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A lady's 9ct hallmarked Kered manual wrist watch, Arabic numerals and batons to a circular dial and integral 9ct brick bracelet, total weight 17g.

A lady's 9ct hallmarked Omega manual wind wrist watch, batons to a circular dial, case diameter 20mm, to a 9ct brick bracelet, total weight 20g.

A gold plated Omega manual wind wrist watch, Roman numerals to a cushioned square champagne dial, case diameter 28mm, to a leather strap, box and papers.

A 1960s lady's Longines 9ct gold cased cocktail watch with manual wind movement and baton numerals to the champagne coloured dial, on conforming 9ct gold mesh bracelet, case diameter including the crown 17mm, overall weight 17.9g, no box or papers, movement not running, damage to the bracelet.

A 9ct hallmarked Zefyr manual wind wrist watch Arabic numerals to a circular dial, case diameter 32mm, total weight 28g, to a tan leather strap, Chester 1951.

An 18ct gentleman's Jarvil Swiss chronograph manual wind wrist watch with Arabic numerals and twin subsidiary dials to a circular dial, case diameter 38mm, all to a black leather strap, some damage.

Gregorio Vázquez de Arce (Santa Fe, New Granada, 1638 - 1711)"The Holy Family in Saint Joseph's workshop"Oil on copper.62,5 x 47,5 cm.The lower margin of the copper plate is slightly damaged.The attribution of this work relates to the style and technique that characterize Vázquez: balanced compositions, soft tonalities and detail in the treatment of figures, elements and style that we observe in other paintings that have been signed by the artist and that allow us to affirm that this painting is by Vásquez. We refer, for example, to the paintings in his "Retablo de las Reliquias" or his “Saint Gertrude with the Christ Child” kept in the Santa Clara Church Museum in Bogota, in which similarities with this painting can be observed in the idealized representation of the faces, the delicate handling of light and the tonal palette dominated by warm and earthy colors.The choice of the thick copper support, usual in Vásquez de Arce's small format works, denotes an interest in guaranteeing durability and a luminous finish, something common in works destined for altars or private devotional spaces, as would be the case here.This painting comes from a time when New Granada was experiencing a boom in religious artistic production, driven by orders such as the Jesuits and Dominicans, who promoted artworks that were both didactic and devotional at the same time.Gregorio Vásquez de Arce was an influential Colombian painter, the most important painter from 17th century New Granada. He was endowed with technical and stylistic mastery as reflected in cycles such as the "Retablo de las Reliquias" in the Church of San Ignacio in Bogota. With a prolific career that spanned much of his life, Vasquez left a legacy of religious artworks that significantly influenced the artistic development of the region. His style combines elements of European baroque with a sensitivity and devotion typical of the Latin American context of the 17th century. Vásquez, in fact, through his work, was a central figure in the consolidation of the Baroque in New Granada and his influence extended to later generations of artists in the region. Later painters took his style and adapted it to local needs, making his work a fundamental point of reference in the history of viceregal art. Marta Fajardo de Rueda, in an interesting article in the National University of Colombia magazine HiSTOReLo, affirms, in relation to the importance of the painter, that “with the work of Gregorio Vásquez and some of his followers, the existence of a Santa Fe school of painting can be identified. They had a similar interpretation of the engravings from which they assimilated the fundamentals of baroque painting. They are characterized by an attenuated use of color, which differentiates them from painters from other parts of Latin America. Undoubtedly, Vasquez stands out among them all for his mastery of drawing and balanced composition. With the training he received in the Figueroas' workshop and the skills he acquired through the continuous exercise of his work, he consolidated his own characteristic style.” The importance of Gregorio Vásquez de Arce y Ceballos in the panorama of viceregal art is undeniable. Despite having produced a vast amount of paintings, his technical skill and the spiritual depth of his paintings continue to be admired and studied by scholars, collectors and museums around the world. The artist, of whom many biographies have been written, such as those by José Manuel Groot, Alberto Urdaneta and Roberto Pizano, has a large body of work that can still be found today in churches, convents and museums such as the Museo de Arte Colonial de Bogotá, which houses numerous canvases, some miniatures, and one hundred and five drawings: the largest collection of the painter's work. The scene depicts the Holy Family in an intimate, everyday environment, a typical Christian baroque theme that seeks to emphasize the humanity of sacred figures.  Just like any family, the patient Virgin Mary is doing embroidery while “meditating everything in her heart”; the chaste St. Joseph, focusing one of the essential virtues he possesses, is working in silence at carpentry, planing wood. The thrice saintly Jesus, as Son, is learning from his father and imitates him at woodworking, and appears as “building his future destiny”, preparing the stipe of his cross. The painting, with its colors, shows a model of all the virtues: humility, chastity, obedience, poverty, love of work and silence; in a word, the total practice of these virtues reflected and lived through by this family. The theme of the Holy Family became popular in art from the 1490s, but the veneration of the Holy Family formally began in the 17th century due to St. Francis de Laval, the first bishop of New France, who founded a confraternity with this name. The family is depicted as being all on the same level, on the same compositional plane, on the same floor, there is no one that predominates or stands out above the other. It is what is called the earthly Holy Trinity and although Saint Joseph had an almost caricatured secondary role in the iconography, from the Renaissance and the Baroque, he becomes very important, since the progressive humanization of the portrayals of Jesus and Mary would make this adoptive father gain presence, he is given increasingly friendly treatment and is portrayed in art as a loving and attentive father.In this regard, as we read in the fascinating article by Juan Pablo Cruz Medina (2014) “The Painting of the Holy Family: A Manual of Family Relations in the World of 17th Century Santafé”, the family, configured as the nucleus of the social body within the structure devised by Spain for the New World, early on became a concern for both the Church and the bureaucracy established in Latin America. From this, the Church developed a series of discursive structures aimed at establishing models of family life that would serve as examples of ideal behaviour throughout the 17th century. This ensured not only the maintenance of an "ecclesial" order in society but also the submission of society to the civil power established by the Spanish monarch in the new lands.Medina highlights the artistic production developed by the Church in relation to the family. “One of the most significant pictorial sets within the visual corpus of the 17th century is that of the Holy Family,” which would continue to be represented ceaselessly thereafter. This ecclesiastical need also responds to the “emergence of the nuclear family model in Europe, which changed the conception of the extended family typical of the Middle Ages,” while in colonial Latin America it was of interest to “establish examples that would help shape a society governed by religious norms.”Reference bibliography: - Cruz Medina, Juan Pablo. (2014). «La pintura de la Sagrada Familia. Un manual de relaciones familiares en el mundo de la Santafé del siglo XVII». Memoria y sociedad 18, n.° 36: 100-117. https://dx.doi.org/10.11144/Javeriana.MYS18-36.psfm- Fajardo, Marta. (2014). Grabados europeos y pintura en el Nuevo Reino de Granada. “HiSTOReLo” Vol. 6, Nº 11, 68-125. - Fajardo, Marta. (n.d.). “Gregorio Vásquez de Arce y Ceballos”. Real Academia de la Historia. https://dbe.rah.es/biografias/21372/gregorio-vasquez-de-arce-y-ceballos - Pizano, Roberto. (1985). "Gregorio Vásquez: Vida y obra". Banco de la República, Bogotá.- Sebastián, Santiago. (1985). "Gregorio Vásquez: la vida y obra del pintor más importante del Nuevo Reino de Granada". - Tovar, Gil. (1995). "El barroco en la Nueva Granada: Gregorio Vásquez de Arce y Ceballos. Ediciones Nueva América, Bogotá.

A MEN'S JAEGER LECOULTRE STAINLESS STEEL MANUAL WRISTWATCH Dress watch.Brand: Jaeger-LeCoultre Case reference: 20002 Year: Circa 1960's Movement: Manual, Cal. K885 Dial: Silvered sunburst, silvered applied hours markers markers with black insert, silvered sword hands with black insert, silvered centre seconds hand Material: Stainless steel Bracelet/Strap: Generic brown leather, gilt buckle Signed: Dial, movement, case Dimension: 34mm

A RARE MEN'S BREGUET 18K YELLOW GOLD TOURBILLON WRISTWATCH First Tourbillon.Brand: Breguet Model: First Tourbillon Case reference: 3350AB/12/286 Year: 1996 Movement: Manual tourbillon Dial: Silvered with aperture for the Tourbillon at the six o'clock position, black Roman numerals, black outer minute division, blued Breguet hands Material: 18k yellow gold Bracelet/Strap: Black leather, 18k gold buckle Signed: Dial, movement, case, strap, buckle Dimension: 36mm Accessories: Green Breguet box, Breguet invoice pro-forma, Breguet TagBreguet Tourbillon Ref. 3350 – A Milestone in Horological InnovationThe Breguet Reference 3350 holds a significant place in watchmaking history as the first tourbillon wristwatch produced under the esteemed Breguet name. Introduced in 1988, this model marked a pivotal moment, bringing the legendary tourbillon complication—originally invented by Abraham-Louis Breguet in 1801—into a wrist-worn format.The development of the Reference 3350 was led by master watchmaker Daniel Roth, who played a key role in reviving Breguet’s traditional designs. The watch features all the hallmark characteristics of Breguet’s timeless elegance, including a fluted caseband, an engine-turned guilloché dial, and distinctive Breguet hands. The 36mm case houses the manual-winding Caliber 558 movement, showcasing the tourbillon prominently on the dial side—a technical feat that reinforces its importance in haute horology.A true collector’s piece, the Breguet 3350 is not only a masterpiece of technical craftsmanship but also represents a bridge between historical innovation and modern watchmaking. With its rarity and historical significance, this timepiece is a remarkable addition to any serious collection.

A MEN'S ELECTRION 18K YELLOW GOLD MANUAL WRISTWATCH Art Deco with curved glass Grand Prix.Brand: Electrion Model: Grand Prix Date: Circa 1920's Movement: Manual Dial: Art Deco, silvered, black Arabic numerals, black outer minute division, blued hands, subsidiary dial for seconds at the six o'clock position Material: 18k yellow gold Bracelet/Strap: Black generic leather, gilt generic buckle Signed: Dial, movement, case Size: 22.7mm by 31.7mm

A RARE WWI MEN'S ZENITH 9K ROSE GOLD MANUAL WATCH Trench dust and waterproof.Brand: Zenith dust and waterproof trench watch Year: Circa 1915 Movement: Manual, high regulator balance, compensated balance Dial: White ceramic, black and red Roman numerals, black outer minute division, blued spade hands, subsidiary dial for seconds at the six o'clock position Material: 9k rose gold Signed: Movement Dimension: 35mm During the First World War, the wristwatch as we know it today was born out of necessity. Traditional pocket watches were impractical on the battlefield, leading soldiers and officers to adopt wrist-worn timepieces, which became known as trench watches. These early military wristwatches were adapted from pocket watch designs but featured essential modifications: sturdy wire lugs for a strap, a highly legible enamel dial, and in some cases, improved dust and moisture protection for harsh wartime conditions.This Zenith trench watch, dating to circa 1915, is an exceptional example from the pioneering years of military wristwatches. Encased in 9k yellow gold with a 35mm case, it was likely an officer’s watch—a refined yet highly functional timepiece that blends Swiss precision with early military wristwatch innovation. Unlike standard hinged cases of the era, this watch features a screw-down bezel, an early attempt at making a more dust- and moisture-resistant wristwatch before fully waterproof designs were developedBy 1914, Zenith was already one of Switzerland’s most respected watchmakers, supplying precision timepieces for military and civilian use. During WWI, Zenith played a crucial role in producing high-quality wristwatches for British and Allied officers, applying its expertise in movement-making to the rapidly evolving wristwatch market.While many trench watches were housed in silver or nickel cases, gold-cased examples were rare, often purchased privately by high-ranking officers or gentlemen desiring a refined yet practical timepiece. The screw-down bezel design seen in this watch was ahead of its time, anticipating later waterproof case developments like the Rolex Oyster in the 1920s.

A RARE MEN’S UNIVERSAL GENEVE 18K YELLOW GOLD MANUAL CALENDAR CHRONOGRAPH Dato-Compax.Brand: Universal Geneve Model: Dato-Compax Case reference: 124959 Date: Circa 1940's Movement: Manual chronograph, cal. 285 Dial: Silvered, black outer minute division, gilt leaf hands, blued centre seconds hand for the chronograph, subsidiary dial for seconds at the nine o'clock position, subsidiary dial for chronograph minutes at the three o'clock position, subsidiary dial for the month of the year at the six o'clock position, subsidiary dial for the day of the month with a red hand at the twelve o'clock position Material: 18k yellow gold Bracelet/Strap: Generic brown leather, generic gilt buckle Signed, dial, movement, case Size: 34.5mmIntroduced in the early 1940s, this model was one of the first chronographs to incorporate a full calendar function, making it a highly practical and advanced wristwatch for its time.A Revolutionary Chronograph with a Full CalendarThe Dato-Compax is distinct for its multi-function dial layout, seamlessly integrating a triple calendar into a manual-winding chronograph. This was a groundbreaking achievement in the 1940s, as most chronographs of the era focused solely on timekeeping and stopwatch functionality.Its dial design is both complex and highly legible, featuring:• A date indicator at 12 o’clock, displayed via a red-tipped hand pointing to a 31-day scale. • A continuous seconds subdial at 9 o’clock for standard timekeeping. • A 30-minute chronograph counter at 3 o’clock for precise timing. • A month display at 6 o’clock, providing an additional calendar function.This configuration allowed wearers to track the time, measure elapsed intervals, and stay aware of the date—all within a single elegant wristwatch.

A VINTAGE MEN’S OMEGA MANUAL WRISTWATCH. Black dial with Rhodium insert (tested).Brand: Omega Year: Circa 1935 Movement: Manual, Swiss, 15 Jewels, 26.5 SOB Dial: Glossy black, gilt applied hour markers with rodium applied dots, gilt hands with rodium applied, subsidiary dial for seconds at the 6 o'clock position Material: Stainless steel Bracelet/Strap: Black leather, silvered buckle Signed: Dial, movement, case Dimension: 30.5mm

A LADIES BAUME & MERCIER 18K YELLOW GOLD MANUAL WATCH Vintage oval case.Brand: Baume & Mercier Year: Circa 1980's Movement: Manual, Cal. 550 Dial: Mirror black, gilt Roman numerals, gilt leaf hands Material: 18k yellow gold Signed: Dial, movement, case Dimension: 37mm by 17.5mm

A RARE MEN'S ZENITH STAINLESS STEEL AUTOMATIC CALENDAR WRISTWATCH VictoriusBrand: Zenith Model: Victorius Case reference: SP 1209 4 Year: Circa 1970s Movement: Manual, Cal. 2562 C Dial: Two tone, silvered and grey, silvered applied hour markers with black insert, white outer minute division, silvered stick hands with black insert and luminous insert, silvered centre seconds hand date aperture between the four and five o'clock position with a white calendar disk and black Arabic numerals Material: Stainless steel Bracelet/Strap: Brown generic Signed: Dial, movement, case Dimension: 36mm 36mm.

A MEN'S VACHERON & CONSTANTIN 18K YELLOW GOLD MANUAL WRISTWATCH Vintage.Brand: Vacheron & Constantin Year: Circa 1950's Movement: Manual, Cal. P453/3C Dial: Cream, gilt applied darts hour markers and Roman numerals, gilt sword hands, subsidiary dial for seconds at the six o'clock position Material: 18k yellow gold buckle Bracelet/Strap: Generic black leather strap, 18k yellow gold buckle Signed: Dial, movement, case Dimension: 33.5mm

A VACHERON CONSTANTIN 18K YELLOW GOLD OPEN FACE POCKET WATCH Ultra thin.Brand: Vacheron Constantin Model: Ultra thin Year: Circa 1980's Movement: Manual, ultra thin, Cal. 1015 Dial: White, black Roman numerals, black outer minute division, black hands Material: 18 yellow gold Signed: Dial, movement, case Dimension: 44mm

Wife of Augustus Pugin.- Knill (Jane, third wife of Augustus Welby Northmore Pugin, 1825-1909) [Ursuline Manual], Jane Knill's copy with with her leather label on front pastedown, defective with loss of title and other ff., numerous pp. torn with loss, some repaired with tape, browned and soiled in places, numerous pieces of ephemera relating to the Pugin family tipped-in or loosely inserted, contemporary calf, corners bumped and rubbed, gilt spine, sm. 8vo, n.d. [bookplate dated 1838]; and a small quantity of other related Pugin family material, including letters from Mattie Thunder (Margaret Pugin married George Francis Thunder), folds, v.s., v.d.; sold not subject to return (sm. qty).

Bees.- Chylinski (Dobrogost) The Beekeeper's Manual: founded on the experience, during many centuries of the apiarians in Poland. Dedicated to the Agriculturists of Great Britain, first edition, half-title, lithographed frontispiece and 3 plates of hives and apparatus, 4pp. publisher's advertisement at end, plate at p.34 neatly loose, plates at p.34 and p.68 with a water-stain to upper margin, some spotting, lightly browned, yellow endpapers, original green cloth, upper cover with gilt title within a gilt circular garland, cloth at head of upper joint split, but joint remaining firm, some staining (mostly to upper cover) and fading, [British Bee Books 251; Walker p.13], small 8vo, Wm. S. Orr and Co., 1845.  *** Rare. Chylinski was one of the great Bee-Masters of Poland; a country renowned for its bee-keeping and honey and beeswax production. Here he recommends the use of a large Polish upright hive to British bee-keepers.

Omega - Seamaster Cosmic Gold Tone Vintage Automatic Dress Watch. Omega signed automatic swiss movement. Rolled gold case and aftermarket leather strap. Acrylic crystal. Off white dial with gold hour markers. Dial signed 'Omega Seamaster Cosmic' in black with logo. Caseback signed 'Seamaster Waterproof 166022-TOOL 105'. Comes with owners manual and international guarantee.Sizing Information:Case Diameter (Incl. Crown) - 36mmLug To Lug Distance - 36mmLug Width - 19mmStrap Length - 180mm

SAILOR, THE ARITA, 'KOIMARI RANGIKU' (KORANSHA) AN ARITA YAKI FOUNTAIN PEN Cap and Barrel: Arita Yaki porcelain with black resin grips Nib and Filling System: 21 carat yellow gold nib stamped 21k 875, cartridge converter filling system, uninked Accessories: Sailor Arita wooden box with bottle of ink and porcelain pen stand, Sailor Instruction and Warranty/Repair manual and outer card box Condition Report: Uninked and as new. The packaging is almost mint. Condition Report Disclaimer

SAILOR, TWO WOOD FOUNTAIN PENS DENSHIRO KABAZAIKU (CHERRY WOOD) Cap and Barrel: Cherry wood with back resin and gilt grips and clip Nib and Filling System: 14 carat yellow gold nib stamped 14 585, cartridge converter filling system, uninked Accessories: Sailor card box, Sailor Instruction and warranty/Repair manual, with bottle of ink and outer card sleeve YOSEGI ZAIKU Cap and Barrel: geometric pattern of four coloured woods with gilt fittings and clip Nib and Filling System: 14 carat yellow gold nib stamped 14 585, cartridge converter filling system, uninked Accessories: Sailor box, Sailor Instruction and warranty/Repair manual, with Yosegi Zaiku cartridge holder box and outer card sleeve Condition Report: Both pens uninked with no signs of wear, no damage and no defects. Some light storage wear to the packaging. Condition Report Disclaimer

A COLLECTION OF PENS To include: WORCESTER PEN, FUSION UNION SWIRL A FOUNTAIN PEN Cap and Barrel: Blue marbled pen with red and white Nib and Filling System: Stainless steel 1.1mm stub nib, cartridge filling system, uninked Accessories: Cartridge converter PLATINUM, 3776 CENTURY BOURGOGNE A SPECIAL EDITION FOUNTAIN PEN Cap and Barrel: Red translucent cap and barrel, gold plated clip and cap band Nib and Filling System: Fine yellow gold coloured nib stamped 14K 585, cartridge filling system, uninked Accessories: Platinum box, cartridge converter, card outer box, ink cartridge, users manual PLATINUM, 3776 CENTURY A BLUE CHARTRES FOUNTAIN PEN Cap and Barrel: Blue translucent cap and barrel, gold plated clip and cap band Nib and Filling System: Broad yellow gold voloure nib stamped 14K 585, cartridge filling system, uninked Accessories: Platinum box, cartridge converter and outer card box PLATINUM, 3776 CENTURY, KUMPOO A LIMITED EDITION FOUNTAIN PEN, NO. 2092/2500 Cap and Barrel: Translucent turquiose cap and barrel carved with waves, white metal clip and cap band Nib and Filling System: Soft medium white gold coloured nib stamped 14K 585, cartridge filling system, uninked Accessories: Platinum box, users manual, blotting card, cartridge converter and outer card box And three other Platinum pens Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer

SAILOR, 1911, PROFESSIONAL GEAR A BLACK FOUNTAIN PEN Cap and Barrel: Matt black with oxidised fittings Nib and Filling System: Titanium plated white gold, stamped 21K 875, cartridge converter filling system, apparently uninked Accessories: Sailor box with bottle of ink, Sailor Instruction and Warranty/Repair manual, and outer card sleeve Condition Report: Apparently inked, with glitter visible in filling system. Otherwise apparently unused. Packaging in good condition, but outer card sleeve has small tear. Condition Report Disclaimer

HAMILTON A STAINLESS STEEL BRITISH MILITARY WRISTWATCH, NO. W10-6645-99 523-8290 4599/75, CIRCA 1975 Movement: Manual wind Case: Single piece case, fixed bars Dial: Black Strap: Unsigned grey Nato strap with pin buckle Size: 36mm Signed: Dial Accessories: None Condition Report: Movement is currently functioning. We have been unable to gain access to the movement to be able to report its condition. Dial appears to be in an average condition with some light marks and scratches when viewed under a 4x loupe. Hands show marks and tarnishing when viewed under a x4 loupe. Glass has some scratches and marks when viewed under a 4x loupe. Case shows light scratches and marks. Crown has light scratches and marking. Strap appears to be in good condition with minor marks and creasing. Buckle appears to be in good condition with minor marks and scratches when viewed under a 4x loupe. This lot does not come with box or papers. Dreweatts 1759 do not guarantee the working order or accuracy of any lots sold. We recommend this watch is tested by a qualified technician to ensure any stated water resistance is achieved. If you should have any further questions regarding this lot, please contact the Watch Department on 01635 553 553 or at watches@dreweatts.com                       Condition Report Disclaimer

Longines; Oposition Stainless Steel Wristwatch, the signed dial with baton markers and date aperture window, on a brick link bracelet with foldover deployment clasp, caseback Ref No. L3 617 4, in original watch and outer box, with guarantee card, care card and manual.The gents wristwatch is 3.5cm case diameter (excluding winder). Unable to confirm if working due to quartz movement. Hands and date operating currently. It is 7.5cm bracelet length on each side, from lugs to fully functioning clasp.

Constantin Weisz; Automatic Gent's Wristwatch, the signed mother of pearl dial with baton markers, date aperture window and moonphase subsidiary dial, on a grey leather strap, caseback ref No. 19A476CW, partially visable movement stamped "Constantin Weisz Automatic 29 Jewels", in original box with warranty card and manual.

Vostok; Energia Rocket Stainless Steel Gent's Wristwatch, the signed grey textured dial with luminous baton markers, two subsidiary dials and date aperture window, within rotating bezel, on a brick link bracelet with foldover clasp, caseback stamped "Energia Rocket The Most Powerful Space Launcher in History" "Tritium Illumination" "Water Resistant 30 ATM Helium Release Valve", ref No. 0059-3000 MB-Microtec H3, in hardback carry case with spare Vostok strap and instruction manual.

Swatch; 007 Villain Collection 'Blofeld' Wristwatch, with guarantee certificate and instruction manual, boxed.

Swatch; 007 Villain Collection 'Zao' Wristwatch, with guarantee certificate and instruction manual, boxed.

Sturmanskie; Gagarin 50th Anniversary Stainless Steel Gent's Wristwatch, the signed dial with Arabic numerals, on a brown leather strap, caseback No. 1014/2000, in novelty watch box with instruction manual and leather tag.

Earnshaw; Padstow Forestry Green Stainless Steel Automatic Gent's Wristwatch, the signed skeleton dial with Roman numerals, on a green leather strap, caseback Ref No. ES-8149; Together With Another Earnshaw Stainless Steel Automatic Gent's Wristwatch, on a brown leather strap, caseback Ref No. 8011, both in original boxes with warranty cards and instruction manual. (2)

A Casio Computer Quartz CQ-1. In Original Packaging, With Operation Manual. Untested. A Bit Of Marking / Scuffing To Box Noted.

Junghans Mega watch, radiocontrolled, with a steel case, attached to a black leather strap. Quartz, Working. ø case 35 mm. Some traces of use. In box with manual. ref 25 4220 302.

A lady's bracelet watch by Girard-Perregaux, the oval blue two-tone dial with silvered Arabic numerals, to a jewelled manual wind movement numbered 7919942, on a tapered textured bracelet, dial, movement, case and bracelet signed, the case stamped '18K 0,750' with Swiss gold mark, the bracelet stamped '750', case width 2.05cm, total length 18cmGross weight of bracelet, case and glass only approximately 35gm.

A lady's 9ct gold 'Precision' bracelet watch by Rolex, the rectangular dial with gilt Arabic numerals, to a jewelled manual wind movement, the case numbered 315180 and inscribed, on a fancy-link bracelet, dial, movement, case and bracelet signed, case width 1.35cm, total length 16.5cm Movement and hands only: movement currently winds and runs but working order has not been tested and cannot be guaranteed. The hands can be set by the winder but the winder isn't signed and may be a later replacement. Gross weight only, including movement and dial, approximately 16gm.

Two wristwatches by Longines, the first with circular silvered dial and black insert baton markers, to a jewelled manual wind movement numbered 53985281, the case stamped '14K' and numbered 9227 528 462490, inscribed, the dial, movement and case signed, on an unassociated strap, the second of similar design, with subsidiary seconds dial and jewelled manual wind movement, the case stamped '14K' and numbered 751475 and 1061, inscribed, the dial, movement and case signed, on an expanding bracelet, watch case widths 3.1cm and 3.2cm respectively (2) Black strap watch 26gms approx including the strap. Stiff to wind, does not tick or run. May require attention.Metal strap watch 42g approx overall including the strap. Movement appears to be currently running but we do not guarantee it to be in working order.

A diamond cocktail watch, the rectangular silvered dial with Arabic numerals, to a scroll engraved case with single-cut diamond set bezel and jewelled manual wind movement, the case stamped 'PLATINE' and numbered 22105 6142, on a black fabric strap with rose-cut diamond set clasp, case width 1.2cm

Two 9ct gold bracelet watches by Omega, the first with cushion-shaped gilt dial with black insert baton markers, to a calibre 485 jewelled manual wind movement, on a tapered textured bracelet, case numbered 1061 and 7115686, hallmarked for London 1971, dial, movement and bracelet clasp signed, the second with circular silvered dial with baton markers, to a calibre 661 automatic movement, on a tapered lattice decorated bracelet, case numbered 1061 7515086, also hallmarked for London 1971, dial and movement signed, watch case widths 1.4cm and 1.7cm respectively (2)Approximate gross weights only (excluding movements): first watch 14.5gm, second watch 17.5gmMovements only: first watch runs when wound, second watch runs. Both movements have not been tested for time keeping and working order cannot be guaranteed.

A lady's 9ct gold bracelet watch by Rotary, the circular dial with baton markers, to a jewelled manual wind movement, together with two 9ct gold cased wristwatches, each on an expanding baton-link bracelet, a 9ct gold cased wristwatch by Tissot, on an unassociated leather strap, and three further wristwatches, first watch total length 18cm (7) Gross weight of first watch only (excluding dial and movement) approximately 10.5gm. Arabic numerals example heavily worn, winds and ticks. Movement appears to be currently running but we do not guarantee it to be in working order. Strap altered and replaced. Some links have been repaired. Bears 9ct hallmark   Roman numeral example heavily worn. Does not appear to wind or run. Movement would require attention. Wonder may be replaced. Bears 9ct hallmark. 

A chronograph wristwatch by Rone, the circular silvered dial with alternate gilt Arabic numerals and baton markers, subsidiary dials at 3 and 9 and outer scales, to a jewelled manual wind movement, dial signed, on an unassociated expanding-link bracelet, case width 3.7cm

A lady's 9ct gold 'Royal' bracelet watch by Tudor, the circular signed silvered dial with gilt baton and arrowhead markers, to a manual wind movement, on a chevron-link bracelet, the clasp signed ROLEX and B&S, hallmarked for Birmingham 1963, accompanied by maker's box, case width 1.65cm, total length 17.5cmMovement only: runs when wound but working order has not been tested and cannot be guaranteedGross weight only: (including movement) approximately 11.6gm

A stainless steel wristwatch by Omega, the black circular 'crosshair' dial with luminous baton markers, luminous insert white hands and centre seconds hand, to a manual wind movement, on a black strap, dial and strap signed, case width 3.1cm Movement only: currently runs when wound, but time keeping and working order have not been tested and cannot be guaranteed. Please note that the case back has not been removed and therefore the inner case and movement have not been viewed. Originality of the movement, case and case back cannot therefore be guaranteed.Winder only: currently functioning but is not signed and appears to be a later unassociated replacement.

A 9ct gold lady's bracelet watch, the circular dial with Arabic numerals and subsidiary seconds dial, signed PRESTEX, to a jewelled manual wind movement, on a fancy-link bracelet, case width 2.1cm, total length 17cmGross weight only (including dial and movement) approximately 18.6gm

A stainless steel cased wristwatch by Ulysse Nardin, circa 1950, the circular with gilt Arabic numerals and subsidiary seconds dial, to a jewelled manual wind movement numbered 241811, dial and movement signed, the case back numbered 48?000, inscribed, on a later unassociated strap, case width 3.05cm

A 9ct gold cased watch head by Rolex, the circular silvered dial with red and black Arabic numerals, (minute hand deficient), to a manual wind movement, the case with London import marks for 1915 an exterior inscription dated 1916, movement and case signed, on a later unassociated strap, case width 2.75cm

A stainless steel wristwatch, the circular silvered dial with Arabic numerals, blued steel hands and centre seconds hand, bearing later 'Omega' signature, to a calibre 30 T2 SC manual wind movement numbered 9902155 and signed Omega, with Dennison case back numbered 13322 and 8160, inscribed, on a later unassociated strap, case width 3.3cmMovement only: currently runs when wound, but working order has not been tested and cannot be guaranteed.

A lady's 9ct gold cased wristwatch by Rolex, the circular engine-turned dial with black Arabic numerals, to a jewelled manual wind movement, the case with Glasgow import marks for 1924, numbered 01423, the dial, movement and case signed, on a later unassociated strap, case width 2.5cm Movement only: does not wind, tick or run and requires repair.  Winder only: does operate hands but is not signed and may be a later replacement.

A 9ct gold cased wristwatch, the circular gilt dial with Arabic quarters, arrowhead markers and subisidary seconds dial (hand missing), to a jewelled manual wind movement by Girard Perregaux, the case hallmarked for London 1959 and numbered 800072, on later strap, together with a 9ct gold cased wristwatch by J W Benson, and a 9ct gold cased wristwatch by Elco, first watch case width 3.1cm (3)

A 9ct gold bracelet watch, the circular dial with gilt Arabic numerals and subsidiary seconds dial, to a jewelled manual wind movement, the dial and movement signed Cyma, with Dennison case hallmarked for Birmingham 1950, numbered 11100 and 347562, inscribed, on a brick-link bracelet, case width 2.7cm, total length 21cmGross weight only (excluding dial and movement) approximately 27gm

A diamond cocktail watch, the circular silvered dial with black Arabic numerals, to a manual wind movement, the case and openwork geometric shoulders set throughout with single and baguette-cut diamonds, stamped 'ALL PLAT', on a black cord strap, total length of case and shoulders 5cm, case width 1.6cm Movement only: currently winds and ticks but is untested for working order, which cannot be guaranteed. Movement only: currently winds and ticks but is untested for working order, which cannot be guaranteed.The only mark we can see is the "all plat" which is clearly visible behind the movement inside the case.  We cannot guarantee the setting of any of the stones, this is a second hand piece in worn condition. Diamonds have variable colour and clarity. Some stones with chips and surface reaching fractures and are assumed to be natural. The articulation within the shoulders is stiff and is likely that the shoulders may have been repaired at some point. Both shoulders are out of shape. There is some wear and scratches to the glass case has signs of wear and some scratches. We do not believe the strap is original. 

A lady's 9ct gold bracelet watch by Omega, the circular silvered dial with baton markers, to a calibre 484 manual wind movement, the case numbered 1061 and 7115674, on an abstract openwork bracelet, dial, movement and case signed, the case and bracelet hallmarked for London 1969, accompanied by maker's box, case width 1.65cm, total length 15.5cmGross weight only (including dial and movement) approximately 17.8gm

A set of Chinese wood-engraved albums, Shi Zhu Zhai Jian Pu (Ten Bamboo Studio Letter Paper Manual), published by Beijing Rongbaozhai in 1952. Comprising four volumes of small folio books, most pages printed in color, measuring 31 × 21 cm. Each volume features gold-splashed cover pages with title labels to the upper cover, housed in an embroidered silk folding case with bone clasps.Notes: Comparable versions can be found in the University of Cambridge Library (FH.20.75-76) and the Needham Research Institute main library collection. See also previous auction results at Bonhams (14 March 2016, Lot 8124) and Sotheby’s (28 July 2020, Lot 231).Shi Zhu Zhai Jian Pu is a renowned printed art book from the late Ming dynasty, created by the artist and publisher Hu Zhengyan (胡正言) around 1633. It is among the earliest known examples of multicolored woodblock printing, featuring exquisite designs of decorative letter papers adorned with delicate paintings and calligraphy. The manual includes motifs of flowers, birds, landscapes, and auspicious symbols, reflecting the refined aesthetics of literati culture. Shi Zhu Zhai Jian Pu is celebrated for its pioneering printing techniques, artistic elegance, and significant influence on later Chinese and Japanese print traditions.《十竹齋箋譜》雕版印刷 四卷 一九五二年版Provenance: From a family inheritance The albums are preserved in excellent condition with no noticeable damage or repairs. Some light water marks are visible on the top of the case and on some pages of volume 4 (see images). 本套書譜品相極佳，無明顯破損或修補，書盒上部及第四冊部分頁面有輕微水漬（見圖片）。

An open faced and silver cased ladies manual wind pocket watch with white enamelled face having roman numerals and gilt and silver'd decoration, import date letter for 1913; along with a 1945 and a 1936 half silver shilling.Location: A4BIf there is no condition report shown, please request

ATN X-Sight 4K 5-20 x day and night vision rifle scope, comes with original box, manual, mounts etc.

A Bowman manual clay pigeon trap with integrated seat.

Four hundred + cast soft lead bullet heads, for Ruger Old Army percussion pistol plus manual.

Lego Star Wars Executor Super Star Destroyer, 10221, previously built and recently deconstructed, bricks have been placed back into original polybags, and comes with Dengar, Admiral Piett, IG-88, Bossk, Darth Vader and Crew (x5) mini-figures, name plate, instruction manual and original box.

Behringer Deepmind 12 analogue polyphonic synthesizer, 49 half weighted keys, length 80cm, in original box with power lead and manual.

Roland MC-707 Groovebox music sequencer with drum machine and synth capabilities, in original box with manual, power supply and cables.