior to 1922, thence by descent within the family. A private collection in Europe, acquired in Sweden prior to 2000. Old illegible collector’s label to base. Old inventory number ’90.635.42.3’ to interior, indicating a prior museum deaccession. Condition: Excellent condition with minor old wear. Natural flaws to stone.Weight: 119.5 gDimensions: Height 3.4 cm, Length 9.3 cmA handscroll in the Victoria & Albert Museum, titled Guwan tu (Pictures of Ancient Playthings), made for the Yongzheng emperor as a pictorial inventory of his palace collections, includes a guan-type brush washer of Haitang-form. It is possible that the present jade washer was commissioned by the emperor and made by the palace workshops using the guan washer as a prototype, because of its distinct crabapple form.The form of this elongated four-lobed washer supported by a broad foot rim directly references the crabapple (haitang), which is also the subject of both the poem incised to one side as well as the relief carving to the other. The crabapple could be combined with other emblems to create auspicious rebuses. Its second character, ‘tang’, is homophonous with the character for ‘hall’ and, by extension, ‘the family home’. For examples of Imperial objects of the Qing court of related haitang shape, see a bamboo tray at Bonhams Hong Kong, 24 November 2012, lot 323 (see fig. 1), and a pair of gilt bronze and cloisonne jardinieres at Bonhams London, 8 November 2012, lot 250 (see fig. 2).One of the most striking things about the present washer is that the mark on the base is incised with a series of apparently wheel-cut lines to build up the thickness of the strokes in a style very similar to that found on glass objects from the Beijing Palace workshops during the early to mid-Qing dynasty. With this as a clue to provenance, the very slight flaws in the material also indicate a Palace workshops origin, since this is a prominent feature found in a group of jade objects attributable to the court.The stone shows minuscule inclusions, which is almost hallmark of early Imperial jades, during a time where lapidaries worked by Imperial command striving to create small items of the purest white jade, which began in the Yongzheng period, marking the transition from the mottled pebbles of the Ming dynasty to the flawless white vessels of the Qianlong reign. Hence the most superb jades of the Yongzheng period, such as the present lot, have minuscule flaws which are masterfully integrated into the design and show the absolute highest level of manual polishing of all time, creating a smooth, somewhat ‘oily’ surface with an unctuous feel and lustrous appearance, the latter especially when sunrays shine through the material.Chen Yuyi (1090-1138) was a poet and politician of the Song dynasty. His biography was included in the History of Song. He composed some of the best shi poetry of the Song era and was a native of Loyang, coming from an official family. He obtained his degree in 1113 and held a number of minor posts before moving to the capital. When North China was invaded by the Jin, he had to flee for his life and his poetry became much more intense and emotionally charged. He returned to official service in the exiled Song court in Hangzhou in 1131.Jade vessels inscribed with Yongzheng reign marks and of the period are extremely rare. The only published examples from museum collections appear to be a small number preserved in the holdings of the Palace Museum, Beijing. No other Yongzheng reign-marked white jade vessel has been sold ever at a major auction house outside of China.The Palace Museum, Beijing has published five jade vessels inscribed with Yongzheng reign-marks: a green jade handled cup, a green jade flared bowl, a pale green jade cup, a black and white jade bowl, and a pale green jade brush washer, illustrated in Compendium of Collections in the Palace Museum, Jade. Qing Dynasty, vol. 10, Beijing, 2011, pls 146, 153, 154, 187, and a set of black jade rings, illustrated in Compendium of Collections in the Palace Museum. Jade. Qing Dynasty, vol. 9, Beijing, 2011, pl. 224. The marks are intricately articulated in the same archaic-style seal script in two columns, undoubtedly in the same production process.Literature comparison: Compare with a related white jade washer, of oval form and carved with a chilong, in the Palace Museum, Taipei (collection number K1C003785N000000000PAB). Compare also with a related pale green jade brush washer, Yongzheng four-character mark and of the period, from the Qing Court Collection, illustrated in the Compendium of Collections in the Palace Museum. Jade 10. Qing Dynasty, Beijing, 2011, p.237, no.187. Compare also with two jade bowls in the Palace Museum, Beijing, with Yongzheng reign marks, Cultural Relic nos. 00103853 and 00102973.清雍正款白玉題詩海棠式洗中國, 1723-1735年。海棠式洗呈四瓣海棠之形，曲壁，線條流暢圓潤，圈足隨形。一面淺浮雕多葉的海棠樹，上面可見海棠花與小花骨朵。旁邊假山岩石。背面刻有一首詩。白玉光瑩溫潤，些微赤褐色脈紋，巧妙融入整體。整器造型端莊，雕刻嫻熟。底足可有四字款“雍正年制”。款識：宋代詩人陳與義(1090-1138)：海棠不惜胭脂色/獨立濛濛細雨中來源：丹麥私人收藏，1922年前購於亞洲，自此保存在同一家族。歐洲私人收藏，2000年前購於瑞典。底部可見老收藏標簽。筆洗内有舊收藏編號“90.635.42.3”，可能是之前博物館收藏所留。 圖片：收藏編號“90.635.42.3”，可能是之前博物館收藏所留。 品相：狀況極佳，輕微使用磨損。玉石自然缺陷。 重量： 119.5 克 尺寸：高3.4 厘米, 9.3 厘米 這件細長的四瓣花口形洗由海棠四出花瓣演變而來，同時也對應了所刻的詩句以及另一面的浮雕花卉。海棠花的"棠"字與"堂"同音，與其他花卉可以組成“玉堂富貴”的意思。清宮也有很多利用海棠進行創作的例子，請參見香港邦瀚斯的御製竹根雕海棠式洗（2012年11月24日，Lot 323）（圖1），以及倫敦邦瀚斯的掐絲琺瑯開光纏枝蓮紋海棠式花盆一對，2012年11月8日，Lot 250（圖2）。 圖片：御製竹根雕海棠式洗, 清初, 香港邦瀚斯, 2012年11月24日, lot 323, 售價HKD 150,000. 圖片：掐絲琺瑯開光纏枝蓮紋海棠式花盆一對, 倫敦邦瀚斯, 2012年11月8日, lot 250, 售價GBP 37,250. 本海棠式洗最引人注目的一件事是，在其底座上的有兩道切割線，以强調玉洗雕工的細緻感，其樣式與北京料器製品相似。這可以作爲出處的一個線索，材料上的細微瑕疵也表明了此洗來自御用工坊的，因為這是根據現有研究發現的宮廷玉器中突出特徵。玉石上略帶皮色，這可以説是早期清代宮廷玉器的特徵。清初，御用工坊努力創造出最純净的白玉小器物。雍正時期是明朝使用的籽料至乾隆年間無瑕的白色器皿的過渡期。 因此，雍正時期最精湛的玉器（如這件白玉洗）具有微小的瑕疵，這些瑕疵被巧妙地運用到設計中，顯示出有史以來最清湛拋光工藝，玉器表面緻密細膩，瑩潤凝脂，尤其是當陽光透過玉料時。陳與義 (1090-1138) 宋代詩人及政治人物，在宋史中可找到其生平。他是宋代傑出的詩人，洛陽人，出生於士族。1113年中進士，之後擔任不同職位，直至進入首都。北宋敗於金人時，他不得不南遷避難，詩歌變得更加憂國憂民。 1131年，他回到南宋杭州的宮廷繼續任職。Victoria & Albert Museum有一幅《古物圖》, 描繪了雍正帝的宮廷收藏，包括一件海棠式官窯筆洗，很可能是此次拍品的原型，而這件拍品也很可能也曾存在於雍正帝收藏中。雍正款的玉器留世極少。博物館藏品中唯一公開發表的例子似乎是保存在北京故宮博物院藏品。在中國以外的大型拍賣行中，沒有其他雍正款白玉器被出售。北京故宮博物院曾在《故宮博物院藏品大系：玉器編10》中介紹了五件雍正款玉器：青玉雙耳杯，青玉撇口碗，淺青玉杯，黑白玉碗及淺青玉洗(見《故宮博物院藏品大系：玉器編10》，北京2011年，圖146, 153, 154, 187)以及一組墨玉板指，見《故宮博物院藏品大系：玉器編9》，北京，2011年，圖版224。兩玉碗之刻款與現器之銘款均為篆書，形神一致，應出於同一人之手無疑。文獻比較：一件相近螭龍玉洗，橢圓形，見臺北故宮博物院 (藏品編號K1C003785N000000000PAB)；另一件雍正四字款綠玉筆洗見《故宮博物院藏品大系：玉器編10 》，北京2011年，237頁, no 187；北京故宮中還有兩件雍正款素面玉碗（編號 00103853 與 00102973）。
Lot 78
A PAIR OF SPINACH-GREEN JADE CUPS, QING DYNASTYChina, 18th century. Each with deep sides rising from a thick ring foot. The translucent stone of an attractive and intense green tone with scattered black speckles. Fine manual surface polish with an unctuous, silky matt finish. (2)Provenance: Ex-collection of Bao Dai, last emperor of the Nguyen dynasty (a letter of provenance, signed by Dr. István Zelnik, will be handed to the winning bidder). The István Zelnik Southeast Asian Gold Museum, acquired from the above. An institutional art collection in Belgium, acquired from the above. Bao Dai was the 13th and final Emperor of the Nguyen dynasty, the last Imperial dynasty of Vietnam. From 1926 to 1945, he was Emperor of Annam. After his abdication in 1945, he remained an important advisor to the new government under Ho Chi Minh but left for France in 1946, until he was persuaded by the French to return as head of state in 1949. He moved back to France in 1954 after the peace deal between the French and the Viet Minh, appointing Ngo Dinh Diem as his prime minister. After being removed from power by Diem in a referendum in 1955, he spent the remainder of his life in exile in France.Condition: Excellent condition with minor wear, the stone with natural flaws and microscopic fissures, some of which may have developed into small hairline cracks over time.Weight: 262.1 g (total)Dimensions: Height 7 cm (each), Diameter 8.2 cm (each)Auction result comparison: Compare with a related pair of wine cups, with incised four-character Qianlong marks and of the period, at Christie’s London in Fine Chinese Ceramics and Works of Art on 8 November 2011, lot 78, sold for GBP 15,000.清代一對碧玉杯中國，十八世紀。玉杯圈足，半透明，碧色濃鬱，散佈著黑色斑點。 表面光滑溫潤。來源：原越南阮朝最後一位皇帝阮福永瑞收藏 (根據來源信件，由 Dr. István Zelnik簽名，將會交給獲得此藏品的藏家) 。The István Zelnik Southeast Asian Gold Museum, 購於上述收藏。一個比利時藝術收藏機構購於上述美術館。阮福永瑞，即保大帝，是越南最後的皇朝阮朝第十三位也是最後一位皇帝。從1926年到1945年，他是安南皇帝。 自1945年退位後，他一直是胡志明領導下的新政府的重要顧問，但於1946年前往法國，直到法國說服他在1949年返回越南成爲臨時國家元首。1954年，他移居法國。1955年，在首相吳廷琰私下操縱的公民投票中，越南的君主制被廢除，保大帝隨後流亡法國直至逝世。圖片：保大帝 (1913-1997) 品相：狀況極佳，磨損很小，石頭具有自然缺陷和微觀裂縫，隨著時間的流逝，其中一些可能會發展成細小的裂縫。 重量：縂262.1 克 尺寸：各高7 厘米, 直徑分別8.2 厘米 拍賣結果比較：一對相近的酒杯，乾隆四字款見倫敦佳士得Fine Chinese Ceramics and Works of Art 拍場2011年11月8日lot 78, 售價GBP 15,000。
Lot 29
NO RESERVE Angling.- Howitt (Samuel) The Angler's Manual; or, Concise Lessons of Experience, which the Proficient in the Delightful Recreation of Angling Will Not Despise..., first edition, half-title, engraved frontispiece and 11 plates, occasional spotting, original printed boards, spine and extremities worn, chipped and stained, [Westwood & Satchell, p.10 and 120], oblong 8vo, Liverpool, G,F, Harris, 1808.
Lot 1
2017 Nissan Note Tekna DCI, registration NJ17 CBU, 1461 cc, metallic grey, diesel, manual, air conditioning, cruise control, reverse parking camera, satnav, first registered 3 March 2017,mileage 10,253, one previous owner (previous registered keepers on V5 showing NONE), full Nissan dealership service history (last serviced at 9,200 miles on 3 February 2020), MOT valid until 2 March 2021, two keys. CONDITION REPORT: This vehicle is in excellent order. It is being sold on behalf of a deceased estate and will be offered without reserve. As stated, the car is still in MOT and with full service history (just over 1000 miles since most recent service). Started first time when collected.
Lot 2
A Skoda Fabia Comfort TDi Motorcar, registration NL52 XUG, no former keepers, five door hatchback, diesel 1896cc, manual, colour green, date of first registration 16.11.2002, with manual and service booklet, two keys, MOT expired 28.11.2020. Mileage 44,946. CONDITION REPORT: As part of a clearance from a local estate. Installed replacement battery January 2020 and started first time. Sold without guarantee but sold with confidence as a runner.
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