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A Rolex cushion cased 9ct gold gentleman's manual wrist watch1930s, the circular 21mm. silvered dial signed 'Rolex', with black Roman numerals and subsidiary seconds dial at six, in a 28 x 27mm. tonneau shaped cushion case, on replaced 9ct gold and leather strap.* Condition: Watch winds and runs. Dial is clean but there are some scuffs and scratches to the silvering showing bright metal beneath, which are most noticable at an angle to light. The glass has some old superficial scratches but they are not unsightly. Case has a small flaw (a small hole in the metal) at the lower right corner - possibly evidence of an old repair. There are some old, small polished-in scratches elsewhere. Case back free of dings or dents - just light surface scratching. Case edge joint just to right of crown has some small nicks from use of an opening tool. Winding crown is not marked and is gold plated - the plating is quite worn. Strap later and in fair condition - evidence of heavy wear.
A Mamiya 645 Pro TL Outfit, serial no. CE1003, black, shutter working, body, G-VG, with WG401 power winder, F-G, working, and 120 film backs (3), additional film inserts (2), Polaroid back, cable release, finder mask, manual winder, 2x M45 Teleplus MC6 converter and Mamiya lenses; a Mamiya Sekor-C 80mm f/2.8, a 80mm f/4 Macro, a 150mm f/3.5,a 300mm f/5.6, barrels, G-VG, elements, G-VG
A 1969 Jensen Interceptor Series I, registration number 42 LOF, chassis number 115-3211, aubergine. First shown to an appreciative general public at the October 1966 Earls Court Motor Show, the Touring of Milan designed Interceptor certainly caused a sensation. Initially built by Vignale of Turin, the Interceptor was quickly taken back and assembled in house due to quality control issues. The Series I Interceptor would remain in production until October 1969 when the Series II became available. This example we have the pleasure of offering for auction is somewhat different from the normal Interceptor, as it has been re-built and upgraded to a unique specification. Thirteen years ago the car was completely stripped and re-built by a South Coast Classic Car Company as a feasibility study into the possibility of producing and marketing a more modern, more economical and reliable Interceptor. Although the car proved very successful, due to other business commitments the project did not go ahead and this prototype has been kept by the company ever since and is one of a kind. The original 6.3 litre V8 Chrysler engine and three speed automatic transmission have been replaced by a Buick derived 4 litre V8 engine with a five speed manual transmission. This reduced the weight of the car considerably still giving the car more than adequate performance and much improved MPG. The original rear axle was retained, as was the rear suspension with new springs and adjustable shock absorbers. The front end of the car is as per Mk III Interceptor incorporating better suspension also with adjustable shock absorbers, vented disc brakes and power assisted steering. The car is also fitted with a stainless steel exhaust system throughout. The bodywork was fully rebuilt at the time and incorporated some alterations including different rear light assembles, front side lamps and indicators, front grill, front bumper, front wing air vents, bonnet air scoop and electric sun roof. Stainless steel finishing's to many areas included the body sills, door shuts etc. The car is also fitted with sundym glass to all windows. The interior was fully trimmed in grey and maroon leather with changes to the centre switch panel, the fitting of separate oil and water gauges and colour coding throughout. The present condition of the car is said to be excellent in all respects as it was completed some eleven years ago. No remedial work whatsoever has been necessary or done since the restoration, which bears testament to the quality of the re-build. This superb example of an iconic 1960s GT car, with much improved driving and handling, far better MPG and easier maintenance has none of the usual unreliability of the original cars and is unique. This Jensen will be offered with its transferable registration number. V5C, MOT to July 2019, tax exempt See back cover and other illustrations
Rolex: A vintage Oyster Perpetual stainless steel manual wind wristwatchThe signed white textured dial with rose tone tapered baton and Arabic numeral hour markers, with rose tone hands and a central black seconds hand, to a non-original brown strap, AF, case diameter 31mm CONDITION REPORT: Regrettably we are unable to remove the back of any watches to reveal movementThe second hand does move when watch is shakenCrown deficientProbable replacement pinsCase lightly to moderately scratched would benefit from a polish
Omega: A stainless steel manual wind 'Bullseye' wristwatchThe signed dial with a concentric design, with white hour markers and an orange outer minute track, the white hands with luminous inserts and a central orange seconds hand, to an exaggerated oval case and non-original perforated strap, the reverse inscribed, with a spare strap, case length 44mm
The SHIP-MASTER'S ASSISTANT and Owners Manual . . . 7th edition, considerably improved and enlarged . . . by a Gentleman of the Inner Temple. 2 engraved plates. 1796; bound with New and Complete Tables of the Net Duties Payable . . . old calf, rebacked with panelled spine, 1796. * as sometimes found together - the publisher of both being David Steel, at the Navigation Warehouse . . .
ref. 6239,chronographe, bracelet en acier. Boîtier rond avec fond vissé et poussoirs lisses. Cadran deux tons blanc et noir avec trois compteurs pour l'indication des heures,minutes et secondes, index 'bâton' appliqués avec chiffres 'point' et aiguilles luminescents, chemin de fer 1/5e de secondes. Mouvement mécanique Diam. 36 mmFINE STAINLESS STEEL MANUAL WINDING CHRONOGRAPH WRISTWATCH, 1966 CIRCALes lots marqués par le symbole § font l’objet de cet avis important concernant l'importation aux États-Unis. Art Contact - Wannenes ne peut pas garantir la livraison des montres Corum, Rolex, Piaget ou Franck Muller aux Etats-Unis car la loi américaine impose des restrictions importantes à l'importation de montres Corum, Rolex, Piaget ou Franck Muller. Les acheteurs ou leur agent désigné peuvent retirer les lots achetés dans le pays de vente.Lots with this symbol § are subject to this important notice regarding importation into the United States of Corum, Rolex, Piaget or Franck Muller watches. Art Contact - Wannenes cannot arrange for the delivery of Corum, Rolex, Piaget or Franck Muller watches to the United States because U.S. laws restricts the import of Corum, Rolex, Piaget or Franck Muller watches. The buyer or a designated agent may collect the property in the country of sale.
Late 19th century mahogany and brass Studio plate camera with Cooke Portrait Anastiigmat 15inch 380m Series 11 E f/45 lens No.221191 & Taylor, Taylor And Hobson Cooke 121/2 inch Portrait lens f/3.5 Series 11.A. No.97957, manual shutter release, on Century cast iron and stained wood adjustable stand, H173cm, W73cm, D80cm Condition Report CameraExpected age related wear & marks, bellows with some holes, some losses of nuts and fittings generally Fair condition.StandExpected age related wear & marks.Lenses221191. Marks and fungus, faults to lacquer 97957. faults to lacquer
Stuart Armfield (1916-2000) Still life of artichokes, gourds, corn cobs, black grapes and red peppers on a wooden table, Signed, tempera on board, 59.5cm by 121cm Born in Sanderstead, Surrey, Armfield studied at the West of England College of Art, Bristol. From 1935-40 he was on the art staff of Ealing Studios. His career started in the film industry in Paris and it was here from his cousin Maxwell Armfield that he learned the tempera technique for which he was renowned. He later wrote the manual ''Tempera Painting''. Following his move to Cornwall in 1942, Armfield became a professional artist exhibiting at the Royal Academy and with the St Ives Society of Artists. Armfield lived in Polperro, Looe and eventually Plymouth. Armfield was a Quaker pacifist and a conscientious objector in World War II. After the war his work took on a significant symbolist theme. James Coleman Fine Art held an eightieth-birthday retrospective in 1996 and a memorial show following his death in 2000.
Set of Four NEW Zenith Compact Cameras. (condition 1B). Comprising ZENIT 510 f4.5 35mm lens. Only 12.850 produced. Serial numbers/Princelle Book codes: 00010672 (Kr); ZENIT 520 f4.5 35mm. Only 11.795 produced. Serial numbers/Princelle Book codes: 00011658 (Kr); ZENIT 610 f4.5 35mm lens. Only 8.844 produced. Serial numbers/Princelle Book codes: 01013197 (Kr); ZENIT 620 f4.5 30mm lens. Only 9,100 produced. Serial numbers/Princelle Book codes: 00008779 (Kr). All new and unused. Each with case, box & manual.
MC MIR-20M f3.5 20mm M42 Mount Lens, with Nikon Adapter. (condition 4E). c1995. Auto/manual operation on M42, infinity focus just possible on Nikon with supplied adapter, Nikon close focus excellent. With case, caps & 3 filters (not shown). Serial numbers/Princelle Book codes: 951205 (Kr) K1550.
GREY 1968 FS-3 Photosniper Outfit. Complete set. Slight paint loss to grey finish. Case, filters, straps, manual etc. With TAIR-3-FS f4.5 300mm lens. Serial numbers/Princelle Book codes: (Kr) 6793 (Kr) K2055. Also includes HELIOS-44 f2.0 58mm lens (condition 5F). Serial numbers/Princelle Book codes: 68004220 (Kr) K2311 0466122 (Kr) K1750.

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80914 item(s)/page